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Politics Politics Beat Blog

STATE GOVERNMENT UNDER SIEGE (Part One)

Jim Henry of Kingston in East Tennessee, who back in the ’70s and ’80s was a mover and shaker in the relatively sacrosanct Tennessee legislature of that time, was in Memphis Saturday to promote himself as a centrist Republican alternative to U.S. Rep. Van Hilleary, the Gingrich-style conservative who, many think, is close to having a lock on the Republican nomination for governor next year.

Henry — who is cast in the square-jawed, white-haired mold of several other 2002 hopefuls (gubernatorial wannabe Randy Nichols, the Knox County D.A., for example, or State Rep. Lincoln Davis, a Democratic aspirant for Hilleary’s 4th District congressional seat) — talked about a number of things to the members of the monthly Dutch Treat Luncheon at the Audubon Cafe.

Among them were taxes (he’s for reform and isn’t ready either to endorse or to rule out any version of it, including the income tax), TennCare (he’s for reforming it, too, but endorses the state-run insurance program as a financial and medical boon for Tennessee’s citizens), and fiscal policy in general (he came out for prioritizing state needs, raising enough revenue to pay for them, and then eliminating any excess money — presumably by tax cuts Ñ before government though up a way to spend it).

But the one thing that seemed to preoccupy Henry, both in his public remarks and in private conversation afterward, was the debacle in Nashville last Thursday night, which saw a state Capitol literally attacked by protesters as the lawmakers inside forsook a last-ditch good-faith effort to produce a long-term budget and instead hastily adopted a bare-bones no-new-taxes version which leaves many needs unspoken for and which may be vetoed by Governor Don Sundquist.

Not only epithets but rocks were thrown Thursday night by the throngs that turned out at the command of radio talk show hosts Phil Valentine and Steve Gill. Windows were broken out in Governor Sundquist’s first-floor office, and legislators were verbally abused and even manhandled.

Informed that Republican Senate Leader Ben Atchley, no supporter of the income-tax legislation that the crowd had turned out to protest, had been shoved two or three times as he made his way into the Senate chamber, Henry seemed especially troubled.

“That’s dangerous for someone like Ben. He’s had several bypass operations. We can’t be having that,” the GOP hopeful said, shaking his head and furrowing his brow. “I don’t know how we’re going to do it, but we’ve got to find a way that will let us deal with important questions and, at the same time, return civility to state government!”

II. Neither of those goals seems anything but remote after Thursday night. It had become fashionable in the preceding six months to ridicule, even condemn, the leadership of the current General Assembly for failing to agree on a budget that would allow the state to meet its current needs and make a few modest improvements.

State Senator John Ford of Memphis, whose legislative achievements are often overlooked because of his sometimes outlandish private behavior, earned the admiration of many observers late in the session as he both tried to break the revenue impasse with a flat-tax version of the income tax and excoriated the leadership of his own party and his own Senate for not dealing with reality.

They needed to resign and step down if they wouldn’t lead, he said. And, as the Senate bogged down Thursday and seemed likely to timidly accept some version of the bare-bones budget Ñ some $800 million short of estimated needs ÑÊthat they had more or less forced the House to adopt because of their own inaction, Ford had had enough.

He stalked out of the Chamber and strode down the long tunneled hallway leading from the Capitol back to his office, anouncing, “I’m leaving. They’re not going to do anything worth staying around for.”

And the flamboyant senator, famous for his fast driving, was, soon enough, hastening down I-40 back to Memphis.

But meanwhile, something of a miracle occurred. A group of senators from both sides of the aisle, determined to save something of their chamber’s reputation and to get a budget measure passed that would not force the state to gut vital programs (education and health services prominent among them), stirred themselves Thursday afternoon to putting together a workable formula.

Senator Bob Rochelle of Lebanon, the Democrat who is the Senate’s (nay the legislature’s) leading exponent of an income tax, and Republican Sen. David Fowler of Signal Mountain, a conservative’s conservative, began working on a compromise that would include Fowler’s insistence on allowing a statewide vote before an income tax could be legitimized.

True tax reform, as Governor Sundquist had long since recognized, if but reluctantly, could probably not be achieved through any other means. A sales-tax increase had proved unpassable because almost everybody had come to realize that Tennessee’s sales tax was already too high relative to its neighbor states, was based on an outmoded economy, and increasingly was incapable of accommodating the state’s future revenue needs.

For months, various hodgepodge formulas involving other measures — services taxes, sales-tax extensions, “sin” taxes on alcohol and tobacco, car-tag increases, etc., etc. Ñ had been shopped around and failed.

That left only the income tax, and, thanks largely to the tireless helmsmanship of Sen. Jim Kyle, the Memphian who was co-chairman and motive force of the joint House-Senate committee charged with finding a solution, Rochelle, Fowler, and others got close to an agreement.

The House had already signaled its willingness to accept an income tax. All the Senate had to do was find a formula. At one point, with 14 votes in the bag for some version of an income tax (of the 17 needed in the 33-member body), Rochelle came off his insistence on a graduated version (Republicans traditionally favor the flat-tax principle) and agreed on a statewide referendum that would either validate or sunset the tax one year after its institution.

Fowler, Sen. Randy McNally of Oak Ridge, and Collierville’s Mark Norris — who doubled as negotiators and as the three swing Republican voters who could make the proposal work — then accepted the proposition, according to Kyle, and headed back to their caucus at Rochelle’s insistence to get its approval.

III. It was at that point that Sen. Marsha Blackburn, who represents the elite Nashville suburb of Franklin and who functions as the poster girl for all populist right-wing causes, sat at her legislative desk and began batting out emails on her taxpayer-provided laptop, informing all members of her

ideological network — including, crucially, Valentine and Gill — that the pointy-headed scoundrels were at it again. They were about to pass an income tax.

The broadcasters — competitors on the radio but ideological allies — soon took to the airwaves and, as they done repeatedly every time in the last two or three years that the legislature came close to passing such legislation, called on their audiences to respond. In years before, the response had been caravans of horn-honkers surrounding the Capitol. Now the protest would take a more direct form — mass invasion of the Capitol grounds and its hallways.

The throngs began to gather even as the three Republican negotiators were pitchig the deal to their caucus. On a Senate telephone line, meanwhile, Lt. Governor John Wilder, who had been savaged by Ford for his back-and-forthing on the income tax, was trying to find the Memphis senator.

He eventually reached the voice mail on the motoring Ford’s busy cell phone, saying into the receiver, “John, this is John Wilder. You’ve got to be back here at 6:30 for us to vote. This is important. You’ve got to get back here.” Under the circumstances, it was an Offer That Could Not Be Refused from the still powerful Senate presiding officer.

On his way up an escalator to the Senate chamber for the contemplated vote, Murfreesboro Democrat Larry Trail was accosted by three tee-shirted youths who seemed to have come out of nowhere and looked out of place in the building (though, to be sure, they had the citizen’s right to be there).

One of the young men warned Trail, formerly an income tax opponent, not to waver on the issue. “If you do,” he said, “I will make sure you lose in the next election. I will work to make sure you are defeated,” he said, his tone and demeanor more belligerent even than the words themselves.

“It’s behavior like yours that makes me want to change my mind,” the husky Trail responded in his best down-home Middle Tennessee drawl. ÒI donÕt take kindly to threats.Ó With that, he turned his back and began walking briskly up the escalator steps. The scheduled vote was now only minutes away.

Behind Trail, as he entered the hallway leading to the Capitol elevator that would take him to the second floor to the Senate chamber, the three young men seemed almost to multiply. A trickle of ordinary citizens, some casually clad, others in suits, appeared instantly to have become a flood — almost as if the Capitol building were some stricken Titanic which had suddenly sprung a fatal leak.

Tennessee’s elected senators and representatives (the House, too, had been summoned by its leader, Speaker Jimmy Naifeh, to stand ready for action) made their way as best they could to their chambers.

Instead of facing only the imperatives of an historic vote, though, they would soon be dealing with an unprecedented reaction from a fast-growing crowd which the conservative Republicans Fowler and Atchley would be the first to describe by another name: mob.

Tennesssee’s elected lawmakers would find themselves literally under siege.

(To Be Continued)

Categories
Art Art Feature

THE DESIRE OF THE SAINT

The Pharmacist’s Mate

By Amy Fusselman

McSweeney’s; 86 pp.; $16

By now you’re familiar with Dave Eggers, author of A Heartbreaking Work of Staggering Genius, and his humorous and wildly experimental literary journal, McSweeney’s. On its sibling Web site at www.mcsweeneys.net, you can get your daily fix of content similar in spirit to that found in the journal. If you’ve visited the site, you know it’s maintained by and for purists, those who love the simple and beautiful sight of black ink on white paper. No banners here, no color. Just words. Gorgeous.

McSweeney’s also publishes books, nice little hardbacks. Amy Fusselman’s The Pharmacist’s Mate is the fourth book to receive the honor. Fusselman responded to and won a McSweeney’s Web contest in which the entrant who submitted the best idea for a book on marine electrical engineering (a typically arcane Eggers idea) would enjoy an authorcentric publishing deal with McSweeney’s. Fusselman’s book doesn’t really have anything to do with electrical engineering, but there is a boat in there.

The Pharmacist’s Mate is a nonfiction journal of sorts documenting a period of confusion and sorrow and wonder in Fusselman’s life: While undergoing the emotionally excruciating ordeal of employing the best obstetric sciences in order to get pregnant (a virtual impossibility for her — she’s healthy and married but evidently her mind is unconsciously rejecting her body’s every attempt at fertility), her beloved father, the one-time pharmacist’s mate of the title, takes ill due to his emphysema and unexpectedly dies. He spends his last few weeks coming in and out of the altered state of the dying; the spirit world seems to beckon to him while his daughter and wife do their best to hold on to what precious little time they may have left with him.

Interspersed with Fusselman’s journal entries are those her father wrote when he was the young pharmacist’s mate on a merchant marine vessel during World War II. Often, his sometimes haiku-like entries parallel Fusselman’s beautifully. She has obviously studied his wartime journal well in her desperation to somehow bring her father back, to savor him. It appears that when something from his journal alludes to or presages one of Fusselman’s very human dilemmas, however obliquely, she places it within her supple, loving narrative.

For a short journal, this book is quite a rumination on death, love, music, and life. One thing that particularly struck me is the way in which the author sees everything anew. She is fascinated by things she has taken for granted all her life, such as the invisibility of music, the miracle of hearing, and the silly theatrical appearance of, say, an AC/DC concert to a deaf person.

It seems that her father’s sudden death and the awful regimen of trying to get pregnant in a doctor’s office are what triggered this enhanced sensibility. Her heightened awareness begins to manifest itself soon after her father’s death. In one insightful passage, Fusselman tells us, “I have

never had anyone so close to me die. I am trying to pay attention to what it feels like.”

After I finished this book, I felt as if I were reeling. The deadpan manner in which Fusselman describes her attempts at pregnancy gently forces you to empathize with her plight, and the plight of all childless women yearning to be mothers, as her desire for kids and her anxious fear of kids collide like an unstoppable force and an immovable object. The passive voice employed, the lack of acerbic irony when faced with overwhelming psychological duress, renders Fusselman saint-like.

The Pharmacist’s Mate is touching, somehow reminiscent of Vonnegut’s best (especially in the closing paragraph), and a morsel of shattering prose. Out with formulaic writing, in with the heart letting it all hang out. I want more.

Categories
News News Feature

FALLING INTO DISGRACELAND

Maybe I’m a freak, but I sort of have a thing about punctuation marks. Some of them I like (the dash, the semicolon); some of them I hate (like the colon — ugh — and the exclamation point).

But out of all of them, the most troubling is the triple dot ellipsis. Couple it with the slight tinge of loneliness and you get this past week’s development — a crush on an old friend. It wasn’t a real crush: He lives half a country away, and it could never work out, but you know how it is. I responded to a mass emailing and he responded back to me, ending his message with “drop me a line sometime …” And sad as I am, that was all I needed. Swoon.

Without the ellipsis, I would have said, hmm, I thought that’s what I just did. I dropped you a line and let you know what was going on with my life. But I see ellipses and think, “Something is left out here. What’s he not saying? What couldn’t be said?” Then I start imagining marathon phone conversations and long distance love thangs. It’s funny: We weren’t close, I wouldn’t really be able to tell you what he looks like, and I vaguely recall a mutual dislike (or, I gathered a dislike from him, so I sent one crashing back). But there I was, pining nevertheless.

This illustrates my first and possibly only point. With the abundance of telecommunication in our digital age, punctuation has become more important than ever. Sadly, it’s as misused as a turn signal on Union Avenue (seriously, people, all you have to do is tap them on before you make your turn. It’s not hard. They go off by themselves), but that doesn’t lessen its importance.

As much as e-mail and instant messaging are convenient, cheap, and just plain cool, their existence has signified a return to the written word. And since you don’t hear your email or instant messages (at least I don’t, who knows what kind of technical wizardry some of you have out there), the only way to convey tone or emotion is with those pesky little dots and slashes.

I won’t give you a grammar lesson (not that I could even if I wanted to), but my simple plea is that people will be mindful of their commas, dashes, slashes, and, of course ellipses.

You don’t want someone trying to figure out what you meant by an exclamation point or what you’ve left unsaid. Especially if they have as active an imagination as mine.

( Mary Cashiola writes about life every Friday @ memphisflyer.com. You’re invited to come along.)

Categories
News News Feature

BRAND AWARENESS

Grizzlies owner Michael Heisley has said the thing that made him choose Memphis over Louisville was the involvement of FedEx.

FedEx will have naming rights for the new downtown arena, the latest in a long list of sports and entertainment connections that includes FedEx Field, the home of the Washington Redskins; the FedEx St. Jude Classic golf tournament; the FedEx Orange Bowl; commercials in pro and college football, basketball, and auto racing; and prominent placement in such movies as Cast Away and Driven.

FedEx chairman Fred Smith was a leader of the Memphis quest for an NFL team for more than a decade and owned the short-lived Memphis entry in the Canadian Football League, the Mad Dogs. While he was not personally involved with NBA Now, he is a keen student of the professional sports scene as both a fan and a CEO.

The Flyer asked him about the NBA and FedEx.

What is the deal between FedEx and the Grizzlies?

ÒAt this point there is simply the sponsorship of the arena. Now, we did make them a proposal for naming the team as well, but the NBA was not prepared to go there at this point. I donÕt know exactly what the amount is, but itÕs a fair price based on the comparables.Ó

How does a sponsorship make sense for your company?

ÒThe demographics of the people who make shipping decisions heavily favors sports marketing and, to a lesser degree, news marketing. Those two sectors are most effective for us in terms of broad opportunities.

ÒThe problem with all advertising today is that all outlets have been balkanized, first by cable television, second by the emergence of industry-specific publications, and third and most of all by the Internet. The trick in reaching broad markets is to have presentations where commercials or your brand name canÕt be cut out. So a sponsorship, whether itÕs the NBA or the Redskins stadium or the FedEx Cart Series or the FedEx Orange Bowl, is the total number of impressions. In Washington there is the added value of the political and international communities. In Memphis, obviously, itÕs our headquarters and important for our recruiting and quality of life. But both are commercially justifiable on the basis of millions of impressions.Ó

Sports commentator Frank Deford says the NBA today is as out of favor as day trading. But mutual fund manager and team co-owner Staley Cates says now is the time to buy. How do you see it?

ÒIÕm not really familiar with the economics of the NBA. The economics of reaching NBA audiences and owning an NBA team are two different things. IÕll leave the second one to Pitt Hyde and Staley Cates.Ó

In 1993, the expansion fee for the NFL was $150 million when Memphis was going after a team. In 1998, the initiation fee for the Cleveland Browns was $476 million, and a year later it was $700 million for Houston. You and Billy Dunavant had a bargain.

ÒThe reason sports teams sell for so much and athletes make so much is scarcity. It is just that simple. A lack of competition allows providers to claim premium prices. ItÕs also driven by the things I mentioned earlier. The added outlets of cable and the Internet make the ability to assemble a broad audience worth more even in a declining marketplace. ThatÕs why the Super Bowl charges more every year, and why we advertise on the Super Bowl.

ÒThe price of these teams is very remarkable. ThereÕs no doubt in my mind Memphis could have had an NFL team last time if it had been willing to do what Jacksonville did. Perhaps partly because of that experience or for whatever reasons, the city did do those things and it got the NBA team. The fundamental thing was building the new arena. That was the same thing the NFL wanted, absent which there was no chance to get either.Ó

Categories
News News Feature

WE RECOMMEND (THE INCREDIBLE PART)

Bear with me. In the past few weeks I: experienced my first open-mike “poetry night” at a local nightclub, something from which I may never fully recuperate and which has likely rendered me unable to view the world in the same light again, as it was like staring into the very face of Armageddon; sat on a golf course with the lead singer of one of the most successful pop music groups in the world; squatted down at the duck palace on the Peabody’s Plantation Rooftop with a very large professional athlete who made quacking sounds in Greek while trying to communicate with one of the famed Peabody ducks (cute, cute, cute); spent many hours in a nursing home, including four that were taken up listening to someone who knew not where she was and talked about her family’s history in the context of how it related to cornbread; ate at a restaurant in Cordova; sat in a parking lot with the police for three hours in the middle of the night (we were the victims, not perpetrators, just to set that one straight); and drove within yards of the entrance to Bellevue Baptist Church on a Sunday morning with the parking lot filled with a sea of cars, at which point my own car’s front wheels lifted off the ground while the back wheels increased to maximum speed (a wheelie burning rubber for those of you from Parkway Village), as the entire car began to spin in circles and finally exploded (well, not really, but it felt that way). It was quite harrowing, actually, especially when I passed the section of the compound that I thought was their own golf course. I kept looking for the airplane landing strip, but it must have been hidden somewhere out of sight. Man, that place is big. And scary. But to each his own. It takes all kinds to make the world interesting. And there really must be herd control, lest the populace-at-large becomes even more frightened of life, and therefore more crazy. So go. Go out into the world and do what you must to muddle through life without going totally nuts. I’ve obviously passed that threshold.

Categories
We Recommend We Recommend

thursday, july 12th

The Dempseys are at Elvis Presley s Memphis. The Wandering Jews Traveling Klezmer Band is at the Center for Southern Folklore. Johnny Romania Legends of Rodeo and The Great War are at the Map Room. Fog City Caravan with Papa Mollie and Mofro are at Young Avenue Deli. The Chris Scott Band/ is at Poplar Lounge. Frank Emerson is at the new Dan McGuinness Pub in Peabody Place. And last but certainly not least, Cory Branan is playing tonight at the Hi-Tone.

Categories
News The Fly-By

DROOL

Revolver was once — briefly — a slender but fairly reputable music rag. Now it s 100 percent devoted to head-banging, devil-shouting, goat-exploding heavy-frikkin -metal. In the most recent issue a column titled At the Strip Club focuses on Memphian and Saliva frontman Josey Scott and his relationship with the nice girls at Platinum Plus. Here s an excerpt:

Revolver: Do you agree that men nowadays would rather gawk at cleavage than be confronted with the groceries flopping out there like glistening circus balloons?

Scott: I like it when girls leave something to the imagination; that drives me crazy. I like the real-woman look. I like em all though; I like every one of those 31 flavors.

Classy, no?

Categories
Film Features Film/TV

PRETTY SLEAZY

Swank, this summer, just got a little swanker with the release of the Brit
ganglander Sexy Beast. Schizophrenically set in the gloomy streets of
London and a posh hillside villa on the sun-soaked coast of Spain, this debut
from Jonathan Glazer is a devilishly naughty ride into the shady other-lives
of a couple of ex-cons who get involved in a one-more-for-old-time’s-sake sure
thing.

The slightly pudgy, sharply dressing, and eminently lovable Gal Dove (Ray
Winstone) is living the life of Riley with his former porn-star wife Deedee
(Amanda Redman) on a Spanish coast magnificently captured by cinematographer
Ian Bird. In luxury’s lap, they and their friends (and eternal guests) Aitch
and Jackie fashion quite a hot and steamy poolside foursome. Their collective
dreamlives among desert lounge-rat exotica include martinis endlessly
trickling, the sun beating them into submissive bliss, and a requisite
fetching, native pool boy, as they gleefully achieve the purest form of
hedonism that exists: escaping the sordid past. Theirs is a Shangri-la with
fresh paella.

When the phone rings with Don Logan (Ben Kingsley) on the other end, paradise
is abruptly lost. The mood is further soured when ‘Malky’ Logan shows up
uninvited with an offer Gal can’t refuse which involves an impregnable bank
and a trip back to the dismal toilet of England. All bloody hell breaks loose
when Logan will not accept no for an answer from his former partner and wildly
vents his fury on anyone within striking range of his tweaked, on the verge of
boiling-over aura.

As a foul-mouthed, terribly dressed, tattoo-sporting, mean-looking, cockney-
accented, kick-ass Ghandi, Kingsley becomes the film. Like his maniacally
focused eyes, his characterization of one obsessed with the nihilism of
obsession is enthralling and creepy and will make you sink into your seat. The
film’s focus on his portrayal of a driven psychopath tiptoeing the borderline
is the beast that overpowers a see-through plot that, in light of the actor s
performance, wanes incidental. The darkness that Kingsley unleashes overpowers
all else.

The heist of a bank in Londontown, planned during a slow point of an orgy, is
what the team of pros rounded up by Logan have set their sights on.
Considering its proximity to a Turkish bath and the general improbability of
the logistics, the robbery is nevertheless filmed so imaginatively that we are
mesmerized and immersed in the scene of the crime. Known for his U.K. Guinness
commercials and videos for Radiohead and Jamiroquai, Glazer unites a gangster
tale, a love story, and a psychological Jekyll and Hyde portrait in a visual
style heavily indebted to the glitz of those fast-paced genres. Peppered with
vignettes that include slow-motion unreality colored in Dali light and
inhabited at times by a furry, disgusting creature that we never quite get to
see close-up, the story is threaded together with scenes of unadulterated
strangeness. These moments seem inspired by the desolate locale, or perhaps
they re mini-tributes to the surreal filmmaker Luis Bu§uel.

More such reveries of the fantastic could have helped the flow of a dreamily
buoyant story that opens with a silly and shocking Python-esque thrill, to say
no more. Energized by a soundtrack that ranges from pulse-pounding techno, to
the trip-hoppy Unkle and South, to the lounge sounds of Dean Martin and Latin
flavorings of Roque Ba§os, the soundtrack pumps the visuals along. Sexy
Beast
sounds really good. It looks really good. It feels really good. And
if it s so, so good, then it should be bad.

But it isn t. The pace slows but never lets up entirely. This is largely due
to the lesser of two evils, Mr. Black Magic, Teddy Bass, the big boss icily
played by Ian McShane. He is as striking and collected as any recent
incarnation of Beelzebub. His presence escorts Gal through the final circles
of a personal hell. The anti-climactic resolution to their conflict is edgy
and keeps us hanging. What s spookiest and keeps Gal sleeping with one eye
open is the terror of what might happen: the ghost in the plot. Always, there
s the ghoulie waiting to reappear.

For its speedy 88-minute duration, the film is chaos controlled and unleashed
in a nouveau-noir style: light on the distractions and heavy on action and eye
candy. What makes it swing, as in any crime worth committing, is its many
unpredictable turns due to inevitable eff-ups. Overlooking the
superficialities of details, details, details, this beast of a movie owes a
little to the Coen Brothers Blood Simple and to Tarantino in its visual
nightmare a hairbreadth away from screaming reality. It really has, as
reported by Sundance News, the coolest ending of the year. This film is
definitely a weird immorality tale that s as sexy as the beast himself. Run to
see it and worship at the evil Kingsley s altar!

Categories
News The Fly-By

DROOL

Revolver was once — briefly — a slender but fairly reputable music rag. Now it s 100 percent devoted to head-banging, devil-shouting, goat-exploding heavy-frikkin -metal. In the most recent issue a column titled At the Strip Club focuses on Memphian and Saliva frontman Josey Scott and his relationship with the nice girls at Platinum Plus. Here s an excerpt:

Revolver: Do you agree that men nowadays would rather gawk at cleavage than be confronted with the groceries flopping out there like glistening circus balloons?

Scott: I like it when girls leave something to the imagination; that drives me crazy. I like the real-woman look. I like em all though; I like every one of those 31 flavors.

Classy, no?