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Food & Drink Hungry Memphis

Karen Carrier to open new Cooper-Young dining space, Back Dó at Mi Yard

Michael Donahue

Karen Carrier’s new ‘Back Dó at Mi Yard’

Karen Carrier is ready to open her back door to an oasis where movie lovers and lovers of her signature cuisine can enjoy themselves in an outdoor Jamaican-style paradise filled with palms and bamboo in the heart of Cooper-Young.

She’s opening a new space, Back Dó at Mi Yard, sometime in October.

And it’s literally in her backyard. It’s behind her restaurant, The Beauty Shop Restaurant, at 966 Cooper.

“It’s a hidden Oasis in Midtown behind The Beauty Shop,” says Carrier, a veteran restaurateur who also owns Mollie Fontaine Lounge, Bar DKDC, and Another Roadside Attraction caterers.

And, like her other restaurants, it’s something completely different.

“I get bored every six or seven years,” Carrier says. “I want to create something. I was painting for so long. I like creating little places.”

She came up with the idea 10 years ago. “I wanted to open a place called ‘Back Do’ and it would be a place outside. We’d show movies and have food and have a bar.”

“Mi yard” means “my home” in “patois,” which is Jamaican slang. Carrier is saying, “Meet me at my back door at my home.”

She discussed her idea with her long-time friend, the late Ron Shapiro, who owned the legendary Hoka theater in Oxford. “I told him I wanted to show movies every night. But Ron was going to be a big part of it. He was the movie guy. We talked about all these movies we were going to show. Then he got sick and passed away. It’s an homage to him as well.”

Musician Harlan T. Bobo built most of the deck before he moved back to France, Carrier says. A neighbor named “Cowboy” then offered to help her finish it. “Man, he has helped me build all this stuff. It’s unbelievable.”

Artist Wayne Edge put wood from a mill Carrier found in Eads, Tenn. over the cinder block building, where Carrier keeps her walk-in cooler.

Allison Furr-Lawyer helped paint the black-and-white checkered deck as well as the planters and some of the chairs.

They transformed the area. “This place was just a hole. It was where we hung out. It used to fill up with water. And it was a problem. We put in all this gravel and sand.”

They put up a fence and a gate so people can enter “Back Dó” from Young.

“I just kept coming up with ideas. I wanted it to be like a Moroccan jungle. My son, Austin, went to Morocco and kept sending me photos. I was like, ‘Oh, my god. This is what I want.’ I went to Millstone Nursery. They had all these amazing tropical plants. Everything. We planted tons of bamboo, palm trees. All kinds. It’s like a jungle.”

They also have a thatched roof bar.

As for the food, Carrier says, “it’s all done on a rotisserie. That’s what’s really fun.”
The menu will consist of grilled meats, which will be served sliced on platters with different nut dusts, salsas, and “a different bread every week. You can slather up those hot meats coming off the rotisserie. A couple of fresh crudos. Really simple and really good.”

Austin got her an outdoor projector. Carrier also got waterproof speakers. She hasn’t decided on the first movie to show.

Customers will be able to enter from Young or from inside the Beauty Shop.

Carrier isn’t sure what she’ll do if it rains. As for winter weather, she says, “I’m going to get a fire pit. I’m doing all this shooting from the hip.”

Back Dó at Mi Yard probably will be open Wednesdays through Saturdays. When it does open, Carrier plans a big blowout. “I don’t do soft openings,” she says.

Michael Donahue

Karen Carrier’s new ‘Back Dó at Mi Yard’

Michael Donahue

Karen Carrier’s new ‘Back Dó at Mi Yard’

Categories
News News Blog

SuperLo to Take Over Former Orange Mound Kroger

SuperLo Foods is slated to bring life back to a former Orange Mound Kroger that closed last year, opening a new store there by December.

Kroger closed this location at Lamar and Airways and another in South Memphis last year in February, leaving residents in the neighborhood with limited access to a grocery store. But the company announced Monday that it will be donating the former Orange Mound store to SuperLo.

Victor Smith, president of Kroger Delta, said the company has prioritized keeping its promise to the city and Orange Mound.

“Our promise and our purpose to feed the human spirit is what we stand on today as we announce the donation of the former Kroger building in Orange Mound to SuperLo Foods,” Smith said. “We ended the competition between us for a moment to support a city and community we truly love.”

Randy Stepherson, SuperLo’s owner, said the departure of Kroger from the neighborhood made room for another grocer to step in. “The facility is in a good place and in good shape.”

Stepherson said the store will be a full-scale grocer, providing a full selection of fresh produce, meats, frozen food, and dairy products. The store will also house a bakery and deli.

“Access to good food is certainly important,” Stepherson said. “That said, it has to be economically feasible for a business to open a store. In this day and age of large, high-volume, low-margin grocery stores, it is not possible for all areas to have a store within walking distance. There is not enough business for all to survive. That is why most smaller grocery stores have gone away. The consumers took their money to the larger stores.”

Memphis Mayor Jim Strickland was there for Monday’s announcement. Strickland said over the past 20 months, he, along with city councilwoman Jamita Swearengen, whose district houses the future store, have been working with Kroger and others in the community to bring a grocery store back to the neighborhood.

“We are making huge strides to better serve the public,” Strickland said. “But it’s events like these that demonstrate our people in our neighborhoods have strong momentum, too. Orange Mound is a community with a rich history, proud neighbors, and great Memphians.”


According to the USDA Food Desert Atlas, the census tract where the SuperLo will open is “a low-income census tract where a number or share of residents is more than one miles from a supermarket.”

Not only will the new store provide residents with access to a grocery store, but it will also bring about 80 full-time and part-time jobs to the neighborhood initially, Stepherson said.

On average, employees will make $13.50 an hour. Full-time employees will receive health insurance that includes family coverage, with SuperLo paying 90 percent of the cost.


SuperLo to Take Over Former Orange Mound Kroger

Categories
Sports Sports Feature

Five Star Memphis Thrashes Bethlehem

You know what 901 FC looks like? A playoff team.

The visiting Bethlehem Steel on Saturday were only one point behind Memphis in the Eastern Conference standings before the contest, so the potential for a tough match was there. But Coach Tim Mulqueen and his squad revved up the steamroller and flattened any notion of a competitive contest in the first quarter-hour. With a 5-0 drubbing where every player excelled, 901 FC climbed ever closer to that elusive last playoff qualification spot.

Memphis 901 FC

Elliot Collier set the pace early with Memphis’ opening goal in the seventh minute.

It looks like Mulqueen’s roster-tinkering over the course of the season has finally constructed a squad with the right tools for his game-plan. We’ve seen how the attack has clicked into gear over the past few games, but there was always a chance the team’s good run of form could come to an end after the Pittsburgh Riverhounds snapped the team’s four-game winning streak last week. But just as he’s done many times before, Elliot Collier stepped up to assuage any nerves with less than seven minutes on the clock when he slotted his shot underneath the despairing Bethlehem goalkeeper.

From there, it was oneway traffic. The midfield looked devastating when picking up the ball between the lines; Lindley and Adam Najem surged forward as often as they could, looking to play positive, forward passes, and the 901 FC attack never let up for a second, raining in shots to seize complete control of proceedings.

The Bethlehem defense had no answer for the home team’s gusto. Press high up the pitch? No problem, defender Liam Doyle can just play an inch-perfect long ball to a streaking Marcus Epps for the second goal. Squeeze the midfield? Lindley and Najem didn’t even look bothered as they sucked in multiple defenders before dispatching an assist to Brandon Allen (the forward’s tally for Memphis rose to eight) for goals three and four.

The icing on the cake came with Doyle’s tap-in after a corner-kick routine. If it hadn’t been apparent by then, that made it game, set, and match. Allen could have even grabbed a hat-trick when Lagos Kunga crossed to the wide open striker, but it wasn’t to be. The game kind of petered out after that, but when you’re five goals to the good, it’s fine to ease up a little.

This was truly an impressive display from the whole squad. Beyond the excellent midfielders and attackers (who mustered 21 shots), goalkeeper Jeff Caldwell and the Memphis defense restricted Bethlehem to zero (!) shots on target for 90 minutes. That puts Caldwell up to six clean sheets for the season.

Memphis 901 FC

A complete team performance leaves Memphis well-poised heading into its final four games.

Memphis had already looked like a well-oiled machine over the last month, but an utter thrashing is the perfect tonic after what could have been a morale-sapping narrow defeat to Pittsburgh. And with only four games left in the season, it’s exactly what Memphis needed. The team remains in 12th place, five points out of the last playoff spot; each match from here on out is a must-win contest. Next up is fifth-placed Indy Eleven on Saturday, which on paper seems like the toughest opponent left on the schedule. However, the Indianapolis side has lost its last three games, making it the perfect time for Bluff City to strike.

And who’s to say Memphis can’t pull off the win? Mulqueen has his team’s foot pressed down firmly on the accelerator, with the entire attack in a goal-scoring mood and the rest of the squad on the same page heading into crunch time. It will be a fight to snag that number ten spot in the Eastern Conference, but 901 FC has more than shown lately it’s up for the challenge.


Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Mellotron Variations

Increase your chill with Music Video Monday.

It’s the weekend after Gonerfest, and you’re too tired to be at work. But here we are. Chill out with Mellotron Variations.

The groundbreaking project from Robby Grant, Johnathan Kirlscey, John Medeski, and Wilco’s Patrick Sansone now has a second album, recorded at the April 24, 2018 Crosstown Arts show. That was the first time in history that four Mellotrons had been on stage at the same time—but not the last.

The quartet has since played at Wilco’s Solid Sound festival in Maryland, and will perform in Nashville in December. The video, directed by Ben Rednour, is a psychedelic feast, incorporating footage from John Wayne westerns and vintage home movies. Go “Into The Sunrise!”

Music Video Monday: Mellotron Variations

If you would like to see your music video appear on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Sports Tiger Blue

Three Thoughts on Tiger Football

• How significant is the Tigers’ 4-0 start?
Since World War II, the Memphis program has boasted a 4-0 record exactly three times. In 1961, coach Spook Murphy’s Tigers started 6-0 before losing (to Mississippi State) in late October and finishing the season 8-2. Then in 2015, Justin Fuente — and quarterback Paxton Lynch — helped Memphis win its first eight games and climb to a ranking of 15th in the country. Alas, that Tiger team lost four of its last five games before Fuente departed for Virginia Tech.

So our first lesson: Football teams aren’t memorialized for strong starts. Rather, it’s strong finishes that get carved in granite. The Tigers’ start is no mirage. They’ve beaten an SEC foe (Ole Miss) and a team that’s given them fits since becoming a conference rival (Navy). The four wins have the Tigers ranked 23rd in the country in one poll (coaches) and on the cusp of entering the AP rankings. The unblemished record is absolutely required for any discussion of an American Athletic Conference championship (SMU is also 4-0), to say nothing of a berth in a New Years Six bowl game. (There are currently three “Group of Five” teams in the AP Top 25: Boise State, UCF, and SMU.) Going undefeated for a third of the season is worthy of recognition, particularly in these parts, but it’s the next two-thirds that will determine the 2019 Tigers’ place in the history books.
Larry Kuzniewski

Brady White


• The Tigers have a .500 record for the decade, and this is significant.
Memphis has been playing football since 1912 but the program has only enjoyed four decades with more wins than losses, and the most recent was the 1970s (60-48-1). After starting the current decade by going 3-21 over two seasons under coach Larry Porter, Memphis has managed to climb to .500 (59-59) with a stretch that will include six consecutive winning seasons for the first time in more than a half-century (1959-64). Even Fuente was 10 games under .500 after his first two seasons (7-17). The Tigers must finish the season with at least four more wins than losses, of course, to secure a break-even mark for the decade. The achievement would be a significant statement on the big-picture rise of a program once considered little more than a fall distraction before basketball season tipped off.

• Brady White became a star quarterback in the win over Navy.
It’s ironic, considering the boos White heard during the first half of last Thursday’s game as the Midshipmen took a 20-7 lead. But the Tigers don’t beat Navy without White’s right arm. Over a 15-minute stretch of the second half, White threw touchdown passes of short (5 yards), long (73), and intermediate (31) length to erase that deficit and give the Tigers a key win over an AAC division rival.

White heard the boos, but he smiled (slightly) when asked about them after the game, noting that they bother his parents more than they affect his approach or performance. “My mindset is the next play,” emphasized White, who ignores social media during the season, though relishes various platforms for impacting lives positively as an athlete in the spotlight. “I’m my biggest critic. I wasn’t playing like myself [in the first half]. But I settled down; I knew I had the support. The defense kept us close. We came out and executed. I’m blessed to have the teammates and coaching staff we have.” White isn’t the only prominent Tiger feeling blessed in these undefeated days. “That guy is pretty dang special,” added Tiger coach Mike Norvell. “I’m glad to coach him.”

Categories
Music Music Blog

Gonerfest 16 Recap: Saturday

“It’s crazy,” says Johnny, the doorman at Murphy’s on Madison, the afternoon venue for Gonerfest 16’s Saturday performances. “It’s never sold out before.”

The gold passes have sold out in years past, but this year, weeks before Goner Records’ annual festival of punk, alternative, no wave, and all music left of the dial, individual passes to Friday and Saturday night were sold out. The sea of people inside and outside Murphy’s makes it hard to believe the daytime show hasn’t sold out as well. But, up walks a woman without a wristband. She balks at the cover charge and asks Johnny what’s going on.

Gonerfest is going on, and I’ve never seen so many people at Murphy’s before.

Kandi Cook

The Resonars

Out back, New Orleans’ Total Hell rips through a heavy set. They’re all guttural vocals and crunchy guitars as the audience bakes in the Memphis autumn sun. In the crowd, I can spot folks who seem to have come directly from Memphis Pride Festival, with rainbow stickers and other accoutrements.

Jesse Davis

Aquarian Blood played to a packed house at Murphy’s during Gonerfest 16.


Heading back inside in a (failed) attempt to secure a good spot close to the stage for locals Aquarian Blood’s set, I bump into Frank McLallen of Model Zero, the Sheiks, and the Tennessee Screamers. Like so many of the attendees, he’s got that Gonerfest glow  a sheen that could be sweat or sprayed beer and a happily dazed expression. “As a working local, I was able to make it out on Friday,” McLallen says of the festival so far. “It was nice to see the Oblivians and Quintron. It was a heroic set. Later than night, I played a show with Model Zero at DKDC for the late night [show]. It was a wild scene. We opened for Quintron’s Shitty Stones, a shitty Rolling Stones cover band from New Orleans, and it inspired us to get all ’70s glammed out. The scene was just wild and wonderful.”

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I ask McLallen if he’ll be at the festivities later that evening, and, if so, what he’s most looking forward to seeing. “I want to see the Mummies,” he says. “I’m looking forward to seeing them. It seems like a circus.”

Inside, Memphis’ own Aquarian Blood starts up the first song of their set. It’s haunting, with slightly overdriven acoustic guitar, just enough to give the tone some texture. Their second song begins with drum machine and acoustic guitar. It’s got a mellow groove, with tasteful bends on the acoustic. I stand near the bathroom, as close as I can get, and listen. Murphy’s is a sea of people, all transfixed by Aquarian Blood.

Jesse Davis

The Resonars


The Resonars from Tucson, Arizona, play outside. They’re a band of Fender-wielding guitarists with a tight rhythm section and driving, thrumming bass. An ex-Arizonan, I detect a whiff of the desert in their Southern sound with a slight power-pop vibe.

Jesse Davis

Michael Beach & the Artists

Michael Beach & the Artists begin their set with a steady beat on the floor tom and guitar chords left to ring out. It’s not unlike the Velvet Underground’s “Heroin,” at least, that is, before the Melbourne-based band really leans into the performance and dials the energy up to 11.

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That night, as I walk into the Hi Tone, Parsnip has just begun their set. They have a lo-fi sound with peppy garage-rock cheerleader backup vocals and some nice keyboard action. It’s my kind of music, without a doubt, and stuck in the back again, I let myself get lost in the sounds of the Aussie rockers. It’s worth noting that the shows at Gonerfest start on time. The heat, the tinnitus-inducing volume, the Gonerbrau (Memphis Made’s commemorative cream ale) all seem to conspire against the performances going so smoothly, but somehow, in the schedule, if not on stage, a strict sanity prevails. That leaves all the madness, happily, to the performers and the audience.

Jesse Davis

Giorgio Murderer plays to a sold-out audience at the Hi Tone.

Giorgio Murderer from New Orleans brings a set of urgently-strummed guitar. It’s classic punk, classic rock-and-roll, hitting every downbeat, with attitude to spare. It’s stripped down, gnarly, and totally at home at Gonerfest.

Next, Memphis-based Hash Redactor makes their appearance with squealing, squalling guitars. Listening to their first song is like being sucked down the drain, with descending riffs and bending guitar strings. The second song kicks off with a bang and ends with a warble. With their third song, they settle into the dark, spooky side they do so well. With members of NOTS and Ex-Cult in the lineup, Hash Redactor is a Goner Records supergroup of sorts, and they were in full form at Gonerfest 16. As I wrote in a review of their Drecksound album, “The guitars alone are worth the price of admission.”

Courtney Fly

The Mummies

It’s fitting that in Memphis’ alternative rock festival, the Mummies close out the night. As Gonerfest attendees pack themselves into the Hi Tone, it’s readily apparent that Gonerfest 16 sold out. I’m loathe to be a broken record, but these performances were absolutely packed. The Mummies earn every second of the audience’s rapt attention. Clad in tattered “bandages,” the band powers through a dynamite performance. The keyboard player lifts his instrument over his head and onto his back. They’re so obviously in lock-step with each other, the tempo and changes so ingrained, that they play with a ghoulish intensity. They change to double-time for the end of a song, all as easy as second nature. And the musicianship is only a fraction of the show. The humor and stage presence are top-notch as well. After some banter about “the sign-up sheet for the human sacrifice,” a Mummy says, “It seems like we’re wasting time, but this is for your benefit.” Another band mate chimes in with lightning-fast reflexes, “We’re waiting for the suppositories to kick in.”

Later, the band gets a laugh by “confusing” Tennessee’s two music towns: “It’s great to be here in Nashville,” a Mummy quips. “Great to be at the Grand Ole Opry.” All in all, the Mummies made an excellent cap to the Goner festivities — a mix of humor, wild energy, and air-tight song craftsmanship. After the Mummies, well, that’s a wrap.

Courtney Fly

The Mummies


Categories
Music Music Blog

Gonerfest 16 Recap: Friday

Violet Archaea at Gonerfest Friday night.

It’s Saturday morning of Gonerfest, and I have a headache. And I’m not the only one. Folks from all over the world are cursing the bright, fall sun of Memphis the morning after an overstuffed night of punk, garage, no-wave, and the indescribable.

And too much beer. Did I mention the beer? Memphis Made brewed a special Gonerbrau cream ale, and it only comes in tall boys for your beer-spraying convenience.

After a full afternoon at Memphis Made with Static Static, Lenguas Largas, Fuck, Graham Winchester, Kelley Anderson, and Tyler Keith, Goners reconvened at Crosstown Arts auxiliary gallery at 430 Cleveland. Miss Pussycat, Quintron’s partner and celebrated artist and puppeteer who recently got a fellowship and retrospective at the Ogden Museum in her native New Orleans, performed her puppet show “The History of Egypt” to as packed a house as it is possible to have. After Antony was defeated at the Battle of Actium, and Cleopatra got fatally intimate with an asp, Miss Pussycat added a post script set in the holy Egyptian city of Memphis detailing the founding of Goner Records and the Mummies playing Gonerfest. Later, Goner co-owner Zac Ives confirmed that this was the first time he had ever been portrayed in puppet form.

Miss Pussycat presenting her ‘History of Egypt’ puppet show, featuring Guitar Wolf as it segued into a ‘History of Gonerfest’.

(I was unable to confirm with Eric Friedl if he had ever been represented via puppetry before that evening.)

Miss Pussycat’s art on display at Crosstown Arts 430 Gallery

In years past, the golden passes have consistently sold out, but individual tickets could still be had if you got to the venue early. This year, Friday and Saturday sold out weeks ago.

“It’s like Mecca, almost. Everyone comes together,” says Megs from Louisville, who is here with her friends Yoko and Aaron.

This is Megs’ second Gonerfest, Yoko’s third, and Aaron’s fifth. They say they’re here primarily to see the Oblivians reunite with Quintron to play their watershed 1997 album Oblivians Play 9 songs with Mr. Quintron. The descriptively titled album is the best Memphis rock record since Big Star’s Third/Sister Lovers. Its reputation has grown in the 22 years since the January 1997 afternoon when Quintron rode the bus up from New Orleans and recorded the album with Greg, Eric, and Jack in one eight-hour session. It sits in an unlikely pocket of lo-fi, punk, and gospel, and the songs have been rarely performed by the full band. “It’s my favorite album,” says Megs.

“I’m ready to go to church tonight,” says Yoko.

Sarah Danger of Mallwalker

At 9 p.m. sharp, Mallwalker from Baltimore, Maryland, gave the evening a swift kick in the ass. Singer Sarah Danger, who would act as the MC for the evening, reserved some special vitriol for the anonymous person who accidentally broke her foot during the band’s 4 a.m. after-show last year. Afterwards, I talk to her as she’s rehydrating at the bar about the band’s big stage debut. “It was fucking amazing while I was up there, but it was horrible beforehand because it was so nerve-wracking!.”

This is Danger’s eighth Gonerfest. “One of my favorite ones was when Guitar Wolf played the opening ceremony. I had never seen that kind of energy. It was so sick.”

The second set of the evening was Richard Papiercuts et Les Inspecteurs. The New Yorker crooned like a hyped-up Brian Ferry. It was an ’80s-infused dance party, with the evening’s only saxophone, and an example of how the sounds at Gonerfest have expanded and diversified over the years.

At 10:30 p.m. was the legendary M.O.T.O. Paul Caporino’s low-fi, pop-rock machine mesmerized the crowd. The peak of the set came with “Tastes Just Like A Milkshake,” a Memphis favorite covered by Secret Service.

Innez Tulloch and Matthew Ford of Brisbane, Australia’s Thigh Master with Memphis singer Jesse James Davis. Blurriness courtesy Gonerbrau Vision (TM).

Brisbane, Australia’s Thigh Master had the distinction of throwing their record release party at Gonerfest. Now For Example is out on the label as of yesterday, and they celebrated in style, joined at one point by Memphis’ Jesse James Davis on vocals.
At the stroke of Midnight came NOTS, a Gonerfest staple, sounding as fierce as ever. Now playing as a three piece after the exit of keyboardist Alexandra Eastburn, Natalie Hoffman did double duty on guitar and synth, while Charlotte Watson and Meredith Lones pounded out titanic rhythm behind her.

NOTS

People on the floor jockeyed for position as the back stage curtains parted to reveal Quintron’s massive vintage Leslie speaker. Violet Archaea was wearing a “Kill A Punk For Rock and Roll” shirt, famously featured on the cover of the Oblivians album Popular Favorites. “This is my first one, but I’ve been wanting to come since I was of age,” she says. “It’s everything I want.”

Her band The Archeas would be playing the super-late night after-party, but she was in no hurry. “2 a.m., 3 a.m. It will be an a.m.”

The Oblivians playing nine songs with Quintron

When Greg Oblivian began the circular riff of “Feel All Right,” the packed Hi-Tone surged forward. Seconds later, the first thrown beer of the night nailed him right in the face. It couldn’t have been more accurately aimed if it was actually aimed. This served to piss him off, and for a glorious hour or so, the snarling, rock-hard Oblivians of old were back. The gospel songs played by punks with a lot more miles on ‘em than in 1997 revealed new depth as they rattled down the road like an old truck about to shake apart. “Before this time another year/I may be gone/In some lonesome graveyard/Oh Lord, how long?”

They encored with the New Orleans zydeco stomper “Call the Police” from their Desperation album, and then Greg decided to teach the band a new song right there on stage at the Hi Tone in front of a packed house at 2 a.m., just to make sure the crowd got that vintage Oblivians experience.

Categories
Music Music Blog

Gonerfest 16 Recap: Thursday

Alex Greene

Limes

“Usually, Thursdays are the slowest part of Gonerfest, but I don’t think that’s the case now!” remarked scenester and overall Gonerfest facilitator Gally Sheedy as she surveyed the packed crowd at the Hi-Tone Cafe last night. It was the only night of the festival that was not sold out, but any uncertainty over attendance was put to rest by the crowds packed in for the opening salvo.
Chris Squire / Allison Greene

Quintron and Miss Pussycat

It all began as music fans congregated near the Goner HQ in Cooper-Young, sampling the free beer and browsing for hard copies of their favorite records. Those checking in at the store received a free copy of The Happy Castle of Goblinburg, a special-edition audio play EP, chock full of synth skronks and other sound effects, produced by Miss Pussycat, longtime collaborator with Mr. Quintron. The New Orleans-based team are here in force for the weekend, with Quintron slated to join the Oblivians onstage tonight. Meanwhile, Miss Pussycat is opening an art exhibit focused on her inventive puppetry, The Puppet Worlds of Miss Pussycat, with the opening party tonight, 6:00-9:00 pm, at the Crosstown Arts gallery on Cleveland Street. The opening features a live performances of her puppet show “The History of Ancient Egypt,” including the music of synth-primitivist BÊNNÍ.

Just down the street from the Goner store, the festival’s thrusters fired up in the Cooper-Young gazebo with the music of Limes, led by singer/songwriter Shawn Cripps. Their mesh of crunchy guitar tones, sharp rock rhythms, and Cripps’ acerbic lyrics were a perfect kickoff to the weekend’s offerings. A sizable crowd flooded the corner, as Cripps quipped, “Gonerfest has really grown over the years. This feels like one of the better ones.”

Later, fans gathered at the Hi-Tone Cafe for the opening night’s lineup. The party spilled out of both the front and back doors, with the sea of humanity surging back into the club when each band’s set began. By all accounts, Green/Blue and the Hussy got things going with slamming sets. Your faithful correspondent arrived just before some hometown favorites, Sweet Knives, took the stage. Their blend of off-kilter riffs, synth hooks, pounding rhythms, and razor-sharp harmonies from Lori McStay and Alicja Trout inspired the crowd to bounce and head-bob with abandon.  Alex Greene

Sweet Knives

Trampoline Team, from New Orleans, offered some serious thrashing to bring things back to the basics of slam and speed. Then, MC Bob McDonald set up the set by Simply Saucers by taking us back to their very beginnings in 1973. “Back then, there was no punk. It’s Devo and it’s them.” And the band then launched into a remarkably eclectic set that was a vital reminder of proto-punk’s anything-goes attitude.

Simply Saucers

Much as when John D. Morton’s band X__X was showcased at Gonerfest 14, spotlighting Simply Saucers confirmed the strong historical perspective at work in Gonerfest’s curation. From silky folk-rock harmony interludes, to pounding rock verging on Northern Soul, all built on an alt-rock chassis not unlike a harder-rocking early Brian Eno, Simply Saucer offered musical delights aplenty and kept the beats pounding.

Then Eric Friedl, aka Eric Oblivian, took to the stage to testify that following the night’s closing act, as the Oblivians once had to do, was an impossible task. “Nobody can follow the King Brothers!” he declared, and, as the trio took to the stage, one member in a hockey mask, the club was filled with the sense that a terrible and beautiful storm was about to be unleashed.
Alex Greene

King Brothers

Indeed it was, as soon as they took to the mic. “Are you REAAAAAADY??” screamed lead singer Keizo, before spitting out the words, “ALL NIGHT KING BROTHERS GO WILD PLAY SOME ROCK N ROLL!!”, as the band launched into a ferocious onslaught. With riffs sometimes echoing old rock ‘n’ roll grooves, run through a sludge machine of fuzz guitar, the highlight was the non-stop drumming combined with shrieks and howls that made one’s hair stand on end. Keizo displayed uncanny crowd-surfing skills, standing aloft and delivering piercing screams from near the ceiling. Inexplicably carrying this jet-fueled calamity for nearly an hour, the King Brothers shut down the Hi-Tone with aplomb.  Anton Jackson

King Brothers

Categories
News News Blog

Groups Call for a Living Wage for All U of M Workers

Maya Smith

Students demand living wage for all campus workers

Students protested at the University of Memphis Friday, asking for a living wage for all campus workers and an overall more equitable campus.

The Memphis Young Democratic Socialists (901YDS), comprised of U of M students, staff, and alumni, helped organize Friday’s event.

The protest comes a day after U of M president M. David Rudd announced he would not be accepting a near $100,000 salary increase. Rudd currently earns a base salary of $394,075, according to the university.

Rudd

Rudd was expected to sign a new contract to receive $525,000 annually beginning October 1st, but said Thursday that he believes “it is in the best interest of the institution to forgo any salary increases at this time.”

“Overall institutional efficiency has been at the forefront of my agenda from the day I started, a value I firmly believe and will continue to live,” Rudd wrote.

Tre Black, co-chairman of the 901YDS, said although he is “overjoyed” with the president’s decision, “there is still much work to be done.” He noted that Rudd didn’t mention if he would still accept the near $2 million in bonuses and benefits offered by the university’s board of trustees.

At the protest, students honed in on the issue of every campus employee making a living wage of $15 dollars an hour. Rudd assured the campus in July that a plan to raise all employees’ pay to $15 an hour over the next two years was in the works, but the details of that plan were never shared.

Rudd’s promise of paying a living wage to campus workers came after Shelby County Mayor Lee Harris moved to veto $1 million in county funding going toward the university’s new natatorium until a plan to pay all university employees was presented.

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“We have a definitive plan,” Rudd said at the time. “We’ll be at $15/hour in two years. And in a sustainable manner.”

Black said that 901YDS wants all campus workers to earn a living wage, including those hired under a work-study contract, those earning a stipend, part-time and full time employees, graduate workers, and adjunct professors.

The protesters also want Rudd to participate in a public forum with 901YDS and United Campus Workers, another organizer of Friday’s action, to address these and other issues relating to “inequality and unfair treatment of a large section of students and workers.”

As an example, Black cites graduate workers not receiving health care or a living wage, yet working more than 40 hours most weeks.

According to United Campus Workers, about 330 employees on campus are paid less than $15 an hour.

Maya Smith

Students demand living wage for all campus workers

The group has a petition on the Action Network website. In addition to asking Rudd to forgo additional bonuses, the petition asks that Rudd reveal the university’s plan to raise campus workers’ hourly wage to $15 an hour.

The petition also notes that the groups oppose any increases in tuition and fees: “We call upon the president and the board of trustees to freeze tuition and all administrative fees, not to be increased without approval of the students.”

See the full petition here.

The university did not immediately respond to the Flyer‘s request for comment. 

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We Recommend We Saw You

Paula & Raiford’s Continues to Amaze, Bluff City Law, Asbee BBQ, Food Fight

I’m honored to be in this photo with the late, great Robert Raiford and the great great Paula Raiford. This was taken at a Blues Ball at the Gibson Guitar Factory.

As far as I know, I was the first reporter to do a story on Raiford’s Hollywood Disco, the nightspot owned by the late Robert Raiford. This was when the club was on Vance near Main.

 Raiford’s Hollywood Disco was a mini discotheque, complete with smoke machine and disco ball. Guests drank beer from “40s” (40-ounce bottles) and danced on a smallish dance floor. The flamboyant Raiford was the deejay and changed outfits many times during the evening. He loved to laugh.

I remember taking Jack and Marilyn Belz to Raiford’s Hollywood Disco one night after a party at Belz’s hotel, The Peabody. They didn’t stay long, but they had a blast.

Paula Raiford, Robert’s daughter, opened Paula & Raiford’s at 14 South Second in April, 2009. It’s a bigger version of Raiford’s Hollywood Disco They’ve got the smoke, the music, a bigger (I think) dance floor, a disco ball, the 40s, and much more. For years, Robert Raiford was the deejay.

Raiford was deejay and honored at the Blues Ball.  I remember when he was the deejay at the over-the-top-fun barbecue team Cadillac Grillz at the Memphis in May World Championship Barbecue Cooking Contest.

The magic of the Raiford family continues.

Paula & Raiford’s Disco was voted “Best After Hours Night Spot,” “Best Nightclub,” and “Best Dance Club” in the Flyer’s recent 2019 Best of Memphis.

And this isn’t something new. I looked at a spreadsheet going back to 2016 and discovered Raiford’s Hollywood Disco tied with Alex’s Tavern for “Best After Hours Club” in 2000 and won in 2002, 2005 and 2008. Paula & Raiford’s Disco won in 2010, 2011, 2012 (tying with Earnestine & Hazel’s), 2013, and 2015.

Raiford’s Hollywood Disco won “Best Dance Club”  in 2008 and 2009. Paula & Raiford’s Disco won in 2010, 2011, 2012, 2013, 2014, and 2016.

So, what is it about Paula & Raiford’s that makes it so special? “I think it’s just a genuine place that people just love,” Paula says. “My family and I have dedicated so much to it. Just giving back to people. They can enjoy themselves, let their hair hang down, and leave their worries at the door.”

And, she says, “My dad’s spirit is in here. Whether day or night his spirit enters people’s bodies when they step in.”

A supply man who was at the club that day told her, “I feel the energy in here,” Paula says. “And nobody is here.”

What was special about her dad? “He just loved the world. He put no ‘little you big me’ in his life. He treated everybody equal. It made him glow.”

When strangers saw her dad at the grocery story, they said, “You are somebody.” They wanted to know, ‘Who are you?’”

For some background on Robert Raiford, here’s a link to an award-winning Memphis Magazine story on the Memphis legend written by Memphis Flyer managing editor Shara Clark in 2016.

Michael Donahue

Cory Hollywood, Paula Raiford, and Zareon Anthony at the Best of Memphis party, which was held Sept. 25th at the Creative Arts Building at the Fairgrounds.

Michael Donahue

Unofficial Official Downtown Bluff City Law Watch Party

OK. I’m a fan of “Bluff City Law.”

Other reporters at The Flyer covered events surrounding the filming of the TV series in Memphis, so I’ve been out of the loop. And I haven’t seen Jimmy Smits anywhere. But I watched the first episode at the “Unofficial Official Downtown Bluff City Watch Party,” which was held Sept. 23rd in Court Square. I loved the show. And not just the scenes of Memphis. The plot and the characters were captivating.

I had so much fun I wish they’d show every episode each week on a big screen outdoors in Court Square – at least on the good nights this Fall. I’m serious. I loved the diversity at the event. Everybody looked like they were having a good time. Some people brought chairs. Lots of people sat on the Hebe fountain ledge. One couple brought brownies and other goodies along with wine. There were food trucks, too. And I loved the way people clapped when they saw shots of Memphis, including Rum Boogie Cafe and The Four Way Soul Food Restaurant.

Kontji Anthony and Joe Birch from WMC-TV were the hosts along with Jayne Atkinson, who plays “Della Robinson” on “Bluff City Law.” The event was presented by the Downtown Memphis Commission with support from Rachel’s Salon and Spa in Court Square and Walking Pants and Curiosities on South Main.



Actually, it was Atkinson’s idea to hold the event, says Penelope Huston, Downtown Memphis Commission vice-president marketing, communications, and events. Atkinson, who is a client of Rachel’s Salon, talked to salon owner Paige Garland. “Jayne Atkinson mentioned to Paige that she wished there could be some way we could do a public showing,” Huston says. “Paige called me and said, ‘What do you think?’ I said, ‘Yes.’”

About 1,000 people attended, Huston estimates. The event was “the most diverse – both race and age – from all over the city. It wasn’t just downtown. It was a beautiful mix of what Memphis really looks like. I was blown away. I love how Memphis shows up.”

Michael Donahue

Penelope Huston at Unofficial Official Downtown Bluff City Law Watch Party

Michael Donahue

Paige Garland at Unofficial Official Downtown Bluff City Law Watch Party

Michael Donahue

Michael Patrick, Erling Jensen, David Krog, and Randy Jefferson, who made the salads, participated in the Great Memphis Food Fight.

I was a “tester,” but I wasn’t sure what to expect from the Great Memphis Food Fight fundraiser for Grace House, which was held Sept. 19th at Memphis Botanic Garden. Were the chefs going to throw food at each other high school cafeteria style?

Instead, celebrity chefs Erling Jensen of Erling Jensen: The Restaurant, Michael Patrick of Rizzo’s Diner, and David Krog from the upcoming Dory restaurant, prepared a dish. The preparation and final product were shown to the audience and the taste testers on big screens. When they finished, the tasters tried the respective dishes first. Then the guests lined up and ate the same thing buffet style.

A total of 250 people attended and $38,600 was raised, says Sherry Gardner, vice chair of the Grace House board.

Grace House, a drug addiction treatment center in Memphis, was founded in 1976.


Michael Donahue

David Krog and Zach Thomason at Great Memphis Food Fight.

Michael Donahue

ASBEE (Anshei Sphard-Beth El Emeth) Kosher BBQ Competition and Festival

Participants got creative with their names at the ASBEE (Anshei Sphard-Beth El Emeth) Kosher BBQ Competition and Festival. Teams included the Jewbie Brothers, Bar B’ Jews, Motley Jew, and Jew-Rassic Park.

The event, which was held Sept. 15th at Anshei Sphard-Beth El Emeth Synagogue, celebrated its 31st anniversary. I’ve been a judge at this event for many years. I think I’ve judged all categories, including brisket, ribs, and chicken and beans. I was a ribs judge this year. I think I tried nine entries.

More than 2,500 attended this year’s event, says Sarah Beth Cohen-Wilcox with the festival. Thirty-six teams participated. And Sam Fargotstein won the adult pickle eating contest.

Sarah Beth Cohen-Wilcox

Sam Fargotstein, center, won the adult dill pickle eating contest at the ASBEE (Anshei Sphard-Beth El Emeth) Kosher BBQ Competition and Festival.

Michael Donahue

Bernice Xu, Sue Hirschman, and Dave Scott were at the ASBEE (Anshei Sphard-Beth El Emeth) Kosher BBQ Competition and Festival

100 Women Who Care chose Memphis Inner City Rugby as its winning non-profit

Memphis Inner City Rugby was the 100 Women Who Care winning non-profit “after giving a very compelling presentation,” says board member Madelyn Gray. The winner was announced at a meeting, which was held Sept. 17th at Malco Forest Hill Cinema Grill in Germantown.

Members of 100 Women Who Care heard from three local non-profits about their mission and what they’re trying to do to help better the community. Members then voted on which non-profit best deserves the money. All members wrote a check directly to the chosen non-profit.

Memphis Inner City Rugby received $12,000.

                                       WE SAW YOU AROUND TOWN

Michael Donahue

Aldrin Romero, Norma Romero, Angelica Perez, Rigoberto Perez, Manuel Martinez, Lisha Dai, Preston Maciel at Gibson’s Donuts

MIchael Donahue

Andrew Hayes and Maxwell on South Main.

MIchael Donahue

Gracie Hall and Heath Williams at Christian Brothers High School homecoming.

Michael Donahue

CBHS homecoming.

MIchael Donahue

John Riley at CBHS homecoming.

Michael Donahue

John Elmore and Natalie Vasquez at Celtic Crossing.

Michael Donahue

Sissy Criss and Rachel Black at Little Tea Shop.

Michael Donahue

From my office window.