Categories
News News Feature

FROM MY SEAT

BOBBLE, BOBBLE, TOIL, AND TROUBLE

This bobblehead craze . . . well, it’s got my head spinning. I just don’t get it. And I’ve tried. As much as I love sports — and I’m just as much a sucker for a nice collectible as the next guy — I just don’t understand the bobblehead phenomenon. You shape and paint the likeness of a sports hero — or bench-warmer, it doesn’t seem to matter — attach the oversized head, via spring, to what amounts to a one-size-fits-all body, and you’ve got a ceramic (or plastic) “doll” for life. It would be one thing if this was a fad of sorts, kind of like those obnoxious crown-shaped air fresheners you’d see on car dashes years ago. But these babies are fetching some cash! My dad’s an economics professor. I know of supply and demand. The manufacturers are keeping the supply under control, for obvious reasons. But the demand? Why?

A recent cyber-trip to eBay provided an alarming lesson on bobble value and its relationship to the star-power of athletes. The lesson? There is no relationship.

For some perspective, we’ll start with a pair of locals. A bobblehead of the Memphis Grizzlies’ shoo-in for Rookie of the Year, Pau Gasol, was Going for around $20, as was that of Gasol’s teammate, Jason Williams. It should be noted, now, that the Williams bobblehead — designed free of hair in homage to the early-season J-Will — looked more like one of those creatures that stepped off the ship in “Close Encounters of the third Kind” than it does our loveable, dribble-happy point guard. Which is a sizable flaw, if you ask me, in the mission at hand. If I purchase a Jason Williams trading card, poster, or photo, I can look at my souvenir, share it with my buddies, even frame the image as a tribute to an NBA star. If I were to cover up the uniformed body on that bobblehead and show it to friends, they’d be sure I was displaying Bruce Willis from “12 Monkeys.”

Back to the eBay price comparison. Dallas sports fans will be happy to know they can have a bobblehead of Troy Aikman — owner of three Super Bowl rings and a mortal lock for the Hall of Fame — for around $10. Now, if they happen to be Mavericks fans and want a bobblehead of Eduardo Najera — a popular bench player still best known for having his noggin opened up in a head-on with Mateen Cleaves at the 2000 NCAAs — they’re looking at a starting price of $79.95.

Even sports fans who don’t the difference between a Zamboni and Zanzibar are going to recognize hockey legend Mario Lemieux. Probably one of the three or four hockey players that would in fact be picked out of a lineup anywhere in the U.S., to say nothing of Canada. Well, Super Mario has a bobblehead, designed in Olympic attire no less. Last I checked, the price was a very reasonable $13. When I scanned down to find Marian Gaborik’s bobblehead, imagine the shock at his price tag: $60. Or Ilya Kovalchuk’s: $25. If you know who Gaborik (a member of the Minnesota Wild) and Kovalchuk (Atlanta Thrashers) are, you need to pack your bags, grab all the Molson from your fridge, and head back to Manitoba. I don’t

care about any law of supply and demand . . . when Gaborik fetches four times as much as Lemieux, something’s amiss.

Overpriced toys, designed in unrecognizable likenesses of often mediocre professional athletes. Gimme more! What the heck ever happened to trading cards, people? Or hey, I’ll even concede some value to the line of sports figures designed by Starting Lineup. I’ve got three of them in my office, actually, a baseball player, a football player, and a hockey player. With SLUs, you at least have a somewhat poseable replica of a given athlete, sculpted with head-to-body proportion in mind. Nothing like a good Seventies-era Star Wars figure, but a reasonable attempt at least.

Perhaps most disturbing is the fact that, whereas most marketing efforts around celebrities are done in ways that flatter the star, bobbleheads would seem to accomplish the exact opposite. An individual’s appearance is reduced to what amounts to caricature (thus the easy Willis/Williams bald confusion). The Elvis bobblehead distributed by the Grizzlies April 5th could just as easily have represented one of those obnoxious New Kids on the Block from the early Nineties (don’t ask for a name). But can you imagine what it’ll go for on eBay?!

The kicker for me was seeing where Hall of Fame shortstop Ernie Banks fits in the bobblehead ranks. One of the most likeable athletes to ever suit up on American soil, Mr. Cub’s toy was priced at $15. A bobblehead of ESPN sportscaster Stuart Scott — yes a talking head bobblehead — was going for no less than $51. Is your head spinning, too?

(Care to respond? Write mailonthefly@aol.com.)

Categories
We Recommend We Recommend

tuesday, 16

Ah, it s Tuesday. Better eat lunch at the Orchid Club. And Saturday Night Fever opens tonight at The Orpheum.

Categories
News The Fly-By

COOTERS

And speaking of inappropiate anatomical referees, connoisseurs of local television news may have noticed that Fox 13 weatherpersons have taken to showing video clips of cities in the outermost reaches of their broadcast area. On Monday night, Fox 13 showed a large sign reading, Welcome to Cooters, Mo. and announced, Tonight, we re watching Cooters. Classy stuff, that.

Categories
Music Music Features

LIKE MOTHER LIKE DAUGHTER…HELL, LIKE ‘EM BOTH!

SOMETIMES A CIRCLE,’ LOUISE GOFFIN (DREAMWORKS)

Hell, yes, it’s a pop record. Were you expecting anything less from Carole King’s daughter? Sometimes a Circle is kind of like King’s Tapestry as rerecorded by trip-hop pioneers Portishead. And, at times, Goffin’s phrasing is similar to Aimee Mann’s but without the twitchy borderline-personality-disorder angst. There’s even an echo of Laura Nyro or two along with the Brill Building pop-tune catchiness that her mother and father — tunesmith Gerry Goffin — were known for in the early ’60s.

Every tune here sounds like a “relationship song” with heavy dashes of blinkered self-involvement and psychobabble aplenty. But this is a pop record and what counts are the hooks, the beats, the melodies, and the smooth vocals, and this record sounds great in the same way that a Chris Isaak record does. It doesn’t matter that the person singing is about as deep as a mirror and as smart as a rabbit. This is narcissist rock that doesn’t offend.

The real star here is producer Greg Wells, who also happens to be Goffin’s husband. He constructs sparse chamber-pop settings around his wife’s sometimes sappy lyrics in such a way that you find yourself singing along to the most inane choruses and enjoying it. Now that’s the essence of a pop record, it would seem. Sometimes surface sheen is enough.

— GRADE: B+

Categories
We Recommend We Recommend

monday, 15

Ah, the Ides of March. Er, April. Be careful, anyhow. Better eat lunch at the Orchid Club. And today is opening day of the new Wonders exhibit, Czars: 400 Years of Imperial Grandeur, featuring more than 250 objects from the Romanov Empire.

Categories
News News Feature

FROM MY SEAT

BOBBLE, BOBBLE, TOIL, AND TROUBLE

This bobblehead craze . . . well, itÕs got my head spinning. I just donÕt get it. And IÕve tried. As much as I love sports Ñ and IÕm just as much a sucker for a nice collectible as the next guy Ñ I just donÕt understand the bobblehead phenomenon. You shape and paint the likeness of a sports hero Ñ or bench-warmer, it doesnÕt seem to matter Ñ attach the oversized head, via spring, to what amounts to a one-size-fits-all body, and youÕve got a ceramic (or plastic) ÒdollÓ for life. It would be one thing if this was a fad of sorts, kind of like those obnoxious crown-shaped air fresheners youÕd see on car dashes years ago. But these babies are fetching some cash! My dadÕs an economics professor. I know of supply and demand. The manufacturers are keeping the supply under control, for obvious reasons. But the demand? Why?

A recent cyber-trip to eBay provided an alarming lesson on bobble value and its relationship to the star-power of athletes. The lesson? There is no relationship.

For some perspective, weÕll start with a pair of locals. A bobblehead of the Memphis GrizzliesÕ shoo-in for Rookie of the Year, Pau Gasol, was Going for around $20, as was that of GasolÕs teammate, Jason Williams. It should be noted, now, that the Williams bobblehead Ñ designed free of hair in homage to the early-season J-Will Ñ looked more like one of those creatures that stepped off the ship in ÒClose Encounters of the third KindÓ than it does our loveable, dribble-happy point guard. Which is a sizable flaw, if you ask me, in the mission at hand. If I purchase a Jason Williams trading card, poster, or photo, I can look at my souvenir, share it with my buddies, even frame the image as a tribute to an NBA star. If I were to cover up the uniformed body on that bobblehead and show it to friends, theyÕd be sure I was displaying Bruce Willis from Ò12 Monkeys.Ó

Back to the eBay price comparison. Dallas sports fans will be happy to know they can have a bobblehead of Troy Aikman Ñ owner of three Super Bowl rings and a mortal lock for the Hall of Fame Ñ for around $10. Now, if they happen to be Mavericks fans and want a bobblehead of Eduardo Najera Ñ a popular bench player still best known for having his noggin opened up in a head-on with Mateen Cleaves at the 2000 NCAAs Ñ theyÕre looking at a starting price of $79.95.

Even sports fans who donÕt the difference between a Zamboni and Zanzibar are going to recognize hockey legend Mario Lemieux. Probably one of the three or four hockey players that would in fact be picked out of a lineup anywhere in the U.S., to say nothing of Canada. Well, Super Mario has a bobblehead, designed in Olympic attire no less. Last I checked, the price was a very reasonable $13. When I scanned down to find Marian GaborikÕs bobblehead, imagine the shock at his price tag: $60. Or Ilya KovalchukÕs: $25. If you know who Gaborik (a member of the Minnesota Wild) and Kovalchuk (Atlanta Thrashers) are, you need to pack your bags, grab all the Molson from your fridge, and head back to Manitoba. I donÕt

care about any law of supply and demand . . . when Gaborik fetches four times as much as Lemieux, somethingÕs amiss.

Overpriced toys, designed in unrecognizable likenesses of often mediocre professional athletes. Gimme more! What the heck ever happened to trading cards, people? Or hey, IÕll even concede some value to the line of sports figures designed by Starting Lineup. IÕve got three of them in my office, actually, a baseball player, a football player, and a hockey player. With SLUs, you at least have a somewhat poseable replica of a given athlete, sculpted with head-to-body proportion in mind. Nothing like a good Seventies-era Star Wars figure, but a reasonable attempt at least.

Perhaps most disturbing is the fact that, whereas most marketing efforts around celebrities are done in ways that flatter the star, bobbleheads would seem to accomplish the exact opposite. An individualÕs appearance is reduced to what amounts to caricature (thus the easy Willis/Williams bald confusion). The Elvis bobblehead distributed by the Grizzlies April 5th could just as easily have represented one of those obnoxious New Kids on the Block from the early Nineties (donÕt ask for a name). But can you imagine what itÕll go for on eBay?!

The kicker for me was seeing where Hall of Fame shortstop Ernie Banks fits in the bobblehead ranks. One of the most likeable athletes to ever suit up on American soil, Mr. CubÕs toy was priced at $15. A bobblehead of ESPN sportscaster Stuart Scott Ñ yes a talking head bobblehead Ñ was going for no less than $51. Is your head spinning, too?

(Care to respond? Write mailonthefly@aol.com.)

Categories
We Recommend We Recommend

sunday, 14, 2002

If you want to chow down on some of the best food in the city and help out a worthy cause, you can taste plenty of it tonight at Taste of the Nation at the Adam s Mark Hotel, one of the biggest food events of the year, which benefits the Food Bank. Back at the Lounge, the Memphis Black Repertory Theatre opens its three-night production of Swinging & Singing, a cabaret-style show featuring music from the 50s to the 80s. And The Susan Marshall Band is at the Blue Monkey.

Categories
News The Fly-By

COOTERS

And speaking of inappropiate anatomical referees, connoisseurs of local television news may have noticed that Fox 13 weatherpersons have taken to showing video clips of cities in the outermost reaches of their broadcast area. On Monday night, Fox 13 showed a large sign reading, Welcome to Cooters, Mo. and announced, Tonight, we’re watching Cooters. Classy stuff, that.

Categories
News News Feature

IN HOT WATER

The city of Lakeland wants Shelby County commissioner and developer Clair VanderSchaaf to pay up.

In a complaint filed Thursday, April 4th, attorneys for Lakeland claim that VanderSchaaf personally, and in conjunction with several development companies he operates, owes the city $185,270.68 plus interest and attorneys’ fees.

“It’s pretty cut-and-dried,” says Bob Ledyard, the attorney who filed the complaint for Lakeland. “These are fees that Lakeland fronted for development and that VanderSchaaf is contractually bound to pay. I don’t know why he hasn’t paid yet.”

But VanderSchaaf says he hasn’t paid Lakeland because he doesn’t owe them anything.

“They have no substantiating documents. They’re not legitimate fees or bills,” says VanderSchaaf. “We’ve paid all of our fees there like we do with any development.”

The issue, according to Lakeland’s complaint, is that VanderSchaaf incurred debt when developing four residential neighborhoods in Lakeland. Each of the neighborhoods — Plantation Hills, Fairway Meadows, Woodland Park, and Paradise Lake — required water, sewer, and roadway infrastructure to be installed, and Lakeland says that VanderSchaaf agreed to reimburse the city for these up-front costs. In addition, the complaint alleges that VanderSchaaf also “agrees to pay the cost of all engineering, inspection, and laboratory cost[s] incidental to the construction of subdivision streets” and “water service in or to the subdivision.”

VanderSchaaf disagrees.

“They had an engineer that went wild with his billing, and they’re just looking to collect money from wherever they can get it,” he says.

On July 14, 1997, Maurice Azain Jr., the city manager of Lakeland, sent an itemized invoice to VanderSchaaf Development seeking reimbursement for the city’s work. On August 24, 1998, James Marco Callahan, responding on VanderSchaaf’s behalf, sent a letter to Azain. Callahan’s letter offers to donate 11 acres to the city in exchange for dismissing the debt.

VanderSchaaf says that Lakeland did not accept the land donation and that he did not intend for the land gift to be in lieu of payment.

“I was offering park land in several locations just to be a good citizen,” says VanderSchaaf. “But since they were claiming that I owed them for these fees, I just said, ‘Well, while you’re at it … .'”

He says that he was served with the complaint last week and has not yet spoken with his attorney. By law, VanderSchaaf has 30 days in which to file a response.


Categories
Music Music Features

LIKE MOTHER, LIKE DAUGHTER…HEY, LIKE ‘EM BOTH!

SOMETIMES A CIRCLE,’ LOUISE GOFFIN (DREAMWORKS)

Hell, yes, it’s a pop record. Were you expecting anything less from Carole King’s daughter? Sometimes a Circle is kind of like King’s Tapestry as rerecorded by trip-hop pioneers Portishead. And, at times, Goffin’s phrasing is similar to Aimee Mann’s but without the twitchy borderline-personality-disorder angst. There’s even an echo of Laura Nyro or two along with the Brill Building pop-tune catchiness that her mother and father — tunesmith Gerry Goffin — were known for in the early ’60s.

Every tune here sounds like a “relationship song” with heavy dashes of blinkered self-involvement and psychobabble aplenty. But this is a pop record and what counts are the hooks, the beats, the melodies, and the smooth vocals, and this record sounds great in the same way that a Chris Isaak record does. It doesn’t matter that the person singing is about as deep as a mirror and as smart as a rabbit. This is narcissist rock that doesn’t offend.

The real star here is producer Greg Wells, who also happens to be Goffin’s husband. He constructs sparse chamber-pop settings around his wife’s sometimes sappy lyrics in such a way that you find yourself singing along to the most inane choruses and enjoying it. Now that’s the essence of a pop record, it would seem. Sometimes surface sheen is enough.

— GRADE: B+