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Politics Politics Beat Blog

Rich Holden vs. the County Commission: One More Round

Mulroy (l), Holden during Wednesdays budget session

  • JB
  • Mulroy (l), Holden during Wednesday’s budget session

Since assuming his position in 2009 in the aftermath of the 2008 election that formally made the Republican Party as the majority party in Tennessee, Republican Holden has endured numerous criticisms, purge attempts, official rebukes, and votes of No Confidence, at least one of which, coming from the Shelby County Commisision last year, originated from a member of his own party.

All this on account of a series of well-publicized glitches in the course of several local elections. Whatever the degree of his responsibility, Holden, as Administrator, is where the buck stops.

And yet, like those watches in the old Timex ads, the Stoical ex-Marine takes a licking and keeps on ticking.

He got more of the same, though in lesser quantities, from members of the County Commission during his presentation Wednesday of the annual budget request for the Election Administrator’s office. Holden was seeking an add-on appropriation to pay for five additional staffers — all needed, he said, to comply with recommendations made in a county audit last November.

HAVA funds and early voting

Responses of the commissioners to the employee request ranged from non-committal to skeptical, but other issues, left over from controversies of the past, dominated the discussion.

Commissioner Steve Mulroy began things by asking Holden to confirm that the Election Commission had in the past made a formal request to the state for funds to purchase Opti-Scan election machines for Shelby County and that Help America Vote Act (HAVA) funding was still available for that purpose .

Pointedly, Mulroy said he had had a conversation with Election Commission chairman Robert Meyer earlier Wednesday and that Meyer had expressed no opposition to a renewed request for such funding, which had been authorized statewide by the General Assembly in 2008 but subsequently delayed and then canceled by a GOP-dominated legislature.

Next up was Commissioner Mike Ritz, who first ascertained from County CAO Harvey Kennedy that the increases sought by Holden had not been included in County Mayor Mark Luttrell’s proposed $1.16 billion budget and then went on to verify from Holden that the Election Commission had diminished the active period for early voting satellite sites from the the level of four years ago.

Commissioner Terry Roland,a Republican like Ritz but one far more attuned to the party line, was next with reassuring words for the Administrator. Roland applauded the reductions, saying that he had served as an election inspector in the years before the satellite hours were reduced and that “voter participation was slow it was not responsible to continue” at that level.

“Better off just setting a pile of money on fire”

Roland was followed by Commissioner Steve Basar, a Republican, too, but more trouble. He asked about graphic ads that had recently appeared in The Commercial Appeal, outlining the contours of the 13 new County Commission districts. “Yes,” said Holden, adding eagerly that School Board maps would be coming soon.

As it turned out, Basar was no fan of the CA maps. “They’re not very helpful. They’re hard to see.” Holden pointed out that the same maps were also available at the Commission’s online site, where they could be zoomed in on.

That was fine, answered Basar, but, as for those newspaper ads, “You’d have been better off just setting a pile of money on fire.”

Nor was Basar done. He chastised Holden about the barriers in the Election Commision office. “They’re intimidating. You should take them down where people are going to register to vote.”

There was more of the same. Commissioner Sidney Chism, the vintage inner city Democrat, complained about the fact that, for the first half of the early voting period, only the downtown Commission office was available for the purpose. That was a “hindrance,” he said, hard on poor people and old folks.

Next was Mark Billingsley, a Germantown Republican who had filled a vacancy and was now running in his first election. Working with the line item sheet that all Commissioners had received, he noted that the five new positions sought by Holden totaled some $266,00, and he wondered why they were needed.

Some, of the clerical sort, were in response to the critical November audit, Holden said. Other were replacements for personnel shifted over to the John Halbert’s relatively new county IT department, and one was to allow the Administrator’s office to do a better job of informing the public.

Wasn’t outreach and information part of Holden’s own responsibility, Billingsley asked. Holden agreed, but said his duties were such that he couldn’t devote proper time to that aspect of things.

Now came Henri Brooks, always anxious to make sure that public funds were spent according to the non-discrimination provisions of Title VI of the 1964 Civil Rights Act and wondering if the new P.R. position billeted by Holden and assigned to freelancer Suzanne Thompson had been properly advertised.

It wasn’t a contract position, Holden answered. Thompson was a vendor and was paid on an hourly basis. He and Brooks fenced on the point for some time, with Brooks concluding that “no one else had a chance to apply” and asking for more information on Thompson and the position.

The session was being rushed somewhat by Budget Committee chair Heidi Shafer, who wanted to stay on clock, and Brooks yielded to a reprise from Mulroy, who wanted to know if Holden was still trying, as had been frequently reported, to blame the erroneous precinct lines of the 2012 August election on the Commission’s overtime efforts to come up with a redistricting plan.

Mulroy made the frequently cited point that the new Commission districts would not be in effect until the 2014 election cycle and that therefore precinct assignments for August 2012 should not have been held up waiting for a Commission redistricting plan.

Holden made several efforts to deny that he was still blaming, or had ever blamed, the electoral glitches of 2012 on repeated delays in the Commission’s redistricting efforts but acknowledged that, in his judgment, they had been a contributing factor. But Mulroy extracted a pledge from Holden that the Administrator would never again suggest that the 2012 glitches derived from any delay on the County Commission’s part.

Inquiry about FBI matter on hold

Mulroy next attempted to ask Holden about reports that the FBI had begun an investigation focused on the Election Commission and the Administrator’s office but was forestalled by Shafer, who said that the matter was extraneous to the budget discussion and should be considered in a later, separate meeting, yet to be scheduled.

After Commissioner Melvin Burgess had asked a question as to whether all the audit issues had been addressed in Holden’s staff requests and was assured that they had been, County Attorney Marcy Ingram intervened to say that the area of Mulroy’s concern was a matter of ongoing criminal investigation and was therefore off limits to discussion. Mulroy indicated that he would pursue the matter further.

The final act in Wednesday’s mini-drama belonged to Norma Lester, one of two Democrats on the five-member Election Commission and a frequent Holden adversary. Now she would testify that it was time for the Administrators office to be frugal and that there was “no need” to add the five positions asked for by Holden — not, as she would explain later in a note to this writer, “when there are 3 vacancies, one of which has been vacant well over a year and the other two almost a year.”

“[T]here are 12 people including the Administrator employed at the Commission, 4 of which are management. Requesting an assistant for a manager who only supervises 5 people is not frugal,” Lester, who sees herself not as a political opponent but as an exponent of efficient administration, elaborated int he note.

Wednesday’s session, which took more than 40 minutes but must have seemed longer to Rich Holden, would then end, but all of this is to be continued.

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Sing All Kinds We Recommend

Time Warp Drive-In and “Purple Rain”

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Saturday night, the Time Warp Drive-In series, presented by Malco, Black Lodge Video, and Guerrilla Monster Films, kicks off at the Summer Drive-In Theater. Four films will be shown under the banner of Soulful Cinema: Craig Brewer’s now classic 2005 studio debut Hustle & Flow, 1972’s Super Fly, the greatest blacksploitation film ever made, with an immortal soundtrack by Curtis Mayfield; Coffy, starring Jackie Brown herself, Pam Grier, at the 1973 height of her stardom; and Purple Rain, which turns 30 this year.

In 1984, Prince had just come off of a smash hit record two years earlier: the double album 1999, which spawned four top 10 Billboard hits and sold 4 million copies. The success convinced Warner Brothers to produce a film to go with his next release. Director Albert Magnoli, a Prince associate, was tapped to direct the film, which would be a music video-inspired musical to capitalize on the craze that MTV had spawned two years before. The first hint America got of the Prince juggernaut that would dominate the airwaves for the rest of the decade was the revolutionary “When Doves Cry”, released on May 9, 1984, with a video that featured chunks of montage taken straight from the film famously intercut with shots of Prince naked in a bathtub.

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Purple Rain is both a loosely based autobiography of Prince and a document of the burgeoning Minneapolis music scene of the 1980s. Almost everyone in the film uses his or her real names, except, strangely, Prince, who is referred to as “The Kid”. The characters are outgrowths of the performers’ stage personas, especially the show-stealing Morris Day, Prince’s rival both musically and for the affections of Apollonia Kotero. Today, it comes off as surprisingly forward looking in some respect: Prince’s band The Revolution are black and white, straight, gay, and probably polysexual people who treat each other as musical and social equals. The Kid comes off as an immensely talented but very troubled musician who is irresistibly sexy but kind of a jerk and someone you probably wouldn’t want to date in real life. In other words, Prince wasn’t really acting. Tellingly, Prince’s best scene in the film has The Kid using a puppet to talk to his bandmates. He will show himself naked in the bath, but never let anyone get close enough to see the real person behind the performer.

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And that’s what Purple Rain is really about: performance. All of the musicians in the film live out their lives on the stage, and the rest is just marking time between shows. In action, Prince is magnetic in a way that was only rivaled that decade by his real life rival Michael Jackson. Purple Rain’s 13-times platinum soundtrack has only grown in reputation over the past three decades. It incorporates, and surpasses, a dozen genres, riffing on Kraftwerk, Parliament-Funkadelic, new wave, and heavy metal in quick succession. It is also among Prince’s most collaborative work. On “Take Me With U,” he shares lead vocal duties with Apollonia; and the title track, the apex of the so-called power ballad, is kicked off by a guitar lick written by Wendy Melvoin of Wendy & Lisa fame.

Particularly relevant today is the music’s experimental electronic streak, epitomized by “When Doves Cry” and its sparse, airy arrangement and the mid-movie suite “Computer Blue.” The music is so strong that one of Prince’s most revered songs of the 80s, “Erotic City,” which inspired a generation of knob-twirling synth bands, is not even on the soundtrack or in the film — it was a B-side to the “Let’s Go Crazy” single.

Just last week it was reported that Prince had regained the rights to the Purple Rain-era material in a new deal with Warner Brothers, after going so far as changing his name to an unpronounceable symbol of his own design to get out of his original contract obligations with the media conglomerate. A deluxe reissue of the soundtrack and film is reportedly in the works for the 30th anniversary in June, but until then, the Time Warp Drive-In is a perfect place to re-experience one of the greatest music movies of all time.

Time Warp Drive-In
Hustle & Flow, Purple Rain, Super Fly, and Coffy
With new short films during intermissions from MUFF (Memphis Underground Film Festival)
Saturday, April 26th, dusk
$10/person

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News

Griz Beat Thunder 98-95, Take Series Lead

Ho-hum, another Griz-Thunder game, another overtime thriller. Read the game report here. Read Kevin Lipe’s analysis here.

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Beyond the Arc Sports

Grizz Win Another Thriller in OT, 98-95

For the second game in a row, the Oklahoma City Thunder pulled a four-point play to force overtime against the Memphis Grizzlies. And for the second game in a row, the resilient Grizzlies found a way to win in the extra period.

The Grizzlies slowly and methodically built a lead throughout the first 40 minutes of the game, and were seemingly in control with seven and half minutes left, leading 81-64. That’s when the Thunder dialed up their defense and the Grizzlies got tentative on offense. It was a combination that enabled OKC to erase the lead, and was helped in no small measure by a foul on Russell Westbrook by Tony Allen on a three-point shot with less than 30 seconds left. Westbrook made the free throw and the Grizzlies couldn’t score before the buzzer.

In overtime, the Thunder scored first, but the Grizzlies gritted out another win with a relentless, harassing defense and clutch shooting in crunch time. Allen was his usual trick-or-treat self, making vital plays on both ends, but also making a couple of bone-headed moves, including fouling Westbrook on a three-pointer again, with less than a second left in OT and the Grizzlies leading by five.

The Grizzlies had six players in double figures, including another vital 12 points from backup point guard Beno Udrih and strong minutes from second-string center Kosta Koufos, who came in when Marc Gasol got into foul trouble. The two Thunder stars, Russell Westbrook and Kevin Durant, each scored 30 points, but shot a combined 35 percent.

Game Four in the series takes place Saturday in Memphis.

Note: Kevin Lipe’s analysis of Thursday’s game is here. — bv

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Food & Drink Hungry Memphis

Winners of Hot Wing Festival Tickets, Hot Wing Tips

The winners of super hot wing lightning round of the Guess Where I’m Eating contest are Justin Bailey, Spencer Moore, and John Schratz.

They correctly ID’ed the wings as coming from Alex’s Tavern, winning passes to this Saturday’s Southern Hot Wing Festival.

Alex’s wings are among festival founder John Gagliano’s favorite wing offerings in Memphis.

“Regarding the best wing in Memphis is a tough question, but a good one,” Gagliano says. “Unlike ‘Buffalo Wings’ (which must be fried), Memphis offers a different twist with grilled, smoked, fried, and combinations. Then there are the seasonings you see in Memphis, with paprika, lemon, honey, chili, red pepper and on and on. So I will list 3 or 4 places that I prefer:

Double J Smokehouse and Saloon:
Grilled and hit hard with flash fry and a variety of sauces

The Buccaneer:
Fried and seasoned with ‘heat’…simple and to the point

Alex’s Tavern:
Fried and comes either in ‘hot’ sauce blend or a Greek sauce variety (marjoram, Greek oregano, thyme, dried parsley, and more) Both sauces are evenly spiced and deliver a punch.

Buffalo Wild Wings:
For national brand BWWs get an ‘A’ +. The wings are prepared in the ‘classic’ Buffalo style, fried, and with a vast variety of styles and blends. I prefer a ‘hotter’ wing like the ‘Desert Heat.’

And for ‘Asian Wing’…

Wang’s Mandarin House:
Served as an appetizer, the grilled/flash combination of authentic ‘Chinese tradition’ and contemporary blend comes in both a spicy or mild sauce.”

The Southern Hot Wing Festival is Saturday, April 26th, 11 a.m.-8 p.m. Tickets are $15.

Categories
Art Exhibit M

Cedar Lorca Nordbye’s “To Frame – To Construct – To Occupy” at Crosstown Arts

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This past weekend at Crosstown Arts, artist and U of M professor Cedar Lorca Nordbye began the install for his upcoming show, “To Frame – To Construct – To Occupy,” with two materials: more than a ton of fresh lumber and four big, empty walls.

“There is a sense of wonder,” Nordbye says, “to coming into a room and seeing this much wood…I thought, ‘When am I ever going to have piles of lumber and a huge empty room again?”

Nordbye is no stranger to wood-centric installation (past works include cluttered and colorful “Everything Connects to Everything” as well as a sparse and dark related work, “Everything Connects to Emmett”), but “To Frame” is the artist’s most ambitious installation to date. For the project, Nordbye sourced lumber from several local sources and recruited around 30 people to help paint the boards.

Using the wood, Nordbye will construct a small house inside the Crosstown Arts gallery space. The gallery walls are painted to appear as an active deconstruction of the house — Nordbye brings his talent as a draftsman into several huge, fragmented murals. Following the exhibition, the lumber will be donated to Habitat for Humanity and used to construct a new home.

Nordbye says, “This project goes back to a fantasy that I had about 10 years ago. I thought, ‘I would love to have a contractor deliver the whole lumber load and let me work on the wood and then have it be randomized into the construction of a real house.”

“To Frame” treats themes of diaspora and residence. The show, rapidly and intuitively drawn together, takes place in a spare moment of the whole project. Nordbye plays the role of artist-as-orchestrator — pulling together disparate people and materials — for the final structure, a marked record of its journey.

Opening is Friday, April 25th from 6-9 at Crosstown Arts (422 N Cleveland.) Show runs through May 24. Casual artist’s talk at 6:30 on Friday.

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Sing All Kinds We Recommend

Sound Advice: Thursday

American Fiction, the local band that’s been working at Ardent Studio with legendary producer Eddie Kramer (Jimi Hendrix, the Kinks, the Beatles), opens for Cowboy Mouth tonight at Overton Square’s Thursdays Squared

Sound Advice: Thursday (3)

Over at the Hi-Tone, you can hear Memphis’ ambient oscillator-twisters Midnight Sound Service.

Sound Advice: Thursday (3)

Categories
News

The Old Forest Returns

In the 1980s, Steven John Ross, made a movie of Peter Taylor’s novella, The Old Forest. It’s being revived this weekend. Chris Davis talks to Ross about making the film.

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News News Blog

MPD Collecting Unwanted Prescription Drugs At Kroger

Before locals enter their community Kroger to shop this Saturday, they’ll have the opportunity to dispose of expired or unwanted prescription drugs from their medicine cabinets in bins outside the establishment.

As part of the 8th annual National Prescription Drug Take-Back Day, Memphis Police Department and Drug Enforcement Administration (DEA) officials will be present at four different Kroger locations with bins for people to safely and anonymously dispose unwanted, unused prescription drugs this Saturday (April 26th).

The take-back, which heightens the prevention of possible pill abuse and inappropriate distribution, will last from 10 a.m. to 2 p.m. The four Kroger branches that MPD and DEA officials will be on site at are 3444 Plaza Ave, 3860 Austin Peay Highway, 676 Germantown Parkway, and 7942 Winchester Road. People can also dispose prescription drugs at Emmanuel United Methodist (2404 Kirby Road).

“This initiative addresses a vital public safety and public health issue,” a MPD press release stated. “Medicines that languish in home cabinets are highly susceptible to diversion, misuse, and abuse. Rates of prescription drug abuse in the U.S. are alarmingly high, as are the number of accidental poisonings and overdoses due to these drugs. Studies show that a majority of abused prescription drugs are obtained from family and friends, including from the home medicine cabinet. In addition, Americans are now advised that their usual methods for disposing of unused medicines—flushing them down the toilet or throwing them in the trash—both pose potential safety and health hazards.”

Last October, Americans turned in 324 tons (over 647,000 pounds) of prescription drugs at over 4,114 sites operated by the DEA and its thousands of state and local law enforcement partners, according to the MPD. When those results are combined with what was collected in its seven previous Take Back events, DEA and its partners have taken in over 3.4 million pounds—more than 1,700 tons—of pills.

MPD spokeswoman Karen Rudolph said illegal prescription drug distribution is prevalent locally. She said the prescription drugs collected Saturday will be weighed and transported to a burn facility out of state and destroyed.

Earlier this month, more than three dozen people involved in a prescription drug-ring were indicted during “Operation Whitehaven Dilaudid Family.” The ring was responsible for illegally distributing large amounts of Dilaudid and other prescription pills throughout the area.

More than 20 of the individuals indicted are facing state drug charges. Another 15 defendants are facing federal drug charges. Charges carry penalties of up to 25 years in prison without parole.

“Many of the 23 defendants indicted on state drug charges are family members whose drug-trafficking operation has been in business for more than 15 years,” Shelby County Dist. Atty. Gen. Amy Weirich said in a press release.

Law enforcement seized 10 vehicles, $53,807 in cash, 111 Dilaudid pills and 154 grams of powder cocaine during the undercover operation.

The MPD’s Organized Crime Unit, the Drug Enforcement Administration, and the U.S. Marshal’s Service executed “Operation Whitehaven Dilaudid Family” collectively.

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Fly On The Wall Blog Opinion

Memphis Opera Star Kallen Esperian Sings Led Zeppelin’s “The Immigrant Song”

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This recording of Kallen Esperian getting her inner viking on isn’t new, but I’m linking it anyway because it makes me happy.

Enjoy