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David Cousar Never Looked Back

Even before David Cousar passed away last Thursday at 73, after struggling with cancer, social media was overflowing with tributes to him from fellow musicians, friends, and fans who were touched by his art. The gifted guitarist, songwriter, and singer was also a gifted writer who had shared his journey through the illness with poetic, philosophical, and humorous posts for at least three years, and now the community was staying with him through the endgame. While some misinterpreted the flood of memories to mean that he’d died already, he was weak but relishing the earliest wave of shout-outs.

“He would have been seeing them through Tuesday,” recalls his wife Janet Holloway Cousar of the numerous posts. “But he went really fast. He was alert and we were talking, and he knew everybody was posting things on Wednesday, but he wanted me to read them to him later. And there just wasn’t a later.”

Still, the many memories were a moving tribute to a music-maker known for his blend of spontaneity and discipline, restraint and audacity, in equal measures, and sharing them was clearly cathartic for the local music community. The posts continued even after Bob Mehr’s thoughtful obituary was published last Friday, as people struggled to come to terms with the loss of Cousar’s sprawling, omnivorous talent. His playing had a depth and breadth that was both instantly engaging and difficult to fathom.

Saxophonist Jim Spake was among the first to encounter Cousar’s talent, back in the wild frontier of the 1970s, when musical genres were arguably less siloed than in the current era. “I was in my first or second year of college when Doug Garrison introduced me to him. And we started playing gigs together by ’75 or ’76. He was already more seasoned by then. He was seven years older than me, but he didn’t seem that much older. He was always really youthful acting and looking.”

David Cousar on a trip to New Orleans, ca. 1983 (Photo: Courtesy of Jim Spake)

Even then, Spake witnessed Cousar’s venturesome spirit, his appetite for learning and expanding his horizons. “He loved Wes Montgomery, Ry Cooder, and Taj Mahal, and the way they would reimagine pop standards,” Spake recalls. “He would do Joni Mitchell songs. His ears were always open to stuff that was new to him, always looking for new sounds to incorporate into his own music, you know, even in his formative years of music playing. He came up to visit me in Boston when I was at Berklee [College of Music], and slept on my floor. While he was there he hunted down Pat Metheny and got a lesson with him. David was pretty over the moon about that because Pat Metheny was brand-new then; he was new and fresh. A lot of people hadn’t even heard him yet. Back then you could still do this.”

Though self-taught on guitar, Cousar was a disciplined student of the instrument. “He started out as a young rocker, but he took those Berklee correspondence courses and that was back when it was done by mail. That was sometime in the ’70s,” recalls Spake. “He struck me as somebody who always was looking for ways to improve.”

Later in life, he would share his studies of everything from “Minuet I” by Sylvius Leopold Weiss to klezmer music. That in turn filtered into the imaginative playing he brought to other artists’ music, ranging from Al Green to Amy LaVere to Marcella Simien and beyond. He also had a fine-tuned understanding of Caribbean music, from reggae to Bahamian folk auteur Joseph Spence. His knowledge of such music grew exponentially during the many years he spent in Florida.

“He played with this white reggae band in Florida called Lazy Day, and they would play in the Keys as well,” recalls Spake. That heavily influenced the material covered in one of Cousar’s earliest Memphis bands, the Bluebeats, formed in the early ’80s, which also included Spake. “I was already into reggae. And you know, I think we played some pretty good stuff. I’m sure there was too much Bob Marley, but also some more obscure stuff like the Melodians.”

Ad hoc group featuring David Cousar on bass, with Randy Haspel, Richard Roseborough, Donnie Baer, and Jim Spake, ca. 1982 (Photo: Courtesy of Jim Spake)

That group would become a fixture at Jefferson Square, the Bombay Bicycle Club, and other venues for years, but Cousar was also sitting in with the many ad hoc groups that played in Memphis at the time, including the Midtown Jazzmobile. Yet what many fans treasured most were his solo shows, notably at The Buccaneer before its demise, where Cousar’s playful spirit could have full rein. Such moments were testaments to the singer’s spontaneity, as with this reimagining of Prince’s “Little Red Corvette.”

This venturesome, eclectic spirit stayed with Cousar until the end. As his wife Janet recalls, “he played his guitar up until the last few weeks of his life, playing classical, jazz, and his own songs.” He also read and listened to music voraciously, listening to Marc Ribot, Neil Young, B.B. King, Wayne Shorter, and Ry Cooder as his health failed. “He was always devouring information,” Janet notes, adding that his last readings included The Wind-Up Bird Chronicle by Haruki Murakami and The Pleasure of Finding Things Out by Richard P. Feynman — a perfect title to sum up Cousar’s approach to life.

The story of Janet’s presence in his life reads like a novel in itself. As she describes their first encounter in the ’80s, “I met him and it was just love at first sight. We went out on a date and we were living together from that point on for four and a half years. He was the love of my life and vice versa.”

Yet lifestyle differences came between them, and they went their separate ways for decades. By the time Janet found herself free to start seeing him again, Cousar was already ill, but that didn’t dampen their mutual passion in the least. “We never got back together until a little over a year and a half ago,” she recalls, noting her divorce from her then-husband at the time. After that, “I called David, knowing he was sick and did not have long. I wanted to spend whatever time could with him. And you know, he was just happy as can be. Nothing had changed!”

It was a charmed moment for them both. “When we started getting back together, he wasn’t playing. He wasn’t really talking to a lot of people. Though at least his friends would message him or text him just out of the blue, saying how much they loved him.” Cousar ultimately rallied to play on recordings by Billy Swan at Southern Grooves studio this January and in a series of Murphy’s shows with Rick Steff and Shawn Zorn this summer.

Meanwhile, his health issues brought practical concerns that complicated the romance. “When you’re sick and you’re on Medicaid, you don’t want to lose it. We started talking about getting married in February of this past year, but every time I got closer, I was like, ‘I don’t want you to lose your insurance.’ So we waited. We almost waited too late, but I’m so glad we got married. It just means everything.” They had a small bedside ceremony officiated by their close friend Susan Marshall on October 22nd. “He was very sick,” recalls Janet, “but he rallied for that day.”

Since Cousar’s passing, Janet, who works in the medical industry, has been acutely aware of the dire healthcare issues confronting musicians like her late husband. “If I could just get a group of doctors who are fans of music, who would agree to do screenings or something … I just feel very, very passionate about getting people to a point where they feel comfortable going to the doctor,” Janet muses. Fellow musician Vicki Loveland has set up a GoFundMe campaign focused not only on funding a memorial to Cousar at Elmwood Cemetery, but assisting other musicians. “After David’s final expenses are covered,” reads the GoFundMe page, “the family will donate all future donations from this campaign to MusiCares in memory of David,” referring to the medical assistance fund for musicians set up by the Recording Academy.

Meanwhile, Janet Cousar is left picking up the pieces, reflecting on the Renaissance man she knew so well. “David had an amazing philosophy on life,” she muses. “He only looked forward and never back. He lived with hope instead of regret. He encouraged me not to be sad where we were, but look forward to what life we had left. He saw beauty in the mundane that most people don’t notice. Up until the day he passed away he talked about where we would go for our honeymoon. In every step he took in life, he was a true artist.”

David and Janet Cousar (Credit: Amanda Zorn)

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Food & Wine Food & Drink Hungry Memphis

Big Ass Beer

Big Ass Truck now has a big ass beer named after it.

Crosstown Brewing Company will introduce its first malt liquor, Malt Liquor Man, between 4 and 6 p.m., Thursday, November 2nd, at the Concourse Block Party at Crosstown Concourse, says the brewery’s owner Clark Ortkiese. Free beer will be available for those 21 and up. 

Then, between 6 and 8 p.m., Crosstown Brewing Co. will be selling the malt liquor at the brewery, which is located at Crosstown Concourse. “Big Ass Truck will be in the tap room between 6 and 8 spinning their favorite songs,” Ortkiese says.

If Malt Liquor Man sounds familiar, that’s because it’s also the name of one of Big Ass Truck’s songs.

Big Ass Truck DJ Colin Butler came up with the idea of the brewery doing a malt liquor in honor of the band, which is celebrating its 30th anniversary this year, Ortkiese says. “I think he specifically said, ‘Would you do a malt liquor?’’’

To which Ortkiese replied, “Hell, yeah, we could.”

Big Ass Truck: On steps: Robby Grant, Colin Butler, Robert Barnett.
On ground: Grayson Grant, Steve Selvidge, Alex Greene (Credit: Bob Bayne)
Clark Ortkiese (Credit: Clark Ortkiese)

Butler was part of the original lineup for the psychedelic/funk/rock/hip-hop band, which also included Steve Selvidge on guitar and vocals, Robby Grant on guitar and vocals, Robert Barnett on drums, Joe Boone on bass, Alex Greene (now Memphis Flyer music editor) on keyboards, and percussion player Drew Conner.

“We had never done one before and we’re kind of itching to do one. So much of craft beer can be so highfalutin and fancy at times. And all these crazy things. To me, it doesn’t have to be. I like the idea of making a craft malt liquor.”

Malt liquor is “kind of loosely defined. It’s a high-alcohol workingman’s drink. Probably ’30s, ’40s was when it cut its teeth.” The beer usually is considered “a cheap drink for the masses. It got them drunk and it was cheap to make.”

As for their malt liquor, Ortkiese says, “We thought it was fun to reimagine it and make it something elevated.”

Malt Liquor Man is “sneaky strong, very smooth, and clean. We use some corn in it to get that traditional malt liquor flavor.”

And, he says, “Paper bags are optional.”

Clark Ortkiese (Credit: Clark Ortkiese)

Ortkiese and Grant, are “allies,” Ortkiese says. Grant is executive director at WYXR radio, which also is based at Crosstown Concourse.

He and Grant also are part of “The Sunday Group,” a golf group that gets together every Sunday. “It’s a bunch of marketing people. You’d think we’d have a more creative name.

“Colin Butler played sometimes with us. I can’t remember where we were, but we were talking about doing a beer and releasing it at their 30th anniversary party. But our production schedule didn’t allow it.”

The song, “Malt Liquor Man,” which is “just about enjoying cold malt liquor on a summer afternoon,” is included on the band’s self-titled first album, Big Ass Truck, which came out in the ’90s, Butler says. He remembers how the song came to be. “That was a fun, sweltering afternoon sitting on our porch drinking some cheap 40s of malt liquor.”

Big Ass Truck: the early years. Robby Grant, Alex Greene, Colin Butler, Drew Conner, Joe Boone, Robert Barnett, Steve Selvidge (Credit: Trey Harrison)

Why malt liquor? “’Cause it was cheap, easy to get, and across the street at Peter Pan’s Pantry, which is where we’d go. We have a song called ‘Peter Pan’s Pantry,’ too.”

That song, which was named after the iconic Midtown convenience store, was written by Greene and Selvidge.

And, Butler says, “I’d seen where another local brewery had done a beer for Gonerfest. Someone did ‘GonerBrau.’ Memphis Made. And I’d seen where Crosstown brewery had done a beer for WYXR, where Robby works. I thought, ‘These guys may be into doing this for us.’”

Tom Martin designed the label for the malt liquor. “He was way into doing a design for the malt liquor ’cause he’s a friend of ours. He does all their labels. He was particularly into this one because he’s a friend of ours and a fan of the band and a fan of the song.”

“Malt Liquor Man” malt liquor

Malt Liquor Man — the brew — won’t be the last beer named after a band, Ortkiese says. “I’ve got another beer coming up in December. We’re working with another local band — Grape.”

Asked to reveal something about the beer, Ortkiese says, “You think it would have grapes in it, wouldn’t you?”

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News News Blog News Feature

Action Underway to Make Zoo/Greensward Plan a Reality

Moves are underway to make real a plan unveiled in March 2022 that will enlarge Overton Park, add parking for the Memphis Zoo, and forever end parking on the park’s Greensward. 

(Credit: Overton Park Conservancy)

A Tuesday news conference updating the project came a year and seven months after officials signed a plan to end the decades-old use of the Greensward for overflow parking. Many of those same officials met on that large field Tuesday to outline some of the movements making their plan a reality. Much go the new activity comes thanks to $3 million in federal funding, announced in July 2021 and secured by U.S. Rep. Steve Cohen (D-Memphis).

Memphis Mayor Jim Strickland was voted into office one year after tensions between park activists and zoo leaders began to mount. The Greensward issue has been a mainstay on the Strickland administration’s agenda from when it began in 2016 to nearly its end later this year. (Follow the link above for details.)

Strickland outlined several projects in motion now to make that plan a reality: 

• The City of Memphis Public Works and General Services personnel have vacated 281 East Parkway and moved to the Coca-Cola facility off of Hollywood by Simmons Bank Liberty Stadium. (Some of these 21 acres will become parkland once again.)

• Zoo maintenance has begun moving and relocating some of their equipment to that 281 East Parkway facility.

• The city has performed preliminary design to demolish and regrade the existing city of Memphis facility located off East Parkway.

• The city has performed preliminary design to the demolition, regrade, paving, and re-striping of the existing zoo lot located on North Parkway east of University Street.

• The city is also working with Memphis Light, Gas & Water (MLGW) to identify and move any power or light poles within the project area. 

Tina Sullivan, executive director of Overton Park Conservancy (OPC), noted minor adjustments to the park’s original plan for the Greensward. Also, she said no solid plans have yet been made for the space in the southeast corner of the park that will be open once the city has vacated it. 

One of the original plans imagined an earthen berm to be built around portions of the Greensward, especially where the field bordered the zoo’s main parking lot. Instead, a shaded walking trail will be added all around the Greensward to give visitors access to it and a shady spot to sit. 

(Credit: Overton Park via Facebook)

Also, improvements around Rainbow Lake will “naturalize and beautify” it to “look more like a real lake rather than a concrete pond.” The Rainbow Lake Pavillion will be replaced with a new facility that will allow rentals and offer some outdoor education classroom space. 

(Credit: Overton Park Conservancy)
(Credit: Overton Park Conservancy)

Some of these changes were seen on renderings present during Tuesday’s news conference. Though, Sullivan said those were ideas more than concrete plans.   

Tuesday’s event featured many thanks to the many organizations who worked together for these many years to make a plan that worked and to execute that plan. 

“Well, the Greensward’s been saved and Jim Strickland had a lot to do with it,” Cohen said, noting that his help came during the “fourth quarter” of the game. “He received a lot of gruff, which he did not deserve because he was working quietly to get this done.”

To which, Strickland later returned the thanks, saying Cohen’s help with the federal funding “led us into a two-minute drive down the field to score a touchdown at the end,” continuing the football analogy.

Of special note, though, is the new relationship formed between zoo leaders and those from OPC. Much of the early work on this issue seemed adversarial between the two. However, former zoo president and CEO Jim Dean seemingly brought a cooperative spirit to the situation, helping to create a new way forward that not only solved the parking situation but yielded 17 acres of zoo property back to the park. 

During Tuesday’s event, Sullivan called new zoo president and CEO Matt Thompson “my new best friend” and Thompson called that a “mutual feeling.”

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Beyond the Arc Sports

“There’s No Quit in This Team … and Sooner or Later, It’s Going To Pay Off.”

Down but by no means out, the Memphis Grizzlies dropped their fourth consecutive game of the season to the Dallas Mavericks.

The final score was 125-110 but it doesn’t tell the whole story. There are no moral victories, but fans can still look to some positive points even in a loss. When Memphis was down by 14 heading into the fourth quarter, their starters continued to play hard and even managed to cut the lead down to four before a seven-point Dallas run put the Mavericks up by double-digits again.

Dallas has a star in Luka Doncic, and true to form he put up a game-high 35 points, including going 6 of 12 from beyond the three-point line. But the Mavericks also have a host of players who can knock down the long ball and their 23 made threes reflect that. They also got a massive 39-point boost from their bench, 21 points of which came from Tim Hardaway Jr.

By contrast, the Grizzlies’ second unit put up a whopping 13 points, and no that wasn’t a typo. Even as shorthanded as the team is currently, the struggles of the bench players need to be addressed. The team is without Ja Morant for another 21 games and Steven Adams and Brandon Clarke are both slated to miss the entire season; however, the short-term losses of Santi Aldama (suffering from a sprained right ankle) and Luke Kennard (concussion protocol) are hindering the Grizzlies’ ability to compensate for their other missing players.

Desmond Bane put up his second 30-point game in four games this season, shooting 3 of 7 from three and 12 of 17 overall. After the game he was asked about how he motivates his teammates. His response was “when you go down 14 [points] in the fourth quarter, you have one of two options. You can either lay down or keep fighting. I thought we responded well after that timeout and were able to cut the lead down shortly after. There’s no quit in this team. I’m proud of the way we battled, and sooner or later, it’s going to pay off.” 

Bane also had some words of wisdom regarding the rough start to the season. “We’ve lost seven or eight in a row in the past but never at the beginning of the season. It doesn’t get as much publicity or get talked about nearly as much, but we’ve been in similar situations, and we’ve always found a way to come out of it and be better because of it. Adversity, when in it, always seems like a bad thing, but once you get through it, you become stronger, and it will only help us in the long run.” 

Jaren Jackson Jr also had a 30-point night, a season-high, along with 9 rebounds and two blocks.

But perhaps the most promising performance came from Marcus Smart who finished the night with a season-high 23 points, 5 rebounds, a team-high 9 assists, and 3 steals.

Marcus Smart believes in this team, and you should too.

Smart was the big free agent pickup over the summer and seeing him adjust to the Grizzlies’ style of play should be a salve on the 0-4 start to the season.

Who Got Next?

The Grizzlies are hitting the road for their next three games, and the first stop will be in Salt Lake City to face off against the Utah Jazz on Wednesday, November 1st. Tip-off will be at 8 PM CST.

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Hungry Memphis

Three Little Pigs + Chicken + Turkey

I noticed a pink hand-written sign that read: “Smoked turkey legs & Bar-B-Q chicken” when I stopped by Three Little Pigs Bar-B-Q recently to buy some banana pudding.

Three Little Pigs Bar-B-Q (Credit: Michael Donahue)

 A grilled barbecued chicken option is exciting news to me. I love pork, but I love other options, too. So, I returned and ordered a barbecued chicken sandwich and a smoked turkey leg. When I finished, I felt like I do after I eat Thanksgiving dinner. Very full and very happy.

Three Little Pigs Bar-B-Q (Credit: Michael Donahue)

I called NaMario Yancey, who, along with his brother, Napoleon Yancey III, own Three Little Pigs, to ask about the new items. That’s when he told me they also added macaroni and cheese to the menu. As far as he knows, this is the first time Three Little Pigs has sold barbecued chicken, smoked turkey legs, and macaroni and cheese.

NaMario had the idea to sell barbecued chicken when he bought the iconic restaurant at 5145 Quince Road in Quince Station Shopping Center in October, 2022.

NaMario Yancey in October, 2022, shortly after he became co-owner of Three Little Pigs Bar-B-Q (Credit: Michael Donahue)

His dad, Napoleon Yancey Jr., came up with the marinated chicken recipe a while back for the family concession business, Yancey’s Smoking Good Food. 

The chicken is slow smoked, he says. You can order it chopped or pulled. The sandwich is topped with slaw and your choice (I chose both) of Three Little Pigs original barbecue sauce or “Memphis Mild.”

“Memphis Mild is the combination of the tomato-based sauce and the vinegar sauce,” NaMario says. “Plus, it has the sweet and the heat. It has some of everything in it. Memphis Mild pairs better with the chicken.”

I’m not sure I knew this, but, NaMario tells me, “The original sauce is Loeb’s barbecue sauce. This used to be a Loeb’s Bar-B-Q.”

I ordered the pulled chicken sandwich with both sauces on the side. I dipped parts of the sandwich in the two sauces — like I dip sushi in hot oil, eel sauce, and spicy mayo at Sakura Japanese Restaurant. 

You can order the sandwich, the barbecued chicken plate with two sides, and the barbecued chicken nachos. “Everything you can get with pork you can get with chicken,” NaMario says.

As for the turkey leg, NaMario says, “They just come as is. Or you can make it a plate and add two sides.”

The turkey legs are slow smoked and come with either or both barbecue sauces. The leg I had actually tasted like turkey, which doesn’t always happen with turkey legs. And these are big legs. 

Three Little Pigs Bar-B-Q now offers barbecued chicken, turkey legs, and macaroni and cheese.
Three Little Pigs Bar-B-Q (Credit: Michael Donahue)

I tried the macaroni and cheese on a later visit. I loved it. “I make it personally myself,” NaMario says. “I’m the only one who makes it.”

Three Little Pigs Bar-B-Q (Credit: Michael Donahue)

He makes it from “an old family recipe. From my great aunt, Aunt Lou. It’s really hard to describe. Once you taste it, any other one won’t compare. And I’m not saying that to brag or anything.”

NaMario used to call his aunt, “Momma Lou,” and request her macaroni and cheese instead of a cake on his birthday. “If I could pick, it was macaroni and cheese.” But his aunt also made him a cake. A yellow cake with chocolate frosting, to be exact.

Customers also can order “mac and cheese bowls” with pork or chicken and the sauces.

NaMario says he has gotten “great reviews” from customers, including those living in the neighborhood, about his macaroni and cheese.

Since he came aboard Three Little Pigs, NaMario has added desserts, which include cakes and, occasionally, cinnamon rolls. In a couple of weeks, he’s going to add sweet potato pie, pound cake, and butter cookies. And, of course, they still sell their home-made banana pudding, which is made the way it’s been made way before NaMario became an owner.

If the interior at Three Little Pigs Bar-B-Q looks different, that’s because NaMario gave the restaurant a new look. He repainted the restaurant walls, which used to be peach pink. Now, NaMario says, the color scheme is “Tiger blue and gray.”

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News News Blog News Feature

State Settles Name-Clearing Suit With Former Vaccine Chief for $150K

Tennessee’s ex-vaccine chief settled with the state for $150,000 in her name-clearing lawsuit.

Dr. Michelle Fiscus, the former medical director of the state’s Vaccine-Preventable Diseases and Immunization Program, filed the suit shortly after her firing in July 2021, which came as state health officials rolled out a campaign to get more people vaccinated against the coronavirus.

She claimed health department officials unfairly disparaged her by releasing her personnel file and a termination memo that falsely claimed she committed improper behavior in her state position.

Fiscus initially sought a name-clearing hearing, but instead took a settlement. 

Judge: former Tennessee vaccine chief suit must go to trial

Tennessee Lookout

State health department officials dismissed Fiscus after she circulated a memo to health care providers saying they were allowed to give vaccines to adolescents without their parent’s permission, referred to as the “mature minor doctrine.”

The memo was published during the state’s rollout of a campaign to get more people vaccinated for COVID-19. The campaign was supposed to include outreach to teenagers, but state Republican lawmakers complained and raised concerns about Fiscus’ memo.

The state stopped promoting vaccinations after Fiscus’ firing.

In a termination memo released to the public, officials indicted they fired Fiscus because she had improperly directed state funding to a nonprofit she created and circulated the mature minor document without permission from her bosses.

But the nonprofit was similar to those already operating in other states and did not include Fiscus on its board or payroll. Fiscus’ bosses previously praised her for taking the initiative to create it, according to court filings. Court filings also showed that a health department lawyer in senior leadership helped Fiscus create the mature minor memo.

After her firing, Fiscus and her family were subject to a slew of angry social media posts, emails and death threats. She has since moved from Tennessee.

Tennessee Lookout is part of States Newsroom, a network of news bureaus supported by grants and a coalition of donors as a 501c(3) public charity. Tennessee Lookout maintains editorial independence. Contact Editor Holly McCall for questions: info@tennesseelookout.com. Follow Tennessee Lookout on Facebook and Twitter.

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Beyond the Arc Sports

Turnovers Lead to Third Consecutive Grizzlies Loss

The early-season struggle continues for the shorthanded Memphis Grizzlies. Final: Washington-113, Memphis-106 

The Grizzlies took a trip Saturday to our nation’s capital, where they faced off against the Washington Wizards in their first road game of the season, on the heels of losing the previous night to the reigning champion Denver Nuggets.

Led by Jordan Poole and former Grizzly Tyus Jones, the Wizards outplayed the Grizzlies three quarters out of four, and the Grizzlies moved to 0-3 to start their season, losing their third straight game.

Down by as many as 25 points, the Grizzlies did manage to cut the lead to single digits late in the fourth quarter but could not overcome their sloppy ballhandling and lackluster shooting in the first half.

Nothing will be easy for this Grizzlies team, which is without its star point guard Ja Morant for 25 games and without presumptive starting center Steven Adams for the entire season. The team will likely continue to struggle while it develops chemistry and the new additions adapt to the style of play.

Desmond Bane led the team with 26 points on 10 of 20 overall shooting.

Ziaire Williams put up his first career double-double, with 16 points and 10 rebounds.

Jaren Jackson Jr finished the night with 16 points, five rebounds, two assists, one steal, and one block.

Marcus Smart had nine points, four points, and six assists while shooting four of eight overall.

David Roddy led the second unit with 14 points and six rebounds while shooting three of four from beyond the three-point line.

Who Got Next?

The Grizzlies return home to FedExForum to face off against Luka Doncic and the Dallas Mavericks on Monday, October 30th. Tip-off is at 7 PM CDT.

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Educators Cry Foul As Tennessee Revamps Its A-F Grading System

It was supposed to make things simpler.

A 2016 Tennessee law required the state to assign each public school a letter grade, A to F, based mostly on student test results. The intent was to give parents and communities an easy way to assess the quality of education at each school.

Nothing about it has been simple, though. Since the law took effect, the state hasn’t issued any grades, mostly because of testing glitches and the pandemic.

And now there’s a new complication: As the state prepares to finally issue its first grades in November, the education department and its new leader are revamping the grading formula. The changes likely will mean fewer A’s and generally worse grades than expected for many schools, especially those serving students from lower-income families in rural and urban communities.

The rollout will be a jolt to many Tennessee public school leaders, who have been waiting and planning for these grades for five years, thinking they understood what the criteria would be. And beyond the stigma, the grades could have real consequences: Officials representing schools that get D’s or F’s eventually may face hearings or audits of their spending and academic programming.

“It almost seems like we’re trying to change rules after the game’s already been played,” said Brian Curry, a school board member in Germantown, during an August town hall in Memphis to discuss potential changes with state officials.

At the crux of the state’s late change is a long-running debate over proficiency vs. growth — whether students should be judged based more on whether they meet certain academic standards, or on how much progress they make toward those standards. Where the state lands in that debate is especially important for schools where students face extra challenges even before they walk into a classroom. 

But many public school leaders believe there’s a larger political motive behind the sudden drive by Gov. Bill Lee’s administration to change the rules: advancing his school choice agenda.

Under a 2019 voucher law pushed by Lee, Tennessee now provides taxpayer money to help some families send their children to private schools. But the program has fewer than 2,000 students enrolled in the three counties where it operates, significantly below this year’s 5,000-seat cap. Lee wants to expand enrollment and eventually take the option statewide.

“School choice has got to be part of what’s driving all this,” said Mike Winstead, director of Maryville City Schools and a former Tennessee Superintendent of the Year

“Think about it,” he continued. “If you have an A or B school in your community, that may not motivate parents to want to pull their kids out of public schools to use a voucher.”

Several other district leaders brought up the same concern to state officials at town halls hosted by the department in August and September to get public feedback about revising the grading formula. But state officials flatly deny there’s a connection between the voucher law and changes to the grading formula.

The grading law “was passed to promote transparency, and families should be able to know and to understand how their students’ schools are performing,” a department spokesman said in a statement to Chalkbeat.

Education Commissioner Lizzette Reynolds said the goal of the new formula is to generate grades that signify meaningful differences in school performance in a way that make sense to Tennesseans, whether they reflect proficiency, growth, or other criteria that are ultimately chosen.

“Whether you are a student, parent, teacher, policymaker, or an interested community member, school letter grades will empower all Tennesseans with the information they need to support K-12 public education and our local schools,” she said. 

State law requires that Tennessee’s model for grading schools take into account student performance and improvement, as demonstrated on annual state tests, and it allows inclusion of other reliable indicators of student achievement. The statute directed the education department to come up with a formula to turn those results into a single letter grade for each school, to be published online on the State Report Card

When developing the calculation under former Republican Gov. Bill Haslam’s administration, the department stressed achievement and growth in math and English language arts. And it created two pathways for schools to demonstrate achievement. 

One way was based on what the state calls “pure achievement,” meaning that a certain percentage of a school’s students demonstrated a required level of proficiency, skill, or knowledge. By this metric, a school that started the school year with a high proficiency rate was likely to receive an A even if it had not improved student learning during the school year. 

The other way rewarded schools that met certain goals to move their students toward proficiency from one year to the next. The idea was that all schools, especially those serving low-income students or that have historically performed poorly, should have an opportunity to get an A as long as they make strong progress toward the state’s achievement goals.

So even the achievement part of the grading formula could be fulfilled with strong growth. In this way, Tennessee was an early adopter of a growth-heavy model when developing its accountability system.

“All means all!” became the mantra of then-Education Commissioner Candice McQueen as she worked with education stakeholders for nearly a year to design a system to incentivize improvement for allstudents — whether they are considered low, average, or high achievers — as well as for all schools, regardless of their demographic makeup.

Tennessee had modest success with that approach, even though the actual letter grades were never issued. Before the pandemic hit in 2020, students were showing incremental growth in math and reading based on some of the nation’s highest proficiency standards.

But state lawmakers have become increasingly impatient with the pace of improvement, especially in reading. About a third of the state’s students meet grade-level standards on the English language arts test, which requires students to demonstrate the ability to read closely. 

“At the end of the day, I want to know: Can you add, subtract, multiply, and divide, and can you read, regardless of how much you have grown from one year to the other?” said Rep. Mark Cochran, an Englewood Republican, during one legislative hearing about the state’s emphasis on growth.

Meanwhile, the legislature has sought to provide more options for families dissatisfied with the performance of traditional public schools by introducing private school vouchers and allowing charter schools to open statewide. 

Now as Tennessee revamps its school grading system, Lee’s administration is poised to shift weight in the equation from growth to pure achievement. Reynolds wants the state to do that by eliminating the growth pathway for demonstrating achievement. Growth would still be a component of the overall grade, as dictated by state law, but a much smaller part.

“I want to be very clear that when we’re talking about academic achievement, we’re talking about academic achievement,” Reynolds, the new education commissioner, said at an Oct. 12 meeting of education stakeholders. 

Reynolds, who was sworn in to her post in July, launched the reevaluation of the grading system about a month later as her first major initiative. She invited Tennesseans to weigh in on how the state should measure a school’s academic success. At the time, state officials said all options were on the table.

At town halls, meetings with stakeholders, and in nearly 300 public comments from Tennesseans, state officials heard a common theme: Keep some kind of growth option as part of the achievement calculation. Measuring student performance with a single letter grade requires nuance, many educators said, and the growth-based model allows that.

A formula that’s weighted too heavily toward pure achievement, they warned, would produce grades that essentially mirror the economic profiles of the schools — with high-income communities getting the A’s and B’s — and families wouldn’t be able to use the grades to differentiate the performance of one high-poverty school from another.

“Given the strong correlation between achievement and poverty, I think it’s really difficult to talk about just achievement in isolation. We really need to balance this with growth,” said Madeline Price, policy director for the State Collaborative on Reforming Education, at an Oct. 5 meeting of the stakeholders group.

“All schools, especially low-income and traditionally low performing schools, should have a very real opportunity to receive an A” if they significantly improve student performance, the leaders of Tennessee’s school superintendent organization wrote in a letter to Reynolds.

Meaghan Turnbow, who coordinates programs for English language learners in fast-growing Rutherford County Schools, south of Nashville, noted pitfalls in a model that emphasizes proficiency over growth.

“We have students come to our district from all over the world with various education levels and English levels,” she wrote in a public comment. “Year to year they grow, but it may be several years before they are considered meeting or exceeding expectations.”

But soon after asking for public feedback, Tennessee’s new education chief signaled that she wanted to narrow the way the state judges student performance.

During an Aug. 29 town hall in Chattanooga, Reynolds acknowledged that the education department, before scuttling plans to issue grades in the fall of 2022 under former Education Commissioner Penny Schwinn, had run the numbers but didn’t like what it saw. For instance, she said, a school with 80 percent of its students reading on grade level might have received a B, but so might a school that had only 15 percent of students reading on grade level, while also demonstrating high growth.

“Is having a campus that has only 15 percent reading proficiency really a B school, if those kids cannot read?” Reynolds asked.

“We should celebrate growth,” she continued. “We should also celebrate achievement, because at the end of the day, kids can grow. But if they never get on grade level, they don’t have much of a future, particularly when it comes to reading and math.”

The A-F grading system, as required by the state, was billed as a simple, common-sense tool to help parents understand how their child’s school is doing and compare schools. 

But changes the department is making could add a new layer of complexity for school communities.

When Tennessee developed its accountability plan in 2017, it opted for a single system to satisfy both the state law and a 2015 federal accountability law called the Every Student Succeeds Act, or ESSA. That way, “we’re not sending different messages to parents and the general public,” said Winstead, the Maryville schools director who served on the state task force that developed the plan.

ESSA doesn’t require A-F grades, but it directs the state to use its own criteria to identify schools that are academically in the bottom 5 percent, plus other schools showing low performance or significant disparities across groups of students who are Black, Hispanic, economically disadvantaged, or English learners, or have learning disabilities. Such schools become eligible for additional federal funding.

Because of the link between the two laws, the schools that would earn the lowest grades under Tennessee’s current formula are the same ones that would get federal support to help them improve. And educators would work with a common set of goals, priorities, and incentives.

Under Reynolds, the Tennessee education department appears ready to decouple the state’s A-F system from its federal compliance plan. The change would result in Tennessee having two accountability systems, potentially producing conflicting assessments of how a school is doing.

For example, if the new state formula places less emphasis on certain student groups than the federal system does, a school that has big racial or economic disparities in student performance could still earn high grades from Tennessee based on overall proficiency rates. Meanwhile, a school with low proficiency rates would get a D or an F, even though it may serve certain groups of students better than an A or B school.

Mary Batiwalla, former assistant commissioner of assessment and accountability in Tennessee, says what’s going on here has parallels in Texas, where Reynolds used to be chief deputy commissioner. Officials there changed their grading criteria this year to apply to schools retroactively. However, after some school districts sued that state over the changes, Texas delayed the release of its grades.

Texas lawmakers are also in the midst of a special session on vouchers to debate whether students should be able to use public dollars to attend private schools. Batiwalla worries that officials in both states are hijacking the grading systems for political aims, not to incentivize school communities to improve.

“If you want to do vouchers, do vouchers,” said Batiwalla, an outspoken critic of Reynolds’ efforts. “Don’t take away this policy tool that has the potential to drive improvement from the rest of the public schools.”

Other tweaks are likely when Tennessee releases its new equation in the days or weeks ahead, just before giving schools their first set of grades.

The department has heard calls to include social studies and science scores in the calculation, as well as data related to third-grade reading, participation in tutoring programs, and postsecondary indicators like dual enrollment and career and technical education offerings, just to name a few. There’s also a growing consensus around ditching student absenteeism data, which is a factor in the current equation.

But most educators have their eye on the growth vs. proficiency debate. They worry that greater emphasis on proficiency will motivate schools to focus on improving “bubble kids” — those scoring just under proficiency — instead of working to improve students at all levels of achievement.

“You’re incentivizing bad choices that serve just a few kids instead of all kids,” Winstead said.

Winstead’s suburban school system should be fine. Maryville City Schools, near Knoxville, is one of the state’s highest-achieving districts and stands to benefit if Tennessee’s revamped grading formula puts more weight on proficiency. But Winstead philosophically disagrees with the approach that the state appears to be taking.

“This is going to demoralize a lot of school communities,” he said, “teachers, kids, and parents — folks who have done incredible things to move kids forward.”

Marta Aldrich is a senior correspondent and covers the statehouse for Chalkbeat Tennessee. Contact her at maldrich@chalkbeat.org. Laura Testino covers Memphis-Shelby County Schools. Reach Laura at LTestino@chalkbeat.org.

Chalkbeat is a nonprofit news site covering educational change in public schools.

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Beyond the Arc Sports Uncategorized

Tough Loss but Progress for the Grizzlies

For the Memphis Grizzlies, Friday night was full of high points despite losing to the Denver Nuggets (108–104).  Memphis displayed vast improvements in shooting and rebounding from their season-opening loss to the Pelicans. The Grizzlies edged Denver in rebounding 48-39. 

After being held to just two fast-break points in the season opener against New Orleans, the Grizzlies scored 22 against Denver.  And Memphis’ aggressive defense on reigning NBA Finals MVP Nikola Jokic resulted in nine turnovers for the Nuggets. Jokic finished with 22 points, 12 rebounds, and seven assists. 

The Grizzlies, fueled by Jaren Jackson, Jr. used a collective effort to stay within striking distance. After a disappointing performance in the season opener, Jackson had a bounce-back game, leading the Grizzlies with 21 points, nine rebounds, and three blocks. The reigning Defensive Player of the Year has eight blocks in two games, tying him for the league lead with Rudy Gobert and Karl-Anthony Towns at 4.0 per game.

“They’re great – great new voices, great leaders,” Jackson on having Marcus Smart and Derrick Rose as teammates. “They have a lot of experience, a lot of things to teach us. They’re here to win and to play hard every night. It’s great to have them around and in the locker room. They’re talented as hell.”

Marcus Smart and Xavier Tillman on Friday, October 27, 2023 against the Denver Nuggets (photo by Sharon Brown)

Smart also gave the Grizzlies a spark. He chipped in 20 points, five assists, and a team-high five steals.  “It’s a challenge, but it’s a great one,” Smart said about adjusting to his new teammates. “It’s different from Boston. You got guys that do different things. It’s just been fun for me to try to figure out everybody’s tendencies, where they like the ball, things that they like to do and that they do very well.”

Rose gave the Grizzlies a much needed boost off the bench, adding 16 points, four rebounds and three assists. He was crucial in a 4th period that saw the Grizzlies have multiple chances to win the game.

After the game he said, “It’s a learning experience — I haven’t played in a year. When I was in New York basically I was a vet trying to be vocal but coming here they’re getting me the opportunity to play and I’m grateful for that.”

Rose continued, as he addressed the media in front of his locker, “I’m just trying to find my groove and trying not to shoot that many shots and get a feel for the game. I understand I have great offensive weapons with me so there’s no need for it. I’m just trying to do anything to win. Thank God I came to a winning team.”

Xavier Tillman, Sr. continued with his solid play as the starting center while Steven Adams is sidelined for the season. Tillman finished with 13 points, eight rebounds, and three steals. 

“Personally, my goal is to win games, so that’s all I’m worried about,” Tillman said after the loss. “As far as my individual play, my confidence, it comes from my teammates. When we’re out there they’re like, ‘Yo, we believe in you.’ And each and every game, I’ve tried to truly, truly hone in on that, truly hone in on the work that I put in and the trust factor my teammates and the coaches have in me, and just let it ride.”

Memphis is now 0-2 on the new season but taking the defending champs to the distance is something they can build upon. The Grizzlies will have a chance to show that progress tonight as they will face former grizzly Tyus Jones and the Washington Wizards at Capitol One Arena at 6 p.m. CT. 

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Film Features Film/TV

Indie Memphis 2023: A Weekend with Robots, Cats, and Volcanoes

Saturday morning of Indie Memphis’ busy weekend kicks off with a cartoon. Robot Dreams (Oct. 28, 10:30 a.m.), the first animated film from Spanish polymath director Pablo Berger, tells the story of a Dog and his Robot as they knock around an animal-inhabited Manhattan.

Memphis director George Tillman’s The Birth of Soul Music (Oct 28th, 10:30 a.m.) explores Club Paradise, where Memphis soul legends worked out their chops. You can read my interview with the director of Black Barbie (Oct. 28, noon) at this link

This year’s Hometowner Documentary Shorts Competition (Oct. 28, 12:45 p.m.) is stacked with talent. Lauren Ready, Indie Memphis’ most decorated documentarian, is looking to take home her sixth trophy with “Empty to Enough,” which she co-directed with Nicki Storey. But that’s not going to be easy with a-list Memphis lensers like Zaire Love’s “Slice,” Jordan Danelz “Klondike,” and Aisha Raison’s “The Blues” in the mix.

“Empty to Enough” Courtesy: Forever Ready Productions

Un rêve plus long que la nuit (Oct. 28, 1:45 p.m.) is a recently restored experimental film from 1976 by French artist Niki de Saint Phalle. As the New York Times said, “the sheer diversity of papîer-mache penises is astounding.” The Plot Against Harry (Oct. 28, 3:40 p.m.) by Michael Roemer is another recently-restored cult favorite screening this year.

On what other Saturday night would have a choice of seeing Keenan Ivory Wayans outlandish 2004 comedy White Chicks (Oct. 28, 6 p.m.) or Ira Sach’s twisty erotic drama Passages (Oct. 28, 8:15 p.m.). But you don’t have to choose! “Chick Passages” is like the Barbenhiemer of Indie Memphis.

If you need a little horror in your Halloween weekend, look no further than 1973’s Messiah of Evil by Willard Hyuck and Gloria Katz, who are probably better known for their work with their friend George Lucas. They later went to earn screenplay credits for American Graffitti and Indiana Jones and the Temple of Doom, and did uncredited punch ups on Star Wars. The husband/wife team’s debut is raw and terrifying.

On Sunday there’s a pair of high-profile local films, Scent of Linden (Oct. 29, noon) and The Blues Society (Oct. 29, 3 p.m.). A revival screening of Vojtěch Jasný’s The Cassandra Cat (Oct. 29, 11:15 a.m.) is a hot ticket. The trailer speaks for itself.

The Waynans tribute continues with the classic Blacksploitation farce I’m Gonna Git You Sucka (Oct. 29, 4:45 p.m.).

Or, if you’re in a completely different mood, you can watch indie legend Todd Haynes directs Julianne Moore and Natalie Portman in May/December Oct. 29, 6:15 p.m.). (Comparing schedule and run times suggests a “Sucka/December” combo is theoretically possible for the brave/weird.)

You can round out your Indie Memphis weekend and get into the swing of Halloween with horror master Dario Argento’s Italio-disco slasher fest Tenebrae (Oct. 29, 9:15 p.m.)

Or, you can end on a more positive note, with the last-minute addition to the festival Joe vs. The Volcano (Oct. 29, 9:30 p.m.). Artistic Director Miriam Bale’s mother recently passed away, and this was her favorite movie. Featuring Tom Hanks and Meg Ryan in their prime, and an absurdist plot that touches on issues of life and death, it’s basically the definition of a cult classic — and perfect for Indie Memphis.