The Memphis Symphony Orchestra kicks off its 52nd season this evening with Symphony in the Gardens at The Dixon Gallery and Gardens. Tonight s 30th Zoo Rendezvous the zoo s largest fund-raisers and one of the biggest parties of the year has the Memphis Zoo hopping with food and drinks from area restaurants and bars and live entertainment on six stages. Tonight s India Fest 2003 at the U of M s Rose Theater is a celebration of the country 56th year of independence and includes live entertainment, Indian cuisine, exhibits, kids stuff, and Henna by Indian artists. Today kicks off the two-day Germantown Festiva to benefit the Germantown Animal Shelter, with live music, arts and crafts, and other entertainment. And today s coolest bash is at Shangri-La Records, where Ron Hall will signing copies of his new book The Memphis Garage Yearbook, 1960-1975, along with some of the many artists featured in the book, which is great. There will also be live performances by three of Memphis classic 1960s bands, Memphis Blazers, Changin Times, and Poor Little Rich Kids.
Month: September 2003
POLITICS: Revote?
Alexandra Pelosi, who draws mention in this week’s Flyer cover story as the video documentarian who, having done a celebrated portrait of presidential candidate George W. Bush from his 2000 campaign, is now at work for HBO on a fully-fledged look at the 2004 presidential race, offered some thoughts last week on a subject closer to home. (Ours, not hers.)
Pelosi’s mother, as it happens, is Nancy Pelosi, the member of Congress from San Francisco who was elected Democratric leader in the House of Representatives last year to succeed Dick Gephardt of Missouri, who resigned the post and is now a candidate for president.
It will also be remembered that Nancy Pelosi, a member of her party’s liberal wing, was unsuccessfully opposed in her quest by U.S. Rep. Harold Ford Jr. of Memphis, an African American whose “blue dog” tendencies and membership in the Democatic Leadership Council provide him credentials as a Democratic moderate.
Alexandra Pelosi’s own political profile is not what one might expect. Though she grants that Democratic presidential candidate Howard Dean, whom she was shadowing last week, is making a lot of fuss and could well end up as his party’s nominee, she is dubious about the appeal to a larger nat
ional audience. The problem? He’s “too liberal.”
More surprisingly, Alexandra Pelosi’s attitude toward Rep. Ford’s erstwhile challenge to her mother’s political orthodoxy goes beyond tolerant. “Good for him,” she said. “The Democrats need all the help they can get.”
Generation gap?
One place he’s looking at down the line is Tennessee, which holds its presidential preference primary on February 10th of next year, just after the Iowa caucuses and the New Hampshire primary and a week after a pivotal South Carolina primary, first in the South.
“Tennessee’s tough,” Dean said frankly aboard his campaign plane last week. The candidate, who is establishing a headquarters in Nashville this week, quietly visited the state last year, “to check it out.” He’ll be buttressing his forces in recognition that the Tennessee primary, which occurs the same day as one in Virginia, will further clarify any picture left opaque by the preceding week’s South Carolina results.
A regular part of his stump speech had him promising to speak this line below the Mason/Dixon line: “You’ve been voting Republican for 30 years, and what has it got you?”
Dean maintains that when he was governor of Vermont he was active in recruiting Democratic gubernatorial candidates in the South — among them Ronnie Musgrove of Mississippi, who is being challenged this year by Republican Haley Barbour.
Some of the others — notably former Governor Jim Hunt of North Carolina — have since fallen by the wayside. the mistake of Democratic candidates, says Dean, has been to play to an imagined “swing” vote, arguably Republican or independent in sympathy. “We’ve gone so far to the right that we’ve got to reactivate the base. We’ve really got to stick to core Democratic principles,” he argues.
WOODSMAN OF THE WORLD
Warning: Before this interview is over, Ron Jeremy will provide men with a set of instructions that might have a negative impact on their relationships and their employment status. He is a porn star, so some of the content is of a graphic and adult nature. Read at your own risk.
Things you may not know about Ron Jeremy: He has a pet turtle and uses the Internet to learn about turtles. He does an uncanny imitation of Larry Flynt. He plays piano. He has a brown sash in kung fu. His mother was an O.S.S. decoder during WWII. He holds two master’s degrees. And before he was a porn star, he taught special-needs kids. There’s lots more too. But Jeremy knows most reporters aren’t calling to talk about Chopin.
“Nine-and-three-quarter inches long. Yes, we all get tested, and my favorite actress to work with is Tabitha Stevens,” he rattles off before any questions can be asked. “Those are the questions I always get asked,” he explains.
Jeremy has long hoped to parlay his unheard-of 26-year career as a porn star into a career in mainstream film, but other than a few bit parts here and there, success has eluded him. And he knows exactly what people want to talk about.
“[Former adult film star] Tracy Lords refuses to discuss anything other than her current career. That’s stupid,” Jeremy says. “C’mon! Me and her, we’re interesting because we came from [porn] and now we’re doing [more mainstream work]. So she’s nuts. But yeah, it would be great to get that call and hear a reporter say, `Hey, so I heard Steven Spielberg is giving you the lead in E.T. Part II.’ It just hasn’t happened yet.”
Imagine the typical female porn star: a fantasy vixen, waxed smooth and augmented into a caricature of chauvinistic perfection. As men go, Jeremy is, in every way, the exact opposite. His industry nickname is the “Hedgehog” because he’s dumpy and covered in thick black hair. Some have posited that it is this Every(horny)man quality that has made Jeremy a perennial favorite. Some think he offers hope to the average man that he too might someday have a date with a pair of sex-starved Asian twins. Yeah, right. Jeremy’s longevity in the demanding industry stems, in a large part, from the fact that he can “perform” on cue, if you get my drift. In the industry, men with this ability are called woodsmen, and among the woodsmen, Jeremy is the undisputed king.
When Jeremy began his career, porn was still shot on film. The films attempted to have plots and could claim, to some degree, to be a legitimate and artistic alternative to mainstream cinema. And then came the coked-up 1980s, when the video revolution exploded and quantity of product became far more important than quality. Porn actors who once made a dozen films a year were now being called on to work weekly. This was pre-Viagra and lots of guys couldn’t cut the mustard. Ron Jeremy could. He just kept on trucking. Or something like that.
“Video brought porn into the home,” Jeremy, who worked as a consultant on the film Boogie Nights, says. “Lots of people wanted to see porn. But before [the ’80s], they had to go to those theaters, you know? Porn has always been ahead of everybody else on technology. That’s what has made us king; that’s what has made us so important. Porn has been an experimental medium. The first CD ROMs, really, were X-rated, and then the industry followed us. The first DVDs. The biggest stuff on the Internet other than Amazon.com and eBay is X-rated.”
But as technology advances, so does raunch. In the 1980s, as storylines disappeared from porn, the films got nastier. And now, with the advent of the Internet, porn has become ever more available and ever more shocking. Clicking through the daily spam, deleting e-mails with subjects like “Barnyard Babes in Toyland,” it is hard to imagine where the adult-entertainment industry can go from here.
“I did a hologram shoot once,” Jeremy says. “The future of porn will probably be seeing movies in 3-D. More interaction. You’ll have DVDs you can talk to. A company I work with, Metro, already has that technology. Eventually you’ll have `life dolls.’ Dolls that are real-looking. I did a movie with a bunch of those that was really funny. But they’ll put the holograms [of porn stars] over the face [of the dolls], just like that ride in Disneyland where you ride the ride and then you have the little guys in the seat with you. Anyway, you’ll have a button where you can pick your favorite porn star. `Hey, I think I want Jenna today,’ BOOM, there’s Jenna [talking dirty]. So eventually you’ll have sex with your favorite porn star. Then eventually it will go into the mainstream. Maybe you’ll have Britney Spears É who knows?”
The time has now come to dispense with all pretense to taste and to ask the Hedgehog the one question every man in the world is dying to have answered. You see, Jeremy has the uncanny ability to É well, do something to himself. To do something to himself that no man should ever be able to do to himself. Eddie Murphy once said that if he could do it, he would never leave the house. I think you know what I’m talking about.
“Oh yeah,” Jeremy says. “I discovered that I could do it while I was in Boy Scouts, lacing up those high shoes. I didn’t realize I’d be doing it years later in a movie. It was never done to be an erotic thing. It was like a comedy thing.”
But the question remains, given the mighty cult of self-improvement, why hasn’t Jeremy put out an instructional video?
“It’s because nobody can really do it,” he claims. “John Holmes used to seriously ask me, `Hey, Ron, how do you do that?’ I said, `Bend down just as far as you can go and have a close friend jump on your back. When you come out of the hospital, there’ll be a [BEEP] in your mouth.”
So, guys, if you want to meet a man who has lived the kind of life us average fellas only dream of when we’re sure nobody is looking, you might not want to try that little stunt. Well, not just yet anyway. Ron Jeremy will be coming to Memphis to do his standup comedy, screen his documentary Pornstar: The Legend of Ron Jeremy, and do a Q&A session with the audience on Friday, September 5th, and Saturday, September 6th at Stop 345.
GIVING ‘EM HELL
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Beginning on Saturday at Falls Church, Virigina, a suburb of Washington, D.C., Dean’s campaign plane, the “Grass Roots Express” went to Milwaukee; Boise, Idaho; Portland, Oregon; Seattle and Spokane, Washington; Austin and San Antonio, Texas; Chicago; and New York. Crowds of unprecedentsed size and animation for this stage of a challenger’s run for the presidency turned out to greet him. The high point, numerically, was a throng of some 10,000 in Seattle, while the most intense stop was probably at San Antonio.
The Flyer went along with Dean, listening as he pummeled President Bush and mocked Bush’s major campaign adviser, Karl rove, watching as the candidate was asked to autograph posters, shirts, arms, and even, occasionally, part of someone’s anatomy (no, not those parts), reflecting on the fact of a politician whom virtually no one outside the candidate’s own small New England state had heard of a year ago pushing the political temperature up beyond what is normal in August or any other season.
DEAN’S PRIVATE ATTITUDE TOWARD THE MAN HE HOPES TO SUPPLANT, George W. Bush, is considerably more complicated than the straw-man bashings of this stump speech would indicate. “George Bush graduated from Yale in ’68. I graduated in 1971,” remembeed his fellow Eastern patrician aboard the campaign plane. “There was a total generatonal shift. The Yale he left was gone by the time I graduated. It ws a coat-and-tie era, not particularly innovative. Very much heriditary. I was the only guy in my prep school who got in. The place was full of valedictorians and salutatorians from public schools.”
The implication is that Dean got with the program in those quasi-revolutionary times — and that Bush remained forever preppy.
But as recently as the late ’90s, when both men were governors — Dean of remote little Vermont, Bush of big and rowdy Texas — there was the possibility of real overlap. “I actually liked him,” Dean recalls. “I knew him well enough that I thought we could do business. And by Texas standards he was actually modeate. He tried to revise the incredibly archaic Texas tax system. He didn’t succeed, but he actually tried. I was shocked at the way we acted when he became president. I really did think he was a compassionate conservative.”
Dean, who admired President George H.W. Bush as much as he seems to deplore President George W. Bush, takes an almost Freudian view of what he sees as the son’s slide backwards into reaction. “Most people think he is still a moderate. They don’t realize how far to the right he’s gone. He’s not interested in being a good president; he’s interested in some complicated psychological situation with regard to his father over being accepted, being reelected.”
Whatever psychodrama he sees as responsible for Bush’s mindset, Dean seems to have a genuine missionary zeal to expose the public consequences of it. As he put it to the crowd of several hundred that turned up for him at the Boise airport, “He [Bush] sdoesn’t want to balance the budget, because he wants to defund the federal government. And get rid of Medicare and Social security. We’re not going to allow it.”
Dean sees Bush as a pure dissembler. “He was never truthful about his reasons for going into Iraq. He toughed up the intelligence reports to justify it, but he knew better. If you know what you’re saying isn’t true, what is the truth? We went in with a reason. What is the reason? I don’t know.”
His skepticism and discinclination to grant the president credit for good-faith efforts extends as well to Bush’s domestic policies — like the recently enacted Medicare-based prescription-drug measure. “He knows it won’t work, and he doresn’t care. It’s like ‘Leave No Child Behind’ and ‘Clean Skies,” Dean says, mentioning Bush programs for education and the environment, respectively. “All he wants is something to go before the electorate with, to make the claim that he’s tried to do something, when he hasn’t”
But there is a self-imposed caveat to his criticism of the president, one which stamps him as almost unique among Bush-bashers. “People make the mistake of discounting George W. Bush,” Dean confided in one of the several impromptu interviews he gave the reporters aboard the Grass Roots Express. “People like George Bush. I have never made a joke about syntax or spelling or any of that stuff. People who do that he no idea how he connects with people between the coasts. They think he’s one of them. My job is to get them to see that he may talk like one of them, but his policies are not in their best interest.”
AND SO HE DOES, working at the task at every stop in a set speech whose applause lines and segues are freely shuffled, appearing not only in a different order — depending, presumably, on the venue and the vagaries of mood and free association — but sometimes with dramatically different import.
At all stops, for example, Dean chastised the Bush administration for its emphasis on ex post facto solutions to crime rather than on developing programs to prevent it. Prisons, he would say, are necessary — “we can’t have violent people running around” — but, as he put it in Seattle, “any competent, qualified kindergarten teacher can tell you who the five kids are in his or her class that are most likely to end up in prison 15 or 20 years from now.” The line, stated much the same wherever he said it, sometimes drew laughs and at other times was greeted with utmost solemnity. In whichever case, it was followed by Dean’s declaration that prisons are “the least effective social-service intervention that we make in this country” followed by a rhetorical question about “why is it that weÕre not investing in small children, their families, now, to stop that from happening.”
Whichever way it started, the sequence drew guaranteed applause, as did another, even more pedantic-sounding premise, which Dean stated this way in Seattle: “He [Bush] managed to find $3 trillion of our tax money to give to [Enron’s] Ken Lay and all those guys writing the $2,000 checks, but he couldnÕt find the money to buy the enriched uranium stocks in the former Soviet Union, which weÕre entitled to buy under the Cooperative Threat Reduction Agreement, and if that stuff gets in terroristsÕ hands, then we really do have a security problem in America.”
Enriched uranium stocks? The Cooperative Threat Reduction Agreement? Not one listener in 50 could have known what he meant, but the crowds — in what was clearly a concession to the ex-governor’s policy-wonkish predilections — applauded as lustily and on cue at these two recondite matters as they did at the more obvious red-meat lines.
And there were always plenty of the latter, references to tax-cut giveaways for “Ken Lay and the boys;” to having been “the only leading ” (or “major” or “serious”) Democratic presidential candidate to oppose Bush’s war in Iraq; to Dean’s success in imposing virtually universal health insurance in Vermont and his insistence that “if we can do that in a small rural state, 26th in income in the country, balance our budgets every year, surely the most wealthy and powerful society on the face of the earth can join the British and the Japanese and the Germans and the French, the Israelis, the Canadians, the Italians, the Irish, the Norwegians, the Swedes, even Costa Ricans have health insurance.” (The list of privileged nations ebbed and flowed but always concluded with mention of lowly little Costa Rica.)
There was the business of “three million lost jobs” under Bush and the inability of Republican presidents to balance the budget and the current president’s playing the “race card” by using the word “quota” about affirmative action programs at the University of Michigan. There were Bush’s refusal to “stand up to the Saudis” and the “unfunded mandate” of the No Child Left Behind program (which Dean might render as “No School Board Left Standing” or “No Behind Left”) and Bush’s underfunding of Homeland Sedcurity and his “all hat and no cattle” defense policies and his dangerously “petulant” attitude toward North Korea.
There were plenty such derelictions, followed by Dean’s promises of redress or relief. One of the candidate’s most popular crescendoes would come when he ticked off the administration’s purported misrepresentations about Iraq. As he tended to put it: “The president told us that Iraq was buying uranium from Africa. That turned out not to be true…..The president told us that they were about to make a deal with al Qaeda. That turned out not to be true…..The vice president told us the Iraqis were about to get nuclear weapons. That turned out not to be true. And the secretary of defense told us he knew exactly where those weapons of mass destruction were, right around Tikrit and Baghdad, and that turned out not to be true.”
At most venues members of the crowd would start chanting “lies” or “liars” during this recitation; at New York’s Bryant Park, where Dean spoke from a platform decorated by a performance artist, the call-and-response evoked cries of “bullshit,” instead. At all locations, Dean would conclude the passage by intoning thunderously, “As the commander in chief of the United States military, I will never hesitate to send our troops to any country in the world to defend the United States of America. But as the commander in chief of the United States military, I will never send our sons and our daughters and our brothers and sisters to a foreign country to die, without telling the truth about why theyÕre going there.”
Everywhere someone in the crowd, whether a plant or not, would shout, “Give ’em Hell, Howard!” and Dean would answer by recalling Harry Truman’s reply to similar calls during that president’s 1948 miracle reelection campaign: “I just tell the truth, and the Republicans think it’s hell.”
Howard Dean and his supporters plainly think the ex-Vermont governor’s current campaign for the presidency is someting of a miracle, too. As the candidate himself observed during last week’s ten-city “Sleepless in America” tour (so-called to counterpoint President Bush’s supposed slumber during his annual monthlong summer vacation at his Crawford, Texas ranch): “We thought we might have five percent of the [primary] vote by this point and would be getting ready to make a major effort in Iowa or New Hampshire, after which we’d hope to build on that momentum in primaries down the line.”
Instead, Dean already leads the Democratic field in both Iowa and New Hampshire, whose January caucuses and kickoff primary, respectively, are the traditional opening rounds of presidential campaigning. In Iowa, Dean has overcome the expected early lead of former House Minority Leader Dick Gephardt from neighboring Missouri; in New Hampshire, a Zogby poll last week showed him soaring past Massachusetts Senator John Kerry, once presumed to be the frontrunner, by a whopping margin of 38 to 21.
Observes campaign manager Joe Trippi, a veteran of several prior campaigns (including Gephardt’s first bid, in 1988) who will volunteer non-stop dissertations on anything and everything political: “We had to adapt to this early success. What we’re doing is unique. This is the first time ever that an insurgent has got this far ahead before an establishment ‘frontrunner’ could establish himself. We started out running a marathon by doing the first four miles at 100-yard-dash speed. Now we’re doing the second four miles at 100-yard-dash speed.”
In practical terms, what that means is that the Dean campaign, having already broken new ground with last week’s whirlwind cross-country tour — of the sort customary in the late stages of a general-election campaign — intends to pile it on, spending $1 million next month to air freshly minted commercials in six states. It can afford to do so on the basis of having raised some $7.5 million, more than any other Democrat, in the previous quarter and is shooting for $10 million in the current quarter, with every expectation of realizing that goal.
The Dean campaign has been able to achieve such heady results by the innovative use of Internet fundraising through the campaign’s website (www.deanforamerica.com), which also serves as a medium for arranging the “meetups” of volunteers throughout the country that have given the term “grass roots” new meaning. As it happened, President Bush also visited Portland last week, for a $2,000-a-plate fundraiser that was due tonet im $1 million — the kind of money that, presumably, only incumbent presidents can raise in so short-term a manner. Dean let it be known that he meant to do as well on his “Sleepless” tour.
BY HIS OWN STATEMENT, DEAN CAN BE “BRUSQUE” with the media — though his new frontrunner status seems to have brought with it an injunction to make nice with reporters at all costs. Not once during last week’s tour did the candidate lose his cool — not even during the post-speech “press avail” in Falls Church, where a local reporter badgered him about whether he would take a “no-new-taxes” pledge. When Dean responded, “Yes, if we can return to the status of things under Bill Clnton,” the reporter complained, “That doesn’t make sense.” Refusing to be baited, Dean calmly repeated his answer, then went on to the next questioner.
The traveling press was not nearly so obstreperous as that Washington-based reporter had been. Indeed, relaions between the 30-odd journalists and the candidate could reasonably be described as cozy — as why shouldn’t they be, considering the symbiotic nature of their heady trip through the looking glass. Alexandra Pelosi, the video documentarian whose “Journeys With George” captured the Bush candidacy of 2000, was on board the “Grass Roots Express” for a new HBO project whose scope would be the entire 2004 presidential campaign. She had traveled already with most of the Democratic field, who included Gephardt, Kerry, Senators John Edwards of North Carolina , Joe Lieberman of Connecticut, and Bob Graham of Florida. If the Dean campaign were arbitarily assigned a 10, she was asked, how would the others rate? “Two, two, two, two, and two,” she answered without hesitation.
The two reporters aboard Dean’s campaign plane who seemed most astounded by it all were, ironically (or appropriately) enough, the most seasoned in matters involving the political cynosure of 2003. Sam Hemingway of the Burlington Free Press and Stew Ledbetter of BurlingtonÕs WPTZ-TV sat aboard the Grass Roots Express on Tuesday morning, still digesting events so far on the trip, and especially of the night before, when Dean had made his most impassioned presentation of The Speech and got his most robust crowd reaction of all before a crowd of several thousand at San Antonio.
Dean would vary his exit line, depending on circumstances. Sometimes it was “I promise I’ll make you proud again to vote Democratic;” sometimes it was “This time the president will be the one who gets the most votes.” Most often it was variations on “You have the power to take this country back.” At San Antonio, it was the latter and, aided by the acoustics of the arena as well as the energy of the crowd, a Latino-inflected one which had been the most ethnically diverse of the trip so far, Dean had literally soared, his concluding repetittions of the phrase “You have the power” becoming a mantra, an incantation that was matched syllable for resonant sylllable by the crowd. The mood had been , in the truest sense of the term, electric, and every reporter, staff member, and supporter on the plane Tuesday morning was still charged by it.
Hemingway said to Ledbetter as the two sat side by side, “I don’t see how he can be denied.” And the TV reporter nodded gravely. Hemingway would later recall in some wonder how Dean had lnursed presidential ambitions during the runup to the 2000 campaign and seen his balloon deflated by a premature leak of his intentions by a watchful Al Gore. Vermont reporters had teased the governor unmercifully. “How’s your poll ratings in Iowa, Howard?” had been a sure rib-tickler among the press corps up thataway.
Recalling all this in Manhattan’s Bryant Park on Tuesday night as Dean was wrapping up the tour simultaneously with the announcement on a Jumbo screen that the million-dollar mark in contributions had been reached, thereby tying Brush’s proceeds for the weekend, Hemingway tried to put things in perspective, suggesting that Dean might yet come back to earth with the end of the calendar year and the beginning of the presidential year proper. In an effort to capture the loyalty of Democratic traditionalists, Dean might be forced to retract his boldness somewhat within the shell of party cautiousness.
Nah. It looked to be a case of the home-state reporter still pinching himself.
The reality was that Dean’s fundraising was far in excess of what his Democratic opponents could muster — and was likely to remain so. His crowds were large and spontaneous, their enthusiasm genuine — not whetted up by campaign operatives. There was no such thing as a Dean rally without chants going up and sometimes interrupting the candidate. Dean, Dean, Dean or We Want Dean, We Want Dean, or any of several permutations on the theme. The excitement of these crowds, their satisfaction at seeing a Democrat on the attack, was palpable. They were believers in search of a redeemer — literally — and they believed they had found him. Alexandra Pelosi was visibly frustrated twice on the tour — once when her handheld camera failed to capture a tranvestite activist in a ball gown at Portland and another time, more tellingly, when she didn’t get the Young Democrat on the dais at Boise who likened his first experience of Dean to that of encountering Christ.
Dean himself would recall, on the last leg of the plane trip, standing on the platform at Seattle’s Westlake Park and looking back at a sea of humanity, sme 10,000 strong, that snaked into all the side streets. “That was the most extraordinary moment,” said the man who, at that point, had been running for president for a solid year and a half. “that was the first time I realized that a very large number of people were dependent on me to change the course of things in America.”
A steady component of the candidate’s set speech, close to the end, usually, was his declaration that “the biggest lie told in campaigns by people like me to people like you is that we can solve your problems.” The reality, as he would move on to say, was that people could take, first, their party back, then their country, by actions of their own. You have the power.
“It isn’t so much what I say. It’s how I say it,” Dean would conclude. And, in truth, his rhetorical style, which — he confessed to a reporter — had once been that of “a bore,” had become intense, even at times incandescent. Sometimes he would even try to moderate expectations, as when in Austin, he had warned his listeners that he was “too conservative for you.” He later dilated on that: “They know I’m a little more conservative than they are — on the death penalty, for example, but they tolerate it because they want to win. and they also know I’ll stand up for what I believe in. The thing about me is that I’m not timid. I fight back, and I have an articulate vision. I don’t just throw bombs and say how terrible things are.”
Observant reporters began to notice a peculiarly studied practice of Dean’s. When preparing to disembark from the plane to address a throng, he would carefully roll up his shirtsleeves to the elbow. When returning to the plane he would fastidiously rebutton the sleeves.
He could be candid about such calculations of effect. “They come to see the show, and you’ve got to give them the show,” he said enroute to his last stop of the tour, in New York. “People don’t want things so ‘presidential’ any more.” It is the same realization, he believes, that has occurred to George w. Bush and which accounts for the president’s continued respectable (if dropping) ratings in the polls.
Conservative, liberal, showman, statesman, or whatever, the man who ran Vermont’s state government for 12 years and oversaw, as he likes to boast, a string of balanced budgets, the small-state governor who opposed gun control and was supported by the NRA in his gubernatorial campaigns, the self-professed “non-ideological” executive who happened also to sign a bill legalizing civil unions for gay and lesbian couples and who, most importantly of all, regularly gives George Bush hell is very much the man of the hour in Democratic politics.
“This is a political phenomenom the likes of which hasn’t been seen before,” boasts campaign manager Trippi, and maybe he’s right. Maybe indeed it’s too late — at least before the general election itself — for anyone to stop Dean. The rest of the Democratic field tries to be “too nice” to the president, tries to be “Bush Lite,” the candidate likes to say, somewhat scornfully, and that may cost them. It is certainly denying them the kind of momentum he — so far uniquely — can boast.
THERE ARE MANY CORNERS TO HOWARD DEAN. Before he entered politics, he had careers as both a stockbroker and as a G.P. practitioner of medicine. It is the latter profession which he credits for giving him his impressively grasp of — and dependence on — facts. As for the origins of the charismatic politician now on display, to the surprise of so many (perhaps even himself), perhaps some clue was offered the night he boarded a bus of supporters headed from his rally in Austin to the one in San Antonio.
A woman who had seen Dean, an amateur musicvian, on C-Span the month before playing the harmonica from Des Moines surprised him by handing him no fewer than five harmonicas, each tuned to a different key. “I like to come prepared,” he said, and bade him play. After trying several out, he settled on the one that was duned to D and gave a spirited rendition of Bob Dylan’s “With God on Our Side.” He handed the harmonica back and said, “I really wanted to do some blues riffs, but I couldn’t find the frets.”
So far in this presidential campaign season, it is Dean’s political opponents who are experiencingng the blues, and the doctor from Vermont seems to have found the right frets to keep doing that.

Rare Bird
…is Howard Dean. And after him may be another, Wesley Clark.
It is the redeeming quality of American politics that occasionally a figure comes along unique enough to transcend all the operatives and G.O.T.V. manuals and crafted soundbites of a normal (which is to say, boring) political campaign. One such is Howard Dean, the Vermont ex-governor and Democratic presidential candidate whose cross-country campaign tour of last week is the subject of this week’s Flye cover story.
Dean has become a phenomenom by doing something that, for other Democrats this campaign season, has evidently become undoable — taking the fight forthrightly to the opposition, in this case no less than the president of the United States, George W. Bush. Republicans have been doing this to Democrats for quite some time, and it has, arguably, gained them control of the presidency, the House, the Senate, most governorships, and (not coincidentally) the Supreme Court.
Democrats have — no other way to put it — feared to.
Putting aside for the moment the rights and wrongs of the president’s tax cuts or his decision to make war in Iraq, it is incontestable that these are policies or high national moment, with consequences that for better or for worse will affect all Americans. What has distinguished the commentary of most leading Democrats on these issues, at least up to the present moment, is the tentative — nay, mealy-mouthed — nature of it all. So carefully calculated so as to seem pale shadows of the president’s own pronouncements, most official Democratic statements have been of he “yes, but’ variety — failing in both clarity and apparent sincerity.
One is reminded of former president Harry Truman’s reported statement that if Americans are given a choice between a Republican point of view and a Republican point of view, “they’ll take the Republican every time.”
Howard Dean, in conscious emulation of Truman (and of Republicans like Barry Goldwater and Ronald Reagan) has decided to provide instead the proverbial “choice, not an echo.” Of all things — the presentation of an opposing point of view! Dean even says out loud that he thinks the president might be (shhhhh) lying about some things.
That kind of forthrightness is, right or wrong, what got Dean to where he is today, in front of the Democratic pack of presidential hopefuls and about to make a rout of the race. Dean argues convincingly that if he keeps it up he’ll draw three or four million new voters out, enough to make a diffderence at the polls.
Threre was an after-hours moment during his campaign tour last week — in San Antonio, Texas, of all places — when Dean and members of his staff took turns, as an outgrowth of their prep for a televised Democratic debate this week, doing impressions of the Vermonter’s party rivals. Dean, at 5′ 8″, was especially skillful at suggesting a long, lean Senator John Kerry drawing himself up, caterpillar-like, to his full dignified height. And he did a credible molasses-mouthed version of John Edwards, the senator from North Carolina.
(The candidate’s staff would just as soon we hadn’t blabbed all that, but — hey! — telling it means telling it.)
There’s one potential Democratic candidate that Dean doesn’t have a distance on yet, and that’s former NATO commander Wesley Clark, the telegenic Arkansan (sound familiar) who, like Dean, is a critic of Bush’s tax cuts and his Iraq policies and is apparently about to announce his own candidacy for the presidency during the next week or two.
The two of them will be talking before that happens, said Dean, who granted that Clark’s positions were similar but opined that he might draw more votes away from Kerry than from himself. (Dean’s campaign manager, Joe Trippi, a tell-all type if there ever was one, was candid about Clark: “He’ll have legs.”
If Clark does get in, we’ll have a sudden embarassment of riches. Two candidates willing to put it on the line? All we can say is, Bring it!
— J.B.
Revote?
Alexandra Pelosi, who draws mention in this week’s cover story as the video documentarian who, having done a celebrated portrait of presidential candidate George W. Bush from his 2000 campaign, is now at work for HBO on a fully fledged look at the 2004 presidential race, offered some thoughts last week on a subject closer to home. (Ours, not hers.)
Pelosi’s mother, as it happens, is Nancy Pelosi, the congresswoman from San Francisco who was elected Democratric leader in the House of Representatives last year to succeed Dick Gephardt of Missouri.
It will also be remembered that Nancy Pelosi, a member of her party’s liberal wing, was unsuccessfully opposed in her quest by U.S. Rep. Harold Ford Jr. of Memphis, an African American whose “blue dog” tendencies and membership in the Democatic Leadership Council provide him credentials as a Democratic moderate.
Alexandra Pelosi’s own political profile is not what one might expect. Though she grants that Democratic presidential candidate Howard Dean, whom she was shadowing last week, is making a lot of fuss and could well end up as his party’s nominee, she is dubious about the appeal to a larger national audience. The problem? He’s “too liberal.”
More surprisingly, Alexandra Pelosi’s attitude toward Rep. Ford’s erstwhile challenge to her mother’s political orthodoxy goes beyond tolerant. “Good for him,” she said. “The Democrats need all the help they can get.”
Generation gap?
n Candidate Dean, like other presidential wannabes, is focusing his efforts on Iowa and New Hampshire, though, more than most, he is active elsewhere. Last week’s “Sleepless Summer” tour, which took him cross-country to 10 cities, is a case in point.
One place he’s looking at down the line is Tennessee, which holds its presidential preference primary on February 10th of next year, just after the Iowa caucuses and the New Hampshire primary and a week after a pivotal South Carolina primary, the first in the South.
“Tennessee’s tough,” Dean said frankly aboard his campaign plane last week. The candidate, who is establishing a headquarters in Nashville this week, quietly visited the state last year “to check it out.” He’ll be buttressing his forces in recognition that the Tennessee primary, which occurs the same day as one in Virginia, will further clarify any picture left opaque by the preceding week’s South Carolina results.
A regular part of his stump speech had him promising to speak this line below the Mason/Dixon Line: “You’ve been voting Republican for 30 years, and what has it got you?”
Dean maintains that when he was governor of Vermont he was active in recruiting Democratic gubernatorial candidates in the South — among them, Ronnie Musgrove of Mississippi, who is being challenged this year by Republican Haley Barbour.
Some of the others — notably former Governor Jim Hunt — have since fallen by the wayside. The mistake of Democratic candidates, says Dean, has been to play to an imagined “swing” vote, arguably Republican or independent in sympathy. “We’ve gone so far to the right that we’ve got to reactivate the base. We’ve really got to stick to core Democratic principles,” he argues.
Sound Advice
Hey, Square Pegs, bust out all your horizontal stripes, pull on your checkerboard Vans, buy a skinny tie and some really stupid-looking sunglasses, and get ready to get freaky, 1980s-style. Just as the retro-sound of the East Coast’s Electroclash movement was positioning itself to become the new old sound of the future, here come Portland, Oregon’s The Epoxies to remind us that new wave always belonged to the left coast. From their cover of the Professionals’ “Join the Professionals” to originals like “Need More Time,” the Epoxies glorify the sticky romanticism and terminal boredom that defined new wave and channel the best aspects of Josie Cotton, Sparks, Berlin, and Blondie. Their wonderful “We’re So Small” is one of the best nuclear-disaster songs since the Louvin Brothers’ “Great Atomic Power.” Frontchick Roxy Epoxy does herself up like Siouxsie but sounds like Debbie Harry and yelps like Terri Nunn over bouncy guitar riffs and lots of space-age synth. If this is the ’80s retro all the kids are talking about, then bring it on. Just check all parachute pants, Members Only jackets, and “Let’s Hear It for the Boy” singles at the door, please. The Epoxies are at the Hi-Tone on Wednesday, September 10th.
While on the subject, have you ever wondered what it would have been like if all the ’80s new-wavers actually got along with the ’80s hardcore fanatics? Then you might want to check out An Albatross when they come to “DIY Memphis” above Precious Cargo on North Main on Saturday, September 6th. It’s either the most incompetent thing I’ve ever heard or pure dada genius. I’ve yet to figure it out.
For reasons I can’t quite explain, I derive a great deal of pleasure from the fact that there is a band named Mastodon, and they write songs with names like “Where Strides the Behemoth,” “March of the Fire Ants,” and “Trampled Under Hoof.” I’ll admit, the pleasure is mostly but not entirely ironic. The Atlanta-based headbangers have done the undoable. They have taken all the tropes of classic metal (with a dash of Southern rock) and recast them into something new but strangely familiar. Their music is apocalyptic doom-rock with a Rush complex seasoned with tricks pioneered by Metallica, Sabbath, and Iron Maiden, with the occasional nod to Sonic Youth and ’80s hardcore. Mastodon is a throwback to the days before metal was all burble and screech — when it had classical pretensions and was constructed in grand movements; when it was not so much angry as epic. Of course, all the sword and sorcery imagery is silly, and those with a low tolerance for gnome rock may want to steer clear. But, hey, even Zeppelin had a weakness for that Middle-earth stuff. Mastodon is at the New Daisy with Murder One and Throat Wednesday, September 10th.
Memphis’ Gamble Brothers, who took home the grand prize at the Disc Makers’ 2003 Southeast Region Independent Music World Showcase, celebrate the release of their new CD, Back to the Bottom, at the Hi-Tone on Friday, September 5th. As soul/funk fusions go, the Gamble Brothers are about as good as it gets. Unlike other jamcentric bands, the songcraft doesn’t end when the extended solos begin. — Chris Davis
A Dose of Peace
What if there were a place where anybody could go to drop off their worries and daily stresses with the same ease as dropping off a package at the post office? And what if, in exchange for your burdens, you could receive an overwhelming sense of peace to take home with you?
According to members of the local Buddhist community, that notion may not be so far from reality. Members of the Pho Da Temple on Hawkins Mill Road are bringing a couple of high-ranking lamas to town to build a stupa, an ancient structure believed to radiate blessings and healing. They’ll be breaking ground for the stupa on Sunday, September 7th.
Stupas are believed to be physical representations of an enlightened mind, with each architectural element symbolizing some aspect of enlightenment. There are eight varieties of stupas, one for each stage in the life of the traditional Buddha.
Memphis is slated to receive the “Enlightenment” stupa, a 13-foot structure with a figure that resembles a bishop chess piece sitting atop a square, concrete, stepped base. A domed “vase” is accented in gold leaf, and a golden spire stretches upward. It is supposed to loosely resemble the Buddha seated in meditation.
“The square base represents the Buddha’s legs in the meditation posture, which provides a very stable basis for meditation,” says stupa sponsor Katherine Hall. “The vase part is his body, which is a container for life and the Buddha nature, and the elements on up represent the more subtle functions of the human body.”
The inside of the stupa is filled to the brim with an assortment of holy relics and blessed objects. Pho Da Temple is asking for donations of precious and semiprecious stones and metals to fill the stupa. They’re said to act as a magnetizer of prosperity. The stupa will also contain grains to ensure a good harvest, and the base will be filled with broken knives and guns. These weapons are supposed to act as a barrier to keep negative energy away.
“There will be days on end when we’ll be getting people to come and help us roll tiny mantras, prayers on paper,” says Hall. “We’re going to roll them up and chant mantras the whole time, and then the vase will get filled with those. It’s going to be packed with stuff. If there’s an inch of air space, somebody’s going to stick a mantra in it.”
Stupas date back about 2,400 years ago, which is about 100 years after the historical Buddha died, or, as Buddhists believe, entered a higher state of consciousness called parinirvana. The architecture of the stupa was influenced by pre-Buddhist Indian burial mounds, where sacred objects would be buried while the body, though covered with dirt, would be left above ground. This created a mound-shaped grave similar to the shape of a traditional stupa.
The monuments have just recently caught on in America. The Memphis stupa will be the first in the Mid-South, although there are a few in Oregon, Arizona, Colorado, and Maryland. Action-film star and Buddhist Steven Seagal commissioned the same two lamas who will be constructing the Memphis stupa to build one at his home.
Those lamas, Tsewang Seetar Rinpoche and his brother Lama Pema Tenzin, have been to Memphis before. The idea for a Memphis stupa came during a 2001 visit to the Pho Da Temple. While the brothers were in town to create a sand mandala at the Memphis College of Art, they stopped off at the temple and met with the abbot, Thich Hong-Minh. When the abbot learned the two were trained in the art of stupa building, he offered a piece of land, and plans were soon under way.
For the past couple of years, area Buddhists have been busy raising the funds to build the stupa, as well as funds to bring the lamas from Bhuton to Memphis. Because it is an ancient and sacred art, not just anybody can lead the construction process. Rinpoche and Tenzin will stay in town until the expected completion date of October 11th.
The materials, which include ancient relics from Bhutan and Nepal, are also costly, bringing the grand total for construction and transportation to about $25,000. Hall says they’re on their way to reaching that goal but are still accepting donations through the Pho Da Temple and FoodAid.com.
It’s a high price for tranquility, but Hall believes the money will be well-spent since the stupa is supposed to benefit the entire city. The construction process will be open to the public, and the completed stupa is intended to be a place where anyone, Buddhist or not, can come for a little dose of inner peace.
“It’s going to radiate blessings because everything in there is blessed very specifically to radiate out. And the closer you get to it, the more effect it will have,” says Hall. “I don’t really understand how this stuff works. I guess it’s magic, but I believe in it.”
The groundbreaking for the Memphis stupa will take place at the Pho Da Temple (3943 Hawkins Mill Rd., 327-3298) from 1 to 3 p.m. on September 7th. It will be followed by a talk on stupas by Rhodes professor Mark Muesse at 7 p.m. at the Church of the Holy Communion’s Cheney Parish Hall (4045 Walnut Grove).
A Night To Remember
Every year, the week the Tigers play Ole Miss, someone will inevitably dig up and post on the Internet a column written by Dennis Freeland (see facing page). Every time I see it, I miss Dennis. I miss reading what came straight from his heart, and I remember a remarkable night when Dennis became a hero and friend to 200 people.
For those of you who don’t recognize the name, Dennis Freeland was editor of the Flyer from 1995 to 2000. But I don’t think editor was what Dennis thought was his most important job. His true love was the sports column he wrote almost every week, until a terrible invader — cancer — entered his body and eventually made him too sick to keep working.
Dennis realized his inevitable fate, but he continued to do what he did best: He told the truth. He sent e-mails to friends reporting in detail what was happening. He held out some hope, but he was frank in communicating that the wife he loved and his precious daughter would most likely grow older without him. I think he really wanted to make it easier for everyone to accept this awful reality.
Dennis loved Memphis, he loved the University of Memphis, and he loved Tiger football. But telling the truth and loving Tiger football, as long- time fans know, can be a tough combination. That’s where my fondest memory of Dennis lies.
I asked him to speak to the Highland Hundred, an organization of hard-core Tiger football fans, infamous for its lack of tolerance for journalists. It was an organization loyal to the program, to a coach — Rip Scherer — who was a genuinely good person, and to the kids who strapped it on and fought giants every week.
But this was a tougher year than usual, one in which Rip and the Tigers went 2-9. Dennis’ columns, as always, reflected what he saw as the truth, and it wasn’t pretty. When I introduced him, I heard muffled boos combined with almost-polite applause. This group was ready to get medieval on Dennis, and he wasn’t even near an exit. I thought it was pretty gutsy for a guy who looked like he couldn’t run the 40 in less than 4.4 minutes.
Dennis wasn’t there to blow smoke or to apologize for doing his job. He told the group how sometimes it broke his heart to tell the truth, but it was the right thing to do. He shared his many years of rooting for our hometown underdog, of how he anguished seeing these coaches and kids trying valiantly and failing year after year. It was obvious he passionately wanted to see something good happen for the team, the fans, and the community.
He said he never wanted to intentionally inflict pain, and he was keenly aware of the anguish the printed word can bring. He never wrote to wound. He never wanted any player, coach, or family member to suffer so he could write a funnier or more interesting article.
As I tried to covertly dry my eyes to keep a manly demeanor, I noticed a lot of other tough guys who were moved by Dennis’ gentle spirit and compassionate heart. The standing ovation he received seemed not nearly enough.
Dennis died on January 6, 2002. The Tigers haven’t beaten Ole Miss in a while, but they’ll play the hometown underdog again next Saturday, and hope springs eternal. I just wish Dennis could be here to write about it.
We miss you, Dennis. That’s the truth.
The Politics of Football
It was, I’ve always assumed, an Ole Miss fan who coined the deliciously derisive phrase “Tiger High.” You know, as in “Go to hell, Tiger High!”
I always thought Ole Miss fans were the easiest to dislike of all the schools on the University of Memphis’ official rivalry list. The UT program has always been so many light-years ahead of the Tigers that the only honest emotion a U of M fan can muster for the Big Orange is envy. As for those extreme rednecks from Mississippi State, with their cowbells so obnoxious they were banned by the SEC, they, like a cousin who is a little on the slow side, deserve our pity. But the Ole Miss fan — that’s another story.
When I think of Ole Miss football fans, I see a frat boy in Duckhead pants, a flask in his back pocket, one hand clutching a Rebel flag and the other arm wrapped tightly around a Southern debutante. I hear him screaming, “Go to hell, Tiger High!”
Such a mean-spirited yell. Translated it means: “Hey, you! Couldn’t go to a real school, huh? Had to settle for an urban commuter school. Look at all the fun we’re having.” They’re white, they’re right, and by golly their daddies have more money than ours.
Hotty Toddy!
One of my favorite memories from the Ole Miss-Memphis series came in 1977. Several of us had driven to Jackson, Mississippi, to see the game that would kick off the season for both schools. We were excited because for the first time since the two schools began playing football in 1921, the Tigers had beaten the Rebs three games in a row. We got to the stadium early and found our seats in the Memphis student section, directly across from the Ole Miss students. It wasn’t long before the taunting started.
“Go to hell, Tiger High!” yelled a Reb fan loudly.
“We’re already here, you redneck!” came the reply.
I don’t remember much about that game, just this: There was a disputed call which went against Memphis, the school mascot ripped off his Tiger mask and got into a fistfight with some Ole Miss players along the sideline, and, of course, the Tigers lost 7-3. In other words, a typical Ole Miss-Memphis game.
It’s a tough pill for Tiger fans to swallow, but the series record with its biggest rival is 8-39-2 and one of the best memories in school history falls in that tie category. Ouch. But that’s exactly why this game should be played, as it is this year, at the start of the season, before Tiger fans give up hope.
I would even suggest that the game be played every year in Memphis, with the tickets being split 50-50. That would create the most excitement, game revenue, and post-game party opportunities. Oxford is a great little town, but it just isn’t up to hosting a post-game party attended by 50,000 fans.
And wouldn’t it be nice if this game could be moved back to the evening? Southern football was not meant to be played in early September in the middle of the day. Ole Miss coach Tommy Tuberville can whine all he wants about ticket sales, but the biggest obstacle this year is an 11:30 a.m. kickoff. Here’s the choice for Mid-South football fans: Wade through an Oxford traffic jam, bake in the scorching midday sun for three hours, then do the traffic jam again, or stay home and watch the game free on TV. Hey, it’s not fan apathy holding up ticket sales, it’s college football selling its soul to TV. Again.
This game is more important to Memphis than it is to Ole Miss. That’s a given. The Rebs play in a better conference and have long-established rivalries against teams like Mississippi State, LSU, Alabama, and Arkansas. They don’t need the hassle of playing an out-of-conference neighborhood rival who occasionally has the audacity to win the game. Who could blame Ole Miss officials if they took the Frank Broyles highway and ditched Memphis for Northeast Louisiana?
But Saturday’s game at Vaught-Hemingway Stadium will be the 50th meeting between the two schools. And that is a tradition that is worth keeping, tradition being, after all, the lifeblood of college sports. So what if Memphis rarely wins? So what if the game gets little notice around the United States? It is the traditional kickoff for the Mid-South football season, just as surely as the Mississippi State-Ole Miss game is the conclusion to the football season in this area.
Unlike Texas-Oklahoma, Alabama-Auburn, and Notre Dame-Southern Cal, this rivalry is our little secret. And who can forget Buford McGee scoring the first time he touched the ball in a college game? I can still see him rushing through the Tiger defense. You would have thought he was on his way to pick up the Heisman Trophy. The Rebels won that thrilling game 38-34.
But I can also remember Tiger fans standing and shaking their car keys at Ole Miss fans as they made an early exit from the 1983 game. Rex Dockery’s team was coming off successive 1-10 seasons and a win over the Rebels was a great way to start the season. The Liberty Bowl goal posts came down after that one. They wouldn’t come down again until November 9, 1996.
I can remember junior linebacker Damon Young making those dramatic hits on third and fourth down at the Tiger goal line in 1987, preserving a 16-10 win. The Tigers were starting the season after yet another 1-10 campaign and the heart-stopping victory was the perfect sendoff for a Charlie Bailey team that would finish the season 5-5-1.
I love it when Memphis plays Ole Miss, loved it even more before officials at the University of Mississippi did away with some of the Old South trappings the school had wrapped itself in for so many years. When the Rebel football team ran onto the field to the sounds of Dixie and thousands of fans rose as one waving the Confederate flag — well, I’ll be honest with you, I’ve never felt such righteous indignation in my life. For me, that wasn’t a football feeling, it was political, pure and simple.
But that was then. Today, Ole Miss is still the biggest rival on the Memphis schedule, but somehow it’s not quite as much fun to hate them as it used to be.
This column originally appeared September 9, 1998.
A Lie of the Mind
Michael Healey’s The Drawer Boy will inevitably be turned into a blockbuster motion picture. Given the glowing reviews it gets everywhere, I’ll give it a year — two, tops. And while I’m making predictions, I suspect that in the transition from stage to screen it will be utterly ruined. But it doesn’t take a psychic to see that one coming. It simply can’t be helped.
The Drawer Boy is already laden with the kind of sentimental Oscar-scented schmaltz that Hollywood revels in. I can see Robert Duvall’s face in the trailer and hear that anonymous, booming voice going on and on about “the healing powers of one man’s imagination.” I bet it comes out just in time for Christmas, so forgive me if I hurl in advance. But in spite of The Drawer Boy‘s gooey center, Canadian playwright Healey has crafted a simple story with vastly tragic implications. At its best it begs comparisons to Steinbeck or to the sweeping family sagas of Sam Shepard. At its worst, it is still better than just about anything Alfred Uhry ever wrote. M.I.S.T.E. Productions, an independent theater company spearheaded by Memphis stage vet S.A. Weakley, deserves a round of applause for snatching this unlikely gem out from under the noses of our more high-profile playhouses and giving it a solid Mid-South premiere.
The Drawer Boy, set in Canada in the early 1970s, follows Miles, a doe-eyed theater student determined to “blow the minds” of his urban counterparts by going out into the countryside and learning about how real farmers live. He’s idealistic, inspired by the Soviet model of farming at a time when lefties could still say that Communism was a great idea that hadn’t ever been tried. He’s ready to get his hands dirty, till the soil, and actively engage in the endless cycle of birth, death, and rebirth that defines agrarian society. He finds Morgan and Angus, a pair of aging farmers who are willing to help him out, after a fashion. Morgan comes off as a practical contrarian who aims to see that every set of hands on the farm is working. But the jobs he assigns to Miles are all bizarre and pointless. He has Miles polish rocks, pull undigested corn from manure, and move hay from one field to another. Angus is a sweet but simple man who, having experienced severe head trauma during WWII, can’t remember what he’s doing from one moment to the next. Miles, poor dupe, has no idea he’s being lied to.
There is more to The Drawer Boy than bucolic absurdism aimed at mocking academia, the arts, and consumer culture in general. One evening, Miles overhears Morgan telling Angus a story. It’s the story of how Angus became the way he is. It’s a romantic wartime tale involving two tall English girls and the handsome American G.I.s who loved them. Miles incorporates the war story and the tragic romance that followed into the play that he is writing, and when Angus sees the scene performed, he has a reawakening. Angus’ memory returns in bits and pieces, and with every memory, it becomes more and more likely that the story Morgan had been telling him nightly had all been a lie. It becomes apparent that the truth might be too awful for either man to handle. And Miles, the idealistic playwright who had nothing but the best intentions, is to blame for any consequences.
Weakley has done a fine job staging The Drawer Boy, considering that he also plays the demanding role of Morgan. If at times the show gets a little fuzzy around the edges, it can probably be blamed on the double-duty. By the same token, Morgan is the show’s least-developed character. We never get to see his skepticism of the city boy who has come into his home to roost. And if Morgan takes any twisted joy from the absurd tasks he assigns his charge, it’s impossible to tell. But these are nitpicky complaints because Weakley is generally believable and effective as the fussy farmer. Steven Burk could likewise stand to develop the character of Miles a little further. He needs to come to grips with Miles’ ulterior motives, his easy vanity, shallowness, and potentially exploitative nature. Jim Palmer, on the other hand, is devastating as Angus, the genius-turned-idiot man-child. Whether he’s prowling around the house searching for something he’s lost or wandering through a field subdividing the heavens and counting the stars, Palmer is infinitely watchable. Palmer has always been one of our best, and this is one of his finest moments.
The Drawer Boy is at TheatreWorks through September 6th. Catch it before Hollywood does, and you won’t be sorry.