Categories
Letter From The Editor Opinion

Letter From The Editor: The Flyer’s Redesign

I continue to be amused and amazed at readers’ responses to the Flyer‘s redesign. It’s almost like the fable of the blind men and the elephant, as famously recounted in a poem by John Godfrey Saxe that began thusly: Six men of Indostan went to see an elephant/(Though all of them were blind.)/That each by observation/Might satisfy his mind.

The first man felt the elephant’s side and thought the elephant must be “very like a wall.” The second man, who felt the elephant’s tusk, thought the elephant was “very like a spear.” And so forth. The point being, I suppose, that we each see things from our own perspective and are often blind to things that seem obvious to others.

Those of you who’ve written or left voice-mails about the “new” Flyer have been similarly divided in your opinions. Some of you apparently think we are “very like idiots” for messing with your “good old Flyer.” And yes, we’ve even been accused of the quintessential colloquialism: “fixing what ain’t broken.” Others of you have expressed delight and admiration at our good taste and splendid judgment. (You folks are “very, like, cool.”)

One rumor that apparently spread through the art community like fertilized kudzu was that due to the redesign we had reduced our coverage of the visual arts. I received numerous letters about this “decision” from gallery owners and painters. Let me shine a light on that part of the elephant. Such a thing was never even considered. We love artists and art and we’ll continue to cover the Memphis art community as we always have — maybe even a little better than we always have.

And that’s not elephant doo.

Bruce VanWyngarden, Editor

brucev@MemphisFlyer.com

Categories
News The Fly-By

Busted

After three separate investigations, the state finally has found something wrong with Love In Action (LIA).

The state Department of Mental Health and Developmental Disabilities (DMHDD) found that LIA, a faith-based homosexuality treatment program housed at a Raleigh church, was treating mentally ill patients without a license to do so.

“These are people who have what are commonly known as mental illnesses like schizophrenia, depression, or bipolar disorder,” said department spokesperson Lola Potter. “The state does not assume that homosexuality is a mental illness.”

Potter says LIA has been operating as a supportive living facility where medication is administered and a patient’s ability to leave is restricted. As such, the program must have a license from the state.

The findings come after earlier investigations by the Department of Children’s Services and the Department of Health, both of which found no evidence of wrongdoing.

A letter issued in late August told LIA the group needed to either apply for a license or make changes in their program. Last Wednesday, LIA and the state reached an agreement that would give the organization until Friday to comply.

Representatives for LIA would not comment on their plans or on whether the group knew they needed a license to treat mentally ill patients.

“Several activist groups contacted the state with different reasons as to why the state should look into what LIA was doing,” says Rachel Lassiter, the governor’s deputy press secretary. “That’s when we started taking a look.”

Categories
News The Fly-By

Keepin’ It Real

The casting director for MTV’s upcoming season of the Real World insists that they don’t have any characters in mind when they’re selecting people for the show.

“We’re just looking for charismatic people who can’t help being themselves,” Megan Sleeper says.

The crowd that gathered on Highland for the Real World casting call last week, however, came fully armed with the knowledge of what makes a good character on reality television and how they might be able to fit into one of those categories. For more than five hours, a line of young hopefuls waited for their chance to pitch their personalities.

The Flyer dropped by to ask what candidates felt made them qualified and what the Real World would be like if it was filmed in Memphis.

Marcus Miller, 21, Fort Campbell, Kentucky

“I think that I’ll get it because I’m such a good stereotype of the homosexual African-American. Of course, I would use my opportunity on the Real World as a platform to do good.”

Joaquin Tucker, 22, East Memphis

“I went and saw the house they used for the episode in New Orleans. It was way out in the suburbs. I guess that means if they ever had a Real World Memphis, they would probably live out in Germantown.”

Erica Holmes, 18, University of Memphis

“I don’t think I know exactly what they’re looking for. I’m here because I want to fuck with them.”

Categories
Opinion Viewpoint

GADFLY

This week, journalism’s self-appointed poster child for the sanctity of confidential sources has been sprung from the hoosegow. Judith Miller, famous (or infamous) New York Times reporter (and expert on non-existent WMD), in exchange for agreeing to testify before the grand jury investigating the CIA leak (a/k/a “Plamegate”), was released from her duties in the prison laundry at the Alexandria Detention Center, though, without the souvenir piece of ankle jewelry Martha Stewart got to take with her when she left prison. It now appears that when the other shoe falls in the Plame investigation, it may well be a high heel.

So who sprang her? Of her many VIP visitors, it wasn’t John Bolton (whatever sense his visit to her—largely unreported by the MSM—makes), or even Bob Dole (who also wrote an op/ed piece supporting her in—surprise, surprise—the New York Times). No, it was Scooter (what kind of name is that for a grown man, anyway) Libby, Vice President Cheney’s chief of staff who turned the key on Miller’s cell door. Libby apparently, and finally, satisfied Miller that his waiver of confidentiality was actually voluntary. Of course, the prospect that Miller’s imprisonment for civil contempt was threatening to be turned into criminal contempt, with the possibility of measuring her sojourn in the slam in years instead of weeks, probably had nothing to do with her newly found belief in Libby’s forthcomingness.

And so, we’re left to wonder why (a) Libby’s waiver this time was any more satisfactory to Miller than the one, according to his lawyer, he gave her a year ago; (b) why Miller went to jail simply because she didn’t think Libby’s permission to reveal him as her source was “voluntary,” and (c) if Libby knew Miller needed proof of the bona fides of his releasing her from the bounds of confidentiality, other than what he had already given her, why he waited for her to languish in jail for three months before giving it to her. The answer to all three questions is the same: this latest episode in the Judy chronicles has nothing to do with what (or when) Libby told, or didn’t tell, Miller about revealing his identity; it’s all about Judy, the master manipulator.

Let’s refresh our Iraq/Katrina/Rita/Delay-weary minds about this story which disappeared from the front pages of the nation’s newspapers (most notably, the New York Times). First, as to why Miller went to jail in the first place. There’s been a lot of distortion by the MSM, maybe because they’re ambivalent about their feelings towards her, about why she ended up in an Alexandria, Virginia jail. Boiled down to its basics, Miller went to jail because she refused to comply with a grand jury subpoena requiring her to testify about the source of information who may have revealed the employment of former ambassador Joseph Wilson’s wife, Valerie Plame, as a CIA operative. A federal judge found her in civil contempt for that refusal, a finding that was appealed by Miller (read: the NYT) all the way to the Supreme Court. That occurred, you’ll recall, following the generous helping of egg Wilson spattered on the administration’s face by loudly and publicly (i.e., in the New York Times) debunking one of the linchpins in the justification for the war in Iraq, namely that Iraq was trying to get weapons grade uranium from Niger.

The subpoena was issued in the investigation being conducted by a special prosecutor, Patrick Fitzgerald (appointed by George Bush after the holier-than-thou attorney general, John Ashcroft, was forced to disqualify himself from the investigation), into whether any laws were violated by the revelation of Plame’s identity. The Miller subpoena was one of many issued to journalists, including Matthew Cooper of Time Magazine, as a result of the story that was written by Robert Novak outing Ms. Plame.

Second, let’s deal with the biggest “poor Judy” misconception. Virtually every story in the MSM, whether print or broadcast, somewhere in the story has used a variation on the following words: “…even though she never wrote a story about Plame.” The premise of Miller’s defenders is that she is less blameworthy (and therefore more of an innocent victim) because she didn’t write the same story Novak, or even Matthew Cooper did (and we all saw how quickly he folded his hand in the special prosecutor’s poker game), naming Plame as a CIA operative. What her defenders and apologists either know, or choose to overlook, is that the purpose of Miller’s subpoena was to determine whether anyone had illegally disclosed Plame’s identity to her, a crime which had nothing to do with whether or not Miller used the information to publish a story about it.

One of the potential crimes being investigated by the grand jury (and I say one because there are several) is a violation of the Intelligence Identities Protection Act of 1982) which makes the mere disclosure of this classified information (the identity of a covert CIA operative) to someone not authorized to receive it (e.g., Miller) a major no-no. The purpose of the law is to criminalize the disclosure of this kind of classified information, and therefore to deter it, because without a leaker, there can be no leak, published or not, just like there can be no leak without a “leakee.” There are other potential crimes implicated in the investigation, with a lower threshold of proof than the esoteric “identities” law, and we all know that the government frequently goes after someone for one thing, but gets them for another (e.g., Al Capone, the tax evader).

The moment Libby told Miller (assuming he did), “Pssst, Wilson’s wife’s a CIA operative,” all the crime was arguably perpetrated, without regard to whether or not she wrote what she learned. And, of course, it was Miller’s willingness to be the recipient of the information, and her history of being the administration’s scribe for its prior revelations, that motivated Libby to conscript her in the first place. Let’s put it this way, Libby wasn’t likely to choose Seymour Hersh or Frank Rich as his accomplices for this piece of espionage.

Who better to enlist in the effort to discredit Joseph Wilson than someone who had amply demonstrated her willingness to be the administration’s shill in the run-up to the war? “Baghdad Judy” had already paid her dues to the administration, dutifully purveying the trumped-up information about WMD’s she was fed by, among others, the likes of the thoroughly discredited Ahmed Chalabi. And so, when the now-outed Libby passed on the information about Plame’s status at the CIA, he did it with the assured knowledge that she could be trusted to spread the word, by publication or otherwise, and thus to perfect the administration’s attempt to slime Wilson for his treasonous act. We may never know why Miller didn’t publish a piece about Plame’s identity, and we’ll have to wait for the inevitable book to find out, but we can be pretty certain, based on her history, that it wasn’t because she had an ethics epiphany.

And, of course, we know that Miller’s act of conscientious objection to revealing her source was far from a high-minded gesture to journalistic principles. She wasn’t protecting a whistle blower by refusing to reveal his identity. She was protecting someone who was arguably a felon, and with whom she was at risk of being indicted herself for conspiring with. She had no more right to protect Libby’s identity than if he had called her up to have her witness him murdering Plame (a consequence of his leak not outside the realm of possibility, given the history of what happens to covert agents whose cover is blown). There simply is no journalistic privilege to be a witness to, or the foil for, the commission of a crime; never has been, and never will be, no matter what shield law Congress may pass, and Miller knew that. So, in fact, did her lawyers, who fought an uphill battle all the way, in the face of controlling Supreme Court precedent (remember all the talk about “stare decisis” during the recent Senate hearings on John Roberts?) which clearly undercut their position. There is little question that the judicial shenanigans engineered by Miller and her lawyers were an enormous waste of time and judicial resources, and unnecessarily impeded the special prosecutor’s investigation for reasons having nothing to do with journalistic principles.

Now, as to the other questions of the moment. Why did Miller choose to go to jail, instead of revealing Libby as her source, when she had his waiver of confidentiality all along? As has been reported in connection with Miller’s deal to be released, Libby’s lawyer was surprised to find out that Libby’s identity was the subject of Miller’s stubborn (3 months in jail is a new high in stubbornness) refusal to name her source. Especially so since Libby’s lawyer had previously assured Miller, in writing, that his client released her from her promise, and could have had Libby tell her that himself at any time (which he ultimately did). But that, apparently, wasn’t good enough for Miller, who said she wasn’t satisfied that Libby’s release wasn’t “coerced.” By his own lawyer? Who is she kidding? Libby—coerced? The right hand man to the second most (some might say most) powerful elected official in the country, Dick Cheney, coerced? By what army? Scooter is a coercer, not a coercee.

What made Miller the judge of the voluntariness of Libby’s prior release? What did she need to assure herself that he was waiving his confidentiality that she didn’t already have? The answer is, nothing. Miller knew damn well she had Libby’s permission to reveal his identity, much the same as Cooper knew he had Karl Rove’s. Miller decided, however, for herself, that martyrdom was what suited her, and that it was the best, and maybe the only, way to resuscitate her tarnished career. How better to have virtually the entire corps of American journalists converted from criticizing your role in the run-up to the war, to making you, albeit reluctantly, their hero? How better to turn the editorial board of the Times (Keller, Sulzberger et al.) from making you a goat for embarrassing them with the WMD stories, to rushing to your defense like white corpuscles to the site of an infection? Did you see that reverse perp walk Sulzberger did arm in arm with her from the courthouse where she testified to the grand jury?

How better to wrap yourself in the American flag (the one you’ve disgraced by being a cog in the wheel of war) than by making yourself the defender of “truth, justice and the American way,” the last bastion of the sanctity of the First Amendment, and righteous resister of just another one of those big, bad federal judges to boot? And best of all, how better to assure yourself of a big fat advance on a lucrative book deal? First Amendment, my butt! I don’t know about you, but I can hardly wait for the chapter on Miller’s life in the “big house.”

The speculation about the real motivation for Miller’s willingness to go to jail rather than reveal her source(s) has centered around the possibility that she herself faced criminal charges for not only facilitating the leak regarding Wilson’s wife, but for purveying it herself. After all, she was more than an audience for Chalabi’s WMD performance, she was also his announcer. And, although we have some information about the terms of Miller’s agreement with Fitzgerald to testify to the grand jury, we don’t (and may never) know whether an undisclosed feature of that agreement was some sort of immunity from prosecution for revealing what she may have learned about Plame to others. That is not something her lawyers, Fitzgerald or the court will ever reveal, and the only way it may ever come out is if Miller ends up being a witness in any prosecutions that eventuate from Fitzgerald’s investigation. The speculation is, however, not farfetched, given the annals of federal investigations and prosecutions, and given the doggedness of Miller’s insistence on remaining mute.

So now that Miller has made herself a journalistic folk hero, and now that she’s wasted the time of a grand jury and four courts testing a principle she herself couldn’t have believed protected her source, maybe we can get on with the business of getting to the bottom of Plamegate. While Miller may have done her journalistic colleagues a favor, standing up for their ability to selectively thwart the public’s right to know, she certainly hasn’t done the country a favor delaying that right in the case of Joseph Wilson/Valerie Plame.

FINAL NOTE: The Plame investigation has been the fuse of indeterminate length in the bomb that threatens to explode in the face of the Bush administration, and will make all of the administration’s other attempts at implosion (e.g., Iraq, Katrina, etc.) insignificant by comparison. If, as I believe will happen, indictments are returned by the Plame grand jury against high level officials in the Bush administration, coupled with the party in power’s other woes (e.g., DeLay, Frist, etc.), and the fuse finally gets to the powder, who knows—the explosion might even be loud enough to awaken the sleeping giant otherwise known as the Democratic Party.

Want to respond? Send us an email here.

Categories
News The Fly-By

Coppers and Choppers

It was a safe weekend to be at the mall.

More than 60 officers from the Memphis Police Department, the Shelby County Sheriff’s Office, and out of state converged on Wolfchase Galleria to compete in a motorcycle rodeo.

The River City Challenge, jointly organized by local law enforcement and Carnival Memphis, is the first in what the groups hope to be an annual event, with all the proceeds going to Carnival Memphis’ Children’s Charity Initiative.

As I get out of my car, I am greeted by the sound of revving bike engines and Metallica blasting from a convertible party bus. I try awkwardly to make my way across the parking lot to where the officers are lining up to start their runs. As the riders maneuver with remarkable precision, turning their large Electra Glide and Road King motorcycles in the space of inches, I creep around the edge of the cones like a timid rodeo clown at his first big show.

MPD’s Chuck Nelson, one of the co-chairs of the event, describes the rodeo as a competition of riding skill and speed. Each bike gets two runs on a course organized into five sections, all of which must be ridden consecutively. The five loops each present a different challenge to the rider.

 “The patterns are definitely taken from real-life situations. A large part of this event is giving our officers a chance to work on their skills and safety,” said Nelson, “with the added bonus that this is a competitive environment.” 

A crowd is lined up along the edge of the parking lot, and they holler encouragement during each run. Carol Truhan, one of the few female riders, finishes a near perfect run and is greeted with loud applause.

Truhan, who has been with the Sheriff’s Department since 1996, explains that a good ride is all about getting in the groove.

“When you pull in, you have to aim your tire for that sweet spot. If you can do that, you can steer pretty well with just your eyes and head,” she says.

The final two riders slalom through these intricate patterns of cones, often pitching their bikes back and forth at such a precarious angle that I can hear their metal footbars grinding along the surface of the parking lot.

“If you ain’t scraping the ground you aren’t going to make it through some of these courses,” said Rodney Askew, a motorcycle cop with the MPD.

In the end, Askew decides to give the crowd a rodeo farewell. Mounting his bike like it was a surfboard, he rides the course standing up, giving all the riders present something to practice for next year.

Categories
News The Fly-By

The Cheat Sheet

1. After Hurricane Rita smacks into the Texas and Louisiana coasts, The Commercial Appeal runs a huge photo of buildings aflame in Galveston with the headline “Say a Prayer” and another headline below declaring, “Worst Fears Come True.” Turns out, despite a lot of flooding and some wind damage in both states, reports show that Rita causes few fatalities. Look, we’re already rattled by Katrina. You don’t have to scare us to death.

2. The University of Memphis Tigers lose a heartbreaker — a 37-31 overtime match with the University of Tulsa Golden Hurricanes. And for the second time in a season, the opposing team breaks our quarterback’s leg. Jeez, we’re running out of quarterbacks. Maybe training should include milk breaks.

3. Workers began dismantling the Memphis Belle for its removal to the National Museum of the Air Force in Dayton, Ohio. One of the most famous planes of World War II, the Belle had been on display in Memphis since 1946, but the owners (as it turns out, the Air Force) decided we weren’t taking good enough care of it. Doesn’t the Air Force have enough planes?

4. Developers announce plans to build a whopping 300-acre shopping center in Collierville. Alderman Buddy Rowe opposes the concept, saying, “You’ll see an aircraft carrier come up the Wolf River before you see that large a development approved on that corner.” Oh, please. Since when have we ever said NO to development in Shelby County?

5. Uniformed FedEx pilots march outside The Peabody during the company’s shareholders’ meeting. It might have been to protest the pace of contract negotiations or it might have been the return of the flash mob.

Categories
News The Fly-By

The Bare Spot?

The building at 616 Marshall Avenue, formerly the Spot, has seen a lot in its day: a hip-hop club, underground raves, foam parties, even people suspended by hooks from the ceiling during a goth night event in the basement. And, if the building’s new owner Charles Westlund gets his way, the place will soon see a lot more skin.

A downtown strip club might be great news for some tourists but not so for residents and property owners in the Edge district, the neighborhood reaching from Linden to Jefferson Avenues and from Danny Thomas to I-240.

Neighbors held a meeting with Westlund Monday night in the basement of Kudzu’s, a neighborhood bar, to learn about the project.

Most of the 20 residents present said they opposed the idea of an adult entertainment venue because it could mean prostitution, drugs, vandalism, and reduced property values for the neighborhood.

“This will be detrimental to the entire area,” said Janice Kennon, who owns the property directly across the street from the proposed strip club. “Along with clubs like this comes prostitution, drugs, and all sorts of environmental impacts, like debris, broken bottles, and broken windows.”

Several neighbors also raised concerns about parking. The previous clubs’ customers often parked on the street and illegally in private lots.

Westlund, who owns the the Pony strip club on Winchester and several other clubs in California, contended that he would be a good neighbor. He said he operates several “sober living” communities in California and randomly drug tests his employees.

“I didn’t spend $750,000 [on the venue] to be a bad neighbor,” said Westlund. “And if the neighborhood’s not kept clean, I won’t have customers.”

Westlund says the club will be divided into adult entertainment, a restaurant, and a live-music venue where he’ll feature national touring acts. The adult portion of the club will only be open at night.

Westlund has not yet gotten a permit to run a strip club in the area, and several residents asked if he would consider running the club as a music venue only. But he was confident he will get the permit and said he hasn’t considered other options.

“I wish it could be something else,” said Bettye Hauth from the area’s International Baptist Church. “If he has to open a club, I’d like to see something with maybe some big-band music where people could bring their children.”

Categories
Letters To The Editor Opinion

Letters to the editor

Tim, Tim, Tim

Somebody needs to send Tim Sampson on a vacation. His “rants” have disintegrated into the same old Bush-hating crap week after week. Sampson used to tell jokes. He used to write about local stuff. He used to recommend stuff. Hell, even if it was the same crap every week, it was still funny. Now, it’s all Bush-bashing all the time. Take a breath, Timmy. Lighten up.

Marcus Powell

Memphis

Regarding Tim Sampson’s “rants”: I’d like to say how refreshing it is to finally hear someone stand up and be a voice in the darkness. So much of the mainstream media pussyfoots around what’s really going on, desperately trying not to offend readers and viewers.

Let’s face it, people: You voted a problem into office, and Sampson tells it like it is. Thank you, Flyer, for allowing him to rant.

Kristina A. Kennedy

Memphis

Government for

the People?

Abraham Lincoln said that we have a government “of the people, for the people, and by the people.” We as citizens should exercise our democracy by changing the mindset of citizen boards and commissions and elected representatives regarding the time that they have their meetings. While all of the meetings listed below are open to the public, these meeting times give special interests unfair access and effectively shut out participation by the majority of the working public.

The last two recorded meetings of the Air Quality Control Board have been at 1:30 p.m. on a Friday.

Memphis Light, Gas, and Water Division Board meetings are the first and third Thursdays of the month at 1:30 p.m.

The Shelby County Groundwater Control Board meets the third Tuesday of each month at 3 p.m.

The Land Use Control Board meeting starts at 10 a.m. on the second Thursday of the month.

The Memphis City Council meets on the first and third Tuesdays of the month at 3:30 p.m.

The Shelby County Commission meets on the second and fourth Tuesdays of the month at 1:30 p.m.

I believe that the public should be able to fully participate in government decision-making.  Perhaps it is time to have a “civic plaza” constructed in the geographical center of Memphis. All the above meetings would be required to occur in the evenings and on weekends at this plaza. This would be a positive step to restore our local government to the people.

James H. BakerMemphis

The Redesign

The new layout? The Memphis Flyer turns 30, gets a real job, moves to the suburbs, and immediately becomes old and boring? Or maybe it’s ironic professionalism? Everyone wearing suits in the office now? Ummm, so the joke’s over next week?  Chris Wood

Memphis

Editor’s note: Actually, we’re only 15. Think of it as teenage rebellion — going against type.

Cohen is Right

In Jackson Baker’s recent article (Politics, September 15th issue), I agree with everything Senator Steve Cohen says about Governor Bredesen and health care. TennCare roles should not be cut, and the war on drugs is primarily a war waged for the protection of the pharmaceutical companies. It is only a well-funded lobby that keeps this issue out of the press. Those with the most money always win. Like Cohen, I too despair of our local, state, and federal government.

Beverly Lowe

Memphis

Our Kind of Guy

In “Liberal Bias” (The Fly-by, September 15th issue), Bianca Phillips quoted Jonathan Lindberg as saying: “There is no balance in the Flyer.”

That is simply not true. When I defended Mike Fleming after someone wrote a not very nice letter about him, you printed my letter. And you have printed countless letters criticizing your views. If that’s not balance, then what is it?

I could go on and on, for I have saved every issue of the Memphis Flyer, so I would have no problem backing up my argument.

Arthur H. Prince

Memphis

Categories
News The Fly-By

Building Down, Building Up?

Joe Riley would be glad to know that the owner of the downtown Blue Monkey — destroyed in a fire earlier this month — plans to rebuild. And it’s not that he’s a fan of the restaurant’s crisps or the Friday meatloaf special. Instead, Riley values historic buildings — the one that housed the Monkey was built in 1900 — and takes his vacant lots and dilapidated buildings seriously.

The site of the downtown Blue Monkey, which burned down earlier this month.

“To ruin a whole block, it just takes one building,” he said at a Friends for Our Riverfront-sponsored lecture last week at Bridges Inc.

Riley is an eight-term mayor credited with breathing new life into Charleston. Under his leadership, Charleston changed from a stagnating Southern city into one alive with possibilities: The city experienced a downtown revitalization, a decrease in serious crime, the opening of Waterfront Park in 1990, and an artistic renaissance.

“It’s all about making a better place to live,” he said. “That sounds trite maybe, but a human being is in a better community if there’s a beautiful public ground to be inspired by. They’re in a better community if the city is safer; a better community if downtown isn’t desolate but is restored and has arts and playgrounds.”

Riley has used his authority from the street level up. In one case, a building gutted by fire was slated to be demolished. Even though it lacked structural integrity, Riley had the historic building restored, and it emerged as a catalyst, transforming the surrounding area into a hot commercial district.

“Every time we unnecessarily tear something down, we forever, forever, take away a memory for the community,” he said. “We need the … sense of place.”

Riley and Charleston are a pair that Memphis and Shelby County could learn from. If the two cities aren’t sisters, they’re definitely cousins.

Riley defined a great city as a place that “poor people and rich people love the same.” He puts a premium on beauty for that reason, saying that there’s never any excuse, especially when the government is involved, to build something that doesn’t add beauty to a city.

“People often wonder why [we worked so hard to restore downtown]. It’s not the tax base. That’s important. It’s not the jobs. That’s important. It’s the public realm. [Downtown] is part of the city that everyone owns,” said Riley. “If we let them go, then every citizen has lost something.”

During the restoration of an art deco theater, Riley wanted to include storefronts and a wider sidewalk. City officials objected, saying they couldn’t narrow the street because beer trucks often parked there to make deliveries. If the street were narrowed, other trucks and buses might have a problem getting through.

“So often in an American city, we say, ‘Let’s take care of the beer truck,’ when the real issue is how does the mother feel holding their child’s hand and walking down the street? How does the citizen feel?” Riley said. “The beer truck will find a place to park.”

That same sense of public ownership came into play when the city began the controversial Waterfront Park project, started after plans were unveiled for a dense commercial and residential development on the same site.

“Of course it was controversial,” said Riley. “Parks cost money; they take land off the tax base. When you design a park, one of the hardest things you do is to understand what is the purpose of the park. For this park, we knew its purpose was to be an inspirational, reposeful place for people in a busy city.” Now, people can’t imagine Charleston without it.

For a city to undergo Charleston’s phoenix-like transformation, it takes a lot of planning, attention to detail, and a coordinated vision. Certain things — such as sampling 50 kinds of gravel for a walkway to find the right color — could be construed as ridiculous, but in the end, add to the city’s character.

The trick, of course, is separating what’s really going to make a difference and what isn’t. And in Memphis, where sometimes single items or events are promoted as the way to put the city on the map, we are wise to be wary.

Near the beginning of his talk, Riley showed a slide of an old hotel and said it illustrated how the city had made a big mistake.

“In the ’50s, [they demolished] the historic Charleston Hotel where the Democratic Convention met in 1860,” he said. “One of our most beautiful buildings was demolished because they knew that to be a great city, you had to have a drive-in motel.”

Categories
Music Record Reviews

Listening Log

Orphan Teeth

Organ Thief

(self-released)

Sometimes on this debut album from four-piece local rock band Organ Thief, the guitars rev coolly and the vocals yammer distractedly and the band sounds pretty indie-rock, somewhere between the Strokes and Spoon maybe. And then sometimes a heavy bottom and fast, prominent guitars suggest metal. More often the band’s jerky percussive sound and jazzy tinges evoke Morphine minus the horns. Throw in plentiful sound effects, some acrobatic, flowery vocals, and song lengths that range from 2:49 to 10:50, and this is a band that’s all over the place, yet they never sound like they’re trying on musical costumes. They always sound like themselves. The songs don’t connect — at least not with me — but it’s a promising start. (“Seasick Sing-a-long,” “Sound of Sarcasm”)

Chris Herrington

Grade: B

Organ Thief plays Young Avenue Deli Friday, September 30th, with Augustine and the

Color Cast.

Can’t Remember

the Last Time

The Central Standards

(self-released)

This acoustic-based four-piece band is more folk than country and not alt-anything, though their ever-present harmonies and jangle-folk songcraft are reminiscent of onetime alt-country standard-bearers the Jayhawks. The straightforward formula can get a little same-y, so Can’t Remember the Last Time works best when the band adds a musical flourish — the solo piano of “Teenage Heart,” the pedal-steel and percussion effects of “Nothing To See Here,” the galloping rhythm of “Gumball Machine Diamond Ring.” (“Nothing To See Here,” “Teenage Heart,” “Rosemary,” “Don’t You Stare”)

CH

Grade: B