Categories
News News Feature

THE WEATHERS REPORT

THE WRONG WAY ON A ONE-WAY STREET

A few days ago, I got an email from a reader. He was responding to my column in this space last week, which questioned the constitutionality of a U.S.-led attack on Iraq. Along the way, the column also just might have implied that it would be for the best if George Bush were impeached. Anyway, this reader was unusually eloquent. He sent me a total of four words. “Shut up,” he wrote. “Go away.”

This week, I’m seriously considering his kind advice.

Never in my lifetime–I’m 57 years old–have I been this disaffected from my own country. Not even the Machiavellian Nixon or the hollow-headed Reagan made me feel this out of touch with the United States. The polls tell me that at least 65% of Americans approve of our going to war with Iraq. The polls also tell me that over 45% of Americans believe Saddam Hussein was personally responsible for the terrorist attacks of 9/11. The math suggests, then, that about two-thirds of Americans who support the war support it because they are simply ignorant.

No wonder the rest of the world thinks of Americans as parochial fools. We don’t know who’s done what. We let cynical speechwriters lead us by the nose into the darkness. (How many times did Bush use “Saddam” and “9/11” in the same prefabricated sentence at his press conference last week? By now he probably does believe Saddam hired the terrorists.) We make enemies of our most honest friends because they refuse to tell us what we want to hear and then take our resentments out on exactly the wrong people. (French restaurants in the U.S.–nearly all owned by American citizens–are experiencing a terrible drop in business.) We really like weapons of mass destruction–as long as they’re ours. We think bombing people will make us new friends to replace the ones we’ve alienated. We think labeling people as “evil” will encourage them to do our bidding, and we go cross-eyed with bewilderment when it doesn’t. We treat one day of terrorism as jusification for years of paranoia. We happily trade real civil rights for hypothetical security. We accuse anyone who says “peace” of being unpatriotic.

So what are the rest of us to do now ? What are we, who believe the assault on Iraq is stupid, who think George Bush is dim, who think our Rumsfeld-Rice-Wolfowitz “national strategy” of preemptive warfare is wrong-headed to the point of real evil, and who think John Ashcroft is the most dangerous man in America–what do we do now? We’re obviously out of touch with the rest of our fellow citizens. We seem to be driving the wrong way on a one-way street. And even if we’re still convinced it’s the right way, there’s a good chance we’ll get dented, smashed, flattened and left to lie ignored in the wreck on the macadam as we try to make our way to wherever we want to go.

I don’t have a lot of hope for the U.S. right now. My hope is that the Iraq War goes quickly, that Iraqi troops lay down their weapons tomorrow, and that not too many people get hurt. But that, of course, will just encourage the Bush administration, no doubt more popular in the polls than ever, to try it again, somewhere else–Iran, North Korea, Syria, Libya. And that will be very bad.

So what do I do? “Shut up. Go away.” Well, no. I won’t shut up. I’m too arrogant for that–not that I think anything I write will change anybody’s mind. Besides, though I’m preaching to the converted, I think the converted need to encourage each other.

But as for going away, well, I do plan to eat at a French restaurant next weekend. I hear there’s a good one in New Zealand.

A READER RESPONSE:

Mr. Weathers,

As an American, I don’t think you should shut up. However, as a journalist I DO think you and your colleagues at the Flyer need to be fully aware of the threat that Saddam Hussein is – not only to the U.S., but to France, Germany, Russia and any other member of the free world. And over the last few weeks as I’ve read the Flyer’s war-related coverage, I don’t get the sense that any of you really do – and that’s inexcusable in my opinion. Bottom line: the man is addicted to weapons of mass destruction. Ask any UN Inspector who has been to Iraq in the last 12 years and they’ll tell you that not only is it almost a certainty that he has nuclear capabilities, he is fantasizing about the day when he’ll be able unleash that power. Clearly, this is a person who has to be dealt with – now.

I highly recommend you carefully considering http://www.pbs.org/wgbh/pages/frontline/. It’s a fascinating series on recent history/dealings with Iraq and one that I’d hope would be an eye-opener for you. If you take the time to get the truest sense for the man that is Saddam Hussein, I think you’ll gain a new respect for the leaders of our country and the difficult decisions they’ve faced leading up to this week.

Respectfully,

Joel A. Frey

Dallas, TX

Categories
News News Feature

FUNNY STORY: LETTER FROM THE PEACE FRONT

CLEARWATER, FLA. — Just now I’m watching the tanks march into Iraq, flipping between Aaron Brown and Peter Jennings, when I stumble upon, yes, TBS and its showpiece program, whatever rumble thing the WWF calls its prime time show. Obviously, this is prime time, cause I tune in just in time to see an in-ring scuffle between Vince MacMahon (the boss guy, isn’t he, of the wrestling world?) and The Hulkster himself, evidently in comeback mode. (Hogan, btw, lives in a grotesque 30,000+ sq ft Norman mansion on the bay here in Clearwater, about a quarter mile from where I sit; it’s part of the folksy little show-and-tell we do for newcomers to our spring-training group; just yesterday we drove by and saw two barrels of trash outside, and debated for a while whether we would be criminals if we rifle through it to find some eBay-worthy Hulkobilia.)

But I digress. On the tube the wrestling crowd is roaring for blood, Hogan is lying prone on the mat (two chairs and a table are in the ring; evidently I was tuning in late to a botched signing of some sort). McMahon is screaming and cussing, the crowd is roaring, and they get the blood they want when McMahon screams “You’ll sign this, you bastard; you’ll sign this!”, jumps atop the Hulkster, and fakes (I assume) putting his pen in Hogan’s right eye. Sure enough, after a dozen photogenic stabs and the requisite attendants “trying” to pull McMahon away, a flood of red liquid of course goes spurting everywhere. And the crowd roars more, and roars for more….

I’d had enough, and flipped quickly to ABC, and there was, almost startling in contrast, Ted Koppel: all in beige, just inside Iraq, looking positively jaunty alongside the gleaming-steel tanks and Bradley fighting machines that were passing along by the dozens behind him. The colors — blue in the sky, southern California beige on Ted’s nifty Banana-Republicy duds, and slightly more washed out on the ground all around — were magnificent, almost magical. Koeppel keeps flipping back and forth to Peter J. and to the “embedded” journalists all around, who yack and yack with all the enthusiasm of schoolboys on their first grade-school field trip to, say, Fenway Park for a Thursday afternoon game.

“These guys are America’s first team,” waxes eloquent one General just now, back home in Mission Control with Jennings. “The best of all All-Americans.” If that’s the case, I guess the scrubbeenies play for the Congressional 635, since that legislative bunch of pond scum, 100 senators and 435 congressmen strong, can count but a single, solitary enlisted military man among their progeny…

Hypocrisy and shallowness are everywhere it seems, these days, but one would have to go a long way to top the network tv media in either of these areas. CNN has just spent the past hour doing homilies to war, squibs on how this gizmo really works, and this one too, and isn’t this all just nifty? while ignoring completely the arrest of a thousand anti-war folks in SF today, similar large #s in NYC and Washington, and the shutting down of Lakeshore Boulevard during rush hour in Chicago — first time he can recall THAT ever happening, a native just told me by phone. And massive protests all over Europe?

Nope, guess it’s “not news” on a day like today, when the legions are marching in triumph. Hey, buddy, Aaron Brown, can you spare a dime? Give the troops the 50 minutes out of 60 they surely deserve, but hey, can’t you spare ten, maybe, for completing the tableau?

Nope. We are in war mode now, and this kind of sanitary war, against a pygmy enemy. No, this kind of war is a thing of beauty, something to be proud of. Especially since we have JUST the army that knows how to fight it. So many tanks, so many planes, so many weapons of not-significantly-mass destruction, at least not on their own; no, we wouldn’t have anything but good weapons on our side.

Just “awesome military might,” as Koeppel just noted. “A remarkable sight to behold,” Jennings cooed in response. It’s all a bit like watching that first-ever Michael Jordan-led Dream Team take the floor at the 1994 Olympics, an other-worldly juggernaut that would shortly proceed to scramble the marbles of every known basketball team on the planet…

Can you say “formidable”? That’s us, this time as well, as those weak-kneed Iraqi conscripts slink away before our military might. A bomb here, a bomb there, a lucky raffle ticket in the Saddam Hussein Sweepstakes, and, bingo! We’ll have this all wrapped up in no time. Okay, so the Iraqis aren’t in the same weight class as us, but, hey, we’re playing by World Wrestling Federation rules, damn it, not those drawn up by any Marquis of Queensberry. Damn Frenchman! Or probably was French at heart, the limey creep.

Get out of our way. Beating up stiffs makes us feel good, damn it, and feeling good is, clearly, what it’s all about these days in these United States, the imperial center of the universe in 2003.

I should, I know, relax, sit back and enjoy the spectacle. But try as I might, I get eerie bad vibes when I switch between the CNN/ABC noble-knights-of-war scenes lifted whole cloth, it seems, from El Cid or some such mythic movie, and the TBS tableau that has Hulk Hogan on the mat all “bloodied” and “battered,” with the crowd screaming for more.

Sorry; the Roman Empire analogy has been done to death these days, but sheesh, this is getting almost too poignant. Our mighty mercenary legions are marching in all their glory across the sands against the worthless barbarians, and are about to smite them justly, since smitten they deserve to be. Meanwhile, back home in Rome, the citizens are enjoying their bread and circuses; today we will throw Hogan to the lions, and cheer, and come back tomorrow for more! Will Friday be the turn of Michael Jackson? That Smart girl from Utah (aside; this damn war has eaten into her fifteen minutes of fame, big-time). Or maybe we can get Dennis Rodman out of mothballs? And where is TOnya Harding when we need her?

What a country. I’ll stop now with this final thought:

On this first bright shiny night of war, we would do well to all tuck away in our minds for future reflection the last stanza of a poem written by a British soldier, himself a card-carrying member of a “coalition of the willing” in a now long-forgotten war, a war that started when mobilized troops far away from home proved too difficult to demobilize. And it started with just as much enthusiasm as this one…

Here’s what Wilfred Owen told us he had learned, after a couple of years, about fighting in the first World War, shortly before he came home from it in a box. Poetry lovers can find the whole thing under the title in the subject line above:

“If in some smothering dreams, you too could pace

Behind the wagon that we flung him in,

And watch the white eyes writhing in his face,

His hanging face, like a devil’s sick of sin,

“If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs

Bitter as the cud

Of vile, incurable sores on innocent tongues,–

My friend, you would not tell with such high zest

To children ardent for some desperate glory,

The old Lie:

“Dulce et decorum est

Pro patria mori.”

Categories
News The Fly-By

SELF HELP 101:

Is life getting you down? Well, get over it with a little help from “The Weekly Motivation,” a feature on the Memphis Grizzlies’ Web site amed at the Bluff City’s “I’m good enough, I’m smart enough, and, doggone it, people like me,” set. In this week’s installment, Jerry West, the Grizzlies’ president of basketball operations, in conjunction with assistant president Gary Colson, advises, “In all of your adversities lies [sic] the seeds of equivalent advantages. In every defeat there is a lesson showing you how to win the next time. What are stumbling blocks and defeat before you can be stepping stones to victory if you remain determined. View your problems as opportunities. When it’s dark enough you can see the stars.” The deftness of the prose, comgbined with its uplifting qualities and general usefulness, has led some to speculate that West, who once guioded the L.A. Lakers through winning season after winning season, may just be using his job with the Grizzlies to position himself for a more satisfuying career with Hallmark.

Categories
We Recommend We Recommend

saturday, 22

Lots to do today. Starting with this morning’s

William Edmondson Family Day, back at Memphis Brooks Museum of Art, which

features art-making and a gallery scavenger hunt of the exhibit “Stonework:

William Edmondson.” Later, there’s an opening

reception at Delta Axis Power House for

“Family Business,” photographs and videos by

photographer Mitch Epstein. Acoustic folk music icons

Martin Simpson and Jessica Radcliffe are at Otherlands Coffee Bar tonight.

If you haven’t checked out the new Cannon Center for the Performing Arts,

tonight’s Memphis Symphony Orchestra: Pops

Series includes performances by Banu Gibson and The New Orleans Hot Jazz. If you

feel like a little road trip, Birney Imes is

at Square Books in Oxford at 5 p.m. today signing copies of his famous book,

Juke Joint. Today’s Race to Erase

Racism at Audubon Park is hosted by the Bridge Builders of Central High School and

designed to strengthen the gap between different ethnic groups. Today’s

Non-Profit Day has the Midtown Food Co-op

and One Love Juice Bar celebrating the first weekend of spring with a day of

information from non-profits throughout the store, along with live music by Snowglobe

and local drummers. Scott Sudbury is at the Flying Saucer

tonight. Sandra Bray is at French Quarter Suites.

Parallel Parker is at the Full Moon Club.

The Drive-By Truckers and The

Possibilities are at Young Avenue Deli. Insite Promotions

is having a Bring in Spring dance party tonight at Atlas inside Jillian’s at

Peabody Place with DJs Barry Iskiwitz and Dave Agape. And last but certainly not least,

back at the Lounge tonight there’s a show by none other than

George Clinton and Parliament/Funkadelic.

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Categories
Opinion

The People’s Choice

As he waited for Mayor Willie Herenton to arrive at the final session of the

city council’s annual retreat earlier this year, Councilman Jack Sammons likened

the mayor’s leadership style to lobbing a grenade into

the room and closing the door.

Usually, the result is a lot of headlines and

hard feelings, but the big idea (consolidation, surrender

the city charter, appointed school board, sell MLGW,

the Formula for Fairness, raise suburban sewer fees,

etc.) goes away.

But Sammons thinks Herenton’s push for

school-system consolidation could be different. Despite

a spotty turnout of other invited public officials

at Tuesday’s Herenton presentation at City Hall,

school reform isn’t going away.

“For the first time in my career down here,

education has become an issue that people want to

talk about at cocktail parties,” said Sammons, who

has been in and out of public office for nearly 20 years.

“I hope Mayor Herenton maintains the level of

intensity this time.”

Others see the same old Herenton.

“He could pick up some allies if he

would practice a little bit of diplomacy,” said

Memphis Board of Education member Michael Hooks

Jr., one of several elected officials who found

conflicts or other reasons that kept them from attending what was supposed to be an

intergovernmental session.

Herenton was in grenade mode at Monday night’s school board meeting, delivering a letter

via finance director Joseph Lee that warned of a

possible $7.2 million cut in school funding. Board member Hubon Sandridge suggested the

mayor “has lost his mind.” Colleague Lee Brown was

“appalled,” while Wanda Halbert said she wasn’t

going to a meeting “with somebody who calls

us names on the TV.” Even Superintendent

Johnnie B. Watson said it was “devastating” to get the

letter without so much as a courtesy call from the

mayor, his old boss.

Well, too bad. School board members,

politicians, suburban mayors, and superintendents are so

yesterday. You could almost hear Herenton chuckling

that they had proven his point that they’re a bunch of

petty turf-protectors. The latest Herenton strategy

goes straight to “the people,” calling for a referendum

on abolishing the city school board and merging the

system with the county.

To get there, however, he’ll need a

favorable opinion from the state attorney general and

approval from at least one elected body,

preferably the city council in Herenton’s mind. If he can

get over those hurdles, Herenton thinks he can win

a referendum. Only city of Memphis residents would get to vote. Turnout would be higher than a

school board election because everyone would get

excited over the prospect of a property tax cut at the

expense of county residents outside the city. The

suburbanites can bawl all they want about how

bigger isn’t better. In the Herenton plan, they’re stuck

with it. The all-white county school board goes

away, and the new nine-member board is stacked 6-3

in favor of the city.

Audacious? Maybe. But Herenton has come a long, long way from 1991 when he was first

elected with exactly two prominent white people —

attorney Richard Fields and liberal minister Harry Moore — at his side. Now he has solid white

support and more black support than the Ford,

Hooks, or Bailey clans.

He beat Dick Hackett. He outlasted Jim Rout.

And he can rightly and righteously note that city

government doesn’t have any scandals. He beat various

Fords. He beat professional Herenton nag Pete Sisson.

He brought Mike Tyson to town and made it work. He rebuffed minority contractors on the arena and made their

protest look foolish. He backed Republican Lamar Alexander

over Democrat Bob Clement and stood on his victory platform

with him. He made an in-your-face presentation on schools to A

C Wharton and others at the New Year’s prayer breakfast.

Consolidation won’t solve the problems of public

education. Two systems aren’t wasteful or embarrassing. Half-empty

city schools are wasteful. Unaudited bus routes and free-lunch

programs are wasteful. Overpriced school buildings are

wasteful. School-security directors with gun problems and principals

who cheat on standardized tests and daily newspapers that

create “legends” like Gerry House and Dr. Lirah Sabir are

embarrassing. A unified system won’t fix any of that.

There will be political casualties, with or without a

referendum. Some of them are former Herenton allies and

colleagues. Watson is retiring at the end of the year.

His financial assistant, Roland McElrath, is already

gone. Two of the most controversial school board

members, Chairman Carl Johnson and Sara Lewis, go back

decades with Herenton.

In his own office, spokeswoman Gale

Jones Carson, chair of the Shelby County

Democratic Party, faces a likely challenge to her leadership

at the April convention from a Ford-backed

candidate, probably state Rep. Lois DeBerry or state

Rep. Kathryn Bowers.

“If they can put me out, it’s a slap at the mayor,”

said Carson.

Maybe. But it will take more than a slap to

knock down this mayor.

Categories
We Recommend We Recommend

friday, 21

There’s an opening reception tonight at David Mah Studio on S. Cooper for “Observations of Light” landscape paintings by Greg Gustafson. And there’s an opening reception at Regency Travel and International Market in Laurelwood for a Junior League Art Show and Sale, featuring works by 25 local artists in various media, along with jewelry designed by Trisha Dudley. Layover in Rio at Automatic Slim’s features an evening of Brazilian lounge music. Tonight’s Girls Inc. Fund-raiser at the Cadre Building downtown features a wine tasting and silent auction to benefit the organization’s outreach programs. Native Son, Retrospect, and Michael McDermott are at the Lounge tonight. And

Robert Randolph & The Family Band are at the New Daisy.

Categories
Letters To The Editor Opinion

Postscript

Dramatic License

To the Editor:

Your article on Rosie Jackson and her

unfortunate living conditions (“Home Alone,” March 13th

issue) made me sad and angry. But was it really necessary

to include those close-up shots of her face? Rosie

Jackson is a sweet lady who needs some serious help,

but she ain’t cute. In this celebrity-obsessed pop

culture we’re living in, it is refreshing to see someone

who isn’t one of the “beautiful people” on the cover of

any publication, but her nostrils gave me the

heebie-jeebies. I was eating a cheeseburger at the time, and now

I can’t eat cheeseburgers anymore.

Thank you, Memphis Flyer, for making

people aware of her horrific living conditions, but please

revoke your photographer’s dramatic license.

Cody T. Williams

Memphis

Of Course …

To the Editor:

“Why of course the people don’t want war. …

But after all it is the leaders of the country who

determine the policy, and it is always a simple matter to drag

the people along, whether it is a democracy, or a

fascist dictatorship, or a parliament, or a communist

dictatorship. … The people can always be brought to

the bidding of the leaders. That is easy. All you have to

do is to tell them they are being attacked and

denounce the pacifists for lack of patriotism and exposing

the country to danger.” — Hermann Goering, Nazi

leader, at the Nuremberg Trials after World War II

If all of us would only learn these few words as

well as our current administration has done.

David Singelyn

Memphis

In Harm’s Way

To the Editor:

My husband is a 24-year Army veteran. Our

son has proudly served in the military 14 years. In 1991,

he was a Gulf War veteran at age 19. He is once again

in harm’s way along with thousands of sons and

daughters, mothers and fathers, aunts and uncles, brothers and sisters.

I agree with those who say we need to “get

100 percent behind our troops” but probably disagree

with what that means.

I support my son and his friends by

contributing to an organization called Veterans for Peace. This

is just one of many veteran organizations who are

working to see that our government explores every

peaceful and diplomatic means to resolve the many

international crises in which we are involved.

I am no naive flower child. If we do go to

war, then let us make sure our troops have had the

best training, the best equipment, the latest

intelligence, and flawless communication. And when the wars

are over, after the last bit of confetti has been swept

up from the “welcome home” parades, let us make

sure that our troops return to adequate housing and

do not need food stamps to feed their families.

Let us make sure that our veterans get the very

best medical care for any and all war-related injuries

and illnesses. Let us not see our veterans portrayed as

wild-eyed madmen in movies and television programs

simply because their souls were wounded by the horrors in

which they were forced to participate and to witness.

Carmen Klapperich

Spring Hill, Tennessee

Won the Battle …

To the Editor:

The winners of the Shelby County Republican Party

may have won the battle but lost the war (Politics, March 6th

issue). That is apparent from the recent local party caucus and

convention. The last four years under the so-called leadership of

chairman Alan Crone have been marked by political divisiveness.

It looks like the next four years under new chairman

Kemp Conrad will feature more of the same — political factions

and fewer Republicans in local office. I noted the very poor

attendance at the recent Lincoln Day awards dinner and the

fact that almost no one attended the reception before dinner.

Chas. S. Peete Jr.

Memphis

Changing Objectives

To the Editor:

We should change our objective in the Middle

East. We should use our regular forces, already in the

area, to evict Israel from the West Bank. Then we

should use our special forces for nation-building to create

a new Palestine.

This would comply with and enforce several

U.N. resolutions.

It would not be harmful to Israel, and it would

make friends of the Arab world that is rapidly becoming

our enemy.

Jim Osburn

Memphis

Categories
Music Music Features

Local Beat

While it’s inarguable that the artist’s talent is the deciding factor in every

album purchase, there’s always a crew of unsung heroes behind each recording

project. Label owners, album producers, and session musicians all do their part

to make the stars shine, but it’s actually the studio engineer who does the

most work. From setting up equipment to rolling tape, the lowly engineer is

there from start to finish.

In recent columns, this space has explored Easley-McCain Recording Studio,

Willie Mitchell’s Royal Studio, and the goings-on at Sun, Stax, and Jim Dickinson’s

Zebra Ranch, but consulting the liner notes of several recent Memphis releases

reveals a list of less-celebrated studio engineers who are catalysts on the

local scene.

If you’re a fan of Cory Branan, you’ve heard Jeff Powell‘s work.

He’s recorded and mixed many of MADJACK‘s releases, including Branan’s

The Hell You Say, at his own Humungous Studios, sharing the duties

with co-engineer Kevin Cubbins. “I have a digital setup at my house,”

Powell explains, “in a purposely stripped-down atmosphere.”

Powell, who’s up for a Premiere Player award next month for Best Engineer,

immersed himself in the recording world years earlier. While enrolled in the

commercial recording program at the University of Memphis, he interned at Kiva

Studio (now House of Blues) in South Memphis, answering phones and

“learning how things worked in a big studio.” He then went to Ardent,

where he worked the night shift before house engineer John Hampton tapped

him to assist on the Vaughan Brothers’ Family Style album,

back in 1990. “I was working so much in the studio that I dropped out of

school,” Powell says. “I had to decide whether a degree really meant

that much to me.”

As a staff engineer at Ardent for most of the 1990s, Powell worked on albums

by Primal Scream, The Afghan Whigs, and 16 Horsepower,

as well as offerings from Eric Gales and B.B. King. “John

Fry really helps the young engineers at Ardent,” Powell says, citing

the studio owner as a major influence alongside legendary producers like Glyn

Johns and the late Tom Dowd. “I did six records with Tom Dowd, and

as many questions as I could ask, he told me,” Powell recalls. “I

think about things he taught me every time I turn on a microphone.”

Much of Powell’s learning came by doing. He cites a session with the infamous

Alex Chilton as a lesson he’ll never forget. “Alex cut a vocal take

in an isolation booth, but we’d recorded the band live on the floor,” Powell

explains. “He wanted to keep the vocals, but then he decided to change

the lyrics on one line of the song. I was worried about matching the levels,

but Chilton blew smoke in my face and said, ‘Consistency is the hobgoblin of

small minds.’ When you think about it, he’s right,” Powell says with a

chuckle. “I know that in my early career I worried about those tedious

details, but now I know how to get it done and move on.”

“I’ve really pulled myself out of the major-label game,” Powell

says, after working independently for the last six years. “I’m used to

big studios where you have every piece of gear imaginable, but at my house,

I’ve flipped that upside down,” he says. “If I want something to sound

different, I can’t just flip a switch. I have to run downstairs and move a microphone.

Every time I have the urge to add more I do what I can to resist it.”

Powell will still take a band into a big studio, but he prefers to dump the

tape into Pro Tools and do overdubs at home. “It’s more about the music

than the production,” he says. “It’s freeing. I look at things in

a simpler way.” He oftentimes combines the modern digital technology with

a warmer analog sound. “On most of my work, I mix the two technologies,”

Powell says, adding, “a lot of times it comes down to the budget.”

“You can edit anything in Pro Tools: fix flat notes, add a beat, whatever,”

Powell says. “I think it’s overused. I like to hear the warts. If you remove

all the imperfections, you’re left with something stiff and sterile. I’ll take

a gut-wrenching performance over something perfectly in tune.”

Two of his most recent projects reflect that off-the-cuff attitude. “I

just finished a record on my wife, Susan Marshall,” Powell says.

“We had to record over the course of four years, whenever we had spare

time to work on it. Producing Susan was not easy. We laugh about it now, but

when we started, we were careful to treat each other as artist and producer,

not husband and wife.”

Rob Jungklas‘ new album Arkadelphia is so different

from anything I’ve worked on before,” Powell continues. “It came from

a real spiritual place. Chris Morris at Billboard named it ‘number one

independent record of the year.’ I was pretty jazzed about that. The records

that don’t necessarily have a big paycheck associated with them tend to become

the most special,” he says.

“I’m one of the luckiest men alive,” Powell says. “The recording

process can be a tedious, boring, and repetitive thing, but it’s exciting to

realize that the final product will be around a long time.” n

Local Beat will continue its look at local recording engineers next week

with profiles of a couple of other Premiere Player nominees, Posey Hedges and

Kevin Houston. You can e-mail Andria Lisle at localbeat@memphisflyer.com.

Categories
Book Features Books

A Cut Above

The big news to hit publishing after New Year’s — news big enough for one

editor to shout a “holy shit!” when he heard about it — was the business

going down at Random House Inc.

The bottom line: On January 16th, without warning, Peter Olson

(Random House chairman) fired Ann Godoff (Random House

president/publisher/editor), citing Godoff’s failure to deliver

the goods: i.e., a long-enough string of best-sellers and the revenue Random

House parent company/media conglomerate Bertelsmann was banking on.

So much for Godoff’s track record (Midnight in the Garden of Good and

Evil, The Alienist, White Teeth) and so

much for Godoff’s spending habits. (Three million for rights to

The Nanny Diaries, based on three sample chapters. A good bet,

it turned out, for what would indeed be a best-seller … still, 3 million?)

So, in January, Random House, the house that Cerf built, the house

that Faulkner called home, went to Gina Centrello, president/publisher/editor

at Random House Inc.’s Ballantine division — Centrello, who

can deliver the goods: i.e., a good long string of less than

“literary” but profitable hardbacks (see in

June: Star Wars: Shatterpoint: A Clone Wars

Novel) and a longer string of trade-size and mass-market cash cows in paperback.

So: Godoff’s gone (along with some faithful authors?) with no immediate

replacement; Centrello’s head of a new entity called the

“Random House Ballantine Publishing

Group”; Ballantine’s featured fiction for March is

Angry Housewives Eating Bon Bons by “beloved

author” Lorna Landvik (who wrote, you remember, the “sensational sleeper hit”

Patty Jane’s House of Curl); and the seating chart at

1745 Broadway, Random House Inc.’s new headquarters, has been anybody’s guess. As

columnist Joe Hagan pointed out on page one of

The New York Observer on January 20th,

“According to a company newsletter, Random

House was to reside on the 16th and 17th floors, Ballantine on the 22nd and 23rd, and

Knopf on the 21st.”

Knopf: another division of Random House, literally, then, in the middle. Knopf’s

editor-in-chief: Sonny Mehta, recent star subject of

a two-page spread in Vanity Fair, where he

sat with star writers Richard Ford and Robert

Caro. But something says Mr. Mehta sits where he pleases (screw the no-smoking sign), and

here’s reason why: four New Year/spring titles to

add to Knopf’s fine reputation before and under Mehta. They are:

1) Samaritan by Richard Price,

about which by this late date so much has been written it’s useless to add another two

cents, but here they are: If you can find better streetsmart dialogue centered in and

around a New Jersey housing project, inside a New Jersey high school, and inside a New

Jersey police department, show it. Show Price the money. Movie rights for this

hard-boiled, page-turning crime

story-slash-multiple-character study: gotta be astronomical.

(Ms. Grier? This is casting calling.)

2) Abandon by Pico Iyer, about which

I could but would have to stop short saying good things, because I stopped reading one-third

the way through, because I happened to open …

3) Shroud by John Banville and

dropped everything. It’s about a literary scholar with

an international reputation who’s also a major alcoholic, tyrant, and fraud. The causes of

Alex Vander’s eventual unmasking, undoing: A) a madwoman in Turin young enough to be

his daughter, old enough to become his lover; B) Vander himself, who isn’t “Vander” at all

but who is approaching his own unfine madness. Irishman Banville’s performance here: “old

Europe” at its best: elliptical, foreshadowy,

dream-state in intensity. Eggheady? Bite me.

4) The King in the Tree by Steven

Millhauser, Pulitzer Prize-winner for Martin

Dressler, and here the author of three novellas, the second

a new installment on the Don Juan myth, the third a straightforward retelling of

Tristan/Ysolt (a retelling even a kid could love), but the

first an unnerving house tour conducted by a widow for the “other” woman’s (and your) creepy

enjoyment. Wondering: Millhauser’s

“Revenge” will take just how long to show up in

creative-writing classrooms?

5) Sons of Mississippi by Paul

Hendrickson, a thoroughgoing look into and behind the

faces in Charles Moore’s photo of seven sheriffs on the campus of Ole Miss the week

James Meredith sought to become that school’s first black student in 1962 — a book

that demands more than this mere mention.

But the abandoned Abandon … Iyer’s protagonist has an interesting

thing going as a grad student in search of a secret Islamic manuscript that

may or may not contain a lost fragment of Sufi master Rumi’s poetry. But this

wigged-out California girlfriend he hooks up with … She’s key to some Sufi

mystery/manuscript, and she splits the scene, and already I’m wondering if I’m

not thinking good riddance. But Iyer’s a great essayist, and Mr. Mehta knows

good writing. Ann Godoff did too. Pretty sure she still does.

Categories
Book Features Books

A Cut Above

The big news to hit publishing after New Year’s — news big enough for one

editor to shout a “holy shit!” when he heard about it — was the business

going down at Random House Inc.

The bottom line: On January 16th, without warning, Peter Olson

(Random House chairman) fired Ann Godoff (Random House

president/publisher/editor), citing Godoff’s failure to deliver

the goods: i.e., a long-enough string of best-sellers and the revenue Random

House parent company/media conglomerate Bertelsmann was banking on.

So much for Godoff’s track record (Midnight in the Garden of Good and

Evil, The Alienist, White Teeth) and so

much for Godoff’s spending habits. (Three million for rights to

The Nanny Diaries, based on three sample chapters. A good bet,

it turned out, for what would indeed be a best-seller … still, 3 million?)

So, in January, Random House, the house that Cerf built, the house

that Faulkner called home, went to Gina Centrello, president/publisher/editor

at Random House Inc.’s Ballantine division — Centrello, who

can deliver the goods: i.e., a good long string of less than

“literary” but profitable hardbacks (see in

June: Star Wars: Shatterpoint: A Clone Wars

Novel) and a longer string of trade-size and mass-market cash cows in paperback.

So: Godoff’s gone (along with some faithful authors?) with no immediate

replacement; Centrello’s head of a new entity called the

“Random House Ballantine Publishing

Group”; Ballantine’s featured fiction for March is

Angry Housewives Eating Bon Bons by “beloved

author” Lorna Landvik (who wrote, you remember, the “sensational sleeper hit”

Patty Jane’s House of Curl); and the seating chart at

1745 Broadway, Random House Inc.’s new headquarters, has been anybody’s guess. As

columnist Joe Hagan pointed out on page one of

The New York Observer on January 20th,

“According to a company newsletter, Random

House was to reside on the 16th and 17th floors, Ballantine on the 22nd and 23rd, and

Knopf on the 21st.”

Knopf: another division of Random House, literally, then, in the middle. Knopf’s

editor-in-chief: Sonny Mehta, recent star subject of

a two-page spread in Vanity Fair, where he

sat with star writers Richard Ford and Robert

Caro. But something says Mr. Mehta sits where he pleases (screw the no-smoking sign), and

here’s reason why: four New Year/spring titles to

add to Knopf’s fine reputation before and under Mehta. They are:

1) Samaritan by Richard Price,

about which by this late date so much has been written it’s useless to add another two

cents, but here they are: If you can find better streetsmart dialogue centered in and

around a New Jersey housing project, inside a New Jersey high school, and inside a New

Jersey police department, show it. Show Price the money. Movie rights for this

hard-boiled, page-turning crime

story-slash-multiple-character study: gotta be astronomical.

(Ms. Grier? This is casting calling.)

2) Abandon by Pico Iyer, about which

I could but would have to stop short saying good things, because I stopped reading one-third

the way through, because I happened to open …

3) Shroud by John Banville and

dropped everything. It’s about a literary scholar with

an international reputation who’s also a major alcoholic, tyrant, and fraud. The causes of

Alex Vander’s eventual unmasking, undoing: A) a madwoman in Turin young enough to be

his daughter, old enough to become his lover; B) Vander himself, who isn’t “Vander” at all

but who is approaching his own unfine madness. Irishman Banville’s performance here: “old

Europe” at its best: elliptical, foreshadowy,

dream-state in intensity. Eggheady? Bite me.

4) The King in the Tree by Steven

Millhauser, Pulitzer Prize-winner for Martin

Dressler, and here the author of three novellas, the second

a new installment on the Don Juan myth, the third a straightforward retelling of

Tristan/Ysolt (a retelling even a kid could love), but the

first an unnerving house tour conducted by a widow for the “other” woman’s (and your) creepy

enjoyment. Wondering: Millhauser’s

“Revenge” will take just how long to show up in

creative-writing classrooms?

5) Sons of Mississippi by Paul

Hendrickson, a thoroughgoing look into and behind the

faces in Charles Moore’s photo of seven sheriffs on the campus of Ole Miss the week

James Meredith sought to become that school’s first black student in 1962 — a book

that demands more than this mere mention.

But the abandoned Abandon … Iyer’s protagonist has an interesting

thing going as a grad student in search of a secret Islamic manuscript that

may or may not contain a lost fragment of Sufi master Rumi’s poetry. But this

wigged-out California girlfriend he hooks up with … She’s key to some Sufi

mystery/manuscript, and she splits the scene, and already I’m wondering if I’m

not thinking good riddance. But Iyer’s a great essayist, and Mr. Mehta knows

good writing. Ann Godoff did too. Pretty sure she still does.