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Cover Feature News

“Tennstud” & “Bama Booster”

Get ready, Memphis. If Logan Young goes on trial, it could be the most publicized, intriguing, star-studded local courtroom drama since Congressman Harold Ford’s trial in 1993.

Like Ford, who was acquitted after being tried twice and investigated for more than a decade by the federal government, Young can afford a first-class defense. He has already hired Nashville lawyer Jim Neal, who has represented such high-profile Tennesseans as George “Dr. Nick” Nichopoulos, politician Jake Butcher, former Governor Ray Blanton, and businessman William B. Tanner in the past.

Witnesses could include a parade of football coaches including University of Tennessee head coach Phil Fulmer. The ghost of Young’s hero, former Alabama coach Bear Bryant, could even be invoked.

The stakes are high for both Young and U.S. attorney Terrell Harris and assistant U.S. attorney Fred Godwin. Young could go to prison for 15 years if he is convicted or if, like his accuser Lynn Lang, he changes his story and pleads guilty. At this point that seems highly unlikely. Young has professed his innocence since the accusations were first made three years ago and he entered a plea of innocent last week. Contacted by the Flyer this week, he said he will fight the charges “as long as it takes.”

Federal prosecutors, assisted by Shelby County district attorney Bill Gibbons’ staff, have a lot at risk as well. Along with the FBI, they have spent three years investigating the recruiting of a single high school football player, Albert Means, at a time when the country is on terror alert and Memphis is afflicted with the usual mayhem and skullduggery. The NCAA has already severely punished Young and the University of Alabama, making Gibbons’ statement in 2001 that “we are sending a clear message that the sale of high school athletes for personal gain will not be tolerated” somewhat redundant.

Asked this week if the recruiting climate in Memphis is any different today than it was five years ago before the Means story broke, East High School Coach Wayne Randall said, “No, absolutely not.”

Randall, whose reputation is unblemished, usually has one of the strongest teams in the state, and several East players have gone on to play major college football.

“The money is still there,” he said. “People are just more careful about who’s involved. College football is a business, and to win you have to have the best players. Some people are going to do whatever it takes to get them.”

There is no clear victim in the case. Means was allowed to transfer without missing a beat and is now playing football for the University of Memphis. Lang, his former coach at Trezevant High School, and assistant coach Milton Kirk have already pled guilty to federal racketeering charges. By their admission, Lang was the one approaching college coaches near and far with his $200,000 (the amount varied) shakedown. Young did not approach Lang or set the price. At worst, he overpaid an admitted football pimp.

Former federal prosecutor Arthur Kahn, who is familiar with the Means case, said prosecutors will “certainly” have to produce hard evidence and probably fresh witnesses to buttress the accusations of Lang and Kirk. He added, however, that racketeering cases require approval from higher-ups in the Department of Justice, indicating prosecutors are confident they can win.

Assuming the charges are not dismissed, a trial is several months or even years away. Neal said the defense team will seek access to, among other things, records from the NCAA’s investigation of Young which have so far been refused.

“They have stonewalled us,” he told the Flyer this week.

While prosecutors often wear down lesser defendants like Lang, who was represented by a public defender, Young can afford the carrying costs of delay. A year ago it became public in another lawsuit that he had invested over $4 million in a single failed investment scheme.

How did this case get to federal court anyway? The answer offers a glimpse of the inner workings of the media, the power of Internet gossip, the fanaticism of some football boosters, and, as always, Memphis politics.

From Internet Gossip to Book

It was the buzz that drew Richard Ernsberger Jr. to look into football recruiting in Memphis.

After 14 years in New York City and Tokyo writing stories for Newsweek, the University of Tennessee graduate was back in the South working on a book about Southeastern Conference football.

Nearly everywhere he went in the fall of 1999, the scuttlebutt was that Memphis was the Southern sewer of recruiting corruption. The son of a star UT football player and a former UT baseball player himself, Ernsberger is far from naive. But he had never seen anything quite like it. The allegations about inner-city high school coaches in Memphis brokering star players for cash were eye-opening enough, but the forum for hashing them out was a story in itself: the obsessive, overwrought, occasionally over-the-top world of Internet message boards like Gridscape.com and Tiderinsider.com.

As he followed the football season, the names of two aging, fanatical Memphis boosters kept coming up. One was Alabama super-fan Young, a wealthy businessman with an erratic reputation and ties to the late legendary Alabama coach Bear Bryant. The other was Roy Adams, an equally avid Tennessee booster and a garrulous sort who had become infatuated with fan forums on the Internet. Once they had been friends and drinking buddies, but years ago they fell out and were now sworn enemies.

“They are quintessential Southern characters with probably too much money and certainly too much time on their hands,” Ernsberger said in an interview. “That’s really what I was interested in as much as the Albert Means recruiting saga. They proved to be every bit as colorful as I expected them to be.”

Ernsberger devoted an entire chapter to Young and Adams in his book Bragging Rights: A Season Inside the SEC. His research in Memphis and his contacts with coaches in places like Knoxville and Oxford pointed him toward a second Memphis story — the unorthodox recruiting of Means, a highly regarded lineman from Trezevant High School.

“I had heard a lot of stories,” said Ernsberger. “Ole Miss treated the Albert Means situation as like, ‘duh, you think this is new stuff?'”

The relationship between Means and Lynn Lang, who seemed to live large for someone on a teacher’s salary, became another chapter. It ended with this cryptic message:

“Or is there, as many SEC folk suspect, something rotten in Memphis? Will we ever know the truth? As they say on The X-files, the truth is out there.”

Bragging Rights was published in December, 2000. If the truth was still “out there,” at least the story of Logan Young, Roy Adams, Lynn Lang, and Albert Means was in print. A serious writer had given narrative structure, perspective, details, and credibility to what had previously been rumor, gossip, and anonymous Internet chat. The ripple effect is still being felt.

Blowing the Whistle on “Slave Trading”

Milton Kirk makes only a cameo appearance in Bragging Rights and Ernsberger did not interview him. Kirk was Lang’s sidekick and assistant and is the brother of Shelby County Commissioner Cleo Kirk.

Throughout Albert Means’ senior year of 1999-2000, Kirk was often at Lang’s side, within earshot as he made his pitch to various coaches at Arkansas, Georgia, Michigan State, Tennessee, Memphis, Ole Miss, and Alabama. He was familiar with the details, which allegedly ranged from $200,000 in cash to $50,000-$80,000 in cash along with a house and two cars. Kirk thought he was supposed to get some of the cash himself. When he didn’t, he began to complain, first at parties and football gatherings, then to the NCAA in the fall of 2000.

In January 2001, a month after Ernsberger’s book was published, Kirk told his story to The Commercial Appeal. In a story by reporter Gary Parrish, Kirk went public with his sensational claim that Lang had shopped Means for $200,000 and been paid to push him to Alabama.

“Parrish read my book and was interested in the subject but did it all on his own and deserves all the credit for talking to Kirk,” Ernsberger said. “I did not talk to Kirk. He was in the office when I was at Trezevant but I didn’t quote him. He didn’t seem like a meaningful figure at the time.”

Parrish’s scoop drew a huge response from readers and was picked up by regional and national media. At a time when colleges were being busted by the NCAA for giving athletes plane tickets, pocket money, or sneakers, auctioning an unproven high school defensive lineman for $200,000 — none of which apparently went to the player although some may have gone to his family — was unprecedented.

Kirk’s story, embellished with charges of “slave trading” and belated sentiment for Means’ mother who Kirk said was also supposed to be paid, had been hinted at on the Internet for months before the story broke. UT booster Roy Adams, a regular Internet poster under the name “Tennstud,” says at least a dozen people heard Kirk make the charge two and a half months before he went public with it. But Adams denies pushing Kirk toward the CA and told the Flyer, in fact, that he advised him to keep it quiet.

For counsel, Kirk turned to Karl Schledwitz, a lawyer turned developer with good political savvy. Schledwitz graduated from Trezevant High School and UT, where he was student government president and a friend of Phillip Fulmer. In a deposition this year, Schledwitz said he and Kirk spoke numerous times to the NCAA in 2000.

If Kirk had not gone to the newspaper, the case might have stayed with the NCAA. Federal and state prosecutors have said they started their investigation after reading Kirk’s story in The Commercial Appeal.

In contrast to the cocky, powerfully built Lang, who was a three-year letterman as a defensive lineman at Alcorn State from 1990-1992, Kirk presents an aging, somewhat forlorn appearance and has been given to self-pitying statements about his financial plight and the injustice of it all. His notoriety came with a high price. Since he incriminated himself as well as Lang, Memphis City Schools officials had little choice but to fire him.

His troubles were far from over. On August 29, 2001, he and Lang were indicted on bribery and extortion charges “under color of official right” or, in other words, as public employees. Shortly thereafter Kirk pleaded guilty and was sentenced to probation and community service.

Lang held out for nearly another year, although it isn’t clear exactly when he began to cooperate with prosecutors. He was first represented by A C Wharton, who was then a private attorney and Shelby County public defender and is now Shelby County mayor. Lang dropped Wharton, or vice versa, three weeks after the indictment was returned. Wharton hasn’t commented on the case, but it seems likely that Lang lied to him.

On November 7, 2002, Lang appeared in court to plead guilty to racketeering and pledge his cooperation with the government. Curiously, he was represented by a public defender. The coach, who had allegedly received $150,000 in cash in 24 installments from Logan Young two years earlier, was now officially indigent.

“Tennstud” and “Bama Booster”

Roy Adams is an Internet rarity — a message poster who makes no secret of his real identity and whose alias, “Tennstud,” no longer has a shred of anonymity to it.

A graduate of Central High School and an admirer of Estes Kefaufer, the Tennessee senator and presidential aspirant of the 1950s, Adams attended UT on and off from 1956 to 1963 and boasts an impressive arsenal of knowledge of UT football and state politics.

Before the Internet, he was a talk-radio caller, a regular at fan forums, owner of a popular Memphis eatery called the Adams Family Restaurant, and a booster that UT had to keep an eye on.

He says he chose the handle “Tennstud” in homage to the old Doc Watson song, “The Tennessee Stud,” after trying several others and finding they were already in use.

“I hate that damn name more than anyone knows,” he told the Flyer a year ago. “I am short, fat, ugly, old, and balding and anything but a Tennessee stud.”

He still uses the name. He is actually more blogger than typical message-board poster. His comments are usually carefully crafted, correctly spelled and punctuated, civil, and devoid of the moronic invective that is commonplace on some fan sites. His favorite topic is Alabama and Logan Young, although he insists he only repeats what Young told him back in the day and is “careful not to open myself to any libel or defamation suits.”

Young threatened to sue Adams for libel three years ago but never did.

Young is from Osceola, Arkansas, and attended Vanderbilt, but his football loyalties are to Alabama’s Crimson Tide. His father started a successful food company, but Logan Young’s passion is football, not business. He was the original owner of the old Memphis Showboats of the United States Football League in 1983-84. Other than that, his moments in the public eye have been unflattering, including an affair with another man’s wife and last year’s $4 million investment loss.

There were suspicions about Young’s ties to Alabama for years but no public accusations of cheating until the Means story broke. Even after that there was some delicacy about identifying him. The indictment of Kirk and Lang, returned eight months after the story broke, doesn’t mention Young by name as one of the co-conspirators or “fans known as boosters.” On the Internet (he does not post himself) he was often referred to only as “LY” or “Bama Booster” before he was indicted.

Young has steadfastly maintained his innocence. Ernsberger found him “suspicious of me when I first walked in, but a tiny bit flattered that I would be talking to him in the first place.” The author’s handling of the cheating question is one of the few unattributed parts of Bragging Rights. An anonymous source quoted in the book tells Ernsberger, “Yeah, he’d do it,” when asked if Young would cheat. Ernsberger said he didn’t ask Young that question until their second interview.

“He was adamant that he didn’t pay any money to Lynn Lang,” he said. “He seemed angry as much as anything when you question his integrity.”

Two years ago, Young was asked repeatedly by the Flyer if he gave money to Lang or a middleman.

“I didn’t give him any money, and I didn’t give anybody any money,” he said. “I just don’t believe that it happened. Coach Kirk said once in the paper that it was four or five Alabama boosters, now he says it was me and that he didn’t see the money but that he knows Lynn got it. I would be curious to know how he knows Lynn got it.”

Young volunteered the name of the rumored middleman, a former Hamilton High School football coach nicknamed “Botto,” and said he had known him 20 years but didn’t pay him either.

The Alabama Counteroffensive

Diehard Alabama fans have been stewing as their team endures a bowl-ban, public humiliation, fired head coaches, and an alarming number of losses for a school accustomed to competing for the national championship. Attorneys Tommy Gallion of Montgomery, Alabama, and Philip Shanks of Memphis decided to do something about it.

They represent former Alabama coaches Ivy Williams and Ronnie Cottrell in a civil lawsuit against the NCAA and University of Alabama officials. The objects of their ire include an NCAA investigator, the head of the university’s committee on infractions, the university’s compliance officer, and a trio of Memphians they believe conspired to bring down Alabama — Schledwitz, Adams, and Kahn, owner of Arthur’s Wine and Liquor and married to Young’s former girlfriend Lisa Mallory, who once rented space above the liquor store.

All three gave depositions this year in Shanks’ office, which is stuffed to the ceiling with Alabama football memorabilia. The general thrust of the questioning was the relationship of each of them to Young, Lang, Kirk, and UT Coach Fulmer. A sample from Gallion’s formal complaint sets the tone: “Thus began the most unbelievable and unconstitutional persecution by the NCAA in the history of collegiate football.”

The depositions could potentially be used in the criminal trial of Logan Young.

“It’s not revenge against Tennessee,” insists Gallion, whose father was Alabama’s attorney general for two terms. “I could care less about Tennessee. What it has to do with is the danger of one college being singled out and nailed while another college gets away with it. It’s not fair for the NCAA to have a pet.”

He said he and Shanks took the case, which seeks $60 million and will be tried in Tuscaloosa if it gets to trial, on a contingency fee and that Young is not paying “one red penny.”

Kahn calls it “the most bogus lawsuit I have ever seen” and “an abuse of process.”

A University of Virginia graduate with a master’s degree in English and no connection to UT, he left the prosecutor’s office in 1983 to run his business. He plans to begin a third career as a high school English teacher next year.

In his deposition, Kahn acknowledged a casual owner-customer friendship with the lead prosecutor in the Lang case, Fred Godwin. He refused to say if he or his wife had talked to the grand jury or whether she had ever tried to record Young, citing “the marital privilege.” He said that after the story broke Young left phone messages calling him “a dirty Jew” and “that fucking Hebe.”

Kahn injected himself in the case when he started a “recovery fund” for Albert Means’ mother and donated $1,000 to it after it was reported that she was nearly destitute while Lang was allegedly rolling in dough.

“It just seemed challenging and fun to do and it appealed to my old lawyer instincts,” he said in his deposition.

Last to be deposed was Roy Adams. Not to be outdone by Shanks’ floor-to-ceiling devotion to Alabama, Adams arrived wearing a bright orange blazer and a coonskin cap. Not including a break for lunch, the deposition took four hours. According to both sides, it was a day they will not soon forget.

E-mail: branston@MemphisFlyer.com

Categories
Editorial Opinion

Lessons of the Weekend

On the same weekend that 16 brave young Americans lost their lives when their helicopter was blown from the Iraqi sky by guerrillas, their Commander in Chief had his own scare.

Betina Mixon, the young mother who on Saturday rammed her car into a wall of the DeSoto County Civic Center in Southaven, not far from where the presidential limousine was preparing to depart, is clearly no guerrilla. In fact, the mortified family members and friends who huddled around the DeSoto County jail following her arrest made it clear that Mixon had no political agenda at all and, in fact, no politics to speak of. She was apparently not even registered to vote.

Mixon was revealed to have experienced more than her share of recent domestic turbulence — including her father’s death, her brother’s hospitalization, and what her kindred proclaimed to be stormy relations with her husband. Though her motives may never be totally unraveled, Mixon seemed clearly not to be angry at President Bush, who was in Southaven to address a Republican Party rally on behalf of Mississippi gubernatorial candidate Haley Barbour.

The fact remains that, in an age in which car bombs are virtually a weapon of choice for political terrorists, the woman got close enough to the departing president to have put him in serious jeopardy. Recent concerns about possible lapses in (or distortions of) political/military intelligence abroad should not obscure obvious lapses in security precautions at home and the grave threat they present to public officials.

Sometimes literal facts are perfect metaphors in themselves. What this incident showed us is that there are still holes in our national security apparatus big enough to — well, big enough to drive a car through.

We are glad that President Bush was not endangered, but we are glad, too, that he was able to observe this problem firsthand. It is no secret that budget reductions have caused a drastic curtailing of previously intended Homeland Security measures, and the next time the president is moved to advocate a fresh round of tax cuts he might ponder some of the potential consequences.

But, while federal attention to security precautions is certainly called for, we are more dubious about the potential for federal intervention on another score also brought to the fore by the Mixon matter. Those reporters who worked the story over the weekend know that seemingly definitive word got out from the Secret Service as to what would prove to be the ultimate state charge against Mixon (aggravated assault on a law-enforcement officer, two counts) a day before any such charge was decided on by the Mississippi district attorney in charge of the case. Later, local officials would acknowledge “consulting” with the feds on the matter.

There are several ways to look at that. Close cooperation between levels of law enforcement is one thing. Dictation from above is another. We are not in a position to judge what was what in this case, but at a time when the Justice Department’s prerogatives under the Patriot Act have aroused concern at both ends of the political spectrum, we would suggest that observing normal jurisdictional boundaries should be a given in relations between agencies.

Categories
News The Fly-By

Doctor My Eyes

A couple months back, I was squatting behind our backyard home plate, and daughter Jess was firing drop balls at me. As she paused between pitches, she asked, Dad, do you have your eyes closed?

Daughter, I said, you re throwing drop balls, the most evil pitch known to a catching daddy without a cup. I have to catch them all, or pay a heavy price. So, don t you know, my eyes are open.

Okay, just asking, she said, as she fired another one that started at my chest, then arced down to where my cup ought to be. But you still look like your eyes are closed. You re not flinching back there, are you?

I knew that my eyelids had gotten a little droopy over the past few years. It happened gradually, so I didn t pay it much attention. But when Jess thought I was sleeping through drop-ball practice, I knew it was time to go see the eyelid doc.

I went to see Dr. Louise Mawn, an oculoplastic surgeon over at Vanderbilt. She agreed with Jess: My lids were too low. Then, she and a busload of other docs ran endless tests to prove that my lids were too low. One was the visual-fields test, where I had to stare into a big white bowl and click a Jeopardy-style buzzer when I saw a dot of light moving down from the top of the bowl. After a round of testing with my low lids, a kind and gentle woman taped my eyelids up, so I looked like Malcolm McDowell in A Clockwork Orange. Then I did the whole see-light/click-buzzer routine again. By the end of the day, all the docs, machines, and measurements were in agreement: I would see a whole lot better, especially at night, if I got my eyelids raised. As a no-extra-charge bonus, I d also look better. Not that I wouldn t still be ugly as pan-fried dirt.

So we set a date: October 3rd. That morning, I reported to Vanderbilt, went to my room, gowned myself up, and waited for somebody to come get me. I sat in the recliner chair and tried to relax. Then it hit me: I have walked into this hospital voluntarily and I have actually asked somebody to take a knife to my eyelids.

Then I started pondering: There s not much to an eyelid. It s not even half as thick as a saltine cracker. What if the knife slips, and they cut one of my eyelids off? They ll never get that sumbitch sewed back on right. I ll have to get a prosthetic eyelid with a motor that they ll mount to my temple, with big bolts, like a mag wheel. I ll have to raise and lower my plastic eyelid with a Jeopardy buzzer. It ll have to retract up into a slit in my skull. The fake eyelid will clank and whirr when it goes up and down. For the rest of my life, I ll be Eyelid Man. Children will mock and fear me. Here he comes, Mama. Eyelid man. Listen to him clank and whirr. Should I laugh or run or what?

So, when the anesthesiologists came in, I begged them: If y all cut off one of my eyelids, just kill me. Turn up the gas, put a kink in my air hose, give me a horse-dose of morphine. I don t care how you do it. Just do not send me home eyelidless.

Well, I learned right then that you don t joke with the anesthesiologists about killing you during surgery. That s not funny to them. As soon as the words horse-dose of morphine left my lips, they stepped outside my door and started whispering. I heard every word. Long story short, I almost smartassed my way into a psych consult.

Lucky for me, the next doc in the room had a sense of humor. I talked to her about her work, and she shared this: Y know, a lot of cataract patients think we pop their eyeballs out, fix them, and then put them back in. I think to myself, Who doesn t know that there are no body parts that pop in and out? But I don t say anything to the patients. I just let them keep that image of popped-out eyeballs in their heads.

A few minutes later, some people I don t remember wheeled me into the operating room, where those anesthesia people knocked me out calmly and professionally. Well, I assume they were calm and professional. Truth is, I don t remember anything until I woke up and heard Dr. Mawn telling me to open and close my eyes. She pulled on little threads, which pulled my lids up like windowshades, until she got the lids just right. When she was satisfied with the job, she sewed me up and sent me back to my room.

Now, almost a month later, I can go outside at night and see things I haven t seen for years. The only downside to the eyelid surgery is that I had to wear ice bags on my eyes for two days. Despite the ice, I had a fair bit of swelling and bruising for about two weeks. When people asked, What happened to your eyes? I just told em: Every morning, my wife gets out of bed and beats the hell out of me. I think a few people believed it.

Categories
Letters To The Editor Opinion

Postscript

PETA PeEves

To the Editor:

The limelight recently enjoyed by both Tom II and PETA (City Reporter, October 30th issue) has given me pause. I have been vegetarian for 21 years and fashionably leather-free for nearly as long because I cannot justify to myself the unnecessary killing of any animals to make my life easy. In that, I am in concert with the principles of PETA, though their strategies have been impossible for me to embrace.

The protests of PETA’s Amy Rhodes about the inhumane treatment of the U of M mascot make me question priorities once again. Tom seems to be the least abused of any captive animal recently publicized and seems also not to be dissatisfied with his current life. Why does PETA choose Tom’s cause?

Where is PETA if they are not on the front steps of our own animal “shelter,” where vagrant, wandering, and merely lost animals are euthanized if no one claims them during their three-day reprieve after capture?

Where, in fact, are other, less radical animal-lovers?

Greg Stidham

Memphis

An Alternate Universe?

To the Editor:

I enjoy reading the Flyer, because it is so nice to see a publication not afraid to point out that sometimes something’s not right in the “land of the free.” But when I saw the letter from Rob Ikard (October 30th issue), I was compelled to write. Perhaps, in an alternate universe, George W. Bush will be remembered as one of our greatest presidents, but hopefully that universe only exists in Ikard’s head.

As evidence mounts of the deception that Bush used to get us into a war that has finally achieved what Osama bin Laden wanted, maybe Americans will stop responding like slack-jawed zombies to Bush’s lies. His energy policies are destroying the country, people’s rights are being trampled upon, and no one is feeling any safer.

And by the way, President Clinton won the 1992 election by 68.8 percent of the electoral vote and the 1996 election by 70.4 percent. Bush, on the other hand, in an election stolen by the Supreme Court, was still only able to muster 50.4 percent of the electoral vote. And that’s including Florida, the state where his brother Jeb governs. Gore won the popular vote.

After losing by a corrupt whisker, you’re damn right we’re still mad. Hopefully, 2004 is the year we get even.

Mary Mitchel

Memphis

Dehumanizing Palestinians

To the Editor:

Between September 1972 and October 2003, there have been 37 U.N. resolutions critical of Israel on a range of issues. Every single resolution was vetoed by the U.S.A.

Since the creation of the Zionist state in May 1948, the U.S. has sent nearly $100 billion to Israel. Israel is one of three countries that hasn’t signed the Nuclear Non-Proliferation Treaty, and Israel has forbidden inspections of its nuclear facilities.

Then there is the issue of the so-called security fence (Viewpoint, October 23rd issue). Israel says it’s for its security and safety. Its real purpose is to dehumanize the Palestinians even more!

It really amazes me that supporters of the Zionist state claim that Israelis are the victims and the Palestinians are the aggressors in this long, bitter conflict. Palestinians are fighting for their land, their dignity, and their right to self-determination.

Omar Amer

Memphis

Another Failed War

To the Editor:

In the last 50 years, the United States has not declared war on another country. Oh, we have invaded a few and bombed the crap out of some others, but not declared war.

We have declared war, though, on poverty and on drugs. And we have not made the tiniest dent in those problems. After decades of the War on Poverty, the number of poor people in this country is approaching numbers not seen since the Depression. Meanwhile, the resident of the White House continues to give tax cuts to the rich.

After decades of the War on Drugs, inmates on death row can still get drugs, yet we spend billions every year on the fantasy that we can keep them from crossing our borders.

Now we have declared the War on Terror. The wars on poverty and drugs have yielded nothing but huge bureaucracies, official corruption, bad foreign policy, loss of national prestige, massive debt, and failure.

Why should we expect any better this time?

Michael B. Conway

Memphis

The Memphis Flyer encourages reader response. Send mail to: Letters to the Editor, POB 1738, Memphis, TN 38101. Or call Back Talk at 575-9405. Or send us e-mail at letters@memphisflyer.com. All responses must include name, address, and daytime phone number. Letters should be no longer than 250 words.

Categories
Music Music Features

Local Beat

Give it up for Jazze Pha, who was nominated for Producer of the Year at the 2003 Source Awards and who is best known for his recent work with Outkast (“Bowtie”), Nappy Roots (“Aw Naw”), and Bow Wow (“Let’s Get Down”).

“It’s an honor to be considered,” Pha says, calling from the Atlanta airport, where he’s headed to St. Louis for a video shoot. It seems that Pha — aka Phalon Alexander — is always on the move. How does this man — a songwriter, vocalist, disc jockey (on Atlanta’s Hot 107.9 FM), producer, and current Cash Money Millionaires honcho — find the time to fit everything in?

“I just do stuff every day,” Pha says of his extraordinary work ethic. Citing the late Tupac Shakur as an example, Pha says, “He did three or four songs every day. That’s why his music still feeds his family. That should be a lesson to everybody on the creative tip. We should be as prolific as possible.”

Where does he find his inspiration? “Memphis affects me a lot,” Pha, the son of Bar-Kays bassist James Alexander and disco diva Denece Williams, admits. He credits Southern music — “the old-school stuff” — with playing a big part. “Al Green, Beale Street, going to church, all those things have influenced me.” His all-time favorite album? Green’s I’m Still in Love with You.

But, for now at least, Jazze Pha lives in Atlanta. “Whatever you’re trying to do, you have to take it to the 10th power to be successful. That’s why I came to ATL. It’s the Hollywood of the South. I wanted to pursue my dream. I would’ve gone anywhere to do it,” he says. “Sometimes it’s not bad to get out. But it’s always cool to return home,” he continues. “In a few years, I’m gonna buy a new house in Memphis.”

Look for more of Jazze Pha this fall, as collaborations with Bonecrusher, David Banner, and 17-year-old Arista signee Ciara hit the street.

Local soul-blues greats The Fieldstones are playing the Funeral for a Friend benefit, with proceeds going toward burial expenses for the late Lois Brown, the group’s former bassist, who died on September 5th in Pittsburgh, Pennsylvania. Shangri-La ProjectsSherman Willmott organized the event, scheduled for Murphy’s at 10 p.m. this Friday, November 7th.

University of Memphis music professor Dr. David Evans — whose Last Chance Jug Band will also perform — recalls seeing the Fieldstones play at Willie’s Lounge in South Memphis as early as 1979. “I hadn’t seen too many women musicians, so I was struck by the fact that Lois was in the group,” Evans says. “She made me feel welcome. She had me sit at the musicians’ table, and it turned out that she was also the band’s business manager.”

“I felt they had to be recorded,” Evans explains. That sentiment led to the album Memphis Blues Today!, which was cut at the U of M’s studio in the early ’80s. Evans took Brown and the Fieldstones to Europe and South America, while, locally, the group migrated to the J&J Lounge and then, finally, to legendary nightspot Green’s Lounge, which was located on Person Avenue until it burned several years ago.

Both Willmott and Evans expect most of the band’s revolving roster — including guitarists Wilroy Sanders, Wordie Perkins, James Bonner, and “Chicken” George Walker, vocalist Little Applewhite, organist Bobby Carnes, and bassists Joe Gaston and Harold Bonner — to make an appearance, alongside former Green’s Lounge regular Mr. Clean, who never misses a show.

The entire city should turn out for Rev. A.D. “Gatemouth” Moore‘s 90th birthday celebration, held at the Center for Southern Folklore this Friday, November 7th, from 6 to 9 p.m. Though he was born in Topeka, Kansas, Moore figures large in the annals of Memphis music history. He dominated the Beale Street scene during the ’30s, toured with the F.S. Wolcott Rabbit Foot Minstrels, and deejayed on WDIA. One of the first to cross from secular to sacred music, Moore has also pastored at more than a dozen churches in town and presided at hundreds of weddings and funerals, including those of Rufus Thomas and Johnny Ace.

Moore’s birthday party will be a three-day affair: In addition to Friday’s event, he’s the recipient of a tribute at the Hard Rock CafÇ on Saturday, November 8th, from 6 to 10 p.m., and guest pastor at New Sardis Baptist Church on Sunday, November 9th, at 11 a.m. “I’m the greatest religious entertainer in the world,” Moore claims. “The only difference between religious songs and the blues is the lyrics. When I sang the blues, I sang about my baby. And now I sing about Christ.”

E-mail: localbeat@memphisflyer.com

Categories
Film Features Film/TV

Be Afraid

Ridley Scott’s Alien is the tale of seven castaways, not unlike Gilligan’s Island if the island had been capable of eating the crew. (I can’t resist. There’s a salty captain, one sexy female, one not-so-sexy female, and a professor. There are, alas, no Howells.)

Alien‘s crewmembers are miners. And the opening of the film shows them reawakening from suspended animation after a long, interstellar mining gig. But wait they’re nowhere near Earth. Why did the ship reawaken them so early, 10 months away from home? Seems that the ship’s guiding force, called “Mother,” has detected a sentient signal of some kind. Is it a distress call? An SOS? No — it’s a warning. But by the time they figure this out, they’ve stumbled onto a nest of alien eggs and foolishly prodded them — warranting the most curious of the bunch, Kane (John Hurt), to get his face adhered to by a tentacled parasite. Some logistical bickering takes place between the Cap’n and First Mate (leading-man-era Tom Skerritt and Sigourney Weaver, respectively) over quarantine regulations, as there seems to be a silly bylaw that prohibits bringing hideous, tentacled parasites onboard a ship even if it’s attached to the face of one of your crew. But this would be a shorter tale if danger were kept at bay, and before long Kane recovers and then joins what is to become one of filmdom’s grossest meals. Terror ensues, and amid battling aliens and their own fears, the crew learns that there is a governmental, bureaucratic menace pervading their predicament. Was this encounter with the alien an accident? Or does the government have some military designs on this ultimate killing machine?

The trick to reviewing the director’s cut of this 1979 sci-fi classic is, I suspect, intimate knowledge of the first version and true insight into the differences in the re-release. Ridley Scott has made it pressingly difficult to accomplish the latter, so subtle and slim are his changes. Very little is added, and most of what is cut (which shortens the proceedings by two minutes) is in the editing — split-seconds at a time. The intended effect is a quickening of the suspense. The result is a sharp mix of cuts and flashes among laborious, patient pans across space, the ship, and the terror-struck faces of the crew. Added: footage of the argument between Ripley (Weaver) and her captain, and Ripley’s horrifying third-act encounter with her missing crewmates, entombed in a bizarre feeding cocoon (which features my favorite recurring monster-film line: the weakly uttered “kill me” that bespeaks the suffering at the hands of some unimaginable, ungodly foe).

Unlike more populist director’s cuts, Alien looks more like itself than, say, the director’s cuts of the Star Wars trilogy (which mixed startling, contrasting 1970s special effects with shiny new ones) or E.T. (with the f/x retooling that Steven Spielberg would have done if he could have). There are times when it would have been beneficial to have tweaked some effects here — particularly an end-of-film ship explosion that looks more like an early-’80s video game and a few moments with the aliens that betray their mechanical workings. But that would be cheating, wouldn’t it? In life, we do not get do-overs and neither should Sir Ridley Scott.

Alien remains as scary today as I imagine it must have been to its 1979 audience. Scott wisely makes his spacecraft and its occupants as recognizable and human as possible, unlike 2001: A Space Odyssey and the original Star Trek TV series, which, for some reason, imagined their characters in stark sterility. The futuristic milieu of Alien seems as inhabitable as an oil tanker or a submarine or a bunker. The horror of the environment is real to its audience. Thus, when the aliens arrive — their H.R. Giger-designed environs and bodies such an alarming mix of biological and mechanical, so ambiguous in their construction — we become afraid. Very afraid.

This resurrected Alien offers nothing new and is probably only a money-making ploy as opposed to anything artistic its producers may have had in mind. But that’s fine, as it isn’t all that often a remastered classic makes its way back into movie theaters or that we get to look back in time and see why someone like Sigourney Weaver became a star. For a Weaver-taught lesson in hardcore action and cinematic machisma, rent the James Cameron sequel, Aliens. Take or leave the ensuing third and fourth in the franchise, but let’s all pay a visit to next year’s curious answer to Freddie vs. Jason, the equally clumsily monikered Alien vs. Predator. I hear it’s about Governor Schwarzenegger’s administrative policies on immigration. Like I said, be very afraid. — Bo List

Categories
We Recommend We Recommend

I Want To Sing

Sometimes I can be a diva,” Paula Newberry says shrugging bashfully, with only the tiniest hint of wickedness flashing in her eyes. She’s not about to say how, of course. But for all her protestations, the lifelong Memphian doesn’t seem to be anything like your stereotypical soprano. For starters, she’s positively petite, a characteristic that belies her powerful lungs. Her speaking voice is so soft and melodic, it’s impossible to imagine that, when in the mood to do so, she can rattle even the highest rafters. And wonder of wonders, she’s shy.

“In my opinion,” Newberry says, “a true diva is someone who sticks to exactly what the composer wrote. You have to be a servant to the composer and you have to serve the music. If you do that, then you can’t go wrong.” By all outward appearances, the effectiveness of the young singer’s rather humble recipe for success would be difficult to refute. She’s performed all over the world, from Mississippi to Austria. Her recital on Sunday, November 9th, at the Beethoven Club is just a warm-up for her debut at New York’s Carnegie Hall in December. And just how did the Memphis singer get to Carnegie Hall? You guessed it: practice, practice, practice.

“Actually, I booked the show [at Carnegie] myself,” Newberry says. “Of course, they don’t just let anyone perform there.”

According to the singer, the New York concert was an inevitability. It was something that she had to do both for herself and for her father who passed away in 2001 while Newberry was performing in Salzburg.

“When you audition and you audition and audition and audition, you get to this point where you have to say, ‘Okay, enough. It’s time I took my career into my own hands. I’m going to do this myself, and I’m going to make [the audience] come to me,'” Newberry says confidently. “And, you know, before I perform I talk to my dad. And when I get to New York I can actually say to him, ‘I did it. Your baby girl made it. She’s at Carnegie Hall.’ It’s like a dream.”

Newberry didn’t start her formal voice training until she was 13, but her talents made themselves obvious much earlier.

“When I was 2,” Newberry says, “my mother knew that I was musically inclined because I used to be antsy and really uneasy [at church]. I always wanted to get to the organist’s pit. I couldn’t wait to feel the music and start tapping my feet.” It was after a vocal performance in church that the organist suggested that the 12-year-old singer begin professional training. “That’s when I was introduced to the classical repertoire,” she says, “and I’ve been singing it ever since.”

According to Newberry, singing became a way of life. Sometimes she used her voice as an instrument to honor her family; sometimes she used it as a weapon.

“If my brothers did something that made me mad,” she says mischievously, “I would sing at them. I would get loud too! As loud as I possibly could! Eventually they would learn. Eventually they would leave me alone.”

It was after hearing Leontyne Price, the vocally astounding African-American singer whose raw talent battered away at long-standing cultural barriers and who dominated the classical stage from the 1950s through the 1970s, that Paula Newberry decided she would become a professional singer. She took to practicing on the patio, emulating her favorite singer in the backyard. She would pretend that the grass was her audience. “And I would sing,” she says. “And I would say, ‘I’m gonna make it, Mama. I really am. I’m gonna make it.’ I would say that over and over again.”

Newberry says she prefers the concert stage to performing in operas, though she has done both. And she prefers the classical repertoire to popular standards and spirituals. But she does it all.

“Before my father passed,” she explains, “he used to come to all of my concerts. You see, his mother sang opera, and I didn’t know this. I just thought the family had been brought up in Mississippi. But every time I sang opera it reminded him of his mother.”

In spite of her preferences, Newberry’s forthcoming recital, which is also a fund-raiser for her Carnegie Hall appearance, will include not only selections by Mozart and Bellini but also a number of holiday songs and such spirituals as “Steal Away Jesus” and “Balm in Gilead.” She performs the songs because audiences love them.

“I used to shy away from singing spirituals,” she says, “because I thought it was kind of stereotypical. But they seem to be what people relate to best. It gives balm to the soul. Most people go around with a smile on their face, but they are hurting inside. The spirituals touch that healing place inside of them. It touches your soul. It’s like going to church.”

Paula Newberry performs at the Beethoven Club (263 S. McLean, 274-2504) 3 p.m. Sunday, November 9th.

E-mail: davis@memphisflyer.com

Categories
Sports Sports Feature

The Numbers Game

Everybody’s getting into the act. This 2003 U of M football season has been a numerologist’s dream, something right out of Harper’s magazine’s famous “Index.” Playing with confidence, operating with machine-like efficiency on both sides of the ball, the Tigers are keeping the stat-freaks among their fans extremely well occupied. Their third consecutive lopsided victory — this one in the Liberty Bowl last Saturday, over East Carolina, 41-24 — has had everybody, it seems, reaching for their calculators.

Just about every time Danny Wimprine and DeAngelo Williams touch the football, for example, another U of M record goes by the boards.The junior quarterback and sophomore running-back sensation already hold and keep breaking the team’s single-season passing and rushing records, respectively. Barring injury, by the time their collegiate careers are over, “Danny and DeAngelo Do Football” may well need to be the subtitle used on the cover of the Tiger record book.

Math has become so fashionable, in fact, that the CA‘s Geoff Calkins, my favorite sportswriter in the world, built his entire Sunday column around thenumber “six,” six being of course the bowl-eligible number of wins that the U of M has now recorded. Since everyone’s getting into the act, here’s my take on some other important numbers worth considering as the season heads into the home stretch:

1976 –Think Jimmy Carter getting elected president; think the Bicentennial; think (very possibly) stuff that happened before you were even born. And yes, that was when a U of M football team last went into the final month of a season having won twice as many games as it had lost. This should explain why Tiger fans who have been around that long are going slightly bonkers this week. November “games that matter” and “Tiger football” are not usually concepts that find themselves in the same sentence.

7 — That’s the number of games actually won by those 1976 Tigers (captained by current radio color-commentator Bob Rush), who lost two of their last three and finished 7-4. That’s the last time a Tiger team bagged seven victories, which is what the 2003 Tigers will need to do, too, if they actually plan to go bowling.Sorry, Geoff, six may be special, but nobody will want a .500 team coming off three straight losses, despite the next number …

38,718 — The average Liberty Bowl announced attendance after five home games and the major reason those Conference USA-connected bowls are all rooting for Memphis to run the table.I’ve been saying this for years now: Nowhere in America is there a Division I football program with a non-winning tradition that gets anything close to the fan support the U of M Tigers have historically gotten. Give the Memphis faithful a regular winner, and there’s no telling how big Tiger football can and will become in this town.

10.5 — The number of offensive starters due to return for the 2004 season. Darren Garcia, who splits time at the receiver position, is the only senior departing from an offensive unit which recorded its third consecutive 40-point effort last Saturday. The mind boggles at how good these guys might get in 2004. Bring on UT!

0 — The number of times before this season that the Tigers have had both a quarterback and a running back ranked simultaneously in the national Top Twenty in passing and rushing yardage. Wimprine is 18th in passing this week; Williams is 4th in rushing

15 — Perhaps the most important number of all. This is how many extra practice days the NCAA allows for those teams that qualify for bowls. In practical terms, this works out to three extra weeks of practice for bowl-going teams.

Ever wonder how the rich get richer and the poor get poorer in Division I football? This, I submit, is a big part of it. Go to a bowl every year and you’ve got over three month’s worth of extra practice per player over a four-year career. That’s a huge advantage when push comes to shove. Let’s hope these Tigers finally get to find out just how valuable that extra practice time can be.

E-mail: letters@MemphisFlyer.com

Categories
Theater Theater Feature

Good Times, Bad Times

I have heard what may be the most horrible sound in theater: the sound of military dog tags hitting the ground, one at a time. It’s a thin sound, a tinny sound, not loud at all but impossible to ignore. It sounds like death. It sounds like torture. It sounds like a thousand awful things that can only happen in a faraway land and in the hands of an abstracted foe known to you only as “the enemy.”

In the closing minutes of Good Time Speech, a timely play written for Our Own Voice Theatre Company by frequent OOV contributor Randy Youngblood and adapted to the stage by director Alex Cook, Eileen Townsend, a young, school-aged girl, trembles like a shell-shocked veteran in her combat fatigues. The dog tags fall from her trembling hands. Not far away a character known as Daddy Combat, played by John Rutkauskas, pours fake blood from a clear pitcher into a drinking glass sitting atop an oil barrel. It spills out of the glass and onto the barrel. It spills off of the barrel and onto the floor. It seems as if the pitcher is bottomless, that the blood will never stop pouring. It seems every bit as likely that the sound of falling dog tags will never stop ringing. It’s a powerful sensory collage. The grim, increasingly pertinent message rings out loud and clear.

The number of soldiers killed in combat situations since President George W. Bush donned a military flight suit, stood beneath a banner reading “Mission Accomplished,” and declared an end to major combat operations in Iraq, has now surpassed the number of soldiers killed prior to this pompous and certainly premature declaration of victory. Of course, the White House thinks it’s foolish for the media to concentrate on dead soldiers and has even made the ridiculous statement that the ongoing bombings and guerrilla attacks prove just how successful the United States’ efforts to bring freedom to Iraq have been. Hardly a day passes that we do not get a message from our leaders imploring us not to dwell on death and destruction but to rejoice because Iraqi children have returned to school. This bizarre “up-is-downism” is at the heart of Good Time Speech.

Youngblood’s stream-of-consciousness writing style can be difficult to follow at times but not in this case, due in no small part to director Cook’s detailed staging. We are presented with a topsy-turvy world where the irrational is rational, where patriotic songs fill the void created by death, where families mourn and politicians celebrate. One often-repeated line: “I had to put the flag in the washing machine to get all the dirt out of it.” That just about says it all.

Our Own Voice is, hands down, Memphis’ most interesting theater company, capable of creating world-class art with virtually no financial resources. If you miss Good Time Speech, you’ve missed the most important piece of work this increasingly innovative company has staged to date.

At TheatreWorks through November 9th

Ken Ludwig’s Lend Me a Tenor is a classic farce of mistaken identity in the screwball spirit of Preston Sturges. Sadly, and in spite of a fantastic ensemble cast, Theatre Memphis’ production falls flat. Blame it on that elusive thing called chemistry, because this show’s failures have nothing to do with a lack of skill, consideration, or energy. All are there in abundance.

LMAT tells the story of a famous Italian tenor who misses a production because he is dead. Well, the opera company that hired him thinks he’s dead, and to avoid refunds, they send in an impostor. Things seem to be going remarkably well, until the real tenor wakes up from his deep, drug-induced sleep and all the metaphorical door-slamming begins.

John Moore, who plays Max, the (professionally and sexually) ambitious impostor, seems to channel the comic physicality of Eddie Bracken, whose understated pratfalls were the hysterical heart of such films as Hail the Conquering Hero and The Miracle of Morgan’s Creek. As the tenor in question, Keith Salter is likewise the very picture of bombastic understatement. Under the direction of Tony Isbell, the farce moves along quickly enough, hitting all the right marks, but somehow hilarity never ensues. Then again, maybe I just caught the cast on an off night. These things happen, and the performances seemed too good for the show to really be that bad.

At Theatre Memphis through November 9th

E-mail: davis@memphisflyer.com

Categories
News

Leaving Alaska

The sport fishermen, for all their Alaska brochures and magazines and fly-fishing dreams, weren’t prepared for what awaited them in King Salmon. They expected mountains, glaciers, eagles, clean air, pure water — in a word, majesty.

But there’s no majesty at the King Salmon airport. King Salmon is a two-bar dump with no mountains in sight and water like the Mississippi. And all around the lobby, the tarmac, and the four-car parking lot on this day was a nervous herd of filthy, unshaven, hungover or still-drunk refugees from the local canneries, cussing and drinking and fighting over the available seats on the plane. Their luggage was mostly boxes held together by duct tape, and they reeked of diesel and dead fish. They — well, we — had just stumbled off of boats, out of machine shops, and away from “slime lines” with our pockets filled with money and our heads filled with visions of women, beer, or both.

The sport-o’s, as we called them, clung to each other by the baggage claim, waiting for their thousand-dollar rods to arrive so they could catch their ride to the lodge. They had come in swapping stories about big fish and wild rivers, and they were trying to maintain their enthusiasm in the face of this ugly reality.

We had already taken turns buying rounds in Eddie’s Fireside Inn across the road and most of us had gone for the “liquid breakfast” on the boat that morning, so the party was rolling along as we were herded toward the plane.

When we hit the security gate at the airport, my skipper set off the alarm, so he emptied his pockets — coins, money clip, knife, watch, can opener, Leatherman tool — then set it off again. This time he took off his monstrous belt buckle, which he wears on the side of his hip, then dumped another pile of metal goodies into the tray. Off went the alarm again, and this time my skipper, a near-60-year-old man who looks like he’s been on the sea for 100 years and was up to a canter in his drunkenness, looked at the airport staff with the face of a little kid who just did not understand why he kept getting into so much trouble. The sport-o’s exchanged some glances and chuckles, and half of our herd stared them down. Our collective thought was “Laugh not at a real man of the sea, O ye of the weak big-city variety.” He took off his hat with the big Alaska Fisherman’s Union pin on it, and this time he made it through without a sound. The sport-o’s got their gear and fled.

Once on the plane, we ordered two Bloody Marys each, and, those being consumed, took a nap. An hour later we were in Anchorage, the closest thing Alaska has to a city and a “normal” airport; it’s about a third the size of Memphis. We had 25 minutes to catch our plane to Seattle, so we found some of our brethren in a bar. There were four or five of them, each with a mixed drink and all being watched carefully by waitresses in little red-and-blue uniforms. It looked like someone had let the farm animals into the house.

I ordered myself a two-foot-tall beer and looked at the clock: 17 minutes to departure. It was rough sledding, but I made ‘er.

We hit the next security gate about four minutes before departure, and this time my skipper shed about 12 pounds of metal before any hassles could develop. While he was doing that, I said something to the security man about how many problems all this technology creates. I was flying high and meant it purely as small-talk, but he looked at me with all this sincerity in his eyes and said, “Well, that’s nothing compared to what the government is doing.”

“Excuse me?”

“Well sure. I read this book — we sell it in the store — about how the government is building this electronic shell over the whole planet and starting to control our minds with it.”

And this guy was with security.

The plane took us out over Prince William Sound, and I was glued to the window, lusting after the blue water, the endless coves and inlets, the long, winding glaciers running down to the ocean, and the scattered bergs spreading out from their faces. This, I thought, was what the sport-o’s had come to see — not that they’d really appreciate it.

By the time we got out over the water, I had a beer in front of me, my skipper had two more Bloody Marys, and the flight attendants were nervous. The skipper had already proposed that the U.S. should buy British Columbia, “since those damn Canucks don’t know what the hell to do with it,” and the two of us were just giddy with our new freedom. I was sort of worried things might get out of control, especially after my skipper bragged about the time a flight crew refused to serve him after he and some other fishermen incited a food-riot in the air.

But I also decided that all the other people on the plane — the nervous flight attendants, the tourists with their whiny kids, the pale-skinned losers with their slick, new Alaska sweatshirts — looked hopelessly full of it and could use an encounter with a genuine, drunk Alaskan sailor. Not one of them will ever see water coming over the bow with a full load of fish in the hold! My skipper sized up one couple and said, “Well, they’ve been to Alaska, they’ve driven around for a week, and now they’re gonna write a goddamn book about it!” When the plane landed, he yelled, “All right, folks, we’re back in Seattle! It’s time to stir up whatever shit you want!”

Most of them, I thought, wanted nothing stirred up at all.

E-mail: paul@paulgerald.com