Hmm. Things are looking mighty slim for today. I d say get out of the heat and spend the afternoon with Mr. Hardaway and Mr. Sam and friends at the Big S Lounge. Or check out the collection of Patsy Cline letters at the Rock N Soul Museum. Or give a big chunk of money to the Stax Museum of American Soul Music. Or go listen to the Hollywood All-Stars at Wild Bill s. Or head back to the Hi-Tone for music by Ross Rice and Chris Scott (two nicer fellas you d be hard-pressed to find).
Month: June 2001
SUNDQUIST GOES HAWAIIAN
A.P. political writer Tom Sharp noted that a number of Tennessee legislators, including the governor, wore Hawaiian shirts to Legislative Plaza as a not-so-subtle suggestion to lawmakers that it s time to go. According to Sharp the governor s attire was festive but conservative. Many pundits believe he would have sent a stronger message to those who oppose his plan for a state income tax by wearing an I m with stupid T-shirt.
The soon to be Memphis Grizzlies avoided the NBA version of the Childrens Crusade Wednesday night by picking Barcelona small forward Pau Gasol and Duke graduate Shane Battier, with the third and sixth picks overall.
The Grizzlies also chose Clemson University point guard Will Solomon as their number four pick (33 overall) and forward Antonis Fotsis from Greece with their 48th overall pick in the second round.
The Grizzlies originally scored the number-six pick during the draft lottery. They traded their best player, power forward Shareef Abdur-Rahim to Atlanta for the Hawks number-three pick, along with point guard Brevin Knight and former University of Memphis power forward Lorenzen Wright. The Hawks also received the Grizzlies number 27 first round pick conditionally. The Hawks took that number 27 pick for Iowa State point gaurd Jamaal Tinsley. The Hawks have since traded Tinsley to Indiana for a future pick.
In other trade news, the Grizzlies continued their off-season upgrades by picking up flashy but streaky point guard Jason Williams from the Sacramento Kings. The Grizzlies also receive Nick Anderson in the deal. In return, the Kings will receive the services of Grizzlies point guard Mike Bibby and oft-injured point guard Brent Price.
The Grizzlies differed in their choices from the other teams in the top six draft spots in that they did not pick a high school senior. The Washington Wizards, under the direction of team president Michael Jordan, made NBA history by choosing Kwame Brown out of Glynn Academy High School in Georgia as the number-one pick.
At the second spot, the L.A. Clippers chose another high school senior in forward Tyson Chandler. The Clippers have since traded Chandler along with Clipper Brian Skinner to Chicago for Elton Brand. After Gasol, Chicago brought in another big young body in center forward/center Eddy Curry. Rounding out the top five, Golden State called out Michigan State sophomore guard/forward Jason Richardson. Richardson was the only other college player chosen in the top six.
About Gasol, Grizzlies GM Billy Knight says, Hes a talented player. Hes seven feet [tall]. He can play on the perimeter. He has ball handling skills. He can shoot the three. Hes played at a high level of European basketball. He adds some experience that a lot of 20 year olds dont have. We think that he has the chance to become an outstanding player.
Gasol averaged 11.3 points per game last season in Barcelona on .565 shooting. He also shot over 32 percent from beyond the three point stripe. At 7 feet but only 227 pounds, hes considered a work in progress in need of strength conditioning as well as defense. It also remains to be seen if he can adjust to the speed and physicality of the NBA game. However, he is considered to have superior ball handling and shooting skills from the outside.
Gasol was under contract with his Barcelona team, but he had the option to buy out his contract for $2.5 million. According to NBA rules concerning buy-outs, no team may contribute more that $350 thousand toward that buy out. Gasol had said publicly that it would be difficult for him to buy out that contract unless he went at least sixth overall in the draft because of the rookie pay structure guaranteeing him the necessary money. As the number-three pick, Gasol should have no difficulty. I expect him here in the fall, said Knight.
Knight said that the decision to draft Battier, who was projected to go as high as the number three, wasnt hard to make. We knew as soon as Golden State said they were taking Jason Richardson that we didnt need any time to think about it, Knight said. In fact, he announced the Grizzlies pick in front of Memphis reporters before David Stern had a chance to bring up the matter on live national television.
Battier led his Duke Blue Devils to the 2001 NCAA championship, earning national player of the year honors. He averaged 19.9 points per game in the tough ACC conference, and became a defensive force at Duke, leading his team in blocks (80) and sharing Co-Defensive Player of the Year award in 2000 along with the New Jersey Nets Kenyon Martin (Martin played for Cincinnati at the time).
Knight nearly dropped his usually closed demeanor while talking about Battier. Hes going to be a fine player, Knight said. Hes going to be a class guy. Hes going to be a welcome addition to our team and our city.
Battier is another good outside shooter (.416 FG%) and at 6-8, 220 lbs weighs in as the most physically and mentally developed of the NBA draftees. He has excellent vision and can run the floor.
However, there has been some talk that at 22, Battier has reached his potential. I laugh at that kind of stuff, says Knight. This guy is a young man. When people say we only want to go for the young kids, this kid is only 22 years old. Thats not an old guy. And hes an accomplished player. Hes won everything you can possibly win and gone through the process and gotten better every year.
In other area draft news, small forward Joe Johnson out of Arkansas University was picked at number ten overall by the Boston Celtics, center Stephen Hunter out of DePaul University will go to Orlando with the number 15 pick, and Alabama small forward Gerald Wallace was picked 25th by Sacramento.
FALLING INTO DISGRACELAND
It occurs to me that Im due for my five-year high school reunion. Of course, Im not sure if my high school even has five year reunions, because, basically, if it does, I havent been invited.
I do not take this personally. I went to high school in a small Ohio town that to this day is scientifically characterized as a dump. Three months after graduation, everyone I knew left to go to either OU, Ohio State, or Miami of Ohio, and I went off to Chicago. At the same time, my parents left for the rural landscapes of Texas, so I never saw my former classmates at Winter Holidays, spring break or really, ever again.
So even if they wanted to find me, Im not sure they would know where to look. Ive never been a big one for sending my forwarding address to, well, anyone really. And there is a reason for this.
The other day I got a very strange phone call. It was proably 7 or 8 at night when the phone rang and I extricated myself from the couch, thinking grumpily, Who is calling me? Its not that no one calls me, but rather that I didnt want to talk to anyone.
As it was, the chipper voice on the other end identified herself as Diana, from some department at Northwesterns alumni relations office. Aha, I thought, here it goes. They want more of my money. I readied myself to say, Thank you, no.
While actually at Northwestern, I made a pledge that I would not give them any more money until I had paid off every cent of my student loans, knowing that this feat would take me the better part of the next century. At one point, I had imagined that when this day came, the phone call solicitation day, I would simply drop a string of expletives and hang up. Only after a friend of mine got hired by the money grubbing office, or whatever its official title is, and chastized me for this plot did I revised it.
But before I could hang up the phone (politely), Diana started talking about an alumni guide, and how they just wanted to verify my information before the book went to print. Well, shucks, I thought, that isnt so bad, and I told her where I was living, as well as my profession and marital status.
It wasnt long, though, before a weird sensation came over me. The address they had was wrong. Two moves wrong, in fact. And that was beautiful. Then she asked for my phone number and I thought, You just called it.
And then I thought, How did they get this number? I didnt give them this number. And they had the wrong address. How did they get the right number?
Slightly sketched out, I said, You just called it.
She replied that it was on the first page of her computer system and she couldnt back up so could I repeat it, area code first, please.
So Im still stewing over this when Diana asks me if I want my very own copy of the guide, with everybodys info updated. I think this might be nice … until she tells me it costs almost $100. And that there is a corresponding CD-rom that I can snag for only 20 bucks more.
Fat chance. Ramen noodles are a staple of my diet. I dont need a $100 book, unless it was going to tell me the secret of happiness, ever-lasting life, and how to turn dirt into gold. Luckily the only people I want to talk to are people whose phone numbers and e-mail addresses I already have.
No, thank you, I said and hung up the phone.
So Jennie, Tracy, Susie, when our ten-year reunion rolls around, just call Northwestern. Even if I move a billion more times before then, I have a feeling theyll know where to find me.
Shudder.
( Mary Cashiola writes about life every Friday @ memphisflyer.com. Youre invited to come along.)
friday, june 29th
Lots of art openings tonight. Go Figure, an exhibit of Memphis painters of realism and the figure, opens at Perry Nicole Fine Art. Back at Zanzibar, there s an unveiling of From Despair to Hope, produced by Ephraim Urevbu for the National Civil Rights Museum. There s an opening reception at Carnevale for an exhibit of contemporary photography. La Tirana, a show of works by sculptor Roy Tamboli, opens at Jay Etkin Gallery. And tonight s last-Friday-of-the-month South Main Trolley Arts Tour is a don t-miss, with free trolley rides to some 16 galleries in the historic district. During tonight s tour, you can also see a free taping of the pilot of the new television series Filters. At TheatreWorks it s opening night for Vacant (Facing the Tower), a full-length theater/dance production by Project: Motion. Tonight s Dream Gala Journey to a Cure at AutoZone Park is a fund-raiser for the Juvenile Diabetes Foundation and features live and silent auctions and live music by the Bouffants. The ever lovely Reba Russell is at Black Diamond tonight and tomorrow night. The Blue Note Jazz group is at Automatic Slim s. The Distraxshuns are at Patrick s. And last but certainly not least, The Subteens and American Deathray are at the Hi-Tone.
TOGETHER APART
If it were possible for a movie-savvy viewer to take in a screening of A.I. — the long-awaited sci-fi film developed by Stanley Kubrick then turned over to Steven Spielberg prior to Kubrick?s death — with no knowledge of the film?s lineage, that viewer would likely still discern the touch of both of those very different directors.
The bizarre notion of Spielberg helming a Kubrick project certainly promises a clash of styles, but I never expected that clash to be so naked on the screen. However, the wildly disparate sensibilities of these two cinematic autocrats do indeed meet — clashing, oscillating, merging, and disconnecting — in this odd, affecting, sometimes thrilling, sometimes puzzling sci-fi epic.
The film, written and directed by Spielberg (his first screenplay since Close Encounters of the Third Kind) using a story and visual style honed, with typical obsessiveness, by Kubrick, somehow conveys both Spielberg?s childlike wonder and gee-whiz futurism and Kubrick?s detached formalism and intellectual rigor, Spielberg?s all-American need for warmth and reassurance and a wellspring of darkness and sadness that just as clearly comes from Kubrick. The rub is that at some junctures these conflicting tones seem to be working together, intentionally, while at other moments the film feels fractured, as if the two directors are struggling over ownership. And it?s hard to decide what?s more intriguing or moving — the harmony or the discord.
A.I. is set in an unspecified future when greenhouse gases have melted the polar ice caps and some cities have been submerged. In this world, continued prosperity has been assured through rationing of children, and technology has allowed the creation of remarkably lifelike androids, ?mechas? to the human ?orgas,? that can perform human tasks. At Cybertronics, one android manufacturer, a professor (William Hurt) seeks to take this technology one step further by creating androids with the capacity for love, love being the key to developing human subconsciousness.
The company develops a child android that can be programmed (and never deprogrammed) to love its adoptive parents, prompting one Cybertronics designer to ask, ?If a mecha can love a person, what responsibility does that person have to love in return??
Cybertronics creates a prototype of the child mecha, David, played to perfection by Haley Joel Osment — brilliant in one of the finest recent Hollywood films, The Sixth Sense, and the object of manipulation in one of the worst, Pay It Forward. David is given to a company employee (Sam Robards) whose wife, Monica (Frances O?Connor), is distraught over the fate of their real son, Martin, who has been the victim of some unspecified accident or ailment and lies dormant in a coma or some sort of cryogenic preservation.
A.I. divides neatly into three acts, and the first follows the domestic integration of David into the family?s world. Monica is at first wary of David, and the early home scenes are suffused with horror movie creepiness, but she soon opens her heart to him, deciding to activate his ?emotional circuitry? so that he gives her the unconditional love of child for parent.
This section of the film concerns a nuclear family milieu more akin to Spielberg, but the design — cool and modern — is as deliberate and controlled as the direction. Spielberg could almost be channeling Kubrick during this first act.
The story is complicated by the healing of Martin, who treats David like a toy, explaining to him, ?I?m real. You?re not.? Spielberg deftly handles the relationship between the two ?boys,? giving their interaction a realism that Kubrick may not have managed. And there is humor and pathos in David?s attempts to ape human needs and rituals that he is not wired to perform — eating, sleeping.
The second act of the film — and I won?t reveal how this transition occurs — is pure Spielbergian wonder, a journey that is part Pinocchio, part Blade Runner, and part The Wizard of Oz that finds David on the road to ?Rouge City? to visit the omniscient ?Dr. Know.? Accompanying David are a robotic teddy bear and Gigolo Joe (Jude Law), a ?lover-model? android who has sort of the look and manner of the Tin Man. This section is full of fascinating futuristic set pieces and has less emotional strain or scientific speculation than the preceding and following sections. There is an unforgettable visit to an android junkyard, where vagrant mechas search for usable parts while humans hunt them down for destruction in a horrific ?Flesh Fair.? As David searches for the ?blue fairy? (from Pinocchio, which Monica had read to him and Martin) that he thinks can make him into a ?real? boy, the trio journey to an underwater Manhattan — ?the submerged city at the end of the world.? The blue fairy is a metaphor here — the will to believe in such things described within the film as both the great human flaw (Kubrick?s analysis?) and the great human gift (Spielberg?s?).
The film?s final section, set far in the future, merges the two auteurs? sensibilities and styles into something rather original, with echoes of Kubrick?s 2001: A Space Odyssey and Spielberg?s Close Encounters of the Third Kind. There is much more ambiguity in the film?s finale than is typical of a Spielberg film. The audience is torn both by how it should react to David?s single-minded devotion to mommy and how to choose between the responsibility to think and the impulse to feel. It?s difficult to determine just how in control Spielberg is of the film?s clashing tones at this point. Is this a brave juxtaposition of opposed readings or is the war of competing discourses beyond even Spielberg?s grasp at this point?
Despite or perhaps because of A.I.?s unsure tone, it is the most compelling work Hollywood is likely to offer up this summer — a ?blockbuster? far removed from the equally inept garishness of Pearl Harbor and Moulin Rouge or the bewilderingly adored surface cleverness of Shrek. What happens when Eyes Wide Shut meets E.T.? What does the audience do? And who is the audience?
The question of which House member will serve on the reconstituted Shelby County Public Building Authority, which will oversee construction of a new NBA arena, has apparently been resolved in favor of Democratic state representative Larry Miller , who represents a predominantly African-American district in North Memphis.
Miller had expressed interest in the appointment and had been endorsed by state House Speaker Jimmy Naifeh of Covington. By informal agreement with Memphis Mayor Willie Herenton, who had previously appointed state Senator John Ford to the PBA, the appointment of a House member will be the prerogative of Shelby County Mayor Jim Rout.
On Friday, during a break in legislative action, Millers only declared rival, Rep. Tre Hargett, a white Republican who represents the Bartlett area, had a conversation with Naifeh on the House floor about the issue, and that talk apparently decided him to withdraw his own candidacy (which had been formally proposed last week by his House GOP colleague, Paul Stanley of Germantown).
In a letter to Rout prepared at noon Friday, Hargett informed the county mayor, I regret to inform you that I withdraw my name for consideration as your House nominee to the Public Building Authority.. . . Citing the press of (including the still unresolved state budget), Hargett proceeded to say, I know Representative Larry Miller has indicated a willingness to serve on this important civic body.While Representative ;Miller and I are of different political persuasions, I have a great trust in both is character and his abilities…
Earlier Friday morning, Rout had said he doubted he would pursue a two-nominee strategy, which might allow both Miller and a white Republican (Rep. Joe Kents name had received some mention) to be appointed from the House. Rout indicated he would make an appointment on Monday.
The presence of both a Senate and House member on the PBA is mandated by recent legislation which, though largely unnoticed at the time, was passed by both chambers of the General Assembly and signed into law by Governor Don Sundquist.
It’s time to remember that it was the great Cordell Hull of Tennessee (then a congressman, later secretary of state) who led the successful campaign to adopt the 16th Amendment to the U.S. Constitution in 1912, creating the federal graduated income tax. Tennessee is now at the point in its own historical development that we need a state income tax to provide for our citizens’ needs.
Today, only nine states do not have any kind of state income tax. Of those nine, two have no reliable alternate ways of raising revenue: North Dakota and Tennessee. The other seven have natural resources, travel, or tourism as a means of raising moneys to pay for public services.
Worsening the situation is that almost 58 percent of Tennessee taxes come from the regressive sales tax: 6 percent, with additional local-option capabilities of two cents — one of the highest rates in the nation. And studies suggest that regressive sales and excise taxes are among the major reasons why a state may fail to provide necessary public services.
In some categories, such as state support for K-12 education and higher education, Tennessee ranks between 46th and 50th out of all 50 states. We Tennesseans deserve better.
In 1942, in the middle of World War II, America needed to expand government spending to defeat the militarily aggressive nations of Italy, Germany, and Japan. Americans came behind a plan proposed by Beardsley Ruml, treasurer of the Macy Department Store chain and a lifelong Republican, to broaden the income tax and establish withholding. The number of contributors to the income tax rose, by some estimates, from only 5 percent to 75 percent.
The point is that citizens of a democratic republic can make up their minds to pay more in taxes in order to fund vital, necessary public needs (especially if “more” — in the way of a new state income tax — might mean “less” in overall taxes for Tennesseans, as a number of studies suggest).
Now in Tennessee the foremost public needs include, as mentioned, K-12 education and higher education (the latter of which has taken drastic funding hits every year since 1988-1989), decent health care for disabled, poor, and uninsurable Tennesseans, reliable at-home care for the elderly, and the promise of a decent quality of life for young Tennesseans (including, I don’t mind saying, my seven-month-old son).
It’s time to act responsibly to reform the regressive, unfair tax system in our state. Passing increases (of either one-half or three-quarters of a cent, both of which have been proposed) in the highly regressive sales tax is unfair and unjust. Worse, such a course avoids addressing the state’s structural tax problem whereby bordering states with lower sales-tax rates are enticing retail customers, and tax-free mail-order and Internet sales are further crimping the source of revenue.
We need to face up to the threatened prospects for Tennessee, its citizens, and its public services. Faculty members in higher education are severely demoralized and fleeing the state, and the word is out that public higher education in Tennessee has no future at all. That system — to which I have dedicated my life and pledged the future of my wife and new son, and the thousands of students I have taught — is falling apart. We can all make a difference by supporting the Rochelle/Head graduated income tax bill (SB1920, HB1948) as the only realistic, fair, responsible, and long-term solution to our state’s budget crisis.
It’s time for all of us — rich, middle-class, or poor; employers and employees; blacks, immigrants, and whites; native-born Tennesseans and migrants from other states; men and women; the young, the middle-aged, and the elderly; Democrats, Republicans, and independents; West Tennesseans, Middle Tennesseans, and East Tennesseans — to join in support of real, lasting, and permanent tax reform.
Patrick D. Reagan is a professor of history at Tennessee Tech at Cookeville.
VANITY PRESS
The white silk gauntlet has been thrown down. It looks like R.S.V.P. — Memphis monthly society magazine whose daring photojournalists regularly risk life and limb to bring back rare, nearly impossible-to-get shots of expensively clad party animals clutching their drink in one hand and their date in the other — is facing stiff competition. Elite, a shimmering, full-color magazine featuring breathtaking, hitherto unimaginable photos of toothy cocktail-toting socialites prowling about in their natural habitat, made its auspicious debut this month. Critics of R.S.V. P. who claim that the publication s obviously biased shutterbugs only photographed Kevin Kane from one decidedly unflattering angle hail the arrival of this new and much-needed addition to the Memphis media market.
The Sights of “Sound”
Our world is criss-crossed by travel circuits, strings of places where it seems everybody has been. Wherever you go, for example, you’ll find people who have been to Graceland. It’s a definite stop on the “Discover America” tourist circuit, which also includes New York, New Orleans, and at least one Disney theme park.
There is most certainly a European backpacker circuit, and it goes right through the middle of Salzburg, Austria. It has to go there, because everybody on the European circuit has to go on the Sound of Music Tour. It’s some kind of requirement of European travel, along with spending 14 hours at the Louvre and having your picture taken with a guard at Buckingham Palace.
I went on the Sound of Music Tour years ago. Aside from an adolescent crush on Julie Andrews, I’ve never been a big fan of the movie, but I was in Europe, so I had to do it. I even stayed at the famous Yoho Hostel in Salzburg, a stop on the European hostel circuit. It’s more generally known as “that crazy hostel in Salzburg run by Australians.” To be honest, that sentence is what brought me, at age 23, to Salzburg. That hostel rocks: killerWienerschnitzel and half liters of beer for $1.25 during happy hour.
When I showed up at the hostel, the daily showing of the movie was just ending. You must understand that The Sound of Music is to Salzburg what Elvis is to Memphis: It’s also a wonderful city and a former home of Mozart. But if you walk through it as a tourist, everybody who makes eye contact wants to sell you a ticket for a Sound of Music tour.
Consider this: the actual Maria von Trapp was quoted in one company’s marketing material as saying, “The Sound of Music Tour arranged by Panorama Tours is something nobody should miss. I never do!”
I was contemplating this — a rough equivalent to Priscilla Presley always taking the tour of her former home — as I boarded a van with several other Americans and a hungover-looking Australian as the original movie soundtrack blasted through the speakers. A dangerous omen: Two of the women on the tour started singing along, causing the Aussie to sink further into his seat.
We started out in the countryside, where we saw the meadow Julie Andrews was enjoying herself at the beginning of the movie. Our guide took some demented pleasure, it seemed, in pointing out that the abbey the movie Maria went running to when she heard the bells was 20 miles away, back in town. “So you see, Julie Andrews was very fast!” It was one of his better jokes of the day.
Along the way, we saw Mirabell Gardens, where Maria and the children danced around the statue of Pegasus singing “Do-Re-Mi”; Leopoldskron Castle, which served as the family’s movie home and still has the glass “Gazebo of Love,” which was added for the movie and remains there for the tours; the Mondsee Cathedral, where the wedding was shot; and Nonnberg Abbey, where the real and movie Maria lived as a novice and where the real von Trapps got married. I wanted to visit the abbey, by the way, but I wasn’t 100 percent sure you can just walk into such a place. Besides, the nuns there have taken a vow of silence, which gave me a funny image of one of them running up to me with a sign reading, “Hey, you, get the hell out of here!”
There really was (and still is) a von Trapp family, by the way, and their story bears some resemblance to the movie. Specifically, they sang and they left Austria. They didn’t, however, escape to the tune of “So long, Farewell,” nor did they dodge Nazis in a graveyard, nor did they walk over the mountains to Switzerland. That’s actually a trip of some 400 miles — tough with all those kids and no luggage — and anyway, the mountains Christopher Plummer pointed at in the movie lead to Germany.
The real von Trapps formed a family choir in the early ’30s, then when Hitler annexed Austria in 1938 they took a train to Italy, then a ship to the U.S., where in 1941 they bought a farm in Stowe, Vermont. Today that farm is the Trapp Family Lodge, a 2,700-acre resort done up in Old World Austria style. So the family is making money off a movie loosely based on itself. And who can blame them?
Back at the hostel, the grumpy Australian and I had a few beers, and he said, “So this movie is about some nun that boinked a rich guy with a million kids and then they split for the States.” Well, sort of. But I decided he needed to lighten up. It’s just a movie. And, being tourists in Europe, we had done what we had to do. We did the tour in Salzburg, where the hills are alive with the sound of singing tourists.