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Politics Politics Beat Blog

Here’s Hillary!

JB

PHILADELPHIA — She was swathed in white, with all the multiple-choice symbolisms that go with that fact, pant-suit or not.

She began her speech of acceptance with thanks to daughter Chelsea, who had introduced her, and with courtesy nods to the two male Democrats who had preceded her in the presidency, which, as her party’s formal nominee, she now hopes to achieve herself:

Her husband Bill, “my Explainer-in-Chief….the Man from Hope,” and Barack Obama, “the Man of Hope.”

Both had apotheosized her — former President Clinton on Tuesday night of the Democratic convention now ending with (literally) blazes of glory, current President Obama on the next night, when he told the teeming audience of delegates and spectators and the millions watching from elsewhere, electronically, that no one, “not Bill, not me,” had ever come to the presidency better prepared than her, Hillary Clinton.

And she thanked her chief rival for the nomination:

I want to thank Bernie Sanders.

Bernie, your campaign inspired millions of Americans, particularly the young people who threw their hearts and souls into our primary.

You’ve put economic and social justice issues front and center, where they belong.

And to all of your supporters here and around the country:

I want you to know, I’ve heard you.

Your cause is our cause.

Our country needs your ideas, energy, and passion.

That’s the only way we can turn our progressive platform into real change for America.

Nor did Hillary Clinton omit from her attention the remaining obstacle to her quest — Donald J. Trump, the outspoken billionaire developer and celebrity who had, out of nowhere, come to bear the standard of the opposition party, the very patrimony of which she would deny him:

He’s taken the Republican Party a long way … from “Morning in America” to “Midnight in America.”

He wants us to fear the future and fear each other.

Well, a great Democratic President, Franklin Delano Roosevelt, came up with the perfect rebuke to Trump more than eighty years ago, during a much more perilous time.

“The only thing we have to fear is fear itself.”

Now we are clear-eyed about what our country is up against.

But we are not afraid.

We will rise to the challenge, just as we always have.

She would, in her speech, associate herself with all political callings:

I will be a President for Democrats, Republicans, and Independents.

For the struggling, the striving and the successful.

For those who vote for me and those who don’t.

For all Americans.

But there would be yet another nod to Sanders, the “democratic socialist” who had run her so close and whose call for a political revolution had mobilized millions of potential cadres for the November election. There was no doubt that her rival had basically co-authored a party platform that would, as she said, “help working people in our country get ahead and stay ahead.”

Further:

Bernie Sanders and I will work together to make college tuition-free for the middle class and debt-free for all!

We will also liberate millions of people who already have student debt.

And even further, after she’d laid out a program of further governmental incentives. How would she pay for them?:

…[H]ere’s how: Wall Street, corporations, and the super rich are going to start paying their fair share of taxes.

Not because we resent success. Because when more than 90 percent of the gains have gone to the top 1 percent, that’s where the money is.

Her motto of the day, and perhaps of the campaign to come, was “Stronger Together.” Over the next few days, in this space and in the Flyer issue of August 4, we’ll take a more detailed look at how Hillary Clinton made history by becoming the first woman nominated for President by a major party, how her convention went, and what she intends to do if elected.

And we’ll make comparisons to how her opponent, Donald Trump, got to where he is, as well, to what he intends to do, and more about his prospects, going forth from his own convention.

Meanwhile, here are two looks from Thursday night at the Wells Fargo Center in Philadelphia, the first a spirited performance by Katy Perry, the second Hillary Clinton and friends in the post-speech celebration:

Here’s Hillary!

Here’s Hillary! (2)

 

Categories
News The Fly-By

Startup Teaches Kids Computer Coding

A Texas Instruments home computer was the perfect Christmas gift for 10-year-old Meka Egwuekwe in the early 1980s since he loved video games like Combat and Pac-Man. Months later, Egwuekwe was bored with those games, so he turned to studying a BASIC computer programming textbook. Once he learned to move the letters of his name across the computer screen, a passion that has now spanned 32 years took root.

“I really started to take off with coding when I entered seventh grade at East High School,” Egwuekwe, 42, said. “I knew I wanted to go into computing, but I didn’t know what that meant until I was in a classroom setting at East. I could actually take a full semester’s class in programming. I really credit East High School with setting me on my path, which would end up being a 19-and-a-half-year career as a software developer.”

Egwuekwe has two teenage daughters and ran the Memphis chapter of Black Girls Code, a California-based nonprofit that provides African-American girls with technology education, for almost three years. He’s now the executive director of CodeCrew, a local startup that mentors young African Americans, Latino Americans, and women — all demographics that are under-represented in the tech world — in coding basics. Those groups do, however, make up the largest demographics in Memphis, Egwuekwe said.

Courtesy of CodeCrew

Students practice computer coding with CodeCrew.

“We believe the work we are doing at CodeCrew is transformative for Memphis,” Eqwuekwe said. “Too many kids who are not white or Asian males don’t see themselves as producers in this space. All of those groups are heavily underrepresented in these 21st-century careers. We can’t expect to be prosperous as a city unless we directly address those groups.”

CodeCrew, which Egwuekwe founded in 2015 with Audrey Jones and Petya Grady, grew through preliminary funding from the Grizzlies Foundation. They hosted a six-week pilot camp and a two-day hackathon last summer for kids ranging from fifth graders to high school sophomores. The events drew about 65 children who were challenged to build smartphone apps that would help people take advantage of Tom Lee Park’s Mississippi RiverFIT. Following the camp’s success, the Grizzlies Foundation provided funding for CodeCrew to register as a nonprofit. The organization was then able to start an after-school program.

“I learned that once these kids are shown, they thrive,” Egwuekwe said. “They can express their creativity, and they can go far beyond our own imagination in terms of what we thought they could do.”

After receiving a private, multi-year grant from a local organization, CodeCrew has extended their reach. Word spread after last year’s camp, and this summer they were able to host three camps — two beginner courses and one advanced course. About 85 kids, with more on a waiting list, signed up for the camp. This weekend, July 30th to 31st, they will host their second hackathon at Grizzlies Prepatory Charter School. This year’s theme is Memphis City Pride. The kids will break up into teams, choose an attraction or landmark, and build an app to help visitors take advantage of the location.

Egwuekwe quit his job as director of software development at Lokion Interactive in June to fully focus on CodeCrew. When school starts, the organization will teach programming at Grizzlies Preparatory School, MLK College Preparatory School, and at Veritas College Prepatory School. Grizzlies Prep and MLK Prep will offer elective courses where students will earn grades.

“I’m inspired by my East High experience,” Egwuekwe said. “I was in a classroom setting that had rigor, grades, and assignments. I believe that can work for other kids.”

Categories
News The Fly-By

New Library Collection Preserves Memphis’ LGBTQ History

When asked how he became Memphis’ unofficial gay historian, Vincent Astor responds, “I’m the original queen who remembers too much.”

“Back in the ’70s, when I was coming out, all we had were beer bars, and I don’t like beer. So I’d nurse a Coca-Cola for hours and go and fill it up with water in the sink in the bathroom when I was done. So I actually do remember the ’70s,” Astor said.

Astor is also the man who managed to hold onto nearly every flier, program, poster, name tag, button, newspaper clipping, and other memorabilia relating to any LGBTQ event he’s been associated with. Last week, Astor unveiled “GLBT Life in Memphis: The Vincent Astor Collection” at the Benjamin L. Hooks Central Library. Astor hopes his collection will be the first in the library’s series of collections from older LGBTQ Memphians who wish to help document the community’s local history.

Bianca Phillips

Vincent Astor with his collection of LGBTQ buttons

Astor’s collection, which is stored in boxes in the Memphis-Shelby County Room (the Central Library’s history room), contains hundreds of sheets of paper (measured in at 13.05 linear feet, in library terms) — programs from past plays put on by the Emerald Theater Company, advertisements from long-closed gay bars (such as the legendary George’s), handouts circulated by the now-defunct activist group Memphis Gay Coalition, church programs from the LGBTQ-affirming Holy Trinity Church, and other such items.

“The collection contains clippings, newsletters, fund-raiser notices. There’s something in there from when I was a judge at Miss Gay Tennessee. It’s the stuff you save to jog your memory, so you can say, ‘Oh, I went to this pageant or that event,” Astor said.

Astor is a long-time LGBTQ rights activist who fought against the ban on gays in the military and worked to raise awareness during the AIDS epidemic. He’s also been a fixture in the local theater community, performing in numerous plays over the past few decades. His drag persona, Lady A, has appeared at fund-raisers and charity events. And he spent a great deal of time working as a reporter for now out-of-print LGBTQ newspapers GAZE and the Triangle Journal.

Although the library already had bound copies of every issue of all of the city’s old gay newspapers on file, Astor donated some historic clippings on the AIDS epidemic and the early days of the Memphis Gay & Lesbian Community Center from GAZE and the Triangle Journal. He even donated a few issues of the Memphis Flyer that contained articles pertinent to the gay community.

“There’s even a piece of the dance floor of the first gay bar I ever went to — the Front Page. It was a dance bar. There was a strip of storefronts on Cleveland near Crump Stadium, and bit by bit, that strip got eaten by the Methodist [Hospital] complex,” Astor said.

The paperwork and other items in the Vincent Astor collection will stay at the library permanently, but the Memphis-Shelby County Room is also running a temporary display of artifacts from Astor through August. In that display, there are hundreds of buttons from Memphis gay bars, gay rights marches on Washington, and other local and national LGBTQ events. There are old matchbooks from the now-defunct gay bars J-Wag’s, the Rain Check II, and the Inn Crowd.

Also on display is a dress worn by Lady A at the Southeastern Conference of Lesbians and Gay Men in 1980 and a button-covered leather vest Astor wore in his “years on the fringes of the leather community.”

At an opening ceremony in the Memphis-Shelby County Room for his collection last week, Astor instructed those gathered to follow in his footsteps and donate their personal collections to the library.

“Mine is the kernel, and I’m hoping others will follow. On Tuesday [at the opening], I told all the old heads who turned up to go and do thou likewise,” Astor said.

Categories
Film/TV Film/TV/Etc. Blog

Eat That Question: Frank Zappa In His Own Words

Frank Zappa hated being interviewed. Early in Eat That Question, he calls it the most unnatural thing ever. But the premise of director Thorsten Schotte’s new documentary is that Zappa is best understood when he has no filter, which is just the first of the film’s many contradictions.

Frank Zappa

Eat That Question is comprised entirely of archival footage, completely lacking any contemporary interviews or commentary to put Zappa in context for the twenty first century. Since Zappa succumbed to prostate cancer in 1993, there is a whole generation of music fans who are likely unfamiliar with his work, and Schotte makes no overt effort to reach out to them. For long stretches of the film, his music is treated as an afterthought; it’s Zappa’s ideas that are important. That’s kind of a shame, because Zappa’s ideas about personal and intellectual freedom flowed from his musical mind. The Zappa Schotte exposes makes no bones about his desire to be taken seriously as a musician and composer. And yet, when we first see him as a eager eyed young man appearing on the Steve Allen Show, he’s playing a bicycle and instructing the accompanying musicians to “try to refrain from musical tones”.

Schotte’s quest for the unfiltered Zappa is ultimately doomed for a number of reasons. First, although Zappa is praised for his honesty and no-bullshit attitude, it’s clear from watching him make interviewers squirm for 90 minutes that he thought carefully about everything he said. His ever utterance, from declaring he was “always a freak, never a hippie” to explaining how a Synclavier sampling synthesizer worked to the vapid host of the CBS morning show was an attempt to provoke a reaction in the listener. No one ever got past his filter. Then there’s the filter Schotte’s skillful editing imposes on the man’s memory. The director takes pains to include outtakes and unscripted moments from the no doubt enormous archive Zappa’s widow and children, who are executive producers, provided. But this is still a hagiography, the director is a fan, downplaying the more troubling parts of Zappa’s life, such as his attitudes towards women and homosexuals.

Consider, though, that Zappa was born in 1940, and for a man of his time, his thinking was beyond radical. Zappa described himself as a conservative, but he railed against the mixing of politics and religion. In Germany in the late 1960s, he made fools of Communists protesting a Mothers Of Invention concert, and fifteen years later, he did the same to conservative legislators who tried to make him and Prince the scapegoats for a wave of music censorship. He called the proposal by Tipper Gore’s Parents Music Resource Council to put warning labels on records they deemed obscene “an ill-conceived piece of nonsense”. Like the Mozart of Amadeus, he was obsessed with outré’, scatalogical humor, to the extent that even his instrumental albums were preemptively slapped with “Explicit Lyrics” stickers. His overriding concern was freedom of the mind, and he took no prisoners when he felt that freedom was threatened.

When Schotte does put the music in the foreground, he reaches deep into the catalog. I have a passing knowledge of Zappa’s music from hanging out with freaks for years, but I only recognized some passages from 200 Motels and the song “Dynamo Hum”, which is featured in all its obscene glory in a killer performance shot by a gaggle of Bolex-weilding cinematographers swarming the stage. Like its subject, Eat That Question is a stubborn contrarian film, uncompromising to a fault. It’s sure to speak to both hardcore Zappa fans and the intellectually adventurous music nerds of today, but it’s likely to leave any unsuspecting normals cold and bewildered. And that’s exactly how Zappa would have liked it.

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Music Music Blog

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart

JIll Scott plays the Landers Center this Satuday.

Welcome to the 73rd edition of my Weekend Roundup. The Summer Series at the Levitt Shell wraps this weekend, but there are also a ton of concerts happening elsewhere, including Jill Scott at the Landers Center, and Crowbar at the New Daisy. Choose your own adventure this weekend, there are plenty of highlights worth your time.

Friday, July 29th.
Brennan Villines, 6 p.m. at Signal Flow PR for Trolley Night, free.

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart (2)

Billy Currington, 6:30 p.m. at the Memphis Botanic Garden, prices vary.

Carcass, Crowbar, Ghoul, Night Demon, 7:30 p.m. at the New Daisy, $20-$25.

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart (3)

Snowglobe, 7:30 p.m. at the Levitt Shell, free.

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart (4)

Super Witch, Crockett Hall, Glorious Abhor, 9:30 p.m. at the Buccaneer, $5.

The Sheiks, 10:30 p.m. at Bar DKDC, $7.

Saturday, July 30th.

RIpe, 7:30 p.m. at the Levitt Shell, free.

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart (5)

Jill Scott, 8 p.m. at the Landers Center, prices vary.

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart

Intronaut, Entheos, Moon Tooth, 8 p.m. at Rock House Live, $5.

Namazu, Powers that Be, La Pistola, 9:00 p.m. at the Buccaneer, $5.

Winchester and the Ammunition, 10:30 p.m. at Lafayette’s Music Room.

Sunday, July 31st.
The Tennessee Stiffs, 3p.m. at High Cotton Brewery 

Alvin Youngblood Hart, 7:30 p.m. at the Levitt Shell, free.

Weekend Roundup 73: Crowbar, Jill Scott, Alvin Youngblood Hart (6)

John Moreland, 8 p.m. at Lafayette’s Music Room.

Noise Brigade, Tonight We Fight, IWD, 9 p.m. at the Buccaneer, $5.

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From My Seat Sports

Redbirds Profile: Alex Reyes

Alex Reyes

For various reasons, the 2016 season will be memorable for the Memphis Redbirds’ Alex Reyes. The 21-year-old pitcher (he turns 22 on August 29th) entered the season as the 7th-ranked prospect in all of baseball according to Baseball America. The ranking was a tease for the season’s first seven weeks, though, as Reyes served a 50-game suspension for a positive marijuana test following his 2015 season (split between Class A Palm Beach and Double-A Springfield). Even with his delayed Triple-A debut — a May 22nd outing at AutoZone Park in which Reyes struck out eight Fresno Grizzlies in four innings — the big righty was chosen to start for the World team in the annual Futures Game (an event that preceded the All-Star Game in San Diego). Tickling 100 mph on the radar gun with his fastball, Reyes struck out four and didn’t allow a run in an inning-and-two-thirds.

“That was my first chance to really show everyone my stuff,” says Reyes. “It was a fun experience, being on a big-league field. My father was in the stands. It was great, getting a small taste of what I feel the big leagues will be like. Being in the clubhouse with Moises Alou, having a one-on-one conversation . . . that was awesome. The first thing he told us was he wants to win. It was an all-star game, but it means something to a lot of people.”

In 12 starts for Memphis, Reyes is 2-2 with eight no-decisions. He has 79 strikeouts in only 55 innings, but with an ERA (5.07) that won’t make anyone forget Bob Gibson. As with most rising prospects at the Triple-A level, consistency and efficiency are qualities Reyes aims to strengthen before he takes up permanent residency in the St. Louis Cardinals’ rotation.

“I feel like I’m getting better,” says Reyes. “But [the Pacific Coast League] is a way different league than Double A. Guys here are a lot more experienced. You have some veteran hitters. A lot of guys have been in the big leagues. The results haven’t been there, but it’s been fun so far.”

Armed with every physical tool — starting with that three-figure fastball — Reyes is focusing on the subtleties of attacking hitters, and perhaps the most important tool in the box: his brain. “It’s not necessarily just throwing strikes,” he says. “It’s being able to throw down in the zone, being able to come up, go in. It’s being able to execute pitches whenever you want to, or when you really need them. Doing that on a more consistent basis . . . this is the level where that actually starts.”

“Alex has electric stuff,” says Redbirds catcher Carson Kelly, who first caught Reyes in 2014 at Class-A Peoria and won a minor-league Gold Glove last season. “Plus fastball. Plus curveball. He has the God-given ability, and now he’s putting the mindset and preparation into effect, which is the next step in getting to the big leagues. It’s fun being part of his development.”

The Cardinals’ current five-man rotation has been steady, if not stellar, this season. Adam Wainwright, Michael Wacha, Carlos Martinez, Mike Leake, and Jaime Garcia combined for every start until a pair of doubleheaders this month forced some juggling (including the promotion of Mike Mayers for a start on July 24th). With Lance Lynn presumably returning next season — he’s recovering from Tommy John surgery — St. Louis could have as many as six veteran starters blocking Reyes’s entry in the rotation. (The club has an option on Garcia’s contract.) Which means Reyes could follow the example of Martinez and begin his major-league career in the Cardinal bullpen.

“At the end of the day, I’d love to be a starter,” says Reyes. “But that’s a decision [the Cardinals] will make, and I’m willing to do whatever it takes to give our team a chance to win. If they feel [bullpen work] is necessary to help the team win, I’m willing to do so.”

Reyes publicly apologized for his positive drug test and coped with his suspension the only way a pitcher can. He pitched. “It was tough when you see the rosters come out and players leave,” he says. “Mike Matheny took me into his office and told me how to handle the situation, to hold my head up. I was pitching every five days [in simulated games], up to 100 pitches.”

With his extended work in Florida, Reyes figures he has close to 90 innings pitched this season, a number monitored as carefully in baseball circles as stock trends on Wall Street. He was removed after just three innings (and 57 pitches) in his most recent start — Tuesday at AutoZone Park — in case the Cardinals need him this weekend. (A pair of recent doubleheaders has thrown off the Cardinals’ rotation.)

Reyes credits Randy Niemann — his pitching coach at Class-A Palm Beach — with a philosophy he intends to incorporate on his climb up the Cardinal ladder. “One of the most important things he asked me was, ‘What did you do before you signed [with the Cardinals]?’ It opened my eyes. When you get signed, you want to change stuff, because you’re competing at a higher level. But at the end of the day, what they liked in you is what they saw. So why not go back to that and harness it? Pitch the way you feel comfortable, and better yourself that way.”

Categories
Politics Politics Beat Blog

Bernie vs. Protesters

Bernie Sanders has been addressing Democratic delegations on behalf of Hillary Clinton. In the street, supporters repurpose the progressive Senator’s campaign rhetoric: It’s not him, it’s us.

This video juxtaposes Sanders’ message with images of protests beyond the convention perimeter.

Bernie vs. Protesters

Categories
Politics Politics Beat Blog

Sen. Bernie Sanders Addresses Tennessee Democrats

Senator Bernie Sanders dropped in on a joint breakfast for Tennessee, Michigan, and Minnesota delegations.  

Sen. Bernie Sanders Addresses Tennessee Democrats

Categories
Politics Politics Beat Blog

Streets of Philadelphia — DNC, 2016

Chris Davis

While speeches were being made inside Philadelphia’s Wells Fargo Center Bernie Sanders supporters and Black Loves Matters protesters marched took to the streets to make some noise. This is what it looked like. 

Categories
News News Blog

New Grant Program Aims to Activate Public Spaces in Medical District

Students, employees, residents, and others in Memphis’ Medical District looking to organize public events in the area can now apply for grant funds to do so.

The Memphis Medical District Collaborative (MMDC) has announced a new events grant program, through which they’re offering grants of $1,000, $2,500, or $5,000 to be used to activate spaces in the district through citizen-produced public events. To qualify for grant funding, the events must “strengthen community identity, promote neighborhood assets, and connect people to places, businesses, or other people across the district.”

“We are excited to encourage individuals who have innovative ideas that will draw people, activity, and attention to the Memphis Medical District,” said Dr. Ken Brown, executive vice chancellor and chief operations officer for the University of Tennessee Health Science Center (UTHSC) and an MMDC board member. “UTHSC is proud to support this program as a way to showcase some of the district’s great assets, talent, and investments.”

MMDC is led by Tommy Pacello, who used to organize such events — like city’s MEMFix series — when he worked on the Mayor’s Innovation Delivery Team. The MEMFix event, and similar such “previtalization” efforts, have been credited with helping bring new life into Crosstown and the Broad Avenue Arts District.

Grants will be awarded to applicants on a rolling basis beginning August 1st until the funds are depleted. Applications (and a map of district boundaries) are available on the MMDC website or at the MMDC office at 656 Madison.

University of Tennessee Health Science Center