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Opinion

Looking Back at 2012

Instead of predicting what will happen in Memphis in 2013, I’m cleaning out, wrapping up, and looking back at some personal hits and misses in 2012.

First, the misses. I missed by a mile on the sales tax increase referendum, which I said “has a real chance this year.” It lost 69-31 after it went from Memphis-only to countywide, but would have lost anyway.

I jumped on the Big East bandwagon in February. “Better late than never,” I reasoned. Maybe not, as the conference crumbles.

I thought and still think “able and willing” John Aitken, who is under contract until February 2015, would be a good choice for superintendent of the Unified School System, but the school board launched a search instead. And I praised board members for getting along even if they could not reach agreement on big decisions, singling out Martavius Jones and David Pickler, “who set the tone for frank but civil discussion.” A couple of weeks later, Jones submitted a resolution calling for the immediate resignation of Pickler “for failure to publicly disclose an apparent conflict of interest.”

A year ago, I wrote that “the city of Memphis is not going to get out of a court-ordered $57 million payment to Memphis City Schools.” Maybe not, but delay is a viable strategy, and MCS is still waiting for full payment of the old debt.

On the biggest story of the year, I wrote that “it could be that Judge Hardy Mays knows exactly what the legislature was up to but thinks it unwise to overrule the wishes of 85 percent of suburbanites” on municipal school systems. He left the ’burbs some wiggle room but he delivered a stinging rebuke.

I called the sexual orientation anti-discrimination ordinance “a media attention grabber” and “a solution in search of a problem.” The Memphis City Council passed it without much fuss.

As for bike lanes, I said, “If you had told me 10 or 20 years ago that Memphis would reinvent itself as a bicycle town I’d have thought you were touched.” A few days ago, The New York Times ran a story about Memphis headlined “Sprawling Memphis Aims to Be a Friendlier Place for Cyclists.” Sometimes national attention is its own reward.

I thought the powers that be in Big Medicine would listen to transplant surgeon James Eason and Methodist University Hospital and help Memphis become a national center of excellence on liver and kidney transplants with “bragging rights” over Nashville and Vanderbilt for a change. No sale. Their pleas were rebuffed again this month, and their Transplant Institute is in jeopardy.

The predictions I got right were, honestly, pretty easy.

“Trouble’s coming,” I said about the appointed-not-elected Transition Planning Commission when it unveiled its plan last summer to unify the city and county school system. It still is.

The most obvious miscalculation was the recommendation to close 21 schools. Four or five is more like it. The lame-duck 23-member school board is built to fail because it will shrink to seven members this September.

Despite various public and private efforts, blight remains a huge problem for Memphis. “Blight gets a nice seat at the table and just sits there,” and so it will be in 2013.

The suburbs easily passed referendums on partially funding their dream of municipal school systems even though the issues of legality and cost of buildings are unresolved.

The concerts at the Levitt Shell are great, but free music comes with a price, and closing a venue such as the Hi-Tone Café is part of the price.

Facebook is no fad, but the privacy concerns are real and the price of the initial public stock offering was way too high. Not buying it was indeed “priceless.”

When the city and county gave tax incentives to lure Electrolux and Mitsubishi Electric, it was only a matter of time before current corporate residents such as too-big-to-lose International Paper made their own value proposition and got more tax breaks.

The local tax structure based on Tourism Development Zones (TDZ) and Tax Increment Financing (TIF) didn’t go off the rails in 2012, but it got the scrutiny and resistance it deserves, as downtowners said “not so fast” to a grand scheme called Heritage Trail.

Finally, really big deals take a really long time. It has been 1,630 days since construction began on Beale Street Landing and 1,530 days since Bass Pro Shops signed a development agreement for the Pyramid. Both projects are supposed to open in 2013.

Categories
Calling the Bluff Music

Christian Hip-Hop in the Bible Belt

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In a city known for street-oriented rap, influencing listeners to embrace hip-hop with a Christian message is a massive task.

Despite the disadvantage, several hip-hop artists in Memphis have decided to take on the challenge.

Terence June Gray is among the group of lyricists that have chosen to exhibit a Christian worldview in their music. Although not as popular as secular rap, Gray said there’s a substantial market for Christian rap in the Bible belt.

“Initially, I saw a little bit of hesitation of people wanting to hear it but the culture has warmed up to it more,” Gray said. “By hearing a lot of the negative, it makes you want something positive. We have so much pain, trials and so many issues [in the city]. We have a significant amount of crime. We have a significant gang issue. It’s a lot of hurting, a lot fatherlessness. I think a lot of young people are looking for some hope, and I think my message of the gospel speaks right into that desire for hope. When I share a song or a new CD, people tell me that there’s certain songs they listen to when they’re struggling with something, or certain songs encourage them, or certain songs give them hope.”

While a senior in high school, Gray gave his life to Christ and subsequently tapped into the world of Christian hip-hop. He’s currently prepping the release of his mixtape, Mission Muzic Vol. 1. The musical installment, which will be available for download late January, is being released through his Mission Muzic imprint.

Gray recently released a video for a track off the mixtape titled “One Million Views.”

Christian rap was introduced in the 1980s—a few years after secular rap made its mark. The first full-length Christian rap album was Bible Break (1985) by Stephen Wiley.

Nearly three decades later, artists such as Lecrae, GRITS, Trip Lee, the 116 Clique, and Flame have helped the movement obtain worldwide appeal.

It’s introduction in Memphis dates back to the cusp of the new millennium. One of the founding fathers of the city’s Christian rap movement is Delmar “Mr. Del” Lawrence.

On Easter Sunday of 2000, Mr. Del returned to the Bluff City to visit his family and church home. At the time, he was a member of Three 6 Mafia’s Hypnotize Camp Posse collective.

“I was on tour. Living the rap life. I came home [with plans] to surprise the church and the family, and that’s when I heard God speak to me,” Mr. Del said.

Prior to experiencing God’ presence, Mr. Del had signed a contract with Hypnotize Minds, and was featured on the album, Three 6 Mafia Presents: Hypnotize Camp Posse (2000).

However, his interest for the secular rap world changed when he accepted Jesus Christ as his savior. Stepping out on faith, he left Hypnotize Minds and pursued a profession with Christian hip-hop.

More than a decade after transitioning into what he calls “holy hip-hop,” Mr. Del is prepping the release of his seventh solo offering Faith Walka. He’s owns the record label Dedicated Music Group, has been featured on B.E.T., and nominated for a Grammy.

“It was no way I would have known that Holy hip-hop would get to the level where people are making millions off of it,” Mr. Del said. “Now, we’re in the same circles as mainstream rap artists and that’s a blessing, because it started out as a joke. It’s making an impact now more than ever, because of the time put in and just the message in the music. People want a message of hope. They want to hear something other than murder music, trap or dope music.”

The market for Christian hip-hop in Memphis continues to blossom as time progresses. Throughout the years, more rap artists have followed in Mr. Del’s footsteps, making a transition from jotting rhymes about worldly topics to being more Christian-oriented in their songs.

Among other Christian rap artists within the Bluff City, Adrian “Fro” Johnson has made a notable name for himself. He managed to sell more than 30,000 records independently with his debut album, Highway to Heaven. Since then, he’s released three more albums and created the label, Gods Wheel Records.

“With my music, I talk about real things. I talk about how life is a struggle. Everyday you’re tempted to do something that you might not want to do,” Fro said. “I want people to know that you can change. Jesus loves you and He wants you to change and He’s waiting on you. Christian rap is the new way of getting the gospel out.”

To the average individual that listens to underground or mainstream secular rap, Christian rap is something that may take some time adjusting to. Although it doesn’t focus on uplifting sinful practices, it does acknowledge them, the adversity they can bring forth, and how to overcome them through Jesus Christ.

“Sin is fun. People living in their flesh like to hear people rap about drugs and sex and all that,” said Christian rapper Latrell “Yung Titan” Freeman. “That’s why Christian rap is hard to get into, because a lot of folks don’t want to let go of what they’re doing. When I was listening to [secular] hip-hop, it was kind of difficult for me to listen to Christian music, because it wasn’t what I was used to. I just want to encourage everybody to give us Christian rappers a chance, because we’re not doing it for the fame, we’re doing it actually to help people and build the kingdom.”

Follow Mr. Del: @mrdel

Follow Terence June Gray: @missionmuzic

Follow Fro: @Froministries

Follow Yung Titan: @Titan_Flash

Follow me: @Lou4President

Categories
News News Blog

TDOT Launches App to Help Drivers Navigate State Highways

The Tennessee Department of Transportation (TDOT) has released the TDOT SmartWay Mobile app to provide drivers with up-to-the-minute traffic information.

The app’s home screen shows a map, which will locate your current position. Buttons on the left side of the map may be pressed to show traffic speeds, accidents, road construction areas, road conditions, and message signs. There’s even a button that shows still shots from cameras set up along state highways, so drivers can get an idea of how congested traffic may be. Another feature lists all the construction areas in the app user’s vicinity and shows when that construction began and when it is expected to be complete.

The app is free and available for download in the Apple App Store and the Android Play Store.

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Categories
News

Twelve Good Theater Things in 2012

Chris Davis lists 12 things that made Memphis theater more memorable in 2012. With videos!

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Food & Drink Hungry Memphis

Bi Bim Bop at Kwik Chek

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For 2013, I resolve to eat more Bi Bim Bop ($8.99) at Kwik Chek.

This justly lauded dish — rice and stir-fried veggies, topped with an egg — hits all the senses. It’s an eye-catching treasure trove of tastes — spicy, sometimes sweet or bitter, always a bit different with each order, and served popping and sizzling hot, a sort of culinary drum roll to what awaits.

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Intermission Impossible Theater

Twelve Dozen: A highly subjective list of twelve things that made Memphis theater special in 2012

Hurt Village: A play that lives up to its name

  • Hurt Village: A play that lives up to its name

I’ve never been very good at list-making, and I’m especially bad at picking favorites. So instead of penning another “best of 2012″ column I’ve listed a dozen impressions, moments, and takeaways from plays and musicals produced in Memphis in the past year, that will stick with me for years to come.

1. Altar Boyz, Theatre Memphis: When the boyz interacted with their audience, miracles happened. Hilarious, and accidently touching. Seldom have I seen actors thrown such a curve. And I’ve never seen a situation managed so easily, with charm and absolute confidence.

2. Bug, New Moon Theatre Company: John Dylan Atkins says, “I’m not an axe murderer,” and it becomes almost immediately clear that he’ll turn out to be something much worse. Chilling. Hitchcock, but more perverse.

BUG was creepy

  • BUG was creepy

3. Dangerous Liaisons at Theatre Memphis: Extraordinary lighting helped to make the transitions more compelling than the show.

4. Hurt Village at The Hattiloo: Buggy returns from a tour of Iraq and reunites with his old friend Cornbread. Two strong men embrace. It was a rare, unexpected moment of tenderness in a play where tenderness doesn’t have a chance.

5. Talley’s Folly at Theatre Memphis: Aliza Moran’s Sally Talley tells Greg Alexander’s Matt Friedman that he has to go, her opening bid in romantic negotiations as urgent and tenuous as a Cold War alliance. Beautiful duet acting from top to bottom.

6. Hot L Baltimore, Playhouse on the Square: Bussy Gower, played a freewheeling call girl with wanderlust and a head for geography calling out the names of American cities trying to guess where Nick Lerew came from. He ignored her, disappearing into his guitar picking. Out of nowhere a non-musical turned into pure jazz.

7. An Old Forest Fairy Tale, Voices of the South’s Children’s Theatre Festival: “Old ladies in tennis shoes!” And, “Old ladies with telephones.” You just had to be there.

8. Twilight of the Gods, Germantown Community Theatre: That Rasputin sure knows how to live. And die.

9. King Lear, New Moon Theatre Company: Lear has an epiphany and describes a modern condition. “Through tattered clothes small vices do appear, “Bill Baker said, allowing the King a moment of tragic lucidity. “Robes and furred gowns hide all.” Perfect.

LEAR was not performed outside as the photo suggests.

  • LEAR was not performed outside as the photo suggests.

10. God of Carnage, Playhouse on the Square: Erin Shelton vomits and keeps on vomiting. Cerebral gross-out humor taken as far as it could possibly go. And then a little farther. Brava!

11. Die Fledermaus, Opera Memphis: Ann Marie Hall channeled the spirit of Harpo Marx. Pure comic joy.

Die Fledermaus: Silly and proud.

  • Die Fledermaus: Silly and proud.

12. Good People at Circuit Playhouse: Samuel Beckett couldn’t have imagined anything more beautiful than Mary Buchignani sitting in hair curlers playing Bingo with Kim Justis at the end of the world. Good People was good theater.

Categories
Politics Politics Beat Blog

Blaming “Dysfunction” on GOP’s Class of 2010, Cohen Heads Back to D.C.

Cohen, sporting new fedora, pays homage to Liberty Bowl as he heads back to Washington

  • JB
  • Cohen, sporting new fedora, pays homage to Liberty Bowl as he heads back to Washington

Steve Cohen seems to have his priorities in order. The still-unresolved fiscal-cliff crisis caused him to rush back to Washington on Sunday — forgoing both Monday’s Liberty Bowl and, most likely, his scheduled role as featured speaker-role at City Councilman Myron Lowery’s annual New Year’s Day breakfast.

But the 9th District congressman appeared stoical about it all, intermittently even jaunty, as he talked to reporters at Memphis International Airport, saying, “I’m a member of the United States Congress, and I’m looking forward to saving some of my constituents from deep cuts that would hurt them and tax increases that would hurt them as well. I would rather spend New Year’s Eve in Memphis, but I’m glad to be representing Memphis.”

Cohen said that Memphis, as a metropolitan area with one of the nation’s highest poverty rates, is “deeply, deeply, deeply dependent” on federal programs that will be harmed if no deal is reached between Democrats and Republicans and a “sequestration” agreement, via an earlier debt-ceiling compromise, should go into effect automatically by default.

The congressman blamed the current congressional “dysfunction” on Republican members elected in 2010: “They don’t want to work with anybody. They want to shut down the government, starve programs, and cut the programs that help the people who have suffered the most from the recession.”

Expressing respect for former Democratic national chairman Howard Dean, Cohen nevertheless disagreed with comments made by Dean Sunday on ABC’s “This Week” to the effect that a rumored deal in the making would increase the deficit and do more harm than good.

“I’m more in line with [columnist] Paul Krugman, and I think we need to get the economy moving and create jobs. That’s our first concern and not so much the deficit,” said the congressman, who allowed himself to wax a bit wistful as he closed out his remarks to the reporters.

“It’ll be a strange way to celebrate New Year’s Eve, right there on the edge of the fiscal cliff with a glass of water,” Cohen said.

Categories
News

2012: The Year in Film

Chris Herrington, Greg Akers, and Addison Engelking offer their “best of” lists for the films of 2012.

Categories
Beyond the Arc Sports

Postgame Notebook: Grizzlies 81, Nuggets 72 — An Unlikely Lineup as Set-Up, Rudy Gay as Closer

Rudy Gay took over the game to help the Griz get a much-needed win.

  • LARRY KUZNIEWSKI
  • Rudy Gay took over the game to help the Griz get a much-needed win.

The Lead: With 12 minutes left to play, the Grizzlies seemed to be in the most precarious position they’ve faced all season. They were down four to a Denver Nuggets team that was both catching up with them in the playoff standings and on the verge of securing a tiebreaker by winning the regular-season series between the two teams.

They’d just suffered a potentially deflating and — more importantly — potentially serious injury to a key player, when Quincy Pondexter knocked knees with Wayne Ellington near the end of the third quarter and Pondexter had to be carried to the locker room.

And the poor offense that had sent the team tumbling from the ranks of legit contenders seemed to be getting worse still, with only 53 points on 34.8% shooting through three quarters.

Searching for something, Lionel Hollins sent out five players who had never seen the floor together before: Jerryd Bayless, Wayne Ellington, Darrell Arthur, Marreese Speights, and Hamed Haddadi.

“It was about trying to get some energy,” Hollins explained later. And it worked.

This unlikely lineup gave the team a big boost, going on a 15-9 run over the next 6:45 and transforming the energy in the building from low to near-playoff-level. (Big Hamed Haddadi dunks have a history of doing that.)

“We were able to energize the crowd and energize ourselves, because we were just playing in mud,” Hollins said. “We were just moping around.”

It started instantly with a 40-second sequence that tied the game: A Shane Battier Memorial Baseline Jumper from Speights. Arthur, playing the three, stealing the ball from Corey Brewer. And then Bayless finishing in transition with a dunk. After that, Bayless and Speights connected on a baseline alley-oop. Haddadi flushed one over Kenneth Faried. Arthur took advantage of his mismatch by posting Brewer and hitting a short baseline jumper. Ellington spotted up for a three.

It was a reminder that, as poor as the Grizzlies offensive execution has been of late, nearly as troubling has been absence of what has been the team’s trademark intensity. Offensive execution remains a big concern, but better and more consistent energy would alleviate at least some of it.

With the energy raised, a closing unit featuring three well-rested starters (Rudy Gay, Mike Conley, and Zach Randolph) with two holdovers (Jerryd Bayless and Wayne Ellington) peeled off a 10-0 run to put the game away.

Categories
News

The Very Best of “Fly on the Wall” 2012

Chris Davis has compiled a treasure-trove of stupid stuff from 2012 from his “Fly on the Wall” column. Check it out.