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Food & Drink Hungry Memphis

Sneak Peek at Lafayette’s Music Room

When I received an email invite to Monday night’s soft opening of Lafayette’s Music Room, I immediately searched the web for a menu. I’m vegan, and I wanted to see if there were options before committing to a reservation.

But the website for Overton Square’s newest (and, perhaps, oldest since it’s based on the 1970s music venue of the same name) concert hall is still a bare-bones placeholder site. No menu. But I responded back to the invite asking about vegan options and was informed there were none on the menu, but they could make something vegan.

On Monday night, my partner Paul and I were seated at a table on Lafayette’s second floor indoor balcony, which overlooks the stage and tables below. A gypsy jazz band was playing, and nearly every table in the joint was full. And the crowd even spilled out onto tables on both levels of the outdoor balcony. The music from the band (and later from the sound system when the band was taking a break) was a little too loud for making conversation, but Paul and I typically spend most meals looking at our individual cell phones anyway. It’s 2014. Who talks to each other anymore, anyway?

We ordered beers — me a Wiseacre Ananda IPA and Paul a Bud Light — which arrived at the table quickly despite the large crowd. When I informed our server that I was vegan, he retrieved someone from the kitchen who said he’d be more than happy to throw together a wood-fired vegetable pizza without cheese. Cheese-free pizzas really allow the crust to shine, and thankfully, this was some fantastic crust. Chewy and soft and crispy all at the same time.

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The only pizzas on the limited soft opening menu were a Cajun Crawfish Pizza, a Buffalo Chicken Pizza, and a Shrimp & Andouille Pizza. But the kitchen staff just combined some of the veggies from each for my vegan version.

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Paul and I also split a Lafayette’s Salad — bibb lettuce, roasted tomatoes, crispy wonton strips, and citrus vinaigrette. This typically comes with feta, but I asked for that on the side so Paul could have it all. The roasted tomatoes paired well with the citrus dressing, and that bibb lettuce was so tender. And nothing beats a salad with fried stuff on top.

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Paul had the Amberjack with Corn Maque Choux and Pickled Okra. I didn’t get a picture, but he said the fish was delicious, and it reminded him of chicken, whatever that means. It was served in a cast iron skillet atop the creamy corn.

And for dessert, Paul had the Chess Pie. Again, not vegan, so I didn’t photograph it or try it, but Paul really enjoyed it. He secretly loves dining out with me because he doesn’t have to share his food.

Overall, the atmosphere was light and fun. Although the music was a bit loud for dining, Lafayette’s is primarily a music venue, so I think that’s okay. It’ll be fun to see what acts they book in the coming months.

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News News Blog

UTHSC Professor Will Study Effects of Alcohol Consumption During Pregnancy

Anna Bukiya

  • Anna Bukiya

One in 13 women consume alcoholic beverages during pregnancy, according to the Centers for Disease Control and Prevention (CDC). By doing so, they increase the likelihood of having a miscarriage, stillbirth, or giving birth to a baby with defects or developmental disabilities.

Babies who experience physical, behavioral, and cognitive abnormalities, due to their mother drinking alcohol during pregnancy, are classified to have fetal alcohol spectrum disorders (FASDs).

Anna Bukiya, an associate professor in the University of Tennessee Health Science Center’s (UTHSC) Department of Pharmacology, will explore the effects of FASDs through a new project titled “Fetal Cerebrovascular eCB System as a Target of Maternal Alcohol Consumption.”

Bukiya will use a $393,750 grant she was awarded from the National Institute on Alcohol Abuse and Alcoholism to study how alcohol consumption during pregnancy alters development of the fetal brain.

Along with other representatives from UTHSC’s departments of Pharmacology, Obstetrics and Gynecology, and Comparative Medicine, Bukiya hopes to determine the effects of alcohol fetal cerebral circulation and function of fetal cerebral arteries.

“We hypothesize that maternal alcohol consumption alters cerebral artery function in the fetus,” said Bukiya in a statement. “Moreover, we will determine the mechanism of this alcohol effect. We know that our body produces special lipids — endocannabinoids. We think that alcohol may change the amount of endocannabinoids and may also change the way by which endocannabinoids communicate with membrane proteins called ion channels. These are unknown waters. Our exploratory work may open new horizons in understanding the pathophysiology of FASD. Ultimately, we hope to find a cure for this condition.”

According to a UTHSC press release for the grant, “the mechanisms of FASD are poorly understood,” and “many studies focus on the consequences of maternal drinking on fetal neuronal cells in the brain.”

However, the “Fetal Cerebrovascular eCB System as a Target of Maternal Alcohol Consumption” project will explore arterial function. This is crucial because arteries supply oxygen and nutrients to the developing brain.

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Sing All Kinds We Recommend

10 for 10: October Sound Advice

Aviana Monasterio

Neev

1. Neev with Aviator, Rescuer and Gone Yard

Crosstown Arts, Oct. 5. $5. 7:00 p.m.

For those looking for something heavier than Katy Perry’s Prismatic World Tour, post-hardcore local NEEV will be opening for Aviator and Rescuer as they make their way through Memphis on their “Death-to-False Music” tour. While both touring bands have recently released records on No Sleep Records, NEEV put out their first full-length album Those Things We Tomorrowed on cassette in May through Ireland based ndependent label Little League Records. The post hardcore outfit combines melodic math rock with chaos, and while no song meets the three-minute mark – they are each packed with unpredictable twists and turns that keep you on your toes. This is not a band to ignore.

10 for 10: October Sound Advice

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2. Hea Head and the Heart

d and the Heart with Rayland Baxter

Minglewood Hall, Oct. 6. $30. 8:00 p.m.

On The Head and the Heart’s sophomore release Let’s Be Still, they managed to capture a sense of sincerity that is often lost in the now saturated indie folk genre that has grown popular over the last few years. This is serious, heartfelt songwriting. Perhaps it’s the band’s humble beginnings playing on street corners that separates them from the rest of the crowd. Without a doubt, their live show is less of a concert and more of an experience that will pull your mind away from Memphis for the evening and take you somewhere special.

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3. Berkano CD Release with Ugly Girls and Hair Party


The Hi-Tone, Oct. 7. $7. 9:00 p.m.

Berkano is everything that is right about garage rock. The guitars blend distortion and reverb while the vocals lazily echo their way into the mix. It’s beer-drinkin’-head-bobbin’ rock ‘n roll, and you’d be silly not to come pick up a copy of Santa Sleeping. Ugly Girls are also not to be missed. The three-piece punkers are unapologetic. They sing songs about hating “frat boys” and being gifted cancer from God. You can find more of that on their EP Bad Personalities that they released in February. 

10 for 10: October Sound Advice (2)

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4. Juicy J with Project Pat

Juicy J and Project Pat


Minglewood Hall, Oct 8. 8:00 p.m.

Juicy J has risen far beyond Three 6 Mafia fame, making his way to the soundtrack of the latest reboot of Teenage Mutant Ninja Turtles. Now, he’s rapping alongside Miley Cyrus and is an active member of Wiz Khalifa’s Taylor Gang. His third studio release Stay Trippy featured the radio favorite “Bandz a Make Her Dance,” and landed at 29 on the Billboard Top 100. J and his older brother Project Pat will be returning
to Memphis with some new, and, fingers crossed, hopefully some of the old iconic sounds that defined Memphis rap from the ‘90s to late 2000’s. If we’re lucky, maybe we’ll get to hear some classic Three 6 Mafia tracks. 

Footnote: Juggalos gather and spray your Faygo. Da Mafia 6ix, a new project formed in 2013 featuring six original members of Three 6 Mafia, will be joining Insane Clown Posse and Mushroomhead at The New Daisy Oct. 11.

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5. Interpol with Rey Pila

Interpol


Minglewood Hall, Oct. 9. $25 advance / $30 day of show. 8:00 p.m.

Interpol didn’t reinvent the wheel with their nearly brand new release El Pintor, but after four years, it breathes life into their tired, old routine. It’s reminiscent of Turn On The Bright Lights, the album that launched them into the spotlight, and is arguably the best thing the band has released since Antics. With bassist Carlos Dengler having the left the band, the former four piece is now made of three, which is not at all a bad thing. Interpol is playing like a band in their prime again, and the energy of their live show may very well be the best that it has been in quite some time.

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6. Slugz with Gimp Teeth and DJ Wasted Life
Josh Miller

Gimp Teeth


Murphy’s, Oct. 12. $5. 9:00 p.m.

Richmond, Virginia’s Slugz plays raw, punk music that gives show goers a reason to thrash their bodies against each other. Local punkers Gimp Teeth merge power violence with surf rock to create a sound that belongs in a Harmony Korine film. They recently played Gonerfest 11 and released an EP titled Naked City earlier this year.

10 for 10: October Sound Advice (3)

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7. The Jack Oblivian and Monsieur Jeffrey Evans Revue

Josh Miller

Jack Oblivian

The Hi-Tone, Oct. 18. 9:00.

Jack Oblivian and Monsieur Jeffrey Evans have spent decades creating and cultivating a sound derivative of blues and punk that has forever left a stamp on Memphis music. On Oct. 18, the two will share the stage with a batch of Southern musicians. If you can make it to only one show during October, this is it.

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8. City and Colour with Clear Plastic Masks

City and Colour


Minglewood Hall, Oct. 30. $25 advance / $30 day of show. 7:00 p.m.

Dallas Green’s distinguishable tenor and stripped down, acoustic structure coupled with his sentimental lyrics and catchy melodies have carried City and Colour from a small, independent band with a cult following to a household name, selling out venues all over the country. His latest release, The Hurry And The Harm, sees
Green moving into the mainstream with additional musicians and even poppier sensibilities. More recently, Green released the single “You and Me” with Pink, and the two have formed a duo under the same name with plans to release an album titled Rose Ave. While Green’s place in the indie music world seems to be ever growing, he hasn’t lost sight of the intimate performances that define City and Colour’s live show, and you shouldn’t miss out on it, either.

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9. Dead Soldiers with Clay Otis and James & The Ultrasounds
Jamie Harmon

Dead Soldiers


The Hi-Tone, Oct. 31. $10. 9:00.

Dead Soldiers are one of the most hardworking bands out there – playing a brand of alternative-country that is similar to no one else in Memphis. The Soldiers are packing out every show they book, and for good reason. For a relatively new band, 2013’s LP All The Things You Lose and follow up EP High Anxiety are impressive, to say the least. On Halloween night, they will play alongside local pop singer Clay Otis as well as James & The Ultrasounds, whose first full-length Bad To Be Here is due out through Madjack Records in December. The Hi-Tone will also hold their annual costume party, where they will choose the best dressed male and female who participate. The winners get free admission to The Hi-Tone for a full calendar year.

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10. Manchester Orchestra with Chris Staples

Manchester Orchestra


The New Daisy Theatre, Oct. 31. $18. 7:00 p.m.

The last time Manchester Orchestra came to Memphis, it was a cold February evening in 2010 at The New Daisy Theatre. The Atlanta-based rock quintet was touring heavily on their sophomore release Mean Everything To Nothing, and they were just on the cusp of the success that would carry them through 2011’s Simple Math. After releasing 2013’s COPE, an 11-track album that capitalized on the huge guitars and roaring vocals of Frontman Andy Hull that have come to define Manchester Orchestra’s sound, the band later released a stripped-down album entitled HOPE featuring alternative versions of all 11 songs accompanied with a string of stripped-down tour dates. When Manchester Orchestra comes back to The Daisy, it may be the first and last time we get to see the band abandon their amps and tone down their songs.

Categories
News News Blog

Hamilton High School Student Brings Loaded Gun To School

Semi-automatic .25 caliber pistol

  • Semi-automatic .25 caliber pistol

Earlier today, a tenth grader at Hamilton High School was found to be in possession of a semi-automatic .25 caliber pistol with one round in the chamber and two in the magazine.

The 15-year-old student, whose name was not released because he is a juvenile, was located in class and searched by Shelby County Sheriff’s detectives after another student tipped off school administrators.

The student told a school resource officer that he brought the gun to school for protection. But after questioning, it was revealed that the student felt he needed protection because of a previous off-campus fight. Further investigation implicated a 14-year-old male, and that student was found to be in possession of brass knuckles.

Both students were taken into custody and charged with possession of a weapon on school property. They were transferred to Shelby County Juvenile Court.

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Beyond the Arc Sports

Grizzlies Media Day 2014: Next Day Notes

In case you were somewhere thousands of miles from sports media yesterday, the Grizzlies are officially in the preseason: Media Day was yesterday, and training camp starts today in San Diego. Usually Media Days across the league are a time when players, coaches, and executives come together and meet with the media and say… well, they don’t say much of anything. In fact, here’s everything you usually hear on Media Day, compressed down to a handy bingo card:

I have to say that, with a few exceptions, the Grizzlies’ media day wasn’t much different: making the playoffs isn’t good enough anymore; everyone wants to win a championship. Everyone feels like they’ll be more comfortable with head coach Dave Joerger in his second year at the helm. Guys are much healthier than they were last season—Gasol feels better, by far, and even Tayshaun Prince is healed up. The young guys (Jordan Adams and Jarnell Stokes, both of whom appeared to have lost a lot of weight) are ready to face the challenges they know are coming. The camp guys—Hassan Whiteside, Earl Clark, Kalin Lucas, whoever else—are ready to compete for a spot and prove they can contribute, either to the Grizzlies or to whatever team they eventually land on.

Michael Beasley had some interesting things to say at Media Day.

  • Kevin Lipe
  • Michael Beasley had some interesting things to say at Media Day.

There were a few storylines that will (probably) carry through the whole season that were recurrent yesterday, though. Season previews are all about storylines, right? Media days are all about starting the narratives that will continue through the rest of the year, a time for the team to set the message. These are the messages that were set yesterday, whether intentional or not.

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Marc Gasol’s Contract Situation

Everyone (including Gasol himself) said that Marc Gasol’s impending free agency was not going to be a distraction this year, even as Gasol himself hinted that there’s not much chance he signs any sort of extension before the end of the year. And why would he? Gasol stands to make a lot more money over a much longer period of time by going to the end of the year without reaching a new deal.

At any rate, there’s going to be a lot of talk (nationally and locally) about the potential for Gasol to take a big deal somewhere else (New York has already come up a couple of times as a team that’s interested in acquiring him) rather than staying in Memphis on what will presumably be a max or max-ish deal. None of the players asked about it yesterday seemed concerned in the slightest that Gasol has plans to leave—Zach Randolph specifically said not to worry about it, and he doesn’t bluff, remember?—so either (1) they know something about it that we don’t or (2) Gasol’s not making a big deal out of it, and doesn’t plan to, because he’s generally a quiet dude who doesn’t like a lot of attention on anything but whether the Grizzlies are winning. Handy hint: it’s definitely #2, though I wouldn’t rule out #1.

Either way, get ready for a lot of talk about Marc Gasol and his contract this year. Is he worth a max contract? Should the Grizzlies pay him a max contract? Are there other teams he’d rather play for? Is he going to stay in Memphis for his whole career? If they keep him, will they also keep Mike Conley when his contract is up?

We’ll see. It’ll be discussed more here and elsewhere.

All These Gosh-Darned Wing Players

Tayshaun Prince might be the odd man out at the small forward spot.

  • Kevin Lipe
  • Tayshaun Prince might be the odd man out at the small forward spot.

The Grizzlies still have a whole lot of wing players, and a not a lot of minutes to go between them. It’s pretty much understood at this point that at least one starting spot is up for grabs (and even Tayshaun Prince said yesterday that he hoped he could be a contributor with the second unit, so that seems like a done deal) and maybe both the 2 and 3 spots. I go back and forth on whether it’s safe to assume Tony Allen is a guaranteed starter. He wasn’t last year, and while he said all the right things about it in interviews, it was clear that he didn’t want to be coming off the bench—he wanted his spot back.

But now there are a lot of guys with eyes on that starting 2-guard spot: Jordan Adams, Courtney Lee, and Allen. The small forward spot is even less clear: Allen could start there instead of the 2, or Quincy Pondexter could start, or maybe Earl Clark could make the team as a small forward, or instead of playing his Super Sixth Man role from Dallas, Vince Carter could start, or Tayshaun Prince could somehow find a place (this seems exceedingly unlikely). Who knows?

Hopefully some of this starts to shake out during camp; if Adams is going to make a splash early, it would seem that he needs to have a strong camp to do so. The preseason rotation may tell us some about who’s not going to be starting, but… preseason is preseason. There’s going to be a lot of guesswork about who can fill what role going on between now and November (and probably on into the first half of the year), and it’s going to be interesting to watch.

The Michael Beasley Project

Michael Beasley seemed like a guy who really wants to work hard and make it work here in Memphis—like a guy who knows this is probably one of his last shots. That said, it was Media Day, so of course he sounded like that. He had some pretty great quotes, though:

At any rate, I hope Beasley makes the team, only so we can keep getting to talk to him this year. He seems like he’s in a pretty reflective mood these days, willing to talk pretty openly about himself and what people think of him.

But I still would give Earl Clark a better shot of actually making the roster. I just don’t think Beasley is worth the risk at this point, and he’s going to have to have a heck of a training camp and preseason to prove otherwise. Which is a shame—he’s clearly such a talented guy— but that’s the way the league works.

Speaking of Earl Clark

He’s hasn’t been in town long enough to find many good restaurants, but he has had some good catfish. Consider that your Breaking Earl Clark News Update. Seriously, though, Clark has started games with the Lakers and Cavs recently, so I’m surprised that he’s just a “training camp” guy and not on a one-year guaranteed deal somewhere. He seemed pretty surprised by that too, but philosophical, determined to make the most of it. It sounded like if he didn’t make it with the Grizzlies he was pretty sure another team would give him a shot, and I hope so, because he was a nice guy and I also think he’s a pretty good basketball player.

Tayshaun, Again

Since no one is ever surprised when I talk about Tayshaun Prince anymore, I’ll spare you the details in this particular column (though with any luck there will be one coming later this week): I actually had a really good, candid, philosophical conversation with Tayshaun about where he’s at in his career and how he thinks he can contribute going forward. Everyone else kind of wandered away from Prince after he answered a few of the standard “media day” questions about the upcoming season for the cameras, and he (Don Wade from the Daily News was there for some of this) talked about how the Pistons shouldn’t have broken up the title team when they did, why the Spurs are still so good, the differences in the East and West, how he stays motivated, what’s going to be different this year, the things he’s frustrated with—it was a good talk, from a guy who doesn’t talk much. Say what you will about his on-court performance since coming to Memphis, but I still think we are all lucky to have this guy around. Just… maybe don’t start him, OK?

Vinsanity

I had to leave before Vince Carter actually made it down to the media room, so I didn’t get to talk to VC, but what was crazier was that every single person who was asked about Carter yesterday said that they idolized him growing up—Quincy Pondexter had a Vince Carter poster; Tony Allen looked up to him, and then remembered Carter always fouling him out; Jordan Adams said he was “2 or 3 years old when Vince Carter came into the league” (which sounds like grounds for rookie hazing if there ever were such a thing).

These guys are really excited to have Vince Carter on the team, and they’re really excited about getting to spend time around a guy who is so clearly one of their heroes. And, for what it’s worth, the Vince Carter Era should be one of promise: Carter brings an offensive skill set that’s been lacking in Griz wing play as of late, and he also brings a veteran “superstar” cachet that no one on the team has (not even Tayshaun, who has won a lot more games but never did this). The Carter signing was a great move this offseason—that’s pretty much indisputable.

Quote of the Day

Conclusions

Ah, yes, conclusions: the longer I do this, the less willing I am to draw any from Media Day. I get why they do it, for sure, and I certainly garnered a lot more from off-the-record conversations around the fringes than the soundbite-oriented player interviews, but I don’t think it really says anything about how the year is going to go. It’s the first day of school, when everybody figures what classes they’re in, and goes over the syllabi, but nobody actually does or learns anything. It’s an exercise in re-familiarization.

This is going to be a really fun year to be writing and thinking about the Memphis Grizzlies. For every potential storyline I mentioned here, there are one or two more that could become just as big of a deal down the road. The team seems to be on the same page about getting off to a hot start, and willing to experiment with the roles they’ve settled into over the recent run of success if that’s what it takes to get over the hump and win a championship.

And that’s what the ultimate goal of this whole exercise is, right? To win a championship? This season seems like as good of a shot to do that as any other in recent memory, and that’s an exciting place to be.

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Sing All Kinds We Recommend

Gonerfest 11: Blood, Sweat, and Beers

The 11th edition of Gonerfest roared into Midtown last weekend, with punk, garage, power pop, noise, and just plain weird bands from all over the world converged on the Bluff City in an annual gathering of the tribes that has gotten bigger and more exciting each year. Festivities kicked off in the Cooper-Young Gazebo with New York’s Paul Collins Beat

Gonerfest 11: Blood, Sweat, and Beers

I spent the weekend embedded with the Rocket Science Audio crew, who were live streaming the performances to people from as far away as Australia watching on the web. I’ve done this for several years, formerly with Live From Memphis, and this year we brought the full, multi-camera experience to the audience. It’s a lot of fun, in that I get to be up close and focused on the music, but also quite grueling. 

The Rocket Science Audio van outside Goner Records.

The highlights of Thursday night at the Hi Tone were Ross Johnson, Gail Clifton, Jeff Evans, Steve Selvidge, Alex Greene, and a host of others playing songs from Alex Chilton’s chaotically beautiful 1979 solo album Like Flies On Sherbert. The mixture of old school Memphis punks who had played on the album and the best of the current generation of Memphis music made for an incredible listening experience.

The Grifters’ Dave Shouse on the Rocket Science Audio livestream.

Thursday night’s headliners were 90s Memphis lo-fi masters The Grifters. Recently reunited after more than a decade of inactivity, Dave Shouse, Scott Taylor, Trip Lamkins, and Stan Galimore have their groove back. At the Hi Tone, they even sounded—dare I say it—rehearsed. 

I couldn’t make Friday night due to another commitment, but Friday afternoon at The Buccaneer hosted a great collection of bands, starting off with a blast from Memphis hardcore outfit Gimp Teeth

Cole Wheeler fronts Gimp Teeth at the Buccaneer.

Next was one of the highlights of the festival: The return of Red Sneakers. Back at Gonerfest 5, the duo from Nara, Japan showed up unnannounced wanting to play the big show. When Jay Reatard cancelled, they got their chance and blew the roof off of Murphy’s in front of an unsuspecting crowd. This year, they did it again, only they were invited, and they substituted a soulful “I Wanna Be Your Boyfriend” cover for the smoking “Cold Turkey” they did five years ago. 

Yosei of Red Sneakers about to take the stage.

Afterwards, returning to the Rocket Science Audio van, we found that one of Red Sneakers’ drum sticks had flown over the fence and embedded itself into the earth. No one dared touch it. 

 

Red Sneakers drum stick, fully erect.

Buldgerz

Hardcore Memphis vets Buldgerz played a sweaty and confrontational set of hard and fast punk nuggets, followed by Mississippi’s Wild Emotions

The weather cooperated again the next day for a memorable afternoon show at Murphy’s. Two stages, one inside and one outside, alternated throughout the afternoon. 

Roy from Auckland, New Zealand’s Cool Runnings plays the indoor stage at Murphy’s under the old Antenna sign.

Goner Records co-owner Zach Ives sings with Sons Of Vom, as seen from the Rocket Science Audio webcast monitor.

There were many great performances on Saturday afternoon, but the most incredible was Weather Warlock, an experimental heavy noise act centered around a light-controlled synthesizer custom built by New Orleans’ mad genius Quintron. The cacuphony rose and fell as the light changed with the sunset, and Quintron and co-conspirator Gary Wong swirled around it with guitars and theremin, while a plume of smoke rose over the stage. 

Photographer Don Perry, AKA Bully Rook, dressed for Gonerfest.

Gonerfesters stumbled into the Hi Tone Saturday night, a little bleary from three days of rock, but with a lot of amazing music ahead of them. 

DJ Useless Eater keeps the crowd hopping at the Hi Tone.

Obnox

The highlight of the show for me was Nots. Fronted by steely-eyed, ex-Ex-Cult bassist Natalie Hoffman, the four piece arrived with something to prove. And prove it they did, with punishing, athletic songs delivered amid a shower of balloons and waves of reverb. 

The Nots, Charlotte Watson, Natalie Hoffman, Allie Eastburn, and Madison Farmer, backstage at the Hi Tone.

Austin, Texas No Wavers Spray Paint on the monitor Saturday night.

Detroit, Michigan’s Protomartyr on the Hi Tone stage.

English guitarist, songwriter, and ranter The Rebel delivers a solo set to a packed house.

Ken Highland and Rich Coffee of The Gizmos get bunny ears from their drummer after a celebratory closing set at Gonerfest 11.

The crowd, the largest I’ve ever seen at the Hi Tone, never flagged throughout the night, which ended with a reunion of The Gizmos, a seminal American band that developed something like punk in 1977 in the isolation of Bloomington, Indiana. The playing was loose, the mood buoyant, and the band vowed to not stay away for so long. And after a Gonerfest as great as this one, next year can’t come soon enough. 

[Ed Note: The first edition of this story incorrectly identified The Nerves “Hanging On The Telephone” as being written by Blondie.]

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News News Blog

Man Threatens Former Employer with Ku Klux Klan Message

department-of-justice-logo.gif

A Nashville man pleaded guilty in federal court Monday to mailing his former supervisor a threatening message scrawled across a Ku Klux Klan publication.

Daniel Puckett, 58, will be sentenced to the crime in January. He faces five years in prison, a $250,000 fine, and supervision upon release.

Puckett was employed by Aerotech Corp., a temporary employment service, which placed him at Unilever Corp. in Covington, about 40 miles north of Memphis.

Unilever released Puckett and he responded by mailing his former supervisor a copy of “The Torch,” a Ku Klux Klan publication, with the following message written on the front: “We have space for you and your family under a big oak tree.”

Inside the publication, Puckett wrote that the the supervisor was not a member of the “Knights” but wanted to attend the “National Klan Congress,” according to the Department of Justice.

“Today’s guilty plea reflects the vile nature of the threatening communication Daniel Puckett sent to his fellow co-worker,” said U.S. Attorney Edward L. Stanton. “The U.S. Attorney’s Office will continue to vigorously prosecute those who commit heinous acts like Puckett’s, as there is simply no room in a civilized society for this kind of hateful conduct.”

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Sing All Kinds We Recommend

Mike Watt’s Il Sogno del Marinaio

Mike Watt rolls through Memphis Thursday with his newest project, Il Sogno del Marinaio. They play Thursday at the Hi-Tone. The trio features Italians Stefano Pilia on guitar and drummer Andrea Belfi. The band’s second album, Canto Segondo, came out in August on Watt’s own Clenchedwrench label. The album is more of what you’ve come to expect from Watt, prog infused jazzy post hardcore crossed with about fifty other genres. They’re doing fifty-nine shows in fifty-nine days, an impressive and brutal touring schedule.

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The first time I saw Mike Watt was in the summer of 2002 at the Bluebird Theatre in Denver. He was 44 years old and played with twice the energy of most people half his age. At the end of the show, he gave a very heartfelt and emotional thank you to everyone in attendance. He explained that this was his 48th tour of the U.S., an achievement he started with the Minutemen and continued in fIREHOSE and as a solo artist. He said he felt lucky to be able to continue playing music for as long as he had. It was a pretty spiritual experience, one I’ve only had a few times since at shows. He sat on stage selling merch from a Hefty bag and signing every poster and record people brought him. He had genuine conversations with everyone who came up and didn’t leave until it was obvious that all those looking to chat and meet with him had gotten their opportunity.

He came to notoriety as solo artist for most mainstream music fans with his 1995 solo album Ballhog or Tugboat? Dave Grohl and Eddie Vedder served as his backing band on the album as well as the tour. He’s also served as bassist for the reformed Stooges over the last ten years or so.

Mike Watt’s Il Sogno del Marinaio

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Food & Drink Hungry Memphis

Guess Where I’m Eating Contest 39

Did you save room for dessert?

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The first person to correctly ID the dish and where I’m eating wins his or her choice of either a gift certificate for Gould’s or a gift certificate for Interim.

To enter, submit your answer to me via email at ellis@memphisflyer.com.

The answer to GWIE contest 38 was the African peanut soup at the Brooks’ Brushmark, and the winner was … Dabney Ring!

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Intermission Impossible Theater

Members Only: Theatre Memphis Attempts Carson McCullers’ “A Member of the Wedding”

She walks downtown with her suitcase in her hand. 
Looking for a mysterious dark haired man
—”Delta Dawn”

Membership yields privileges not extended to those merely invited to party at the club. And if you’re serving, forget about it. Looking back from our 60-year vantage point the definitions of privilege, and other less subtle messages about race and gender embedded in Carson McCullers A Member of the Wedding seem prescient, if not positively up to date. The novel and the more awkward, author-adapted play don’t tell a coming of age story so much as a coming to grips story, full of dark humor and the usual humid tropes of Southern fiction that aren’t half as nostalgic as they appear to be at first gloss. It’s unfortunate that so many of the things that make the original story so very compelling and special in novel form, don’t translate especially well to a medium as immediate and economical at live performance. Action is the currency of American family drama, and although there’s always a lot going on in A Member of the Wedding, for two moody acts, nothing really happens.

Irene Crist has style, and a knack for telling stories with political underpinnings. But the director who gave Memphis a memorable Angels in America marathon, and even managed to highlight rebellious threads running through Shakespeare’s Much Ado About Nothing, hasn’t been able to do much with Member. The show’s few scene changes crawl as somber music makes the already ponderous pacing feel that much slower and heavier.

Member is a fantastic character study, considering the fluidity of gender identity up to, at least, a certain age, as well as the cultural infantilization of African-Americans, who are lumped in with the kids as burdens to be endured by serious white adults. It tells the loose story of Frankie, a tomboy who has fallen in love with her brother, his bride to be, and their impending wedding generally. Frankie imagines that this wedding might be her ticket out of small town life where she is excluded from clubs, and all but ignored by her father.

Wanting for companionship Frankie spends time with her six-year-old cousin John Henry, and they are together, the main companions of the family’s African-American maid Bernice. And they talk. And talk. And talk.

There are some fine performances here. Lauren Ledger is an appropriately lanky Frankie, and she seems to have a real affinity for the role. Holden Guibao makes an adorable John Henry and the always excellent Delvyn Brown is once again superb as Honey, the doomed jazz trumpet player, smelling of reefer and  smoldering with anger and frustration.

As Bernice, the one-eyed domestic and serial wife, Judi Bray is an understated force, knowing herself and the precarious position she occupies.

As with the novel, the play revolves around these characters, with others popping in now and again just long enough to see them, but not long enough to make any kind of real impression. Likewise, the play’s final tragic events are dropped on us like the atom bombs Frankie reads about in the newspaper. There is so much good content here, but the form remains problematic.

A Member of the Wedding is often very funny, but it’s often the kind of laughter that may catch in your throat. It’s material Southern literature fans will want to check out, and rewarding for those with the patience to see it through to the end. 

For more information about Theatre Memphis’ NextStage production of A Member of the Wedding, here’s your click.