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Your Cheap Weekend Forecast:

For the sake of consistency, I’m going to start some regular weekly posts here at Save Memphis. Each Friday, I’ll give a cheap look at the weekend: outings for you to enjoy without blowing your whole paycheck.

This weekend, I’ll start with something you (hopefully) all know about – the South Main District’s Art Trolley Tour night. Most of the galleries and shops on the south end of Main street stay open for this monthly event, and along with the luxury of viewing great local artists, lots of them have free wine and finger food. That’s triple the bang for exactly zero bucks from you, and, if you feel so inclined, you can ride the trolley all night for just one dollar.

Trolley Tours happen on the last Friday of every month from 6-9 PM. You can find more info here.

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And on Sunday, local group Magic Kids will take a break from their current tour with Ariel Pink’s Haunted Graffiti to play at the Buccaneer with fellow tourmates Puro Instinct (you may know them as Pearl Harbour). The show starts at 5 PM, promising to be easy on your beauty sleep, and I’ve heard rumors of a cookout. Plus, the cover will be a meager $5.

Magic Kids are absolutely one of the most enjoyable bands Memphis can call their own right now, so this is a great deal. See you there!

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Art Exhibit M

Telling Lies

For Joel Hilgenberg and Garen Shrader, a two-man show seemed almost inevitable. “We’ve paralleled each other in the Memphis art market for years now,” says Garen, “and he’s a good friend of mine as well.” The two are both MCA grads and have both been on the Memphis art scene for 16 or 17 years. Last spring, their agent was pushing their individual work when he came up with the idea of a joint exhibition.

Thus the two-part series of Six Kinds of Liars was born. You can catch the first part of the show starting August 1 and running through August 31 at Mona Lisa Gallery.

Garen Shrader, Doc Holliday Gets a Shave

  • Garen Shrader, Doc Holliday Gets a Shave
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Intermission Impossible Theater

More Ado About Shakespeare: Three reasons you don’t want to miss “Much Ado About Nothing.”

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Much Ado About Nothing closes at Theatre Memphis this weekend and if you haven’t seen it yet you should make reservations now. Especially if you usually dislike or feel intimidated by Shakespeare. Here are three good reasons why:

1. People who “very serious” about Shakespeare and only speak his name in hushed and reverent tones should probably stay the hell away. This show is so light, unpretentious and easy to follow that within the first five minutes you’ll have forgotten you’re watching a 400-year-old classic. In recent years Memphis audiences have been treated to more then their fair share of sketchy high-concept Shakespeare. We’ve seen a perfectly ambulatory Juliet stuck in a wheelchair, and a Sci-Fi Julius Caesar set in a world where men don’t seem to have ever existed. True, this Much Ado is set in the 1960’s. But the choice, while strong and committed, is relatively superficial, providing a logical context for Shakespeare’s surprisingly modern romantic comedy. This Much Ado hasn’t been transformed into a big anti-war statement. Nor is it a celebration of free love and hippie culture. In fact it’s not a statement or celebration of any kind. It’s a simple, deliciously straightforward presentation of Shakespeare’s frothiest play with a handful of exciting contemporary flourishes. It’s a show that speaks to all ages but it will be especially fun for those among us who are old enough to remember 60’s-era TV shows like Laugh-In, Get Smart.

2. The cast knows they’ve made something special and they are having a blast sharing it with audiences. The real life husband and wife team of John and Mary Buchignani Hemphill are thoroughly delightful as the warring would-be lovers Beatrice and Benedick. But this is an ensemble show and the hilarious (and entirely unexpected) love story that develops between John Rone’s Dogberry and Lindsey Roberts’ Verges is every bit as intriguing.

3. The music makes it. Some of it is bubble-headed pop and some of it is maybe a little too obvious. But it’s all thoughtfully chosen and after audiences are treated to Bennett Foster’s Brian Wilson/Turtles-take on the sonnet “Sigh No More Ladies” they might also leave with the impression that Shakespeare actually wrote “Bend Me Shape Me.” It really is a perfect ending to a sweetly memorable show that deserves an even longer life.

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Politics Politics Beat Blog

Wamp Says “Ruthless” Haslam Clan May Have Planted Wall Street Journal Attack

Zach Wamp (right) pitches former State Rep. Ed Haley, who turned out to be a Ron Ramsey man.

  • JB
  • Zach Wamp (right) pitches former State Rep. Ed Haley, who turned out to be a Ron Ramsey man.

“I do have a streak of Teddy Roosevelt in me,” declared Zach Wamp toward the end of a coffee break Friday at the Cracker Barrel in Lakeland, where he’d been doing heavy-duty shmoozing from table to table. He professed himself to be opposed to monopolies and “a consolidation of power in this country that’s threatening.”

That was a milder summary of some things he’d said earlier in the conversation about a specific group of Tennesseans he’d identified as monopolists — the Haslam family, one of whose members, Knoxville mayor Bill Haslam, is Wamp’s opponent in the Republican primary for governor.

Those remarks smacked somewhat of the big stick so famously recommended by the Republican Progressive-Era president.

“The Haslams are nice people if they get their way. That’s the way it is with the very rich and very powerful in America,” he said, adding that the reality was, “They’re ruthless.”

He went so far as to suggest that the family, which owns the Pilot Oil conglomerate, used its influence to get the august Wall Street Journal to launch an editorial-page attack on him as “an epic spender and earmarker.” The editorial was an echo of a charge made against Wamp by his other GOP opponent, Lt.Gov. Ron Ramsey of Blountville.

But to Wamp, the WSJ editorial, which appeared Thursday morning, was the work of the Haslam family.

“Somehow they’re so rich and powerful that they’ve got people working for them in New York City,” said Wamp, who declared, “ We shouldn’t let New York operatives determine who the governor of Tennessee’s going to be. I didn’t invent Oak Ridge, Tennessee, or the Chickamauaga Lock. I inherited them. I’ve had to do certain things for our state. To claim that I’m a big earmarker just flies in the face of the truth. I’ve been a leader in earmark reform.

“When has the Wall Street Journal ever involved themselves in a primary in one of 50 states? When has that ever happened?” Wamp demanded. “That just speaks to the reach of a family that has a $37 billion empire. They’re connected to all kinds of publications and all kinds of people.”

Just in case his meaning was unclear, Wamp was asked: Was he suggesting that the Haslams directly planted the Wall Street Journal editorial?

“I’m suggesting there’s something fishy about the whole thing, yeah,” he said.

The editorial bore as its title “Zach Wamp’s Rebel Yell” and took as its hook recent remarks by Wamp which many thought amounted to a call for Tennessee to consider secession from the Union. (The Journal archly suggested it would rather Wamp seceded from the House Appropriations Committee.)

What Wamp had said, in an interview with the National Journal‘s “Hotline,” was this: “I hope that the American people will go to the ballot box in 2010 and 2012 so that states are not forced to consider separation from this government.”.

At the Cracker Barrel, Wamp hazarded a clarification: “Nothing that I said could be interpreted that I suggested Tennessee should secede from the Union. When I’m governor, of course we won’t secede from the Union. But we need a strong governor to stand against this federal intervention in the states.”

The congressman mentioned as signs of encroaching federal power President Obama’s stimulus bill, federal health-care legislation, and the Justice Department’s suit against Arizona’s immigration law.

The “secessionist” interpretation of his statement may also have been the work of the Haslams, Wamp implied. “Again, their reach is so extensive with their $37 billion empire, they’re able to make things look like they’re not.”

As he has several times recently, Wamp contrasted the $4.4 million he originally budgeted and will spend during the primary campaign with the $15 million he says Haslam has lavished on the gubernatorial race so far. “A million and half a week, that’s his burn rate.”

Wamp vowed: I’ll be the governor for the middle class. Frankly, extreme wealth shouldn’t translate into political power in America.”

Given the strength of his feelings, would he be able to support Haslam in the general election? “I expect to be able to support the Republican nominee,” Wamp responded after a moment of thought. “We’ll see what happens in the next few days.”

Meanwhile, Bill Haslam, the object of Wamp’s scorn, had also been campaigning in Shelby County, making morning stops in Cordova and Bartlett. Asked about Wamp’s statements concerning “separation from the government,” Haslam said only: “I think it does matter what words a governor uses. You represent the state to the world. Most Tennesseans I know want to improve the United States. They don’t want to pull out.”

Since the complete quotation from Theodore Roosevelt was “Speak softly but carry a big stick,” it can be said that both Republican candidates — who have been dueling relentlessly for support in population-rich Shelby County — were honoring a different portion of the onetime president’s legacy.

Bill Haslam (left) with Bartlett banker Harold Byrd and Bartlett mayor Keith McDonald at capaign stop

  • JB
  • Bill Haslam (left) with Bartlett banker Harold Byrd and Bartlett mayor Keith McDonald at capaign stop
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Memphis Gaydar News

Unity in the Community

In early July, the Memphis Gay & Lesbian Community Center sent out a call to artists in the hopes of finding original work by gay, lesbian, bisexual, transgender, and straight ally folks for an upcoming show.

Work by Katie Jones

  • Work by Katie Jones

The submissions have come in, and the center is opening its doors for the “Artistic Unity” art reception this weekend. Stop in at 892 S. Cooper on Sunday, August 1st from 4 to 7 p.m. to see the show.

The show includes work by Monty Shane, Edie Love, Lily Love-Cloys, Katie Jones, Amy Jones, Seamus Lode, Linda Crowley, Jazmine Coke, Jim Brasfield, Bill Branch, Carissa Bledsoe, Kristi Bauer, Holly Ashmore, Shanti McKinnie, Johnathan Payne, Paula Kirsten Payton, Heather Pike, Ashley Porter, Julia Puckett, Le Rhodes, Shannon Rhodes, Randi Romo, Claire Ryan, Diane Thornton, Sam Viviano, Brandon Wallace, and Rosalind Wilcox.

On another arts-related note, the Emerald Theatre Company (the city’s only LGBT theatre group) will hold auditions for the comedy Porn Yesterday on Monday, August 2nd at 7 p.m. at Central Christian Church (531 S. McLean).

Yes, I realize a church seems an unlikely audition venue given the play’s title, but Porn Yesterday is about a gay male porn star trying to break into a legitimate acting career. The Emerald Theatre Company is seeking five males in their mid-20s to late-50s for the show, which is scheduled to run September 10th-19th at TheatreWorks. Call 828-5247 for more information about the audition.

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Food & Drink Hungry Memphis

Gumbo and Eggs

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Several years ago I was a judge for the Rajun Cajun gumbo contest. I’m no expert, to be sure, but two of my fellow judges were … At least that’s what they said, and things got very, very heated when the two disagreed about what constitutes authentic gumbo.

It’s always been my understanding that gumbo’s origins involved using what was available at hand, making it a particularly flexible dish. But, I have to say I was a little perplexed recently when I came upon a recipe using eggs.

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Food & Drink Hungry Memphis

Have You Voted?

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Today’s the last day to vote in the Best of Memphis Readers’ Poll.

And here’s a random “Best of” fact: In the past few years, Gus’s Fried Chicken has received not only the most votes for “Best Fried Chicken,” it’s received the most votes of all cast in the ballot.

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News

13 Ways of Looking at a Watermelon …

Food writer Amy Lawrence and her husband bought a big watermelon and used every part of it in prepared dishes. Seeds ain’t just for spittin’ anymore.

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News

Good Deals in Cooper-Young?

John Branston writes about the auction of the Pie Factory condominiums in Cooper-Young. At half-price, were they a good deal?