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Politics Politics Beat Blog

AFSCME Local 1733 Board Agrees: No Endorsements in the 9th

JB

Soon to be a thing of the past

It’s a compromise solution that would make King Solomon proud. The Flyer has learned that the executive board of Local 1733 of the American Federation of State, County, and Municipal Employees (AFSCME) has reached agreement on the matter of endorsing a candidate in the 9th District congressional primary.

Afer meeting for several hours at AFSCME headquarters on Beale Thursday night, the board agreed that neither Steve Cohen, the Democratic incumbent, nor Ricky Wilkins, his challenger, will be endorsed by the Local during the current primary, which will end next Thursday, August 7.

After August 7, the board will meet again to decide on the matter of endorsing the primary winner, whether Cohen or Wilkins, with the likelihood that the winner will be formally endorsed by Local 1733 at that point. In the meantime, Cohen retains the endorsement and financial support he has already received from AFSCME’s national board.

Reportedly, all members of the seven-member board, including Local 1733 president Janice Chalmers, agreed on this solution.

But there’s still a problem to be resolved. A billboard — one of those with alternating messages — has materialized on Covington Pike bearing the message that Wilkins has been endorsed by president Chalmers.

Chalmers had acknowledged on Wednesday that she had agreed to endorse Wilkins prior to a press conference announced Monday night by the Wilkins campaign and scheduled for Tuesday morning at AFSCME headquarters.

Apparently after hearing from Cohen, however, representatives of the national union contacted Chalmers and, in her words, “caused me to cancel Local 1733’s participation in the press conference.”

Wilkins and a group of supporters went ahead with the press conference in the absence of anyone from AFSCME, and Wilkins , who blamed that absence on “bullying” and “intimidation” by Cohen, continued to claim that he had been endorsed by the Local.

That issue seems to have been rendered moot by the board’s Thursday night agreement that there is, for the moment, no endorsement of either candidate by Local 1733, and there won’t be one until the primary is over. Chalmers is said tc have concurred with that decision.

But the billboard is a red flag. At the board meeting, after two members had reported seeing it on Covington Pike, the entire board, including Chalmers, reportedly agreed that the sign was unauthorized and should be removed, inasmuch as it used the union’s name without formal approval.

No one knew who had paid for the sign or arranged for it to be displayed on Covington Pike, and several members discussed the option of bringing charges against whoever was responsible for erecting the sign.

In the meantime, the small yard signs supporting Wilkins that someone had planted in the grounds around the AFSCME building before Tuesday’s abortive press conference will be removed, one board member said.

Plans are to meet with the media on Friday to explain further details.

Meanwhile, additional information will be posted here as it is learned.

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News

A Milwaukee Perspective on the CA sale

Milwaukee journalist Bruce Murphy offers his take on the sale of the Commercial Appeal and its new connection to the owners of the Milwaukee Journal-Sentinel.

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Opinion The BruceV Blog

The CA Sale: A View from Milwaukee

Journalist Bruce Murphy of UrbanMilwaukee.com, offers a Milwaukee perspective on the sale of the Commercial Appeal. And yes, I’m quoted in it.

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Richard Linklater’s “Boyhood”

Addison Engelking says director Richard Linklater’s Boyhood is daring, complex, and irrefutable.

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A Park by Any Other Name …

Toby Sells reports that a ruling is expected soon in the lawsuit against the city of Memphis for changing Confederate-centric park names.

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Calling the Bluff Music

Montell Jordan Talks Unsung Episode, Choosing Ministry Over Music

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  • TV One

When Montell Jordan released his debut single “This Is How We Do It” in 1995, it dominated Billboard’s No. 1 slot for several weeks and became one of the biggest party anthems that year.

This followed with Jordan’s debut album on Def Jam Records, also titled This Is How We Do It, which sold more than one million records, earning him a Platinum plaque.

Jordan managed to enjoy more success with subsequent releases, acquiring a couple Gold plaques, and also producing and writing songs for other artists, such as 98 Degrees, Deborah Cox, Sisqó, and Christina Milian. And he even appeared in a couple films, including The Fighting Temptations and The Nutty Professor.

But with success came an open invitation to immorality. And this eventually impacted not only Jordan’s life, but also his marriage and career. In the end, he gave up fame and guilty pleasures to rededicate his life to Jesus Christ.

His prosperous career, the heartache he and his wife, Kristin, experienced as a result of it, and his renewed lifestyle was recently profiled during an episode of TV One’s award-winning docu-series Unsung. An encore of Jordan’s Unsung episode, which is the season premiere for the series, will air Sunday, August 3rd at 5 p.m. CT. Subsequent episodes of Unsung will air every Wednesday night at 8 p.m./7 p.m. CT on TV One.

Jordan took time out to talk about appearing on Unsung, transitioning from music to ministry, still being passionate about creating music, and the importance of pursuing your calling in life and not what necessarily makes you rich.

Follow him on Twitter and Instagram


What motivated you to agree to share your story on Unsung?

I went into ministry over four years ago after a nearly 20-year career in the music business. From a distance, many fans don’t know some of the behind the scenes tests I have endured that have become my testimony. Agreeing to be the subject of the season premiere of Unsung gives the world outside of ministry a glimpse at what I do now and why.

What was the experience like filming for the episode? And were you worried that in addition to the enjoyable moments of your career being broadcasted, the struggles that came along with it would be exposed and televised?

I believe the producer of this episode, Sade Oyinade, covered my family with integrity and showed glimpses of my life in a way that may inspire others. Before Unsung, my life was already available for review via social media through music videos, performances, and photos. This show basically compiles much of the information already available and places it into story format. My test becomes my testimony and hopefully assists others to allow my pain to become their promise.

What has the transition been like to go from being a notable entertainer to a minister? And what motivated that transition?

The journey from entertainer to minister has been an exchange of success for significance. I would have to ask the Lord to take away my “taste” for possessions, fame and things that vied for my attention and affections. The transition was motivated from an entire lifetime of not being fulfilled with worldly accolades, yet finding comfort and peace in participating in life transformation.

Do you still have a passion and interest in creating music?

I still create music. I write songs for artists as well as release Christian worship projects. Shake Heaven was released in 2011 and was nominated for a Dove Award. Our 2nd release is titled Covered and will be released on Tuesday, September 2, 2014. There will be future projects and a book as well.

Ultimately, what do you hope viewers take away from the episode and how it profiles your career and life?

There is hope in Christ. I lived and functioned in what I was gifted to do, but not what I was called to do. Now that I answered the call for my life, God blesses me to also do what I’m gifted to do as well. Many others watching are also living lives in what they are gifted at, but not necessarily what they are called to do. That’s where we don’t find fulfillment. My hope is that in revealing my story those watching will see the courage needed to take steps in their own life to find the peace that can only be found through faith. This will allow them to walk in what they are called to do.

Follow me on Twitter: @Lou4President
Friend me on Facebook: Louis Goggans
Check out my website: ahumblesoul.com

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Sing All Kinds We Recommend

Sound Advice: Bob Reuter’s Alley Ghost at Kudzu’s

Bob Reuter

From a Memphian frame of reference, Bob Reuter was something akin to Don Perry and Jack Oblivian having a baby. Reuter was a St. Louis-based musician and photographer who epitomized and chronicled his city’s underground art scene. He had a radio show and played gigs with his band Alley Ghost.

Reuter died after falling down an elevator shaft during the construction of his recording studio in 2013. It is a testament to his influence that his band has continued to play his music. They will headline a fantastic roughhouse of a bill that includes Memphis’ Richard James as well as James Godwin’s project James and the Ultrasounds at Kudzu’s on Wednesday, August 6th.

Sound Advice: Bob Reuter’s Alley Ghost at Kudzu’s

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Sing All Kinds We Recommend

Summer Movie Journal #4

Jonah Hill and Channing Tatum

  • Jonah Hill and Channing Tatum

22 Jump Street (2014; dir. Phil Lord and Christopher Miller) — It may not be as awesome as The Lego Movie, but 22 Jump Street proves that Lord/Miller is the best comic filmmaking team since Trey Parker and Matt Stone. Which isn’t to say that it’s a triumphant laugh fest from beginning to end — the winking meta-commentary about 22 Jump’s paint-by-numbers sequel status and the homoerotic subtext of Channing Tatum and Jonah Hill’s partnership are two running jokes that needed a time out or two. But there are very few dead spots in this omnivorous parody machine: Lord and Miller have never built a world safe from their nonstop barrage of goofs, gags, and random chuckles. Some of the best bits involve “The University of the Internet,” a bunch of girls trudging home behind Hill whenever he takes the walk of shame back to his dorm, anything involving the Lucas Brothers, the dance routine/fight scene on the beach, and everything Jillian Bell says and does. The greatest joke of all involves Tatum, Hill, Ice Cube, and a mix-up that’s obvious in retrospect but so surprising at first that Tatum’s ebullient reaction to and celebration of it deserves to go on as long as it wants. Grade: B+

[jump]

Dawn of the Planet Of The Apes (2014; dir. Matt Reeves) — For the past two weeks, I’ve been trying to figure out whether Dawn’s shot of an angry ape on horseback firing a semiautomatic rifle into the air is awesome, cheesy, or some combination of the two. I’m no closer to an answer now than I was when I saw it the first time, and I’m similarly conflicted about the whole film. This dystopian blockbuster is the second installment in a potentially long string of exciting yet mournful Rhesus pieces about the conflict between the great apes and those damn dirty humans, but it’s less creative in nearly every way than its 2011 predecessor, a fast-paced account of science gone mad and primates gone wild. Dawn opens and closes with an extreme close-up of an ape leader’s eyes, and the film is about how those eyes will take in and adapt to what they see. It’s also about taking sides; the apes want to be left alone, but the incursion of a band of humans in search of electric power bodes ill for all involved; we know what we do to animals, ecosystems, and resources. With Caesar (Andy Serkis), the franchise has found a great hero, and this time they set him up with a great villain named Koba (Toby Kebbell), an ape scarred by medical testing who’s allotted two scenes of primal wickedness. Grade: B+

Eva Green

  • Eva Green

300: Rise of An Empire (2014; dir. Noam Murro) — “Sequelize It” is the rallying cry for midsummer movie season, but for some reason this early March release reappeared at my local multiplex for a discount-priced one-week run. Why not throw a couple of bucks its way? After all, Armond White, The National Review’s noted practitioner of informed critical dissent, named it one of the best films of the year so far. And, gosh, White is probably right. Zack Snyder’s bloody, influential 2006 celebration of swordplay and six-pack abs is alluded to throughout Rise of An Empire, which explores the clash between the Greek and Persian fleets that began around the same time as King Leonidas’ last stand at the Hot Gates. As history, it might be bunk. But as a violent, dynamic, slo-motion battle pageant, it revitalizes all the old images and symbols — flesh, steel, moon, ocean, fire — for maximum emotional and visual impact. Game of Thrones’ Lena Headey is the stern Spartan queen who narrates the events, but she’s not the baddest gal in the film. That would be Artemisia (Eva Green), a deadeye Lady Vengeance in a spiked corset who inspires pity and terror and probably an involuntary chubby or two. Grade: A-

Chistophe Paou and Pierre Deladonchamps

  • Chistophe Paou and Pierre Deladonchamps

Stranger By The Lake (2013; dir. Alain Guiraudie) — As Dawn and Rise of the Planet of the Apes both know, paradise — which in this film is a rocky cruising beach studded with gay men who lounge around in the nude and wander off into the woods for a quick tryst every now and then — never lasts very long. Twenty minutes in, something happens that jeopardizes not only young Franck’s (Pierre Deladonchamps) infatuation with a Keith Hernandez-type Adonis named Michel (Christophe Paou), but also the privacy and sanctity of this idyllic retreat. It’s a solid, low-key set up, and Guiraudie wrings much tension from the sight of an abandoned car. After a while, the erotic encounters in the woods start to feel as though they’re part of some indefinable ritual sacrifice yet to come. There’s plenty left unsaid throughout that builds suspense, too. Something’s missing here, though, and the clinical distance pervading everything but Franck and Michel’s first sex scene may have something to do with it. Grade: B+

Deliverance (1972; dir. John Boorman) — This horrifying action-movie emasculation always forces me to ask myself whether I have spent my life learning the wrong things. Why wasn’t I getting buff and learning how to fish with a bow and arrow instead of reading books, watching movies, and avoiding manual labor of all kinds? Was that the right call? Would it matter if someone held a shotgun to my cheek and told me I had a pretty mouth? Anyway, it’s almost as if Burt Reynolds’ mischievous gung-ho survivalist and ad hoc tour guide wants something awful to happen on this particular male-bonding wilderness outing; he gets his wish after Bobby (Ned Beatty) and Ed (a seldom-better Jon Voight) run across a pair of mountain men straight out of True Detective’s Carcosa cult. After the famous “squeal like a pig” scene — which, like the rest of the film, occurs against a backdrop of numbing and oppressive environmental splendor — guilt, fear, shame, and anger course through each character’s veins like the river that threatens to shatter them on the rocks and wash them all away. William Burroughs was right about America: The evil is there waiting. Grade: A

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News

Federal Appeals Court to Hear Tennessee Marriage Equality Case

A case seeking recognition for three same-sex married couples from Tennessee will be heard in the Sixth Circuit Court of Appeals on August 6th. Bianca Phillips has the story.

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Memphis Gaydar News

Tennessee Marriage Equality Case to Be Heard in Sixth Circuit Court of Appeals

Ijpe DeKoe and Thom Kostura

  • Ijpe DeKoe and Thom Kostura

The largest number of marriage equality cases to be heard in a single day will include a case from Tennessee and will be taken up by the U.S. Court of Appeals for the Sixth Circuit on August 6th.

Other cases heard that day will include two cases from Kentucky, one from Michigan, and two from Ohio. The Tennessee case is Tanco Vs. Haslam, which seeks to recognize the same-sex marriages of three couples from Tennessee. One of those couples — Ijpe DeKoe and Thom Kostura — is from Memphis (read more about their story here).

This will be the fourth argument to be heard by a federal circuit court since the U.S. Supreme Court struck down the Defense of Marriage Act (DOMA) last summer. Since that decision last June, every court that has considered marriage equality cases has ruled in favor of freedom to marry for same-sex couples. Those courts include federal and state courts in Utah, Ohio, Colorado, Oklahoma, Arkansas, Kentucky, Idaho, Illinois, Indiana, Michigan, Oregon, Pennsylvania, Tennessee, Texas, Virginia, and Wisconsin.

Oral arguments will begin at 1 p.m. (Eastern time) at the Potter Stewart Courthouse in Cincinnati, Ohio.