Categories
News News Feature

A DOG’S LIFE

Carolyn Lynch says she learned a lot from dogs in her past 11 years as an animal-control officer, even when to fight her employer.

“I’m notorious for finding things and then fighting for them, but you have to push me to that point,” says Lynch. “If [dogs] are backed into a corner, they either retreat and give up or they come back at you.”

Lynch filed a lawsuit against the Memphis Animal Shelter earlier this month for the possession of one dog with an approximate value of $50. The animal, which was impounded by the shelter on February 28th and adopted by Lynch on March 6th, was given back to the original owner on March 8th.

“I just want the dog,” says Lynch, who’s been working for the city for four years. “I legally paid for it. I followed all the policies. Shelter employees have to wait an extra 24 hours before they can adopt an animal. I followed that. I followed all the rules.”

When stray dogs are picked up by the shelter, the policy is to give the owner three days to come claim the dog. After the three days are up, the animal is available for adoption by the public. Shelter employees must wait an extra day to give the public the first opportunity to adopt the animal.

After adopting the dog and paying the fee, Lynch left the animal at the shelter to be neutered; it was during that time that the original owner came back to claim the dog. Lynch says during the days following the adoption no one would tell her exactly when the dog would be ready to take home. It wasn’t until March 11th that a supervisor told her the dog had been released to its original owner two days after she had adopted it and that it was unwritten shelter policy to do so.

“I also want the policy in writing,” she says. “[The supervisor] was bragging that he’s done this to the public all the time … apparently the public doesn’t know any better.”

“If they do this to the public, it will only discourage them from coming back and getting another dog. Adopting an animal should be made as easy as possible. And if you’ll do this to your own employees,” says Lynch, “what are you doing to the public?”

Donnie Mitchell, the city’s director of public services and neighborhoods, reached by phone on Monday, saw things a little differently.

“If a citizen has an animal that is rightfully theirs,” he says, “I would prefer to give the animal back to its original owner, rather than an employee, unless it has been proven that the home was an abusive situation and I will have to deal with the consequences of that.”

Both the city and Lynch seem to agree on the basic facts, but there seems to be some discrepancy over whether Lynch received a refund for her abated adoption. Lynch says her check was cashed the same day the dog was given back to its original owner. Shelter records obtained Monday have the word “void” handwritten next to Lynch’s $37 adoption fee and $8 rabies shot.

“No, I haven’t gotten my money back,” says Lynch. “They haven’t even offered.”

Upon learning of the discrepancy, Mitchell said the money would be refunded if it had not already been.

Shelter records say it was the second impoundment from the original owner’s address. He paid $179 in fees to retrieve the dog.

The case is set to go to General Sessions Court April 22nd.

Categories
Sports Sports Feature

GRIZZLES HOLD ON TO BEAT WARRIORS, 105-99

So far this season, the Golden State Warriors have owned the Memphis Grizzlies.

But the Grizzlies (19-53) managed to avoid a season sweep by the Warriors (18-55) with a 105-99 win in front of over 14,000 fans at the Pyramid on Friday night.

The Grizzlies’ attack focused on five players scoring in double digits and three different Grizzlies notching up double-doubles for the evening.

Grizzlies forward Pau Gasol led all scorers with 26 points, and also pulled down 12 rebounds. Guard Jason Williams ended the evening with 22 points and a career-high and franchise record 19 assists. Center Lorenzen Wright scored 18 points, and pulled down a game-high 17 rebounds. Forward Shane Battier scored 15 points, and forward Stromile Swift scored 13 points to round out Memphis’ scoring.

Head Coach Sidney Lowe said the victory had nothing to do with a newly found will to win rather than making plays. “I think the will is there,” he said after the game. “This was just one of those times we were able to execute on that [will]. We were determined when we could have let this game get away from us.”

Memphis almost gave the game away in the final moments as Golden State erased a 16 point deficit. However, Wright hit a jump shot ten feet from the basket, Gasol followed with a hook shot from four feet out, and Williams sealed the win with two free-throws.

For Golden State, guard Bobby Sura scored 18 points, forward Antawn Jamison scored 16 points, guard Jason Richardson scored 14 points, guard Larry Hughes scored 13 points, in the loss. Also, forward Troy Murphy– starting in the place of suspended Danny Fortson– pulled down a team-high 12 rebounds.

The Grizzlies are in the final stretch of their inaugural Memphis season. The team returns to the Pyramid on Tuesday, April 2, against the Sacramento Kings at 7 p.m.

Categories
We Recommend We Recommend

saturday, 30

If you ve never been out to the Harvester Lane UAW Hall in Frayser, you re missing out on, well, a good reason to visit Frayser. And tonight s featured guest there is the Grammy-nominated duo Eddie and Martha Adcock, who blend bluegrass with jazz, folk, gospel, and rockabilly. Make a night of it and have dinner at Catfish Island on Frayser Boulevard. I m not kidding. Tonight s Venus Envy 2002 at 960 S. Cooper is a showcase for visual and performance artists in celebration of Women s History Month. Those Memphis Grizzlies are playing Golden State tonight at The Pyramid. Back at the Blue Monkey, it s live music by the Nashville Rebels. The Emily Patterson Band is at the Full Moon Club upstairs from Zinnie s East, where it s steak night. Lucero and Paper Hearts are at Young Avenue Deli. The Internationals are at the P&H. The Pawtuckets and The Star-Crossed Truckers are at the Hi-Tone. There s an Ingram Hill CD Release Party tonight at Newby s. And last but certainly not least, if you remember the Orange party last year at River Terrace Yacht Club, you won t want to miss out on the best late-night gig in town: Blanc: An Evening of Naked Music, brought to you by the folks at Melange and Soulshower. Tonight s 10 p.m.-4 a.m. party features music by Naked Music DJs Gabriel Rene andMauricio Aviles, as well as some Memphis DJs, along with three full-service bars, sushi bars, a rooftop lounge and dance area, a slide demonstration by a number of lcal photographers, and no telling what else. Should be quite the party.

Categories
News News Feature

COSTAS TOUTS MEMPHIS’ FORTUNE

TV sportscaster Bob Costas, doing a promo on AOL for his HBO program “On the Record,” took note this week of big sports news being made in (and on behalf of) the Bluff City. After beginning with a reference to the passing of television legend Milton Berle, Costas segued into this: “Meanwhile, what a week it’s been for Memphis, Tennessee. On Monday, the city of Graceland gets named as host of the upcoming heavyweight showdown between Mike Tyson and Lennox Lewis. Then, that same night, the city’s new NBA team, the Grizzlies, with Rookie-of-the-Year candidate Pau Gasol, goes into Portland and rallies from 25 down to knock off the red-hot Trailblazers. Also, led by freshman phenom DajuanWagner, the Memphis Tigers reached the final of the NIT here at Madison Square Garden. In New York. So, whether Elvis is alive or not, Memphis still has Mike, Lennox, Pau, and Dajuan…”

And that, of course, was before the U of M Tigers beat South Carolina for the NIT basketball title.

Categories
News News Feature

OTHER PEOPLE’S PROBLEMS: The Bare Facts

Listen:

My best friend and my cousin recently began sleeping together. While I think that complicates my life enough, it gets worse. Both my friend and my cousin are married and both are women.

They’ve been together for about 2 months and my best friend professes herself to be completely in love with my cousin. She’s talking about leaving her husband and setting up a house in the country where she and my cousin can adopt kids together. My cousin, on the other hand, didn’t want more than a fling and has happily gone back to planning a life with her husband.

Neither husband knows and I’m stuck somewhere in the middle between my lovelorn best friend, my favorite cousin, and the two men in their lives. We all used to hang out together but I’m sure those days are over. Now I’m wondering how I can bring my life as close to normal as possible

Signed,

Stuck in the Middle

Okay:

This is one of those situations where you hear words like “best friend” and “cousin” and you think, oh, this can’t end well. Not for everybody, at least.

Luckily for you, you’re not really part of the problem and probably won’t bear the brunt of accusations, hurt or malice. Unluckily for you, you’re trapped in the web of your peeps’ messed up lives.

So, getting back to normal … the first thing I think you need to do is minimize the impact. If your best friend doesn’t know that your cousin doesn’t want to play house, you might want to mention it. Gently, though. Very gently. Because it really isn’t your place, but it sounds as if these two women are clueless as to what each other wants. I’m not sure where your allegiances lie, but since your friend is your best friend, it might be nice to give her a heads up. It probably won’t prevent any bitter, ugly scenes, but she’s deluding herself with the house in the country and the adopted kids. She’s not Rosie O’Donnell.

But if she already knows that your cousin is no longer part of her fan club? Just continue on with your life. Since you’re just sort of trapped in their web, there’s little you can do, really. I mean, you could chastise your cousin or tell her husband, but what would be the point? After it’s all said and done, she’s not going to stay with your best friend any more than your best friend is going to stay with her husband (those two things I would bet upon). You can still hang out with your cousin and your friend, but it’ll have to be separately. Don’t even take the other’s calls on your cell phone if you’re out with one of them. They’re going to have to work this out and I’m honestly not quite sure how they’ll do that.

So try to wiggle your way free of their grasp without taking sides. Like I said, this isn’t going to end well for everyone and quite possibly it won’t end well for anyone. I wouldn’t shut anyone out, but I wouldn’t be following the saga like an episode of “All my Children” either.

And if it turns really ugly, you might be able to take this on Springer and at the very least get a free trip to Chicago out of the deal. I guess that’s not back to normal, per se, but in this America, it’s not that abnormal either.

Listen:

I have this friend … No, really, she really is a friend, not me. Here’s the deal: She likes to get naked around our other friends, who are both men and women. Sometimes they get naked too, other times she’ll just walk around topless, hang out, and act normal. Most of the time it’s not really sexual and I think it’s fairly obvious that she enjoys the attention, but she also seems to truly like not wearing clothes.

So here’s the question: She’s got a new fairly conservative boyfriend and he has expressed his extreme displeasure with her naked parties, so she stopped doing it. You’d think I’d be thrilled, wouldn’t you? The naked parties are awkward for me (I don’t want to see any of these people naked) and I think they’re silly, so you’d think I’d be glad somebody has been able to make her stop. I worry, though, that she’s only stopped because he told her to. Just like no one wants to see their friends dress differently and take up new hobbies just to please a mate, I worry that she’s given up the naked parties for the new guy. I just don’t want to see her make artificial changes that don’t match her own personality. Am I worrying over nothing?

Signed,

The Emperor’s Friend

Okay, Friend:

I see what you’re saying. People should never change themselves for others because sooner or later their true traits will emerge and wreak havoc on their relationships, yada, yada. However …

I know a lot of men who would prefer their girlfriends stop dressing as “sexy” after they begin dating. It’s a little territorial, but understandable, so I can certainly see a new beau — even one who isn’t particularly conservative — nixing the nude behavior.

Maybe I’m a prude — and I probably am — but I’m not sure being naked around friends is a good thing to do, especially continuously. I mean, I don’t know you, I don’t know your friends, so maybe that’s just par for the course. But in my world, I’d be thinking, why does this girl persist in being naked? Even naturalists go to nudist camps and colonies; they don’t subject their nudeness to everyone. Is she damaged in some way? Why does she want this naked attention?

I guess I’m thinking of her nudity as a problem, even an unhealthy manifestation of something. It might not be, but … that’s the assumption I’m working under. So when her guy says, don’t do that, I think it’s okay. Just like if I had a friend who ate Twinkies all day, every day and then one day she stopped for some guy, I’d be happier because she’d be healthier.

If he encouraged her to cut and dye her hair orange and she did it or wear a dress like Gwyneth Paltrow’s Oscar frock, that would be a serious problem. But maybe it’s not so much that she’s changing herself for him, but that she’s got some newfound respect for herself or maybe he fills a void in her that she was filling with naked stares.

No more naked parties seems to me to be a reasonable request, both to make and to comply with, so I wouldn’t be all that worried. In fact, I’d be more worried about their burgeoning relationship if he didn’t ask her to keep her clothes on in front of others. Or if he asked and she said no. That’d be a problem. As it is, just be happy for her and your poor averted eyes.

(Gotta problem? Wanna make it my business? Write cashiola@memphisflyer.com.)

Categories
Sports Sports Feature

GRIZZLIES HOLD ON TO BEAT WARRIORS, 105-99

So far this season, the Golden State Warriors have owned the Memphis Grizzlies.

But the Grizzlies (19-53) managed to avoid a season sweep by the Warriors (18-55) with a 105-99 win in front of over 14,000 fans at the Pyramid on Friday night.

The Grizzlies’ attack focused on five players scoring in double digits and three different Grizzlies notching up double-doubles for the evening.

Grizzlies forward Pau Gasol led all scorers with 26 points, and also pulled down 12 rebounds. Guard Jason Williams ended the evening with 22 points and a career-high and franchise record 19 assists. Center Lorenzen Wright scored 18 points, and pulled down a game-high 17 rebounds. Forward Shane Battier scored 15 points, and forward Stromile Swift scored 13 points to round out Memphis’ scoring.

Head Coach Sidney Lowe said the victory had nothing to do with a newly found will to win rather than making plays. “I think the will is there,” he said after the game. “This was just one of those times we were able to execute on that [will]. We were determined when we could have let this game get away from us.”

Memphis almost gave the game away in the final moments as Golden State erased a 16 point deficit. However, Wright hit a jump shot ten feet from the basket, Gasol followed with a hook shot from four feet out, and Williams sealed the win with two free-throws.

For Golden State, guard Bobby Sura scored 18 points, forward Antawn Jamison scored 16 points, guard Jason Richardson scored 14 points, guard Larry Hughes scored 13 points, in the loss. Also, forward Troy Murphy– starting in the place of suspended Danny Fortson– pulled down a team-high 12 rebounds.

The Grizzlies are in the final stretch of their inaugural Memphis season. The team returns to the Pyramid on Tuesday, April 2, against the Sacramento Kings at 7 p.m.

Categories
News The Fly-By

LOSING’S FOR LOSERS WHO LOSE…

And thanks to the miracle of feng shui, nobody ever has to lose again. Except, of course, for real losers who are beyond the help of modern science. Officials at the Cardiff, Wales, Millennium Stadium have turned to a doctor of feng shui, the art/science of designing spaces to encourage the flow of chi, a sort of life force/positive energy sort of thing. They have done so to lift a terrible curse on one of the stadium s dressing rooms. That s right, a curse. A curse most foul. A cursed losing curse that makes winners into losers and losers into biger losers and big losers into hopeless, simpering louts hardly worth spitting on. The feng shui doctor will attempt to change the room s energy by burning incense, scattering sea salt, lighting candles, and chanting. Should the procedure prove effective, a similar treatment might be in store for the Grizzlies.

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We Recommend We Recommend

friday, 29

It s the last Friday of the month, which means you can have free trolley rides to more than 25 galleries during the South Main Trolley Art Tour (and while you re at it, go ahead and mark your calendars for the upcoming South Main Arts Festival to take place on Saturday, April 27th). There are South Main opening receptions at D Edge Art & Unique Treasures for an exhibit of work by Stephen Hudson and at Mariposa Art Space for Head Shot, work by Meikle Gardne. Gardner is also having an opening reception later at Art Farm Gallery of Fine Art for his show Darkside. Blind Mississippi Morris is at the Lounge tonight. Sky Dogs are at Kudzu s. The Susan Marshall Band is at the Blue Monkey. The Memphis Legends featuring Randy Haspel, Rick Steff, and James Lott are at the Blue Moon. And as always and always a fine bet, The Chris Scott Band is at Poplar Lounge a good band for a Good Friday.

Categories
Art Art Feature

Venus Rising

Evening At the Improv

I recently found myself engaged in a mild argument following the slide lecture

and informal interview with renowned painter Lisa Yuskavage at the Brooks

Museum. The issue: Yuskavage’s refusal to engage in a discussion of gender

issues raised by the racy content of her paintings.

The artist presented images of work dating from the early ’90s to the present —

heaving bosoms and pursed lips of lounging seductresses cast in a soft-porn

afterglow, which inflamed lust, cynicism, or dry wit from those present. A

moderated interview that was supposed to follow the lecture never got off the

ground. Instead, Yuskavage drifted into a protracted shtick of self-deprecating

banter and intimate disclosures, punctuated by several well-timed gags from

giddy audience members. But for anyone desiring a full-frontal reckoning of her

use of negative stereotypes, the artist dismissed the subject with impunity.

The unapologetic explicitness of Yuskavage’s canvases follows a current in

culture and criticism that invokes the notion of women as libidinous, albeit

sovereign, beings. The Vagina Monologues by Eve Ensler, Tracey Emin’s

stained and disheveled My Bed, or the popular HBO series Sex In the City

present gendered themes which are perhaps antagonistic to patriarchy but are

more confessional than confrontational. Yuskavage’s stereotypical blond

bombshells, sporting baby-doll pouts and tan lines, are portrayed with tender

empathy or, more importantly, in the words of University of Memphis painting

professor Beth Edwards, “without irony.”

“She gets such impish joy from pushing your buttons,” says Darla Linerode-Henson

of Yuskavage, referring to the artist’s painted sexpots gazing banally into the

eyes of the viewer, her eye-popping primary-color schemes, and even the

artist’s public demeanor. Yuskavage gushed about how her “fancy” art dealers,

critics, etc. were obliged by their professions to repeat titles such as The

Asspicker and Motherfucking Foodeater “over and over and over.”

Likewise, she projected a Vermeer alongside pages from a ’70s-era Penthouse

to mumbles and nervous giggles, asking viewers to recognize the “Dutch light”

in Bob Guccione’s cheesecake photos.

Of course, subversive behavior is infectious, and one fellow, sensing slackened

mores, caught the artist off-guard with the compliment “Your tits have gotten a

lot better over the years.” Then a quavering voice behind me trumped that, to

riotous laughter, with “When you’re older, do you think you will still paint

such perfect breasts?” Such was the tenor of the evening.

But a young woman’s inquiry regarding pornography received a terse “I smell

theory in that question” from Yuskavage consistent with her attitude of leaving

ideology to the critics and not being pigeonholed by gender-rooted

interpretations of her provocative imagery. And her position is fundamentally

legitimate, barring one objection. The artist, brought to Memphis by the U of M

art department with the generous aid of Delta Axis’ Dr. James Patterson, asked

as a condition of her visit that Dr. Katy Siegel accompany her to conduct the

interview. Siegel, former faculty member at U of M, critic, and contributing

editor of Artforum, is one of Yuskavage’s ideological proponents and

wrote the essay “Local Color” for the artist’s monograph, which was

published concurrent with her retrospective at the Institute of Contemporary

Art in Philadelphia last year. For many, by not addressing the question she

dared the audience to pose (“Why are you so obnoxious?”) while courting her

critic, Yuskavage seemed to be denying the elephant in the room.

Gender-o-rama

Among the many attending the floor act at the Brooks was Allana Clarke, local

curator of “Venus Envy,” an event opening March 30th in both Memphis and St.

Louis featuring visual art and performance created exclusively by women. The

annual “celebration” began in 1999 in St Louis with a conviction that “women

are primarily responsible for perpetuating culture and strengthening the arts

in our world,” says “V.E.” founder and chairwoman Mallarie Zimmer. Memphis is

the first satellite city to observe the event, and organizers plan to expand

into other metropolises in the future. “V.E.” in Memphis promises to be a

treat, given the impressive lineup: Elizabeth Alley, Danita Beck, Brenda Fisk,

Jean Flint, Anastasia Laurenzi, the aforementioned Linerode-Henson, Carol

Harding McTyre, Annabelle Meacham, Leslie Snoke, Mel Spillman, Amanda Wood, and

Nanci Zimmer.

Clarke assures that, despite the “mature audiences” disclaimer in the

literature, the art in “V.E.” is “not as provocative as Yuskavage’s body of

work.” However, with the hoopla over the public art at the entrance to the new

library and the Memphis-Germantown Art League’s ridiculous hand-wringing over a

nude, Clarke, a recent graduate of Rhodes College, wouldn’t be surprised if

some were “offended by the tampon cross or bra-wearing feline.”

Linerode-Henson’s Emerge, exhibited at U of M’s juried student exhibit

earlier this year, is an anachronistic choice for the gender-conscious

theme: a writhing length of articulated pipe, tipped by an orange glass bulb,

dangling flaccidly from the wall.

Otherwise, says Zimmer, “V.E.” doesn’t have any axes to grind, insisting that

the enterprise cannot be reduced to any “political, religious, or sexual [huh?]

identity.” Clarke adds, “Some of the work has strong feminine content, some

work could be interpreted as sexual, and other pieces do not seem to relate to

women at all, except that a woman produced them.”

Such broad criteria beg the question: Does “Venus Envy” designate a theme so

ubiquitous as to dilute any urgency that the provocative moniker implies? Go

find out for yourself.

“Venus Envy,” 960 S. Cooper (at the corner of Cooper and Young), 7-9 p.m.

Saturday, March 30th.

Categories
Book Features Books

Simply Put

No Heroes:

A Memoir of Coming Home

By Chris Offutt

Simon & Schuster, 268 pp., $24

The chronology’s a little fuzzy, but author Chris Offutt left his home in eastern

Kentucky a total of five times only to return five times over the course of

some 20 years. The first time he left was to attend the University of Iowa’s

famed Writers’ Workshop. The last time he left was to teach at the Writers’

Workshop. And somewhere in all this coming and going he got married, fathered

two sons, and produced a body of work that would be any author’s envy: a debut

collection of short stories, Kentucky Straight (1992), which gained him

tons of notice; a memoir, The Same River Twice (1993), which an eager New

Yorker called “the memoir of the decade”; and a novel, The Good Brother

(1997), and a short-story collection, Out Of the Woods (1999), both of

which The New York Times named Notable Books of the Year.

But just shy of his 40th birthday, before Iowa’s invitation to join its faculty,

Offutt returned to Kentucky to teach in a county where some 30 percent of the

population is still functionally illiterate. The school was his Appalachian

alma mater, Morehead State University, and its reputation clearly wasn’t

Iowa’s. Offutt, in his new, highly heartfelt memoir, No Heroes, calls it

“a high school with ashtrays.”

What was he doing home — again? Basically, giving. Giving model to students in

a region that “offers no models for success … no tangible life beyond the

county line.” Giving Rita, his New Yorker wife, a house in the hills the couple

couldn’t possibly have afforded elsewhere. Giving Sam and James, his sons, a

taste of the natural world which inspires and still nurtures their father. And

giving himself some chance with his own father. “My biggest source of pain,”

the author says to his father in the book’s quiet, climactic scene, “is the

tension between us. I hoped that coming home would help fix it.” It does not.

Offutt’s father turns his back. Offutt is silenced. But Rita’s father, Arthur

Gross, in No Heroes‘ parallel narrative, is not.

The subject of that narrative: the Holocaust; the story: Arthur and wife Irene

Gross’ separate survival as Polish Jews. Arthur is now in Queens, New York.

Offutt in Kentucky is respectful but coaxing, reassuring, recording Arthur on

tape. Arthur’s one stipulation to his writer son-in-law: no heroes, the same

unspoken code, strangely enough, stipulated in Offutt’s Kentucky hills. It’s

just that simple, and Arthur’s and Irene’s suffering is just that terrible: one

man and woman with no reason to believe they should outlive the millions who

did not.

Offutt himself writes that he has had some difficulty squaring the two lines of

inquiry: the author’s own homecoming and recalling of past joys, past sorrows,

past times with running buddies and run-ins with authorities, past teachers who

encouraged and discouraged him, past moments of a very private clarity he finds

only in the woods versus his father-in-law’s forced leave-taking of home in

Poland and incarceration in a succession of concentration camps across

Nazi-occupied Europe. You’ll sense the tension too, until maybe some pattern

presents itself (“emerges” is perhaps too strong a word): “I had never

abandoned Kentucky,” Offutt writes early on. “There was no pattern of departure

and return, only the seasonal cycle of death and life.”

The emphasis here: death and life, not life and death. And as for the heroic?

Don’t call life in eastern Kentucky or even inside the death camps anything of

the kind. “Heroes are not human,” Arthur Gross remarks. Offutt in No Heroes

writes as reminder.

Chris Offutt will be signing No Heroes in Memphis at Davis-Kidd

Booksellers on Wednesday, April 17th, at 7 p.m. and in Oxford at Square Books

on Thursday, April 18th, at 5:30 p.m. Those dates follow on the heels of the

ninth annual Oxford Conference for the Book, which runs April 11th through the

14th on the campus of the University of Mississippi. The four-day event is this

year dedicated to Tennessee Williams, with Williams scholar W. Kenneth Holditch

and New York Times theater critic Mel Gussow (co-editors of the recent

two-volume Library of America edition of Williams’ complete plays) discussing

the playwright on Sunday afternoon.

As with past conferences, though, a variety of writers’ panels, booksignings,

readings, and get-togethers make up the weekend. Included among the novelists,

poets, playwrights, journalists, and editors scheduled to be on hand: Richard

Flanagan, Tom Franklin, Barry Hannah, Rick Moody, Paula Vogel, Jack Nelson, and

Thomas Oliphant. A screening of the new film Big Bad Love, based on the

collection of stories by Larry Brown of the same name, will take place on

Thursday evening with Brown, actor-director Arliss Howard, and one of the

film’s stars, Debra Winger, discussing the film beforehand.

Most events are free and open to the public, but preregistration is advised. For

more information, contact the Center for the Study of Southern Culture by phone

(662-915-5993), by fax (662-915-5814), or by e-mail (cssc@olemiss.edu).