Categories
Sports Sports Feature

XPLORERS DROP 5th STRAIGHT

In the game of Arena2 Football, offense is king and defense is well, offensive. But despite that, the Mid-South/Memphis Xplorers could only gain a total of 4 yards in offense in the first quarter against the Arkansas Twisters. The Xplorers never recovered from the slow start and lost its 5th straight game, 49-28 in front of a crowd of 2,078.

Xplorers (0-5) QB Matt Lefever couldn’t live up to his name and stayed ice-cold throughout the game, throwing 35 times for only 172 yards and 1 touchdown.

Those numbers by themselves might be a decent outing in outdoor football but for two things. The first is that Lefever also threw 5 interceptions. The second is that his numbers pale fairly in comparison to the numbers of Twisters’ (1-4) QB Herbert Ricky, who completed 18 of 32 for 282 yards, and 5 touchdowns.

The Xplorers did control the clock due to their insistence on

rushing the football, another rarity in the arena league. Unfortunately for Memphis, the team rushed 20 times for only 77 yards, showing why so few teams keep the ball on the ground.

The Xplorers next game is Saturday, May 12, 2001 at home against Louisville.

Categories
News News Feature

KICKING BACK

Like millions of other Americans, ranging from the pre-tennies of Generation Z to my fellow superannuated old farts, I had, over the last year or so, gotten used to exercising my First Amendment rights (and, yes, a little harmless greed) through that medium of computer exchange known as Napster.

Starting sometime early in 2000 I had been hitting the website with the little ghoulish icon regularly enough to have accommulated a library of some 400 MP3 files Ñ as lush, probably, as anything my ears can hear and ranging from pop to rock to classical to post-modernist whatchamacallit. Trading back and forth with other site-users to download everything from ? and the Mysterians’ “96 Tears” to Ornette Coleman’s “Chronology” to a choral version of Tchaikovsky’s 1812 Overture. Most of the collection is Golden Oldies, from Rocket 88 (by Ike Turner and by an early-bird Bill Haley, all the way up to some latter-day rave mixes. LaVern Baker’s in there; so is Lotte Lenya. So is the gospel singer James Carr.

I had resigned myself to abdicating from this paradaisical Nirvana (yep, got them in there, too) when I learned, a month or two back, that Napster and its Generation Y founder and the populist corporation that grown up around the file-trading phenomenom had been dealt what seemed a decisive blow by a court decision holding them in violation of music copyrights and requiring Napster to filter out no less than a million selections. (The bona fides of the suit can best be judged by the fact that it was initially brought by the bad boys of Metallica, those supposed scourges of the bougeoisie, who now chose to operate as the last bastion of privilege.)

In practice, this meant that one could not go to the Napster well, type in “Elvis” or “the Beatles” or any well-known latter-day musical act and draw back anything at all. Ditto with the best-known musical tracks (you can access files that way, too, of course). Where once the responses had been teeming, and for any given selection one could pick and choose between line speeds (Cable, DSL, T1, 56K, etc.) and ping and nitrate options (whatever the hell those were), now one got back Zilch. De Nada. Nothing. Talk about a message in a bottle!

The number of fellow users shrank from the million or so who used to be on line at any given time (as the little Napster box in the upper-left-hand corner of your computer would proudly tell you) to a few scattered thousands. And the files made available were correspondingly truncated in dimension. It was like marching home with Napoleon from Russia. Where’d everybody go?

But the Emperor lives, clothed in new hope, and sure to attract new legions. Here’s what I discovered this week, quite by accident, as I went looking, in defiance of all logic, for “The Sultans of Swing” by Dire Straits. No luck, this is a major-label act, after all. But then, on an impulse, I typed in “Dire” by itself. Bingo! I got back “The Sultins of Swing” by someone listed as “Dire Straights”. And other selections by “dire strait.” And “Dire Striaghts” and “dire

striats.” And various other permutations– virtually enough to account for the group’s canon. I also got, along with some French selections– “dire” being a verb in that language– two versions of “Dire Maker” (sic) by Led Zeplin (sic).

I soon realized that, among the quarter million or so files out there (the number had, strangely enough, been mounting upward in recent days) were, very likely, some other treasures to be had via someone’s misspelling of the correct file names. And, sure enough, answers began coming back to queries in the names of (one had to experiment to get the right combinations) “beetle” and “rolingstone” and “Madon” and “Temtations” and “Van Morison” and the inevitable “Bob Dillon.” And, my post-toddler daughters will be keen to know, “Brithney” (a name that showed up in numerous other variants), “Agulera” (ditto), and”Nsinc” (ditto). One got results from even so subtle an adjustment as “Back Street Boys.”

I went after the most shielded name of all: Elvis. No luck until I somehow hit upon the expedient of “Elvise Prestley.” Bingo! By that time I realized that nobody was a bad enough speller to be making all the “errors” I was encountering. All these shadings had to be purposeful adjustments. Ventures in code to escape the censor. Acts of conspiracy. Evidently only the correctly spelled names and selections of major-label artists are filtered out. For a sensor (or censor) to be exact enough to catch all the variants imaginable (and guessable) would be to wander so far over into the vale of free expression as to be patently unconstituional. Besides being mechanically impossible.

And what was to prevent little hip ‘zines to spring up expressly for Napster traders, that would suggest a Code Name du Jour for any given artist? This month users might be asked to disguise their “Elvis Presley” files via the name “Zach X.” Next month “Droit de Seigneur.” And so on. Legalized suppression would become virtually impossible. The genie would be back out of the bottle. Napster, he innocent little venture started as a lark by a teenager in 1999 might escape its cage and become a fully-fledged eagle again. Soaring, free, and triumphant, after all. The music industry’s minions conjured up the specter of a conspiracy? Well, they got one.

Count me in as a conspirator. You, too. Take my word for it. You can find anyone and anything you’re looking for. I’m sure even Metallica, though I can’t be bothered to go looking for that.

(Jackson Baker KICKS BACK whenever the mood strikes on whatever topic interests him. In other words, watch this space.)

Categories
Music Music Features

BEALE STREET FRIDAY

O’Landa Draper’s Associates kicked off a sold-out Friday night at Memphis in May’s Beale Street Music Fest. Performing at 6:30 before a rather sparse audience on the Budweiser Stage, the gospel choir performed a capella or — rather disappointingly — over pre-recorded instrumental tracks. The Associates’ lackluster and poorly attended performance only confirmed the awkwardness of gospel music at an outdoor rock festival. The group ended its show by bringing out a teen group called the Cathedral Christian Steppers and a rapper and had the kids dance to a hip-hop gospel number called “All About Him.”

At 7:45 the North Mississippi Allstars performed before a huge crowd at the Autozone Stage, the event’s largest performance space. The crowd may have rivaled the sold-out Mid-South Coliseum shows the Allstars played last fall opening for Georgia jam band Widespread Panic as the largest hometown crowd the band has ever performed for. And the Allstars were in fine form. Bassist Chris Chew wore a bright red Cincinnati Reds baseball cap, its “C” logo fitting the man’s name. During the portion of the performance I saw, the band stuck to material from its only album to date, “Shake Hands With Shorty,” running through blues classics like “Sittin’ On Top Of The World” and a guitar-solo riddled “Po Black Maddie.” The Allstars then brought out R.L. Burnside’s grandson Gary for a spirited take on “Goin’ Down South.”

As I was leaving the Allstars show, they were launching into their version of the sly Furry Lewis classic “K.C. Jones” just as Keith Sykes was playing Blind Willie McTell’s “Broke Down Engine” on the Budweiser Stage. The blues, on this night, were in full effect even outside the blues tent.

Local metal-band-made-good Saliva took to the Budweiser Stage at around 9:00 after a ridiculously interminable set-up and a silly and mostly indecipherable taped intro. Lead singer Josey Scott was decked out in a white suit while the rest of the band wore black. Scott worked the crowd like a Vegas pro, introducing the song “Superstar” by saying to the hometown crowd, “I wanna thank you for making me . . . a superstar!” It was the exact same schtick he used at a New Daisy show earlier this year. The band opened their set with energetic takes on songs from their debut album, Every Six Seconds – “Click, Click, Boom,” “Superstar,” “The World is After Me.” Rhythm guitarist Chris Dabaldo bounded around the stage and Scott informed the hyped crowd that he’d turned 29 yesterday and had come home to have a big party.

It has been said that bands get the crowds they deserve. If that’s true then apparently Saliva deserved drunken frat-boys trying to slam dance and encouraging women to “show your tits” – some of whom were happy to oblige.

After a few Saliva songs I wondered back to the AutoZone Stage where the legendary Ike Turner was leading his 9-piece Kings of Rhythm and Blues though a few blues standards. Turner was playing guitar and wearing a black suit and hat. The crowd was large, but most of them seemed disinterested. They were likely staking out a spot for the next act on that stage, the Dave Matthews Band.

Turner sat down at the piano for a rollicking take on his trademark “Rocket 88” and after that climactic moment I decided it was a good time to head back to Budweiser to see what Saliva was up to. Walking away from Autozone into a swarm of people heading towards it for the Dave Matthews set, I was hit with déja vu. Then I remembered – it was just last years that I was walking away from the same stage as hordes of Widespread Panic fans were descending.

Back at Bud, Saliva’s Scott was introducing the band’s final song, the current hit single “Your Disease,” with the perhaps unwise, Limp Bizkit-like comment, “this is your last chance to break stuff.” After the song, Scott left the stage by saying, “Memphis, you fucking rock. We love you.”

Categories
News News Feature

WE RECOMMEND (THE GORY PART)

Last weekend, when “Scary Larry,” as he is known in his neck of the woods, fell off the picnic table into a pile of rocks and then took me four-wheeling through the steep trails of the Catskill Mountains to show me the elves he had hand-carved in his trailer … well, there’s not much more to it than that, but I had to say at least that much, since it was such a nice slice of Americana. And you know, just when you think America is the world’s most civilized country (some of you, that is; I am not among that group), great stuff happens to make us look like a bunch of clowns. And I don’t mean that in a bad way. My favorite story now, though a bit sad, is the one about the toothless former stripper who was befriended 10 years ago by Robert Hanssen, the FBI agent who was arrested in February for spying and compromising United States intelligence. This was before George W. Bush was in office, so there’s no threat of that now, of course. Unless someone uncovers the fact that Bush probably intends to clear all the lumber from Yellowstone National Park so workers can see more easily while traveling through on their way to turn Washington State into an oil refinery. But back to the toothless stripper. According to her, Hanssen was merely trying to bring her closer to God– by giving her cash, trips, diamonds, and a Mercedes. (Why does this kind of thing never happen to me? For a million bucks, I’d be at Bellevue Baptist listening to Adrian Rogers’ drivel every day!) Unfortunately, it didn’t do her much good because she hocked all the gifts and spent the money on crack. So there you go. And now I’m tired of writing about that. Speaking of civilized, now we finally have a governor who wants to legalize marijuana. New Mexico’s Governor Gary Johnson, a former handyman, has gone public with his support of legalizing pot, recently appearing at a convention where people were wearing T-shirts depicting the Cat in the Hat smoking a bong. Said he used to smoke pot all the time and loved it but quit because, he says, “the more you use it, the less you get out of it.” Don’t quite understand that one, unless he’s talking about the old tolerance-level thing. Anyway, the dude came out with all this a few years ago, really pissing off then-federal drug czar Barry McCaffrey, who started calling the governor “Puff Daddy Johnson.” See? America. You gotta love it.

Categories
News News Feature

FALLING INTO DISGRACELAND

I think perhaps I am going mad. Or maybe everyone else is. It’s hard to tell.

This was my week. Thursday night, I went to the Peabody. There was a Sunset Serenade going on, which I’m sure would have been fun had I been on my way there. As it was, I was just meeting a friend, happened to go up to the rooftop to see if she was there, saw multiple throngs of people heading every which way including toward me in a stampede-like formation, got scared, ducked into the ladies’ room, happened on some woman complaining very loudly about men while smoking a cigarette and fixing her pantyhose, and quickly ducked back into the elevator. Downstairs I found my friend, sat down at a table and began a discussion when a man asked if anyone was using the extra chair at our table.

We quickly said no and waited for him to take the chair away so we could continue our conversation when said man plopped heavily down in said chair still sitting at said table. Despite the lack of another chair, his friend joined us, and I’m pretty sure I caught him looking at my breasts when he had a perfectly good set of his own he could have gawked at instead. Without going into too much detail — I’d rather not relive it if it’s all the same to you — we started out talking about industrial soap and by the end of the 10 minutes, one of those guys was practically accusing us of being narcs.

Okay, so on Friday, my friend and I went to see a delightful little bit of cinema called Josie and the Pussycats. This is in no means a review, but I really enjoyed it. Only, once in line at the Malco theater for tickets, we were told that they didn’t take credit cards. And their cash machine was broken. And no, they didn’t know of another one in the area.

So we go outside, ask a security guard if he knows of a nearby ATM, he doesn’t, then teenage boys make loud, (I guess) sexually suggestive, slurping noises at us, we find a bank (with an ATM) right next door, go back inside, buy our tickets with cash, get coke icees from the concession stand and then head toward the guy who rips the tickets.

At any rate, one of us was holding both tickets, the other had both drinks. For expediency, we had each gone through a line. Anyway, the ticket guy looks at us and says, “Oh, a girl can’t carry her own soda?” I’m not sure how well this is conveyed without tone or the smell of buttered popcorn in the air, but the way he said it, it sounded like there was only one girl there. As in, the other one of us wasn’t a girl. But I’m here to tell you both of us were girls, and I would even go so far to say that both of us look like girls (for partial evidence, see below).

After the movie, we went to eat at an East Memphis theme restaurant where our “tour guide” really wanted us to get the Cuban bread. I don’t know why; he just kept talking about it. For 10 minutes, he went on about what it was made with, how it tasted; whatever he could have said about it, he did. I tuned it out after a while, but he just kept talking. Finally we got our food. You’d think that would have been the end of our static cling waiter, but no. Every few minutes, it was like, “How is your pasta with chicken? Does it fully satisfied you?”

Of course he was just trying to do his job, which I totally respect, but then we wanted to pay separately. Luckily, the restaurant, unlike the movie theater, did take the plastic, so we handed them over and just as our waiter was scampering away, I said, “Just so you know, I’m Mary, and this is Rita.” That way he could put the right check with the right person. “Oh,” he said as he came back to the table and extended his hand, “I’m Alan.”

Um …. nice to meet you. I shook his hand, Rita shook his hand, and I suddenly got the feeling he thought we were trying to hit on him. Not that I have a problem with flirting with the waitstaff. I like flirting with waitstaff. Why do you think I go to restaurants? For the food? No. Because mostly young (and thus, hot) people work there. But this person, whom my friend deemed “our waitron” because of his rather robot-like delivery and social skills, I did not want to date. I just wanted to leave.

Saturday seemed to be a little more sane, except I was at the zoo for their first “It’s a jungle out there” party and there were two people dressed as gorillas that kept running around.

Cricket Wireless’ lime green couch was also there, and you could take a picture on the couch, and the people/person with the best pictures won … something. I don’t know what. At any rate, my friend had this idea that we would win if we both did handstands on the couch. Unfortunately she didn’t realize that I cannot do a handstand. Nor did she realize that she can’t really do a handstand, either. This is how it went down. I devised a plan where I would just kick up my legs in a handstand-like motion and the camera would catch me in mid-air. She would actually do a handstand.

So we’re standing next to the couch and the camera man asked us if we were ready. We said yes, he raised the camera, I kicked up, she kicked up, the couch tipped on two feet, I came down and pulled my back, she flipped over and knocked down the Cricket backdrop.

When we came to, we asked the cameraman if he had gotten it. Apparently it had all happened a little too fast for him. The hecklers in the crowd thought it was funny, though. And then the camera man told us to hurry up — there were other people in line — so we just sat down on the couch for our picture, although I did do my best impression of heroin chic.

Afterwards, as we were hanging around the booth, trying to figure out if we could enter again, and trying to figure out if we had an idea that could win, a girl walked over to us and asked, “Would either of you be open to doing something slightly pornographic on the couch with me?” We both politely declined.

So what do huge crowds of young professionals, a duo of doofuses, a movie theater still operating in medieval times, theme restaurants, possibly mistaken gender, slurping schoolboys, and a slightly pornographic invitation have in common?

I have no idea. I was perplexed by each of these events individually. I certainly can’t make any more sense of them when they’re all together. Maybe this is just the world we live in today, where everyone is half-off their rocker and completely unapologetic about it.

Or maybe not. I just thought I’d share.

( Mary Cashiola writes about life every Friday @ memphisflyer.com. You’re invited to come along.)

Categories
We Recommend We Recommend

thursday, may 3rd

If you want to have a burger and help out a worthy cause, at tonight s Steak N Burger Dinner 2001, a Boys & Girls Club of Greater Memphis fund-raiser at Woodland Hills, adults have burgers while the boys and girls eat steak. And if you want to get a head start on the music fest and hear some bands around town, there s Ruby Wilson & the King Beez at B.B. King s; Delta Funk Convention at the King s Palace patio; The Itals at the Hi-Tone; Chris Scott & Friends at Poplar Lounge; and Scott Sudbury and Patrick Dodd at Newby s.

Categories
News The Fly-By

CLOSING THE DEAL

Skimming through the latest edition of RSVP, the monthly magazine dedicated to printing scads and scads of party pics from Memphis more hoity-toity extravaganzas, Fly on the Wall came across a rather eye-catching ad placed by Hobson Realtors. Emblazoned with the tag line Power Players, the ad showed a picture of the White House with a Hobson Real Estate sign superimposed on the lawn. It s been clear that the White House was for sale to the highest bidder for some time now, but we had no idea that Hobson was brokering the deal.

Categories
Film Features Film/TV

DOG DAYS

Without you my life would be meaningless, says the unfaithful-
and-sorry-for-it Porter (Warren Beatty) to his scorned wife Ellie (Diane
Keaton) in Town & Country. What he means to say is that this comedy is
meaningless, guilty of gratuitous humor of the laziest fashion, haphazard in
its storyline, though it does contain two priceless scenes that, in the end,
don t count for much at all.

Town & Country is a comedy about being married a long, long time
25 years to be exact for Porter and Ellie and their best friends Griffin
(Garry Shandling) and Mona (Goldie Hawn). It s a steady-as-she-goes sort of
life for the foursome. They have fabulous New York homes plus vacation houses,
expensive clothes, pedigreed dogs, and three-day trips to Paris. It s ideal in
the comfortable sense (Porter has all his black socks in one drawer, all his
white underwear in the next) and in the quirky sense (Porter and Ellie happily
roll their eyes at their teen children s choices of oddball mates).

When Griffin is busted cheating with a redhead, the ideal is not shattered;
there s just more eye-rolling. Mona is angry, vengeful. Griffin is sheepish.
Ellie and Porter are supportive. So supportive, in fact, that Ellie urges
Porter to accompany Mona on a trip to her home in Mississippi. Too much booze
and the lack of air-conditioning lead to comforting of the carnal kind. Mona
high-tails it back to the city with Porter in pursuit and anxious to
straighten things out. Mona and Porter agree mum s the word, get busy once
again, and are interrupted by Ellie who, unaware of Porter s presence, tells
Mona that she s just found out that Porter has been cheating on her

Whew! But that s not all. Griffin and Porter go on a sabbatical to Sun Valley,
where Porter gets tangled up with a crackpot named Eugenie (Andie MacDowell)
and her virtue-protecting father (Charlton Heston). The next night Porter and
Griffin attend a Halloween party that ends up with Porter, dressed as a polar
bear, wrestling with a hardware clerk who s dressed as Marilyn Monroe all
witnessed by Porter s son.

Now we re up to Porter s meaningless speech. And while all the events above
should add up to screwball, these moments feel random, patchy. You can just
picture all the wadded up paper remains of gags tried and discarded by the
screenwriters (among them Buck Henry, who also has a bit part as a divorce
lawyer). Among the jokes that stayed are two about falling from heights, two
about foreigners, and one about a golf ball driven into an unsuspecting man s
backside. Having Keaton, the ultimate straight (wo)man, burst into a stream of
genitalia-bent expletives is hilarious until a wheelchair-bound old
woman does the exact same thing minutes later. Casting Heston as a gun-toting
crazy stands as a weak highlight. Nothing, really, can disguise what looks to
be a vanity vehicle for Keaton, Beatty, Shandling, and Hawn. Town &
Country
is the stars goof, a chance for the older guys to get together
and have a little fun. If the end result comes off as a little weird, then
maybe the combined strength of their names will draw the people in. Or maybe
not.

Amores Perros, the film by Mexican director Gonz lez I¤ rritu, translates as
Love s a Bitch, a sentiment that is hammered in and clings to the moviegoer.

The film is divided into three entwined stories: Octavio and Susana, Daniel
and Valeria, and El Chivo and Maru. In Octavio and Susana, Octavio (Gael
Garcia Bernal) lives in crowded squalor with his mother, his brother, his
brother s wife Susana (Vanessa Bauche), and their baby. The family has no
money; only the television serves as a distraction. Octavio falls in love with
Susana. He urges Susana to take her baby and leave with him. Susana tells him
that he doesn t understand; he tells her the same thing. To make money for the
getaway, Octavio offers his dog, Cofi, up for fights. He grows rich and a
little bold, buying himself a new car, standing up to his dangerous brother,
and seducing Susana with a wad of cash she hides in a suitcase. Octavio has
enough money to run away when he decides to have Cofi fight one last time.
Circumstances, all of his own making, pile up hard on Octavio until he
crashes, literally, in a serious car wreck.

Valeria (Goya Toledo) of Valeria and Daniel is the one he crashes into,
leaving the model, who just moments before was celebrating her married lover s
separation, with a seriously injured leg. Valeria is just beginning to feel
the possibilities of her career disappear when her dog falls into a hole in
the floor of her apartment. She and Daniel (Alvaro Guerrero) can hear him
underneath the floor, but the dog can t seem to find his way out. Valeria is
crushed by her poor health, by her concern for the dog, by the way these
changes in her life have affected her relationship with Daniel. Like Octavio,
she, too, crashes.

Passing by at the moment of the car crash is El Chivo (Emilio Echevarria) of
El Chivo and Maru. Once a rebel, he has emerged from years of prison bearded
and wild-haired. He is dead to his daughter and to most of society. He digs
around in dumpsters, lives in filth with a pack of dogs, getting by through
occasional gigs as a hitman. El Chivo stops at Octavio s crash site and takes
to the injured Cofi. He nurses the dog back to health so that the dog has the
strength to commit an unthinkable act.

******* ******* ******* ******* ******* *******

Here and there throughout Amores Perros are dog-fight scenes. The dogs
are shown at first impact, then I¤ rritu steers the camera away so that the
fight ends in a yelp and a blood-soaked body. The message is clear and hard:
this thing that makes animals, humans or dogs, tear at each other with
something like instinct. But there are choices, too, and consequences, and
maybe even redemption. Amores Perros is brutal and heavy-handed,
memorable and grim.

Categories
We Recommend We Recommend

wednesday, may 2nd

Want more garlic in your diet? At There s No Such Thing as Too Much Garlic, a cooking class tonight at Mantia s call 762-8560 for reservations learn about using garlic in soup, appetizers, entrees, and maybe even dessert. You probably won t want to bring a date though.

Categories
News The Fly-By

LONE PILOT THEORY

On what must have been a particularly slow news night Fox 13 anchor Steve Dawson reported that rock superstar Sting emerged uninjured from a minor plane crash. According to Dawson, Sting s plane skidded off the runway and into a grassy knoll. The media experts at Fly believe that this may be the first on-air use of the term grassy knoll that does not automatically include footage from Zapruder s film of the Kennedy assassination.