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We Recommend We Recommend

wednesday, february 21st

TWO WORDS: ADULT RODEO. Catch these guys at the Map Room tonight. Their
music is a blend of country licks and classic new wave weirdness.

Categories
Sports Sports Feature

Q & A: XFL PRESIDENT BASIL V. DeVITO

An exclusive interview with XFL president Basil V. DeVito Jr., who was in Memphis to watch the Maniax play the San Francisco Demons Saturday night at the Liberty Bowl.

How did tonight’s production go?

The only thing I was praying for was ‘not an overtime.’ Last week, everything was conspired against us. This [the NBC primary game between the L.A. Extreme and Las Vegas Outlaws] was a great finish right at the last second. A 47-yard field-goal, I don’t care what league you’re in, that’s one hell of a kick.

What are the differences between producing this live sport and something scripted like wrestling?

I’ve been in production of NBA, rodeo, professional football — both in the NFL and here — and WWF, so I think the similarities are that what we are trying to accomplish before the game, when the fan walks in, we are trying to grab and deliver some entertainment and information and bring them through the whole game. Obviously, the challenge here is that the game dictates the pacing.

The challenge to us as event producers is to have enough material so that you can work with the flow of the game. That’s the biggest difference because in the WWF, we can control the pace and tempo and leave everybody screaming on that high note and everybody always wants to come back.

In wrestling, there are villains and there are heroes. Who are they in this league?

You know what, in the old days of the WWF, there were heroes and villains. Today that no longer holds the case. There are not that many people you know in life that you absolutely like. There are no really good, good, good guys. Even with your best friend, there’s a shade of gray in there. There’s not really the blacks and whites anymore.

DeVito is interrupted by a phone call from NBC Chairman Dick Ebersol. Ebersol apologizes for mistakes made during the broadcast and says it won’t happen again. DeVito continues the interview.

How are your broadcast teams doing?

That was the best telecast we have had, and that’s the thing to say each week, ‘that’s the best.’

I think they’re doing well. At first, we had so much explaining to do. You’re starting out with a brand new thing. We knew we had this desire to explain all the differences in who we were and we were searching ourselves. How do you explain yourself?

It’s like pick-up lines, the first thing you might say and we had to say something. Now it’s all coming from the field, you have a team that’s 1 and 2 and a team that’s 2 and 1 and they’re going in different directions and that’s what the drama of real sport brings to us.

What’s your take on the cold shoulder a network like ESPN has been giving you coupled with the fact that ESPN is owned by ABC?

Well, their company spent a billion dollars for the NFL [shrugs shoulders]. The thing about it is, having worked with some of the multiple ABC networks, I will say that there has always been, regardless if there is a conscious point, I don’t necessarily think there is any one person or any memo or specific point of view. But there is a culture. There’s producers in different places and on-air talent and everybody makes an assumption of ‘This is who we are and I’m working all these hours and I know the company doesn’t want me to do that.’ Often, I find it within the culture of that kind of company that everyone will go to that side because that’s the perception.

Interesting enough, ESPN.com has utilized the XFL quite often. Our fans are very Internet savvy and that internet group isn’t that dyed-in-the-wool group, so they don’t have that company point-of-view in their head.

I think ultimately, we will crawl into that consciousness there. Tonight’s game, they really don’t want to ignore that. People are going to want to know. And if Fox or CNN or MSNBC is giving the score and people are tuning in to see the score and ‘Oh my God, why am I not getting it?’ [another shrug]

Is there talk of expansion?

We’ll probably expand in year three. I’d like to go four more. When we first started, a four-team division did not seem immediately to be something we would stay with for a while. Then what happened? The NFL went to four team divisions. I think two years from now, when everybody is used to seeing four team divisions, that just came our way.

There must be plenty of applications:

Especially since we have been playing in [San Francisco’s] Pac Bell park, and we are proving that we can co-exist with a baseball team. It opens up a lot of opportunities if you are looking for a 30-40 thousand-seat baseball stadium.

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We Recommend We Recommend

tuesday, february 20th

JOHN GRISHAM will be signing his latest, A Painted House at
noon. The author will also be signing 2,000 advance orders for people unable
to attend. Burke s Book Store, 1719 Poplar (278-7484).

Categories
News The Fly-By

IN THE YEAR 2001

Stan Franklin, a U of M professor and author of the book Artificial
Minds
, is skeptical about recent research showing that a group of
computers created their own language and learned to hunt [computerized prey]
in packs. Franklin was quoted as saying, This kind of work was done in the
lab, in a controlled environment. He did not point out that films like
Blade Runner, Terminator, and Terminator II have taught us not
to teach computers to hunt in packs.

Categories
Sports Sports Feature

TIGERS BLAST UAB, EARN TIME OFF

The University of Memphis fell behind 9-1 in the first five minutes of the game, but came back to bury Conference USA rival UAB Monday night in The Pyramid. The final score was 86-69, but the game was never in doubt after Memphis went on a 12-2 run to open the second half.

“They’re laughing in your faces,” Tiger head coach John Calipari screamed at his starters after calling time-out just three minutes into the first half and the Tigers trailing 6-1.

The first year coach had to dig deep into his bag of motivational tricks to get his team started. He yelled, he cursed, he stomped his feet, he ran players in and out of the game. Finally under the capable leadership of senior point guard Shyrone Chatman, Memphis took its first lead of the game at 18-17 with 7:25 to go in the first half. From there Memphis (15-11; 9-4 in C-USA) gradually pulled away before pouring it on the visiting Blazers in the second half. The Tigers led 33-29 at halftime.

Afterward Calipari was happy that his team had ended a two-game losing streak in their third game in five days. He rewarded the players by giving them two days off. The next game for Memphis is Sunday night against South Florida, the team currently tied with the Tigers for both best overall record in Conference USA and the National Division title. The game is the final home game of the year for the Tigers, who close out the season against Southern Miss and Louisville on the road. Sunday’s game, to be televised on ESPN2, will mark the final appearance in The Pyramid for seniors Marcus Moody, Shannon Forman, Shyrone Chatman, and Shamel Jones.

For the third game in a row, Jones gave Memphis a first-half lift with dominating physical play in the paint. Kelly Wise had a double-double with 19 points and 12 rebounds. He also had 3 assists and 2 blocks. Chatman finished with 15 points, 4 steals, 4 assists, and 0 turnovers in 30 minutes. Forman and Courtney Trask each scored 11 for the Tigers.

The only Memphis player who did not play was junior John Grice. Calipari said after the game that he did not expect Grice to play any more this season. When asked if that was a basketball decision, Calipari said, “It’s my decision.” He would not elaborate. Grice, a junior college transfer from Shelby State, was a starter before serving a 16-game suspension (along with Trask) for academic misconduct. The two were reinstated three games ago.

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News News Feature

Q & A WITH WILLIAM B. DUNAVANT

Simply the best. That’s what cotton merchant William B. Dunavant wanted when he set out to build the Racquet Club in 1974. Taking the old Memphis Athletic Club, he fashioned a $7 million tennis mecca, which is still today one of the premier tennis clubs in the nation.

Over the years the Racquet Club has hosted an annual professional tennis tournament, which is recognized by players and fans alike as one of the finest stops on the pro tour. Over the years the tournament has hosted and crowned the finest men’s tennis players in the world.

Billy Dunavant is to Memphis tennis what Sam Phillips is to Memphis music. We set down with Dunavant to recall the history of the Racquet Club and the tournament for which it is known.

What gave you the idea to build a tennis club?

Well, I love to play tennis and had been a tennis player growing up and I thought there was a need in East Memphis for a first-class tennis facility. So I went ahead and did it. There was a guy named Peter Curtis who was a Davis Cup player for England who moved over here and he was our first tennis coordinator, sort of the job that Tommy Buford has now. Peter was enthusiastic about it, as well, because I was enthusiastic about it.

You talk about your tennis playing. How good of a player were you?

Hmm, let’s see. How good of a player was I? I won a number of tournaments. I was okay, nothing special. I always tell people I could play really well when I was 45 to 55. And I say, ‘Well I’m a great player, I’m a great player for 55 when I was 55. I wasn’t a great player for 45 when I was 55.’ So, as my years got higher, I was competitive with everybody my age in the state.

Now I’ve got a bad hand. I can play, but the guys I used to beat regularly can beat me now and I don’t like to lose so I decided I’d do something else.

Was the Racquet Club a success from the very beginning?

We struggled… we struggled at the very beginning. We struggled in developing the building because we made it a real first-class facility and so, consequently, we took some pretty good losses early on. When we brought the professional tennis tournament into the Racquet Club, it became an offset to the cash flow problems that the Racquet Club was having. And the shop picked up and everything just grew from there.

So the tennis tournament actually helped the club?

Oh, yeah, big time.

What are some of your favorite memories from the tournaments over the years?

I guess having the opportunity to play tennis back with John Newcomb, Tony Roach, Jimmy Connors, McEnroe… just having the opportunity to dialogue with them and watch them play. A couple of them used to stay with us, Tony Roach in particular, and we got to be big buddies.

Those guys were so good. You go out and play with them and if they didn’t want you to win a point, you weren’t going to win a point. And I could play. I could win a few points. But again if they just wanted to let you… but if they were serious about it, you were in awe at how good they were. And you thought that watching a match but you didn’t know it till you got on the court.

What’s the most difficult thing about playing with a professional? Returning a serve orÉ?

It depends on what player you’re playing. The ones with the big serves, obviously that was the biggest problem. I just think anything they wanted to make tough on us they could make tough. But it was fun.

Was there any turning point in the Racquet Club’s history, a particular tournament or particular event, that really set you to success?

Not really. We tried to put on a first-class event at the Racquet Club and the community really picked up on that. They really supported us, big time. I think the community support is what really made us get over the top — the enthusiasm.

In those days we brought in the very best players. We’ve always had one, two, or three of the top players. I think those were very important to the spectators and to the community. We sold the Racquet Club to Mac Winker in 1992. I sold it because I was trying to get an NFL team for Memphis. I just didn’t want a conflict of interest with the NFL.

The community support is remarkable. Over the years, it’s always one of the key sporting events of the year in Memphis. Is that because you were able to get the top notch players, especially at the beginning when you got Bjorn Borg the first year and Connors came back 5 or 6 times?

Those are the keys to making a successful tournament. When you bring the number 1 and 2 players in the world on your court for a week to play tennis, and they play well, it makes it a no-brainer really.

How much credit would you give Tommy Buford?

Huge, huge amount of credit. Tommy was very instrumental in bringing these players to Memphis. What he was really good at was, he made them really feel good while they were here. Whatever they needed — he would service those needs. In those days, it wasn’t always the money. It was important. But, how you treated these individuals was really important.

Memphis got a reputation for treating the pros very well.

Tommy had a premier reputation of being a guide to the players, really respected, and would do exactly what he told then he would do. That was another great factor in making the tournament a success.

Do you miss not being as involved as you were?

The answer would be yes and no. Not really now. Not with all the things now that I’m doing. I’m glad Mac has it. I’m glad Mac’s doing a good job with it, I’m glad Mac’s still supporting it and we at Dunavant Enterprises still support it.

I’m fine. I’m happy for him. I would hate to see the tournament leave Memphis. I think it’s a real plus.

Talk about where men’s tennis is today. It seems like it was a golden era when the tournament started with McEnroe, Connors and Lendel. Now it would be hard for the average fan to name 4 or 5 men’s tennis players.

The avid tennis players, they can name me more than 4 or 5. I think the money has gotten so big in the sport that’s it’s lost a little of its personal touch, in my opinion. That may be true in lots of professional sports. But, we like the guys. There were some jerks, obviously, but they treated us fair, they really did.

Do you think that the influx of European players, especially Eastern European players, has made the pro game suffer in this country? You can’t name but a couple of American players that are really top notch right now.

Honestly, there’s a lot more excitement when someone is an American playing here than if he’s from Europe. Still, the people turn out to see the real, real top-notch players. But, is U.S. tennis on the decline? Sampras has been, he’s probably going to go down as maybe the best player in history. We’ll bring another one along. There’ll be another one come along.

Looking back, if you can, from a distance, how proud are you of bringing the tournament and bringing the tennis club into fruition? Will it be one of your lasting legacies?

It would certainly be one of the things I did in the sporting world that brought a lot of fruition to myself and to my family. It was successful and still is successful. That does give me a lot of gratification. I’ve been in the basketball business and the pro football business and tennis. I guess probably the Showboats was one of my favorites. I really enjoyed that. I’m sorry that we couldn’t have made it. It was a good product for the people of the city of Memphis. I’ve enjoyed all of it but É the Racquet Club had been a success, is a success, and will continue to be a success.

[This story originally appeared in Memphis magazine.]

Categories
News News Feature

TWELVE YEARS ON

The newspapers! Sir, they are the most villainous, licentious, abominable, infernal … Not that I ever read them. — Richard Brinsley Sheridan

Once upon a time, and what a time it was — February 16th, 1989, to be exact — the first Memphis Flyer hit the streets (though at a slim 20 pages, the sound of it hitting the pavement wouldn’t have made much noise). There was a Bush newly installed in the White House and a story in the Flyer about pollution coming from the Velsicol Chemical corporation. Actually, it was a lot like last week’s issue, come to think of it.

But not really. Last week’s issue didn’t have a column by the late Lydel Sims speculating on the feasibility of building The Pyramid. Nor did it have a sports column by Dave Woloshin, or a list of “celebrity birthdays.” (The latter feature didn’t last long. Mainly, I suspect, because Memphis only has about six celebrities. Seven, if you count Elvis.) That first Flyer did have a few — very few — advertisers, including the Sir Laf-A-Lot comedy club (324-JOKE) and eight personals. (Oddly, even in those faraway times the women liked long walks and sunsets.)

That brave little first issue didn’t lack for spunk — or ambition. In a letter to readers, publisher and Flyer founder Kenneth Neill promised that the new paper would be “bold, sassy, controversial, entertaining, and informative.” Those are still the standards we strive for, though there have been some weeks when I’d settle for three out of five.

When I meet someone and they find out what I do for a living they usually ask one of three questions. The most common of these queries is: Where do you find all the stuff for “News of the Weird”? My stock answer is: We have our sources, pal. If you do something weird, our highly paid weird news reporters will be on it in a flash.

This, of course, is a lie. “News of the Weird” is actually a syndicated column, like Ann Landers or William Raspberry. Isn’t that weird?

The second question I hear all the time is: How do y’all make any money since your paper’s free? The answer is simple. Money just isn’t important to us. We’re all volunteers for the great liberal mass-media conspiracy and we do this noble work because we believe in our cause, comrade.

This also is a lie. But you’d be surprised how many people nod sagely, as if I’d confirmed the obvious. The truth is we charge our advertisers a modest fee so they can reach our 200,000 wealthy and influential readers — including you, my dear friend — with their messages. We manage to scrimp by on this somehow.

The third question is: What’s Tim Sampson really like? This is an easy one. Tim is just like he is in his “We Recommend” column. He lives with cats, smokes incessantly, loves Elizabeth Taylor, wakes up in his yard occasionally, and he really doesn’t care what you do. This is not a lie. I should add that he also has a heart of gold and a fondness for the underdog. Tim used to be normal, but four years of editing this newspaper took its toll. He got the first shift, when the Flyer was struggling to become established, which it did in no small measure because of his ground-breaking column and his many long nights in the office burning the midnight, um, oil.

Dennis Freeland followed Tim as editor in 1993 and for eight hard-working years ushered the paper to new heights — and numerous regional and national editorial awards. Last summer, he passed the reins to me. And foolishly, I took them. Kidding. This is a great job, mainly because of all the groundwork done by the two editors who came before me.

I’d like to mention lots of other people who’ve contributed to the Flyer’s success through the years, but their names would fill this column. So I won’t do that. But when you’ve got a moment, turn to page 13 and take a look at the masthead. Without the efforts of every person listed there the Flyer

Finally, there’s you, our readers. I’m not kidding when I say we truly value your input — your letters, phone calls, e-mails, occasional death threats — all of it.

So thanks for helping us celebrate 12 great years. And here’s to being around for a few dozen more.

Categories
News The Fly-By

MEXICAN MUNCHIES

Brim’s snack foods, targeting the growing Latino population in Memphis and the Mid-South, will be offering a line of tried-and-true snack products with snappy Spanish logos. Products include pork rinds (Chicharrones) and cheese puffs (Dedi Queso). In its press release Brim’s noted that the Latino population in Memphis and the south is said to be high and getting higher. That is, of course, why they need the cheese puffs.

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We Recommend We Recommend

monday, february 19th

The University of Memphis plays UAB in Conference USA basketball
action tonight at 7 p.m. at The Pyramid.

Categories
Film Features Film/TV

AN ARTIST’S LIFE

Like his only previous film, Basquiat, painter Julian Schnabel s
Before Night Falls is a biopic of a marginalized artist. The subject
this time is the late, gay, Cuban novelist and poet Reinaldo Arenas, played
beautifully by Spanish actor Javier Bardem. The story is a picaresque,
skipping through five segments of Arenas life: a glimpse of his poor, rural,
fatherless childhood in 1943; his status as a teenager in 1958 and his
decision to join Castro s revolution; his schooling and development in
Communist Cuba in 1964; his imprisonment for trumped-up molestation charges in
1974; and his escape to New York when Castro purges the country s undesirables
in 1980.

Schnabel dots his fictional canvas with archival footage of Castro s Cuba and
readings from Arenas work, and it s a heady brew. Schnabel s detailed,
luminous vision of mid-century Cuba (filmed in Mexico) eloquently communicates
the feel of the milieu. Bardem, who appears in almost every scene, is both
cuddly and fiery as Arenas, who grows as an artist by sampling men and
literature with equal fervor and feels betrayed when the revolution he
supported ignites a cultural and behavioral attack on artists and homosexuals.

There are some wonderful moments here: Johnny Depp delivers a breathtaking
cameo as a really fabulous-looking transvestite, smuggling Arenas writing out
of prison in a manner even the Marquis de Sade in Quills didn t
attempt. When Arenas gets out of prison he falls into a loose commune of like-
minded dissenters, who plan an escape via hot-air balloon. And Schnabel
communicates the excitement of Arenas early adulthood awakening by presenting
Cuba in the Sixties as a boys-on-the-beach bacchanalia of homoerotic play.

This is a vivid, accomplished film, but much of Before Night Falls
still feels too familiar the young artist in the city developing his craft,
his subsequent struggle against an oppressive regime, the slow decline from
the ravages of disease. It all may be true to Arenas life, but it also
conforms so closely to the genre that it feels like we ve seen it before.
Schnabel also does little, outside of a couple of brief voiceover readings, to
communicate much of Arenas as a writer. This isn t Dickens or Twain we re
dealing with here, and many in the audience may wonder why we should care so
much about the plight of this specific artist.