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News News Feature

MAD AS HELL

BUSH’S PRIVATIZATION GURU: A NINE-YEAR-OLD!

For five years, the country has suffered the boners, smirks and swaggers of the First Dimwit. While the world is aghast, we have suffered “nookyulur”, “Amurka”, and “they misunderestimated me”. Let’s face it, Bush makes Dan (Mr. Potato Head) Quayle look like Mensa material.

But finally, George W has

found an intellectual peer. It seems quite appropriate that the highly esteemed Yale graduate with the distinguished war record has enlisted the mature and gifted mind of a nine-year- old to convince the unsophisticated masses that the most glaring problem of the day is a Social Security fund which will be solvent, by government estimates through 2042.

The Republicans have recruited young Noah McCullough to fight their idealogical battle to privatize Social Security and finally dismantle the New Deal. Talk about gravitas. The White House dismisses the likes of economics professor and New York Times columnist Paul Krugman, Democratic members of Congress, and the AARP as unworthy of expressing an informed opinion, but rally around the ridiculous sensibilities of a nine-year-old. What would we have done without this opportunity to consult America’s future about the manner in which we conduct our domestic economic policies?

Noah, a wiz-kid TV novelty act from suburban Houston, began campaigning for Bush during the election of 2004. When word got out the fourth grader, a veritable encyclopedia of presidential and historical trivia, was a self declared Republican, a right wing think tank calling themselves “Progress for America” engaged him as their new lobbyist. As a resident in House Majority Leader Tom DeLay’s district, DeLay arranged for the funding of a family trip to Washington and then, throughout the country to make appearances advocating for the privatization plan. In a recent interview, the young politico told a gushing, giggling Katie Couric his mother is a Democrat. Yeah, sure, and pigs fly, Noah.

Having a nine-year-old lecturing on Social Security is just another craven act of manipulation by this administration. Patriotism, religion, race, and gender have all been exploited in the Bush PR meat grinder. So now we can have children being used for political gain.

While this wunderkind is out front and center parroting the Republican party line, will he talk about the collapsing dollar which is driving the price of gasoline to $3 a gallon?

Will he lead the discussion on the sky-rocketing property tax increases throughout the nation resulting from the administration’s failure to fund the local communities cost of implementing

its ineffective education policies?

Are these concepts that we should expect young Noah to understand? If not, how then, can we expect any more from George W. Bush?

Usually, there is poetic justice in looking to children for answers. Hopefully, this young squire, with more than 3,000 books in his collection, will have read a copy of The Emperor Has No Clothes and will ask George W. to explain that fairytale for us.

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We Recommend We Recommend

monday, 7

Some years ago, John Griffin, architectural designer and writer of the Flyer‘s Hot Properties column, described stepping into a room at a site he was reviewing. “The music doesn’t stop,” he wrote, “but it sure does swell.” As the line suggests, Griffin has boundless enthusiasm for the well-crafted, a trait he recognized in the grand but neglected homes of the Greenlaw area in North Memphis. He’s lived in and refurbished several homes in the neighborhood for nearly 30 years. He’ll be delivering a lecture, “The First Developed Neighborhood in Memphis: Greenlaw and the Pinch,” as part of the Memphis Heritage Great Neighborhood series, 7-8:30 p.m. at the Junior League of Memphis.

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News News Feature

FROM MY SEAT

TOURNEY TEASERS

Consider this your one-stop viewerÕs guide for the 10th annual Conference USA basketball tournament, to be held this Wednesday through Saturday at FedExForum. All the facts you may have thought you knew, but didnÕt.

The first C-USA tourney was held right here in Memphis, at The Pyramid in 1996. In what remains the best championship game to date, Cincinnati beat Marquette, 85-84, in overtime. The BearcatsÕ Danny Fortson (now of the Seattle SuperSonics) was named the tournamentÕs MVP, the first of four Cincinnati players to be so honored.

Over its first nine years, the tournament has been dominated by Bob HugginsÕs Cincinnati program. (Huggins is the only coach to have been on the bench in every C-USA tourney.) The Bearcats were the top seed in each of the first seven tournaments and have won four championships (1996, Ô98, 2002, Ô04). They lost in the 2001 championship to Charlotte.

Only twice has a top seed lost its opening game. In the 2000 quarterfinals, ninth-seeded Saint Louis upset Cincinnati, and in 2003 Marquette was beaten by another nine seed, UAB. But take note: those Golden Eagles went on to reach the Final Four.

The lowest seeds to ever reach the finals were a pair of nines. Saint Louis beat third-seeded DePaul for the trophy in 2000. UAB lost to Louisville in 2003.

Only one C-USA scoring champion has played for a tournament champ. CincinnatiÕs Steve Logan averaged 22.0 points per game in 2001-02 and the Bearcats beat Marquette for the title.

This has not been a fun tournament for the University of Memphis. Only three times have the Tigers reached the semifinals, losing to Marquette in 1996, Cincinnati in 2001, and Louisville in 2003. On five occasions, Memphis has lost its opening game of the tourney (including last year when, as the second seed, they lost to Saint Louis, 72-61).

Among C-USAÕs 14 schools, only three have failed to reach the semifinals on at least one occasion: TCU, South Florida, and East Carolina. The Pirates have yet to win a single tourney game, and wonÕt this year as they failed to qualify.

After Cincinnati, the most successful tourney squad has been Charlotte. The 49ers have reached the championship game four times, winning the title in 1999 and 2001.

The lowest-scoring championship came in 2000 at The Pyramid, when those underdog Billikens beat DePaul, 56-49. On two occasions, a single team placed three players on the all-tournament team. In 1998, CincinnatiÕs DÕJuan Baker, Michael Horton, and Kenyon Martin made the squad. A year later, Charlotte placed Diego Guevara, Kelvin Price, and Galen Young on the team.

Memphis has placed only two players on the all-tournament team: Lorenzen Wright in 1996 and Kelly Wise in 2001.

The single-game scoring record is 37 points, by Larry Hughes of Saint Louis in a 1998 quarterfinal game against UAB. The Billikens lost to the Blazers, 76-74. (Steve Logan scored 32 points against Memphis in a 2001 semifinal.) The Memphis record is 27 points by Lorenzen Wright against Marquette in the 1996 semifinals.

Winning the C-USA tournament does not bode well for a teamÕs prospects in the Big Dance. Only once has a tourney champ advanced beyond the second round of the NCAA tournament. In 1996, Cincinnati reached the regional finals.

Memphis has been an equal-opportunity loser over the course of the tourneyÕs nine-year history. Eight different teams (Marquette, Southern Miss, South Florida, DePaul, Cincinnati, Houston, Louisville, and Saint Louis) have eliminated the Tigers. Only Marquette has done so twice.

The TigersÕ four C-USA tournament wins have been over DePaul (in 1996), South Florida (in 2000), Marquette (in Ô01), and USF again (in Ô03).

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We Recommend We Recommend

sunday, 6

Teacher, critic, and host of the NPR show Fascinatin’ Rhythm, Michael Lasser will give a talk about the intertwining of popular music and art in conjunction with the Dixon’s “Strokes of Genius: Master Works from the New Britain Museum of American Art” exhibit, 2 p.m. at the gallery. The National Ornamental Metal Museum gathers a hodgepodge of its silver works for “Our Family Silver,” opening this afternoon 3-5 p.m. The Memphis Soul Revue plays Huey’s Collierville tonight at 8 p.m.

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We Recommend We Recommend

saturday, 5

Stage Management Workshops noon-2 p.m. at Theatre Memphis. Wolf River Conservancy Art Auction, featuring river-themed art and music from Amy & the Tramps, 7-10 p.m. at the Midtown Artist Market. U of M men’s basketball team takes on Cincinnati at the FedExForum.

Categories
News News Feature

MAD AS HELL

BEYOND BUBBA

“New Strategies for Southern Progress” was the name of a recent conference of regional Democratic political leaders and others in North Carolina. According to reports, their goal was to “identify pragmatic and innovative solutions to the region’s toughest problems” and more boldly, to “chart a new progressive vision for the region.” According to The Nation magazine, the “attendees left visibly conflicted on some fundamental questions: What kind of politics can – and should – win in the region? And what are our bedrock values and long-term vision for the future?”

If these well meaning folks are hoping to come up with some new ideas on how to jump political hurdles with white, Christian fundamentalist voters in Dixie, they’ve got themselves a heaping helping of challenge on their plates. The task of politically endearing the majority of the South to anything other than misguided conservatism will be a struggle for even moderate candidates.

Wide swaths of the Southern population have checked out to the hinterland. While urban sprawl has been around for years, in this era of Bushification with double speak buzzwords like “ownership society” and “people of faith”, this lifestyle choice has taken on new disturbing dimensions. It is particularly admired and desired in the reddest Republican states.

Abandoning the city centers from which their incomes are derived, many middle class Southerners have established frontiers of denial in which political, economic, and religious diversity is feared and loathed. The outskirts are not complete without a Christian mega church to provide a one-stop center for all social interaction and to reinforce the idea that doing the Lord’s will means voting Republican. Typically, when these remote pieces of heaven become aging, congested, hamlets filled with parkways of strip malls and fast food outlets, God once again comes a’calling for the congregations to move on to farther environs in order to seek harmony with their own kind.

The attempt to capture the imaginations of this segment of the Southern population will be a tough nut to crack for progressives. Some have suggested that the discussion of religious faith will cause the base of the Democratic Party in blue states to bolt; however, in the South, references to religion will be unavoidable, as it is the overarching force within the culture. As a matter of fact, Democrats should use the parlance of religion to their advantage.

For example, take the word “saved”. A word commonly used by Christians to describe spiritual status should be used to discuss the nation’s temporal status. We should save America from perpetual war. The nation’s sick children should be saved from suffering by being given healthcare. We should save Social Security so seniors can live with dignity instead of in poverty.

When Howard Dean, the newly elected chairman of the Democratic Party showed up in Mississippi last week, it was a fresh start for progressive politics. Because he understands its gravity to the voters, Dean talked about issues in terms of moral and religious choices. Engaging in dialogues by communicating with language that matters will be the first step in persuading Southerners to rethink their attitudes and to realize that living the American dream is our salvation, but in order to have it, we must work for the general welfare of the entire country and greater good of all.

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friday, 4

Tonight and tomorrow night, Taylor 2, the traveling troupe of the Paul Taylor Dance Company, will perform at the Buckman Performing and Fine Arts Center as part of its 50-state tour in honor of its 50th anniversary. The Buckman is the only venue in Tennessee taking part in this celebration. Art openings tonight include “Paintings and Dry Colors” by Burton Callicott and “Anamnesis,” drawings by Kathleen Holder, at David Lusk Gallery; “Windows Without Walls,” photography by Dean Lanning at Circuit Playhouse; and “Fresh Paint,” work from U of M graduate student Jada Thompson at Republic Coffee House. The Grizzlies play the Toronto Raptors.

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News The Fly-By

BE PREPARED

From a recent press release: “Oliver North, a combat-decorated Marine officer, former host of the radio’s Common Sense, and the host of War Stories on the Fox News Channel, will be the guest speaker at the Chickasaw Council of the Boy Scouts’ ‘Friends of Scouting’ dinner Wednesday, March 2nd at the University of Memphis Holiday Inn.” The release goes on to list North’s many feats of derring-do and states, “In the 1980s, North was a key figure during the Congressional Iran-Contra investigation.” May we assume that “key figure” means “investigated for abetting Contra terrorism in Nicaragua as part of an illegal operation that put weapons into the hands of anti-American despots in the Persian Gulf?” Or is that just over the top? — Chris Davis

Plante: How It Looks

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Opinion Viewpoint

Double Duty

With Shelby County’s debt having reached an unprecedented $1.7 billion, Mayor A C Wharton and the Shelby County Commission are devoting much-needed attention to proposals that will generate additional revenues for the county without increasing property taxes.

In January, the commission voted 11-0 to ask the state legislature to allow Shelby County to enact a county-wide tax on real estate transfers, which would generate an estimated $18 million to $20 million in new revenues each year.

A second, temporarily deferred proposal on the commission’s agenda — an “adequate facilities” tax — would, if implemented, deliver a smaller revenue boost. Current estimates project taxes collected in the first year would total about $5.1 million. But the impact could be much larger.

More than the transfer tax, the adequate facilities tax could help mitigate one of the leading causes of Shelby County’s spiraling debt by shifting more of the costs of suburban development to users and beneficiaries. In addition, because new development in many low-income neighborhoods would likely be exempt, the adequate facilities tax should help stimulate growth in these areas.

The current system of funding development almost exclusively through property taxes is unfair. A disproportionate share of expenditures for schools, roads, and community facilities goes to support new suburban development at the expense of the inner city. In fact, low-income homeowners are subsidizing suburban facilities through their property taxes, while schools, parks, and roads in their neighborhoods deteriorate.

Moreover, suburban sprawl has left many poor and African-American Memphians isolated from educational and employment opportunities.

But it is not only low-income neighborhoods that are feeling the effects of uncontrolled development. The Community Development Council of Greater Memphis is a network of grassroots organizations working to revitalize the city’s neighborhoods through economic development.

Some of our newest members are working in places such as Hickory Hill and Raleigh that have recently begun losing businesses and homeowners to locations farther out in the county. If current development patterns and expenditures do not change, these areas — still considered by many to be nice places to live — are in danger of becoming blighted as well.

Besides being inequitable, sprawl is also inefficient. While county taxpayers are paying for new roads and sewer lines, and then paying for the new schools that are needed to support the development that follows, a vast amount of land is already equipped with infrastructure and community facilities. Concentrating development near existing infrastructure and services would certainly be less expensive. But even more promising fiscal benefits may be gained: In 2004, research by the Brookings Institute suggested that such “smart growth” strategies could increase the prosperity of suburbs as well as the urban core.

The adequate facilities tax alone can’t come close to healing Shelby County’s growing pains and will make only a modest contribution to addressing the budget crunch. But it could represent a small but promising shift in public policy toward making development in Shelby County more efficient and more equitable. n

Emily Trenholm is executive director of the Community Development Council of Greater Memphis, Inc.

Categories
Music Music Features

On the Road Again

Austin’s South By Southwest Music Festival might be the biggest and best annual musical gathering in the country. But even if you don’t have the time or inclination to make the daylong drive, brave the crowds, and spend the dough to do SXSW yourself, Memphis’ proximity to Austin yields a chance for local music fans to sample the festival every March, because bands make pit-stops in the Bluff City on their way to or from Austin.

The number of SXSW-related shows hitting town this month is down a little from last year (as are the number of Memphis bands heading to Austin, from 10 last year to four, officially, this year: Lucero, Bloodthirsty Lovers, Retrospect, and Epoch of Unlight). But the dynamic still spurs a richer, deeper club schedule than at any other time of the year, and the following cheat-sheet doesn’t even include SXSW bands with Memphis stops scheduled for later in the spring (Hella, Mosquitoes, Golden Republic, Dead Meadow) or late additions sure to pop up after press time.

Thursday, March 10th

Melissa Ferrick (with Garrison Starr)

Hi-Tone Café

Ferrick and former Memphian Starr both broke out during the alt-rock/Lilith Fair boom of the mid-’90s and have kept on touring and putting out records long after major labels determined that left-of-center women were the absolute last thing they were interested in.

Saturday, March 12th

Taylor Hollandsworth

(with Harsh Krieger and

40 Watt Moon)

Young Avenue Deli

On his debut EP Shoot Me Shoot Me Heaven, this Birmingham, Alabama, rocker offers a more than credible take on the bluesy, swaggering, post-Stones punk-blues of bands such as the New York Dolls and the Heartbreakers.

Luke Temple

Hi-Tone Café

This uber-talented Seattle singer-songwriter drops his debut album, the Beatlesque Hold a Match for a Gasoline World, next month. With his novel arrangements, precise singing, and smart songwriting, Temple could be on the verge of something big.

Sunday, March 13th

Tristeza and Nora O’Connor

Hi-Tone Café

This is an odd pairing: an indie rock quintet (San Diego’s Tristeza) that specializes in moody instrumentals and a veteran alt-country siren (O’Connor) with the vocal chops to go mainstream. A former member of the Blacks and Andrew Bird’s Bowl of Fire and a recently ubiquitous background singer, O’Connor’s torch-song-y country is every bit the rival of similar but more heralded artists such as Alison Moorer and Mindy Smith.

Wednesday, March 16th

The Reputation

(with I Can Lick Any Son of a Bitch in the House)

Young Avenue Deli

Elizabeth Elmore’s college band, Sarge, was one of my faves: a nifty little pop-punk answer to the sharp-fanged, male-centered relationship analysis of early Elvis Costello or a less grandstanding alternative to Exile in Guyville. Elmore’s lyrics are only slightly less distinct in her grad-school band, the Reputation, but she still rocks out with a surly Chrissie Hynde flair.

Thursday, March 17th

Son Volt and Anders Parker

Newby’s

Over the past decade, Jay Farrar’s solo career has drifted into irrelevance with each passing year as his onetime Uncle Tupelo sidekick Jeff Tweedy has turned Wilco into one of America’s biggest bands. Maybe that’s why Farrar is touring under the name of his post-Tupelo band, Son Volt, even though the “band” contains no other original members. Son Volt, second edition, has a new album out in September, with the original lineup celebrated this spring in a live record from New West and a retrospective sampler on Rhino. But regardless whom he’s playing with, one imagines that Farrar’s deep, rich voice remains a powerful weapon. Parker, the driving force behind alt-country-connected Varnaline, opens the show in Memphis and got an assist from Farrar on his latest solo record, Tell It to the Dust.

Friday, March 18th

The Apes (with Vending Machine and the Klopeks)

Young Avenue Deli

This Washington, D.C.-based quartet, which eschews guitar in favor of an organ-driven hard-rock/garage style, has made Memphis a regular stop on their trips to Austin over the past couple of years. This spring, they’ll be playing a showcase for their new label, Birdman Records, which will be releasing a new full-length, Baba’s Mountain, next month.

Zombi (with Simon and SonsofBitches)

Hi-Tone Café

This could well be the sleeper show of the month. The instrumental duo from Pittsburgh builds horror-movie soundtrack music (they may share a hometown with director George Romero, but their music evokes Italian scare-master Dario Argento) from a battalion of keyboards, synthesizers, and drums. Watching them re-create the sound live should be quite a sight.

Sunday, March 20th

The Bloodthirsty Lovers (with Noise Choir)

Young Avenue Deli

This longtime “solo” project from ex-Grifter Dave Shouse is now a collaboration with ex-Big Ass Truck guitarist Steve Selvidge. Rounded out as a live band by a New York-based rhythm section, this ostensibly “local” band doesn’t play around town much at all. In fact, this will be the first local appearance since the late 2004 release of their album The Delicate Seam.

Monday, March 21st

Enon and Swearing at Motorists (with Circuit Benders and Color Cast)

Hi-Tone Café

Five years ago, Enon’s debut, Believo!, sounded like a totally original brand of industrial dance-pop: Philly soul as performed by robotic droids or something Prince might concoct if cryogenically frozen and thawed out during some future dystopia. I’d lost track of the band since then, but the new Lost Marbles and Exploded Evidence, which sounds totally different and yet oddly the same, brought my old appreciation back in a familiar rush: disco-funk baselines bouncing off girl-group vocals, straightforward songcraft blended with car-factory percussion, a new spin on indie-rock trip-hop. Ohio’s Swearing at Motorists proffer a more earthbound strand of lo-fi indie rock.

Guitar Wolf and Fantasy’s Core

(with the Secret Service)

Young Avenue Deli

A week packed with Japanese bands begins with Tokyo’s loudest, fastest punk-rockers, who boast more than a couple of connections to Memphis’ own garage-punk and trash-culture scenes. They bring with them Nagasaki’s Fantasy’s Core, a bunch of yakuza-movie enthusiasts who operate under the slogan “Eccentricity & Chaos & Eros & Humor Rock’n’Roll!!”

Wednesday, March 23rd

DMBQ and The Immortal Lee County Killers (with the Oscars)

Young Avenue Deli

These labelmates on garage-rock-oriented Estrus Records promise perhaps the loudest show of the month. DMBQ is a psychedelic Japanese rock band featuring members of Shonen Knife and Damo Suzuki. They’ve been around since the late ’80s and attack with a sound that submerges screaming Hendrixian guitar solos and triple-time Bo Diddley beats in art noise. Not as out-there as countrymen the Boredoms but definitely in the ballpark. Southern boys the Immortal Lee County Killers aren’t from these parts, but their heavily blues-based garage-punk fits neatly into one of Memphis’ most fruitful sounds over the past decade.

Electric Eel Shock (with The Thieves)

Hi-Tone Café

This Japanese punk trio has a domestic full-length out this month called Go USA!. The same album apparently did pretty well in Europe, where it was released with a different title: Go Europe!. If that amuses you, as it does me, and you like basic, noisy punk rock, then this is for you.

Thursday, March 24th

Clem Snide and The Marbles

Hi-Tone Café

Though not as flashy as some of the louder bills on the calendar, this might be the best show of the month. Recently relocated from Brooklyn to Nashville, Clem Snide marries elegantly arranged but never-too-neat acoustic-based rock to one of the most compelling and distinct songwriting personalities you’ll ever hear. Band bard Eef Barzelay walks a tightrope between empathy and sarcasm, sans net, on nearly every line of every song. (Barzelay to a sensitive young thing who thinks his pain is unique: “The first thing every killer reads is Catcher in the Rye.”) He’s back in vintage form on the band’s new The End of Love after the relatively straightforward sincerity of the underrated Soft Spot. Unlike most low-key, lyric-focused bands, Clem Snide delivers live, especially with their penchant for inspired, totally straight-faced covers (on their last two visits: Christina Aguilera’s “Beautiful” and P.Diddy’s “Bad Boy for Life”). Opening act Marbles is actually Apples in Stereo founder Robert Schneider gone solo, trading that band’s ’60s-style rock for a more ’80s blend of synth-pop but with the same supernatural skill for melodies and hooks.

Cephallic Carnage

Full Moon Club

This Denver metal band records for stalwart Relapse Records, which means they’re more likely to spin your head around with ear-splitting riffs and avant-garde sounds than get high with your girlfriend backstage after the show. Not that the Full Moon Club has a backstage.

Saturday, April 2nd

Heartless Bastards (opening for

The Drive-By Truckers)

New Daisy

Okay, let’s get this out of the way first: Regardless of what you may read elsewhere, Heartless Bastards singer Erika Wennerstrom doesn’t sound like Janis Joplin, not even when she really belts it out, as on “Runnin'” from her band’s recently released Fat Possum debut, Stairs and Elevators. Joplin was a force of nature. But you can see where the comparison comes from, because this Cincinnati band plays a brand of blues-rock you might have heard at the Filmore West back in ’67. Yet, there’s something more agreeably modest about Heartless Bastards than any other good blues-rock band I can think of. Chalk it up to Wennerstrom’s honest, matter-of-fact songwriting, which is often inspirational without ever striving for that effect. I can’t vouch for the band live, but Stairs and Elevators is one of my favorite records of this young year, and you can always head down for the headliners: The Truckers are one of the best live bands on the planet and now boast the best trio of songwriters in one rock-and-roll band since, I dunno, the Beatles?