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News News Blog

Memphis Firefighters Protest Equipment Cuts

Off-duty firefighters protest equipment cuts.

  • Off-duty firefighters protest equipment cuts.

About 15 off-duty Memphis firefighters gathered outside Fire Station 25 on Willow this morning to protest possible cuts in equipment, one of several items in the city budget proposal.

Most held bright red signs reading, “Your rescue truck is closing! You and your family are in danger!” If the city approves Memphis Fire Director Alvin Benson’s proposed budget cuts, the department could lose 111 jobs, 7 fire engines, 6 ladder trucks, and one rescue truck over the next three years. No ambulance cuts are proposed.

According to Memphis Fire Fighters Association president Larry Anthony, the cuts would bring the department back to 1972 staffing and equipment levels. Yet the city has annexed Cordova, Hickory Hill, Southwind, and Wolfchase since that time, and Anthony maintains that current staffing and equipment levels are necessary to ensure public safety.

In 2003, firefighters Trent Kirk and Charles Zachary died while fighting a Family Dollar store fire on Watkins Street. After the incident, the fire department director requested the city add two additional rescue trucks to its fleet of two. Only one was added, and now the city council is considering removing that extra truck from operation.

“These cuts will be devastating sooner or later,” Anthony said. “Someone will be hurt.”

The city council will vote on budget cuts next Tuesday.

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Politics Politics Beat Blog

Giving Curry Todd His Props for a Last-Minute Save

Rep. Todd during debate on Norris-Todd bill last winter

  • JB
  • Rep. Todd during debate on Norris-Todd bill last winter

A striking feature of the session that just ended was the sheer number of bills introduced — and, in many cases, passed — at the instigation of special-interest sources outside Tennessee itself. That’s the bad news. The good news is that, every now and then, someone actually puts up a fuss — as when, for example, state Senator Roy Herron (D-Dresden) did his best on the last day of debate to derail, or at least amend, a bill that would divert state school funding to “virtual school” entrepreneurs operating elsewhere in the nation.

Most of the time, as in Herron’s case, these Horatio-at-the-Gate efforts fail for the simple reason that the resister is in the minority and is overridden.

But every now and then, and this is the really good news, someone on the majority rethinks the case and is actually in a position to repair the lock and secure the gate.

Give Curry Todd his due. Rep.Todd (R-Collierville) — he of the Mexicans-as-teeming-rats metaphor at a notorious committee hearing last fall, he of the Norris-Todd school-merger bill t — was able to stop one paint-by-the-numbers bill cold.

This was SB1033, introduced by state Senator Bill Ketron (R-Murfreesboro) and designed, according to its caption, to prohibit and provide criminal penalties fore “certain union and employee organization activities,” spelled out by Ketron as “bribery, extortion intimidation, and disorderly conduct.”

When the bill came through the Senate Judiciary Committee on April 26, it was stoutly resisted by state Senator Beverly Marrero (D-Memphis), who pointed out the one-sidedness of the measure, which targeted labor only and mentioned potential management transgressions not at all, but the bill was passed through on a 6-3 party-line vote.

On the last legislative day, however, when the bill came through the House for final passage Todd returned to another issue that Marrero had mentioned — namely, that none of the iniquities which it mentioned had turned up in Tennessee itself; that, in fact, the bill was a hobby-horse mounted by the National Chamber of Commerce in each of the 50 states. Indeed, the chief spokesman for it had been a Nashville attorney representing the Chamber.

Somewhat impatiently, Tiodd explained that the bill seemed to have nothing to do with Tennessee and promptly moved it off the calendar and back to the House’s State and Local Government Committee, out of harm’s way, at least for the current calendar year.

Moral of the story? For all of the one-party domination of the 2011 session, there were a few such independent gestures. But not many.

(Note: This is an amended and corrected version of the account in this week’s Flyer print edition, in which — through some brain fog on the author’s part — the word “Senate” was inadvertently substituted for the correct word “House” in the last two paragraphs./jb)

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News

Oprah, Sarah, and Mavis

Tim Sampson Rants about three diverse divas this week: Sarah Palin, Oprah Winfrey, and Mavis Staples.

Categories
Sports Tiger Blue

TTT Answer

The Tigers and Louisville Cardinals spent 10 seasons as members of Conference USA, playing a total of 16 games over that span. How many did Memphis win?

The Tigers beat Louisville eight times between 1995 and 2005. (John Calipari was 4-4 against Rick Pitino.) Overall, Louisville holds a big lead in the series, 51-34. The edge comes primarily from Louisville winning 13 of the first 15 meetings, between 1949 and 1970.

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News

The Voice of the People

Lots of interesting letters this week, including the return of Tommy V.

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Daily Photo Special Sections

gay marines

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Politics Politics Beat Blog

City Candidates Still Waiting to Find out What District Lines Are

Bloggeer/Would-Be Councilman Steve Ross

  • JB
  • Bloggeer/Would-Be Councilman Steve Ross

The impasse in city budget negotiations is keeping another matter, that of redistricting of City Council districts, on the back burner.

Municipal elections are scheduled for October 6. The filing deadline for them is July 21, with a withdrawal deadline of a week later. And potential candidates, like blogger Steve Ross of vibincblog.com, who is contemplating a run for a Council seat, are complaining that the Council has been unreasonably tardy in redrawing district lines.

The 2010 census information for Shelby County, which would provide the basis for redistricting, has been available since March 16, Ross notes on his blog. He points out that his residence, as of now, is at a point close to several existing district lines and that, with less than two months to go before showtime, his preparations for organizing a campaign are hampered by not knowing where that campaign is to be run.

Ross, who addressed the council on the subject some weeks ago, says he was gven no guidelines by Council attorney Allan Wade, who, however, promised more information next week, at the Council’s June 6th meeting.

From Ross’ blog: “Certainly, there are difficult decisions to be made and stringent rules that must be followed. The consent decree that governs the drawing of districts in Memphis has very particular guidelines. From my perspective, these rules are one of the most important reasons there must be public scrutiny of the process, never-mind the whole notion of “open government” itself.

“For me, the issue is less about “why hasn’t this been done” than “why isn’t more information available about this”. Because, aside from an ordinance on third reading, there is nothing. No maps, no information, nothing. And my attempts to find out more about this process have yielded very little concrete information, calling the process into question, which is concerning to a person, like myself, who believes that the public’s trust in government comes not from the officials, but from the easy availability of information.”
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Ross got some moral support this week from Council member Jim Strickland. “ I think Steve is justifiably concerned that the districts have not been set, and we’re only seven weeks prior to filing deadline,” said Strickland, who added, “ I’ve spoken to Allen Wade, and he has a problem matching the census figures with the precinct.”

The councilman (a candidate for reelection in District 5, after all) said he, too, hoped the matter could be expedited.

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Politics Politics Beat Blog

Homeland Security Funds Cut for Memphis, Nashville

Homeland_Security.jpg

Almost unnoticed in the recent press of events, the U.S. Department of Homeland Security made an announcement last week that, in response to the recently concluded congressional deal that pared $780 from the federal budget, Homeland Security would be cutting $170 million from its Urban Areas Security Initiative program.

In practical terms, that means that both Memphis and Nashville are slated to lose millions in grant money that had been used to upgrade technology and training over the last seven years, during which the two Tennessee citiers had received some $40 million between them.

Last year Memphis’ share was $4.1 million, Nashville’s $2.8 million.

The money had been allocated for such purposes as enhancing communication capabilities among police, fire and other emergency officials providing bomb squads with new equipment and training; and even funding the training of bomb-sniffing dogs.

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Opinion The Last Word

The Rant

It’s such an easy and cheap shot I almost can’t bring myself to take it. But I’ll try. Sarah Palin has a “fire in her belly”? No, she didn’t say that, did she? I know there are some people out there who would like to stick a match up her you-know-what to ignite that fire and watch her explode, but not me. I’m too nice a guy.

I understand that the fire in her belly is probably from putting too much ketchup in her moose dip. Or from taking a closer look at that ugly house she bought in Arizona that doesn’t seem to have any windows. (How in the world will she be able to see New Mexico?) Or from realizing that attending the last episode of Dancing With the Stars might not have unleashed the most serious of media waves to kick off a presidential race, if that is indeed what she is doing. And I hope she does. I LOVE her. Gotta have her.

And speaking of love her and gotta have her, if I see one more image of Oprah Winfrey in any form of media, I think I am going to go into convulsions. I thought she was going away to her own — her OWN — television network, yet every time I watch something on TV, there is another commercial about yet another upcoming farewell episode, and in every one of them she has her hands outstretched like a mime lifting up some invisible object. She did the same thing at the Kennedy Center Honors a couple of months ago. What is wrong with her? If she starts involuntarily chanting and her head starts spinning, I am running for cover. You’d think someone with her money and her success would be cognizant of the dangers of megalomania. But I guess she wouldn’t be such a megalomaniac if she were. I don’t know. It makes me tired to think about it. She makes me tired. So enough.

Last time I filled this page with ink, I was writing about the great vibe going on in Memphis and the cool things happening. And as I write this, I am getting ready to head to Minglewood Hall to see and hear the one and only Mavis Staples and then to see the Bar-Kays perform with the Memphis Symphony Orchestra at the Memphis in May Sunset Symphony in Tom Lee Park on the Mississippi River. I have spread this word far and wide the past couple of days via my social media empire, and if you knew how jealous all my European friends are, you’d never complain about Memphis again. Did I just use the phrase “all my European friends”? How megalomaniacal of me. Sorry. But it IS true.

So in that last column I wrote about some of the great outdoor murals that have become a part of the Memphis cityscape of late, and I have this idea that Memphis should become a City of Murals and become known for it. I think the murals could make Memphis even more of a tourist destination.

And no, they don’t have to be big paintings of old blues musicians sitting on the steps of shacks. Please. I love old blues musicians and I love shacks, but tacky paintings of them do an injustice to both. It’s like how wallpaper borders give geese and ducks a bad name. No, there is no reason everything has to be some interpretation of Memphis history. No giant cotton bolls. No yellow fever martyrs. No riverboats. No jug bands. Time to move on, people. Enough is enough.

Like the new one on Broad Avenue, the murals could be very contemporary and help splash color all over the city. Like that fantastic one downtown near Madison Avenue overlooking AutoZone Park, they could be urbane and original. Like the Court Avenue pedestrian bridge, they could be cool collaborations between artists, architects, engineers, and others. I’m sure the UrbanArts Commission has plenty of plans and doesn’t need my help, but I really think there is potential to this.

The City of Murals could have its own mobile app with stories about each work of art and the artists behind it. There could be a series of murals you drive past, each one with a connection to the next. Gritty graffiti could mix with minimalist modernism (sorry, I’m a slave to alliteration). I don’t know. I’m not an art expert. But outdoor art seems to have a great effect on cities. Like the fountains in Kansas City. It’s just a feel-good kind of thing.

Like a Mavis Staples concert at Minglewood Hall with the Bo-Keys, a local band that includes Skip Pitts (who played the famous wah-wah guitar on “Shaft”), Howard Grimes (the original house drummer for Stax and later played on all those incredible Al Green records), Ben Cauley (the original trumpet player for the Bar-Kays and the only person aboard Otis Redding’s plane to survive the horrible crash), and Floyd Newman (one of the original Mar-Key Horns at Stax). This, followed the next night by the funkiest men alive, the Bar-Kays, whooping it up with the symphony on the banks of the river at sunset? Does ANY other city have this kind of cool factor?

I don’t know. I tell you, it has put a fire in my belly.

Categories
Film Features Film/TV

Twisted

The stylish, twisty Italian thriller The Double Hour opens with a bang: While Turin hotel chambermaid Sonia (Kseniya Rappoport) is cleaning the lavatory of an upper-story room, the guest staying there — a seemingly cheerful young woman — steps out of the window and plummets to her death on the concrete below.

Seemingly rattled by this event and harboring some unspoken emotional bruises from back home in Slovenia, the immigrant Sonia sparks with a mysterious local named Guido (Filippo Timi) at the end of a night of otherwise fruitless speed dating. And a desperate, vigorous one-night stand blooms, surprisingly, into what seems to be a sweet adult romance — two lost, lonely souls finding each other.

Guido, it turns out, is a widower and retired cop turned security guard. Guido brings Sonia to the lavish estate he guards, turning off the alarm system for a brief, romantic walk in the woods, where he confesses, “I wasn’t ready for you.” And then, in an instant, everything changes.

In short order, this budding romance is complicated by violent intervention, a suspicious cop, a potential ghost, a second suicide, suggestions of mental breakdown, a recurring Cure song (“In Between Days”), a disconcerting photograph, and other complications that spur the viewer to wonder what’s real and what’s not.

If that all seems vague, that’s intentional. This is definitely a film where too much plot synopsis will ruin the effect.

The film’s increasing mystery and discomfort carries echoes of late Alfred Hitchcock (especially Vertigo) and early Roman Polanski (Repulsion), with a late-breaking bit of Brian DePalma (Blow Out) thrown in. Rappoport, a Russian actress who won Best Actress at the 2009 Venice Film Festival for her performance here, is capable of taking the film anywhere it wants to go. In a sophisticated, maturely erotic performance, Rappoport carries every twist and mood shift with her expressive face. Her Sonia emerges as a classic-style noir heroine.

But The Double Hour‘s wild, quick plot twists — including a well-conceived and sense-making doozy midway through — are more akin to modern thrillers, and that’s where the film lands. Though the adult romance at the center of the film is played for real stakes, the ultimate focus is on plot rather than the more ecstatic psychological, emotional, or aesthetic aims of the classic films and filmmakers being evoked.

Ultimately, this satisfying, sexy thriller isn’t quite bold enough, with first-time feature filmmaker Giuseppe Capotondi, a veteran of fashion photography and music video, providing direction that is softer and soapier than the material needs.

The Double Hour

Opening Friday, June 3rd

Ridgeway Four