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Film Features Film/TV

Seeing Double

We all have that friend, I guess. The one we love regardless of the fact that they embarrass not only themselves with by-the-minute regularity but everyone within a 15-foot radius. Or perhaps we are that person slipping down stairs, mispronouncing important words in front of important people, drawing undue attention to ourselves by means of inappropriate attire, etc. Or perhaps we are that odd other kind of person who is neither embarrassing nor tolerates the company of the embarrassing. These are the people who scowl or grimace or whose jaws hang open while eyes bulge when a mess of a person loudly says something off-color or rips open her dress accidentally or uncontrollably pees. I don’t get those people. I mean, everybody accidentally pees sometimes, right? Right? Right?!? Anyway, in life there are Bridget Jones-es, the people who love them, and those other people. I am a Bridget, and there are Bridgets in my life, but after seeing Bridget Jones: The Edge of Reason, I have more in common with the others than I thought. I mean, will Bridget ever get her act together?

Bridget Jones’s Diary was one of the best surprises of 2001. Funny, fresh, British, and even sexy, Diary accomplished several things at once: It reaffirmed how sexy and fun Hugh Grant can be, established Renée Zellweger as a major, bankable star, and introduced Colin Firth to scads of American women who have been longing for a stoic, humorless, handsome Brit to arrive on the scene as a thinking woman’s sex symbol. It also made Rubensesque sexy again in the American consciousness. As a cousin of mine once said, “Bones are for dogs. Meat is for men.” Amen! Not that Zellweger is exactly chunky, even at 30 pounds over her scientifically determined optimal body weight (which is what she gained both times she signed on to play Bridget). Regardless, Bridget eats, drinks, and smokes too much and realizes it. Part of her charm is that she struggles, as so many of us do, with just keeping it all together.

I haven’t gotten to the sequel yet. I guess I should. But Bridget Jones: The Edge of Reason is almost more of a remake than a sequel, so there’s not much to say. It’s the same characters and similar situations mostly scenarios that seem set up for a girl like Bridget to fumble through again and again. Nothing new here.

In any case, in the last installment, Bridget overcame insecurities and the battle of the bulge and ended up with human-rights attorney Mark Darcy (Firth) instead of her slimy but sexy boss Daniel Cleaver (Grant). Edge of Reason picks up six weeks later, and Bridget and Mark are happily shagging the days away, combining their lives awkwardly (she’s Dharma to his Greg) but happily, until Bridget is bitten by the Green-Eyed Monster. Yep, that’s right jealousy. Mark has a sexy assistant who seems to be making eyes at Mark all the time, and now suddenly Bridget can think of a dozen reasons why Mr. Right is Mr. Wrong. So, she sinks the ship before it can sink her and finds herself single again and back in the treacherous path of that cheating cad Daniel, who promises he’s in sexual-addiction therapy and mending his ways.

The major difference between the first and second Jones films is that in this sequel, tele-journalist Bridget is mistakenly jailed in a Thai prison while on assignment. Whoops-a-daisy! This sets up the means by which the major plot elements of the first movie can be reprised: Mark proves his love, Daniel proves his caddishness, and Bridget proves that she can keep her chin up and smile through the darkest of times namely, being mistakenly jailed in a Thai prison. (Isn’t Thailand where they cane people? Yikes!)

This might be an interesting development for Bridget if the movie indulged in a tonal shift worthy of how dire the situation could be. I would love for there to be real emotional consequences to this imprisonment and the legal wrangling it takes to free our girl. Alas, there is none.

Zellweger, who is probably the most versatile actress of her generation, holds it all together with spunk and self-effacing zeal. But every other element Firth and Grant included (thanks to a script that asks nothing more from them than a reprise) seems like a rerun. Even the fight (choreographed brilliantly to “It’s Raining Men”) between the two men, so memorable in the first, is repeated here, to lesser effect. Bridget Jones: More of the Same would have been a more appropriate title to this fun if trivial and unnecessary sequel.

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Opinion Viewpoint

[City Beat] From Wall Street to Front Street

The “Watergate-style” investigation of the MLGW-TVA bond deal drummed up by members of the Memphis City Council in January has turned into a document dump that looks like it will wind up on the desk of Councilwoman Carol Chumney.

Chumney, the only attorney on the council, said Monday she would press on but reserve judgment until she reads the responses to the council’s inquiry.

The responses — including the ones from Mayor Willie Herenton and former MLGW president Herman Morris — do not reveal any smoking gun, contrary to one broadcast-media report. They do, however, provide details of the flurry of activity between August and November 2003 as financial firms and lawyers lobbied the mayor for a share of the bond business. As previously reported, Herenton personally got involved to see that local and minority firms and individuals got a bigger share.

Some of the details contained in various responses turned in so far:

· The firing of Morris is recounted by MLGW board member James Netters:

“While the three of us were in the conference room together, the mayor handed Herman Morris a letter and me a copy of the same letter. The letter stated that the mayor was pleased with Herman Morris’ work as president of MLGW but he did not feel that Herman would take the company where [the mayor] wanted the company to go. There was no other reason given for the termination.

“After a long pause, Mr. Morris thanked the mayor for having let him serve in his cabinet and said to him, ‘If there is anything I can do for you in the future, let me know.’ We left the office without any further discussion.”

· In his two-page response, Herenton answers a simple “no” to a question about involvement in the deal of his son Rodney, an employee of FTN Financial, which lobbied heavily for a bigger share of the deal. FTN Financial officials, in their response last week, also said Rodney Herenton was not involved and did not benefit from it.

Herenton also answered “no” to the question, “Did you make any promises to the Mays Bird law firm, or any of its attorneys, to use them [on the deal]?” Richard Mays is a Little Rock attorney who made a campaign contribution to Herenton last year and was named “special counsel” to the city on the bond deal.

· In a three-page letter supported by e-mails and documents, Morris gives his first public account of the restructuring of the deal, including a meeting in the mayor’s office on August 26, 2003.

“When I asked whether Rodney Herenton was interested, the mayor stated Rodney could not be a part of it,” Morris wrote. Morris also said no tape recordings of conversations about the deal “are in my possession.”

· FTN Financial began lobbying Morris and Herenton in August 2003 when First Tennessee CEO Ralph Horn, according to Morris, “contacted me and encouraged a significant level of participation for FTN, as a Memphis-based firm, in the transaction.”

FTN’s efforts hit a responsive chord. On August 26, 2003, Herenton wrote Morris, “With respect to co-managers, Morgan Keegan and FTN Financial are more than qualified.”

The next day, Herenton followed up with another letter containing a detailed breakdown of the structure of the bond deal, reducing Wall Street’s share from 65 percent to 35 percent. As previously reported, Herenton added, “It is also desirable that Cheryl Patterson and Richard Mays be included as additional bond counsels.”

· Herenton’s reaction set off alarms in New York and Memphis. J.P. Morgan revised its allocation but not enough to satisfy Herenton, who suggested he might recommend that Goldman Sachs, another New York firm, replace them. J.P. Morgan, in turn, threatened to “sue, contact the governor and senators and pull out all the stops,” according to Morris. FTN Financial, meanwhile, worked feverishly to solidify its position.

“It seems every day brings a new variation on structure and individual firm participation on the power bonds,” FTN Financial vice president Deke Iglehart wrote to then-city finance director Joseph Lee on September 19, 2003.

The inclusion of FTN Financial upset its Memphis rival, Morgan Keegan, where Rodney Herenton used to work. Gavin Murrey, director of fixed-income banking for Morgan Keegan, wrote Lee on September 29th questioning the bank’s credentials in public finance.

Two weeks later, the final arrangement giving Memphis firms 50 percent was essentially in place. Morris recapped the events in an e-mail to another MLGW official:

“I spoke with the mayor this morning and got quite a different reaction to J.P. Morgan’s participation He was more supportive of J.P. Morgan in light of their proposal of a new allocation more consistent with his first suggestions.” n

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We Recommend We Recommend

The Lineman

Songwriter Jimmy Webb might not be a household name, but his work has been on radio playlists for decades: “By the Time I Get To Phoenix,” “Wichita Lineman,” “Up, Up and Away,” and “MacArthur Park” are just four of Webb’s compositions, covered by the likes of Frank Sinatra, Art Garfunkel, Waylon Jennings, Donna Summer, Urge Overkill, and Richard Harris.

According to Webb, the biggest thrill comes when another songwriter records one of his songs. “I was so fresh off the farm that I didn’t realize at the time who Mr. Sinatra was,” Webb says. “When Barry Manilow cut ‘Once and For All,’ it absolutely knocked me out. John Denver cut ‘Postcard From Paris,’ and once Dylan sang one of my songs at Madison Square Garden. Those are the kicky things!”

Of course, Webb occasionally winces when he hears a musician massacre one of his songs. “I was shocked the first time I heard Isaac Hayes’ version of ‘By the Time I Get To Phoenix,'” he says. “He tells this 20-minute story, and I’m wondering when’s the song gonna start? Then the guy finds his wife in bed with another woman, and the drummer’s doing rim shots. I think it’s hysterical, but I intended something a little less flamboyant.

“Then there’s Don Novello’s cover of ‘MacArthur Park,’ done as Father Guido Sarducci,” Webb continues. “And Waylon cut three versions of it. He got so hung up that he did that song to death.”

Webb admits that he’s sometimes disappointed if a cover doesn’t meet his expectations. “But if most songwriters are honest with themselves, they’d say ‘I don’t give a damn. I’ll hand it over to anyone if I can make a buck on it,’ because it’s so hard to make a living at this,” Webb says.

His start came at the First Baptist Church in rural Oklahoma, where his father was a pastor. “It was my mother’s dream to see me on the piano bench,” Webb says. “The hymn arrangements are so prosaic, just block chords, so I began goofing around almost immediately.

“I started writing songs on the sly that my father wasn’t supposed to hear or approve of, and he didn’t,” Webb says. “So my piano and me were banished to the garage. Because of the Baptist culture, I was insulated from girls and rock-and-roll music. I had to live this secret life, sneaking out to go to dances. The problem was solved in a very pragmatic way when my mother died, and the family fragmented.”

By age 17, Webb was a professional songwriter. “I was on the streets with no other way to make a living. But I got a job at Motown, where I wrote ‘My Christmas Tree’ for the Supremes. Then I landed a song with the Everly Brothers. I thought I was king of the business. I didn’t realize how long a road it really was.”

Webb struck gold when he penned songs for the Fifth Dimension, Johnny Rivers, and Glen Campbell. He racked up dozens of Grammys and gold and platinum RIAA Awards throughout the 1960s. Yet, he claims, he didn’t hit his stride until he met Joni Mitchell at the end of the decade.

“When I first met Joni, my writing was pretty stilted and formalized. I’d been influenced by Burt Bacharach and Hal David, Barry Mann and Cynthia Weil — the whole Brill Building scene. Once I got to peek over Joni’s shoulder and get a feeling for how she worked, I became aware of the conversational tone — the way everyday lyrics can flow into a song. It completely changed my songwriting,” says Webb.

In 1998, Webb wrote Tunesmith, geared toward aspiring songwriters. “You can learn how to write a damn good song just by paying attention,” he says, “but there’s some kind of intangible magic when you hear a Hank Williams tune or a Randy Newman tune, and I don’t know whether you can develop that or not.

“With Tunesmith, I lay down a sequence of tasks. The rest is up to you — the way you see the world and take your everyday experiences. The really good songs,” he muses, “are made of the stuff that happens every day.”

Take “Wichita Lineman,” which he penned for Campbell in 1968. “I got a call from the producer saying he wanted something like ‘Phoenix.’ I started messing around with some images in my head from the Oklahoma panhandle, where the roads are so long that it seems like you can see the telephone lines for 50 miles. I got the idea of an ordinary working guy, and the song went over to the studio that afternoon,” Webb says.

When asked about the origins of “MacArthur Park,” however, Webb clams up: “To be honest, I don’t want to talk about it. I tell songwriters to be careful, because you can create a monster that will follow you around for the rest of your life.”

Jimmy Webb at the Bartlett Performing Arts and Conference Center, Friday, November 19th, at 8 p.m., $15. For more information, go to BPACC.org.

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Music Music Features

I’m With the Band

Chris McCoy, under the moniker C. Scott McCoy, just witnessed his directing debut, Automusik Can Do No Wrong, win the Hometowner Award for best local feature at last month’s Indie Memphis Film Festival. But he knows that there’s a limit to how much credit he can take.

“Film is such a collaborative medium,” McCoy says. “Half of the director’s job is to choose the people you want to work with and then let them do their job.”

McCoy, who had worked as a cast and crew member on other local productions, including Six Days in the Life of Mims, another feature shown at Indie Memphis this year, knew almost immediately that he wanted to work with Automusik.

The local rock band and performance artists had been thrilling local club audiences for years with a drop-dead-funny cultural critique based as much on their high-concept visuals as on their Teutonic sounds.

“I was a fan of the band, and then one night after a show, I just asked them if they wanted to do a movie,” McCoy says. “Mims was winding down, and I wanted to work on something else, something of my own. I floated the idea by the band, not expecting much to come of it, but they agreed.”

It turns out that the members of Automusik had already been mulling the notion that their sensibility would translate onto the screen. That Automusik brought so much content to the film — essentially a mockumentary about an actual band –was only the beginning of McCoy’s collaborations. In addition to co-producers Talbot Fields (who also helped write the film and has a key supporting role in the film) and Laura Hocking, McCoy found an essential partner in local filmmaker Prichard Smith, a previous Indie Memphis award winner for his documentary $300 on eBay. Smith helped with the camerawork and editing on Automusik Can Do No Wrong.

“Getting Prichard on board really helped,” says McCoy, who credits Smith with giving the film a more professional look. “It needed to look like a documentary, and he actually makes documentary films.”

The 79-minute film was culled from more than 30 hours of footage, and though it has some of the deadpan spirit of Finnish filmmaker Aki Kaurismaki (especially Leningrad Cowboys Go America), McCoy acknowledges another primary inspiration.

“I knew [the mockumentary form] was the obvious thing to do,” McCoy says, “and Spinal Tap was the obvious antecedent.”

With the form in place, McCoy and company set out to lovingly mock the two biggest rock films made after This Is Spinal Tap, Prince’s Purple Rain and U2’s Rattle & Hum.

The Purple Rain sequence in Automusik Can Do No Wrong is deliriously funny — a take on Purple Rain‘s finale that functions as a film-within-a-film, with Automusik doing battle against a more flamboyant, more crowd-pleasing rival.

As for Rattle & Hum, Automusik Can Do No Wrong borrows that film’s theme of a foreign band touring America. “In Rattle & Hum, U2 are big stars and everybody loves them and it’s a triumph. This is pretty much the opposite,” McCoy cracks — and mimics specific scenes from Rattle & Hum, including a press conference gone awry and a recording session at Sun Studio.

“I’ve done some recording, and I wrote the scene to make it realistic to the kind of crap I’ve seen go on in recording studios,” McCoy says. “And then I exaggerated it just a little bit, so it wouldn’t seem too far out there. But after we were done, [the recording engineer] was laughing and said, ‘Man, this is nothing compared to the way people really act and what goes on.’ He says he sees stuff like that once a week.”

McCoy also appears in the film as documentary director Phil Johnson, a character modeled after sleazy British documentarian Nick Broomfield. “It didn’t start out like that,” McCoy says. “I was thinking more of Phil Janow, who directed Rattle & Hum and was a total, pretentious, stick-yourself-in-the-documentary director. But after I watched Kurt & Courtney, I was doing [Broomfield]. He sucks. He’s the worst.”

McCoy is hoping to screen Automusik Can Do No Wrong at film festivals in Nashville, New York, and Austin. And he’s quick to credit Indie Memphis for the push.

“One of the great things about Indie Memphis, and there are a lot of great things about Indie Memphis, is that it gives everyone a deadline and an impetus to get their work done,” McCoy says. “We didn’t know how it would turn out so we were just totally focused on getting this sucker done in time for Indie Memphis. Beyond that, we didn’t have any plans.”

Automusik Can Do No Wrong has its first non-festival screening Saturday, November 20th, at 7:30 p.m. at the MeDiA Co-op screening room at First Congregational Church, 1000 S. Cooper. Admission is $5.

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We Recommend We Recommend

Cat Walk

A glance inside the storefront at the House of Mews in Cooper-Young reveals a kitty heaven. Cozy chairs and fluffy cat beds are placed strategically near the glass, giving the cats inside a chance to put their best furry face forward. Some curl up and sleep soundly, while others pounce and play in the hopes that maybe, just maybe, some soft-hearted individual, unable to resist their charms, will take them home.

Homeless cats in Memphis have depended on the House of Mews since 1995, but if something doesn’t change soon, the cats may no longer have a safe haven while they await permanent homes. House of Mews founder Elain Harvey is planning a move to Michigan to care for her aging parents, and although there’s been a search for her replacement for several months, no one has qualified for the position.

The main issue holding most applicants back is money. Whoever takes Harvey’s place must be financially stable enough to pay for the store’s expenses out-of-pocket when times are tough. But if the store can raise enough money, this may not be as big an issue.

That’s why local rock pianist Jason D. Williams and his wife Jennifer have organized the first Meowathon 5K Walk/Run on Saturday, November 20th.

Williams, who’s gained a local reputation as the next Jerry Lee Lewis, got his first cat from the House of Mews four years ago. Then, when he married Jennifer, they adopted another. And then, just a few months ago, Jennifer went back to the House of Mews for their third cat. On each of their trips, the couple and Harvey would talk about ways to raise funds for the store.

“Jason and I are both avid runners, and we participate in a lot of local 5Ks,” says Jennifer. “We know the kind of money you can raise with 5Ks, so we thought that might be an answer for helping out Elain.”

But the Williams had never organized a 5K before, and the House of Mews had never done such a large-scale fund-raiser. Most of their fund-raising is done at the annual Cooper-Young Festival, when people donate money to enter the store. They also do a few direct-mail fund-raisers each year.

Approximately 150 people have signed up for the walk/run, which will form a double loop through Overton Park. Jennifer is expecting more participants on the day of the race. She says about 80 percent of the attendance at most 5Ks comes from walk-up participants.

“According to the Memphis Runners Track Club, we’re ahead of schedule for our first 5K as far as the percentage of people who have signed up,” says Harvey. “They didn’t really expect us to hit 100.”

After the race, participants can take part in a silent auction for items such as behind-the-scenes zoo tours, dinner for four at Jack Binion’s Steakhouse, and a two-night stay at the Tower Suite at Horseshoe Casino.

Proceeds from the race will go toward paying off debts at the House of Mews. In order for Harvey to wrap things up and move, she needs to pay off this year’s $21,000 vet bill.

“Our vet bill was twice as much as it usually is because we’ve taken in 200 cats instead of our normal 100,” she says.

Harvey says they’re trying to scale back the number of cats rescued. The store is down to around 150 right now, and the House of Mews is not taking in new cats until the number drops below 100. Harvey hopes by that time someone will have stepped in to take her place.

For now, Harvey is staying put until a new manager is found or until all the cats currently living in the store have found homes. Regardless of what happens, Harvey will remain on the board as a consultant as long as the House of Mews is open. She also wants the Meowathon to become an annual event.

“I’d like to see it grow into a race centered around all homeless animals, not just cats,” she says.

“All of the rescue agencies could participate and get a percentage. It has huge potential, especially if you consider the 12,000 runners who were registered with the Race for the Cure.”

For more information on the Meowathon, go to HouseofMews.com/meowathon.html.

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News News Feature

Former M.L.G.W. Official Alleges Misconduct

A former MLGW senior officer told the Memphis City Council Thursday in an e-mail that he believes Rodney Herenton, son of Memphis Mayor Willie Herenton, may have received money from the MLGW-TVA bond deal through First Tennessee Bank.

Larry Thompson, forced out in September as MLGW chief operations officer, also makes accusations against bond attorneys Charles Carpenter of Memphis and Richard Mays of Little Rock. He sent the e-mail from Florida in response to the City Council’s inquiry on the bond deal. The deadline for responses is November 18th.

Thompson said he had “no direct involvement with or communication with the parties involved in the bond deal” and got his information “second-hand” from discussions with former MLGW President Herman Morris and others. As a veteran MLGW top executive, Thompson is fully aware of the seriousness of the inquiry and the controversy over the bond deal which began more than a year ago. Yet his response is curiously explosive and casual at the same time and, by his own admission, based on hearsay.

“I have been told specificly (sic) that some of the particiapnts (sic) brought no value and in some cases work had to be redone– Charles Carpenter. In other cases (Mays), no one ever showed up to do anything, but expedted (sic) a check. In the case of First Tennessee, the calculations were adjusted after the deal was signed to assure that First Tenn got the promised amount of money when they were unable to sell any significant amount of bonds. Rodney Herenton was never visible per these discussions, but was suspected as the recipeint (sic) of the First Tennessee payments. I will be glad to help as I can when I return.”

Thompson’s unsupported charge contradicts the responses of Willie Herenton, Morris, and First Tennessee Financial vice president Deke Iglehart. Mayor Herenton and Iglehart said Rodney Herenton was not involved in the deal and did not benefit from it. Morris said in his written response that during a meeting with Herenton last year “I asked whether Rodney Herenton was interested (and) the mayor stated Rodney could not be a part of it.”

Carpenter ran Herenton’s historic 1991 campaign for mayor in which he edged incumbent Dick Hackett by 142 votes. He denied Thompson’s charge in an interview Thursday and defended his firm’s work for the utility company over the last 13 years.

“We’ve worked on nine different bond financing deals and were sole counsel on two of them,” he said. “I have never heard any complaints about the quality of our services.”

Carpenter said his firm has participated in more than $6 billion in tax-exempt bond financings. He said Thompson was never in any meetings with him about MLGW business.

“I don’t know where he is coming from,” Carpenter said.

Mays held a fundraiser last year and made a political contribution to Herenton during the months in which attorneys and bond firms were jockeying for position in the lucrative bond deal. Mays was named co-counsel.

The Flyer confirmed with City Council staff that the e-mail came from Thompson. In his e-mail, Thompson said he learned from his wife Thursday that the City Council had been seeking his response but “I did not see either letter.” The first letters to Thompson and others went out on October 29th. His is the only e-mail response so far. The others are formal letters, many of them accompanied by documentation, including the one from FTN Financial, the bond subsidiary of First Tennessee Bank (now First Horizon).

Categories
Politics Politics Beat Blog

Former MLGW Official Larry Thompson Alleges Misconduct in Bond Deal

A former MLGW senior officer told the Memphis City Council Thursday in an e-mail that he believes Rodney Herenton, son of Memphis Mayor Willie Herenton, may have received money from the MLGW-TVA bond deal through First Tennessee Bank.

Larry Thompson, forced out in September as MLGW chief operations officer, also makes accusations against bond attorneys Charles Carpenter of Memphis and Richard Mays of Little Rock. He sent the e-mail from Florida in response to the City Council’s inquiry on the bond deal. The deadline for responses is November 18th.

Thompson said he had “no direct involvement with or communication with the parties involved in the bond deal” and got his information “second-hand” from discussions with former MLGW President Herman Morris and others. As a veteran MLGW top executive, Thompson is fully aware of the seriousness of the inquiry and the controversy over the bond deal which began more than a year ago. Yet his response is curiously explosive and casual at the same time and, by his own admission, based on hearsay.

“I have been told specificly (sic) that some of the particiapnts (sic) brought no value and in some cases work had to be redone– Charles Carpenter. In other cases (Mays), no one ever showed up to do anything, but expedted (sic) a check. In the case of First Tennessee, the calculations were adjusted after the deal was signed to assure that First Tenn got the promised amount of money when they were unable to sell any significant amount of bonds. Rodney Herenton was never visible per these discussions, but was suspected as the recipeint (sic) of the First Tennessee payments. I will be glad to help as I can when I return.”

Thompson’s unsupported charge contradicts the responses of Willie Herenton, Morris, and First Tennessee Financial vice president Deke Iglehart. Mayor Herenton and Iglehart said Rodney Herenton was not involved in the deal and did not benefit from it. Morris said in his written response that during a meeting with Herenton last year “I asked whether Rodney Herenton was interested (and) the mayor stated Rodney could not be a part of it.”

Carpenter ran Herenton’s historic 1991 campaign for mayor in which he edged incumbent Dick Hackett by 142 votes. He denied Thompson’s charge in an interview Thursday and defended his firm’s work for the utility company over the last 13 years.

“We’ve worked on nine different bond financing deals and were sole counsel on two of them,” he said. “I have never heard any complaints about the quality of our services.”

Carpenter said his firm has participated in more than $6 billion in tax-exempt bond financings. He said Thompson was never in any meetings with him about MLGW business.

“I don’t know where he is coming from,” Carpenter said.

Mays held a fundraiser last year and made a political contribution to Herenton during the months in which attorneys and bond firms were jockeying for position in the lucrative bond deal. Mays was named co-counsel.

The Flyer confirmed with City Council staff that the e-mail came from Thompson. In his e-mail, Thompson said he learned from his wife Thursday that the City Council had been seeking his response but “I did not see either letter.” The first letters to Thompson and others went out on October 29th. His is the only e-mail response so far. The others are formal letters, many of them accompanied by documentation, including the one from FTN Financial, the bond subsidiary of First Tennessee Bank (now First Horizon). n

Categories
News The Fly-By

FLASHERS ON CAMPUS

From WMC-TV5: University of Memphis officials have a plan of action to fight crime after two students are attacked. Students and faculty will start seeing security changes on campus. One of the most visible changes will be officers patrolling campus with their blue lights on. The campus is also taking a more visible we’re-watching-you approach to fighting crime. Dr. Shirley Raines, U of M president, said, “We want not only to deter the criminals, but we want to also make sure we have the perception we’re a very safe campus because we are a safe campus.” And as we all know, nothing says “safety” like police cars patrolling with their blue lights on. Okay, that actually says, “Some dangerous felon just escaped from jail,” but what the heck.

Chris Davis

Plante: How It Looks

Categories
Politics Politics Beat Blog

POLITICS

WYETH CHANDLER: MAYOR, JUDGE, MEDIATOR

Wyeth Chandler, whose tenure as chief executive of Memphis spanned the old age of paternalistic control by a social elite and the new one of democratized urban sprawl, partook of both worlds himself.

When Chandler, who died last week at the age of 74 after suffering a heart attack, was eulogized on Monday at Bellevue Baptist Church, he was referred to as an “aristocrat” by both Shelby County mayor A C Wharton, one of several public figures to make heartfelt formal remarks concerning the late former mayor, and the Rev. Jeffrey W. Marx, the self-described “little nobody priest” from Collierville who was the official celebrant at Chandler’s rites of final passage — Episcopalian despite the venue.

Both made it clear they felt honored by their association with Chandler in life and death, and both — to borrow an idiom from Shakespeare, the legendary bard whom Chandler would quote on any pretext whatsoever — may have protested too much. Or more than Chandler, who was paradoxically both modest and immodest about himself, would have advised. That, as all his intimates mentioned, was one of his things –counseling others on how to approach sensitive public subjects.

Chandler– who pursued careers as Circuit Court judge and mediator in the immediate aftermath of his two-plus mayoral terms — was not, strictly speaking, to the manor born. He was the adopted son of former Mayor Walter Chandler, whom he revered, not least because, as his son once pointed out, the senior Chandler was himself “a self-made man.”

A commanding, dashing figure through his various incarnations — starting as a Tyrone Power lookalike and ending with the look of a white-maned Moses — Chandler definitely had lordly cadences, as indicated by the famous recorded refrain, Yes suh, Mistuh Dees, something of a signature track for Rick Dees, now of Los Angeles and the nation, during the deejay’s mid-’70s Memphis years.

But Chandler’s tastes were, by conscious choice, downright plebeian. During his years as mayor, from 1971 to 1982, he lived in Whitehaven, a well-tended place (annexed to the city on his watch) but a workingman’s neck of the woods, really, never an elitist refuge. Most of his later years were spent in Bartlett, an updated version of that terrain. And his schools? Central High, Memphis State, UT Law School. His hangouts were places like Old Zinnie’s, and his buddies were good ole boys or edgy beer-drinking journalists.

He sang country music, he got drunk (and sometimes got into fisticuffs) in redneck bars. And don’t forget he died or suffered his ultimately fatal moment of cardiac arrest mowing his own lawn, out in the suburbs. He was a former Marine who watched Monday Night Football. A man’s man. Everyman’s.

To be sure, he had style. And large presence, even in small things. Dick Hackett, his immediate successor as mayor and the impresario of Chandler’s funeral arrangements, remembered the flamboyant way Chandler combed his hair — like a man, as Hackett both described and illustrated it, “dropping back for a pass.”

(An irony noted by more than one attendee at Monday’s funeral: Both Hackett, now a resident of Nesbit, Mississippi, and Chandler moved out of the city after leaving office.)

Because he became mayor in the wake of Henry Loeb, Memphis’ last truly Old School mayor, and because there were leftover racial disturbances early in his tenure, and because, for that matter, he was not one to be backed up by anybody, Chandler is remembered by some as being as single-edged as his predecessor.

But, in fact, he was even then a natural conciliator. Fred Davis, the first African-American to be elected to the City Council where he served with Chandler, said this week, “He tried to find the middle of an issue. I fought against him many a time, when he was councilman and when he was mayor, but I fought with him against others many a time too. He was a good man.”

Worn down somewhat by difficult police and firemen’s strikes late in his second term, Chandler got himself reelected to a third term in 1979 — “to vindicate myself,” he later said –then happily resigned when former Governor (now Senator) Lamar Alexander, whom Chandler had lobbied through his friend Lewis Donelson, offered him a Circuit Court judgeship in 1982.

As a judge, Chandler was respected by peers, plaintiffs, and defendants alike. Holding court with his white poodle Millie in his lap, he was equal parts scold and soother, enforcer and indulgent uncle. “He always saw both points of view,” remembers lawyer David Kustoff, who dealt with Chandler when the judge took on a third public career as a pre-trial mediator later on. “Couldn’t have been fairer or more helpful,” says WMC FM-100 deejay Ron Olsen about a legal settlement brokered by Chandler.

Steve Cohen, the Midtown state senator, underwrites those sentiments and adds an endorsement of Chandler as the wise and compassionate counselor. A fellow dog-lover, Chandler was consulted by Cohen when the senator undertook to write some ground-breaking animal-rights legislation a couple of years back. “He supplied the strategy and the gravamen of it,” says Cohen.

One of the speakers at Chandler’s funeral was current mayor Willie Herenton, who said that he had been largely unacquainted with Chandler until the past year, when, facing difficult times with his City Council, he was prevailed on to get to know him by Donelson, Frank Norfleet, and Jim McGhee, three stalwarts of Memphis’ business/professional elite. Although no one gives “orders” to Memphis’ headstrong mayor, this was, under the circumstances, something very close to that — as Herenton, so clearly under stress throughout 2004, seemed tacitly to acknowledge.

“I’m grateful I finally got to know the real Wyeth Chandler,” Herenton said. And what did the former mayor advise the current one? We’ll likely never know. All Herenton conveyed Monday was this: “I told him,’Wyeth [or ‘Wyatt,’ a pronunciation indicating there was still an element of unfamiliarity there], I can’t do that!’ And he said, ‘Why not? It worked for me!'”

What Chandler advised seemed to work for a lot of people like Janice Holder, who came under Judge Chandler’s fatherly wing when she was elected a Circuit Court judge in 1990 and was nurtured by his companionship and advice. A “Yankee wench,” Chandler playfully called his protŽgŽe, who would become a state Supreme Court justice and was sworn in by the proud paterfamilias himself.

“They loved me!” was a habitual refrain remembered Monday by both Hackett and fellow judge Charles McPherson after Chandler had addressed an audience. That and the tongue-in-cheek self-salutation after proffering some of his famous advice: “I am a genius!”

“Genius”: Well, if one takes that word in its root sense, to denote someone who is both unique and influential, maybe he was, maybe he was.

In his close on Monday, the Rev. Marx reminded the attendees of their mortality: “One of you out there is next. And all of us are in line.” Stern stuff, but somehow the notion of being lined up behind Wyeth Chandler didn’t seem all so bad, after all.

OTHER NEWS

Another Mighty Heart

Members and guests of the local chapter of the Newspaper Guild had the honor Saturday night to listen to and meet Mariane Pearl, widow of Daniel Pearl, the Wall Street Journal reporter who was abducted in Pakistan two years ago by al-Qaeda terrorists and beheaded.

Speaking at the Al Chymia Shrine Temple on Shelby Oaks Boulevard to a crowd estimated at several times the size of previous fund-raising dinners, Pearl managed the same objective and understated treatment in her remarks as in her reminiscence/memoir A Mighty Heart (Scribner), paperback copies of which were sold, at $13 apiece — a literary bargain.

Decisions, Decisions

Members of the Shelby County Commission, having just voted on a new member to fill a vacancy (George Flinn, who succeeds Linda Rendtorff, now director of county services), has another vacancy to fill — that of chief commission assistant Grace Hutchinson, who will be leaving to take up budgeting duties with the county school system.

Hats in the ring so far include those of Steve Summerall, currently a commission assistant working under Hutchinson; Lisa Geeter, an administrative assistant with the Memphis City Council; and Winslow (Buddy) Chapman, a former police director under the late Mayor Wyeth Chandler.

Two other names that have been floated are those of Susan Adler Thorp, the recently resigned press secretary of county mayor A C Wharton, and political and governmental veteran Joe Cooper.

Ticket, Please

According to Clint Brewer of the Lebanon Democrat, Governor Phil Bredesen and 9th District congressman Harold Ford Jr. are already hatching plans to run as a team in 2006 — Bredesen for reelection and Ford as the Democrats’ Senate nominee. No word on the possibility from Nashville mayor Bill Purcell, who is also rumored to harbor Senate ambitions.

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CITY BEAT

FROM WALL STREET TO FRONT STREEET

The “Watergate-style” investigation of the MLGW-TVA bond deal drummed up by members of the Memphis City Council in January has turned into a document dump that looks like it will wind up on the desk of Councilwoman Carol Chumney.

Chumney, the only attorney on the council, said Monday she would press on but reserve judgment until she reads the responses to the council’s inquiry.

The responses including the ones from Mayor Willie Herenton and former MLGW president Herman Morris do not reveal any smoking gun, contrary to one broadcast-media report. They do, however, provide details of the flurry of activity between August and November 2003 as financial firms and lawyers lobbied the mayor for a share of the bond business. As previously reported, Herenton personally got involved to see that local and minority firms and individuals got a bigger share.

Some of the details contained in various responses turned in so far:

á The firing of Morris is recounted by MLGW board member James Netters:

“While the three of us were in the conference room together, the mayor handed Herman Morris a letter and me a copy of the same letter. The letter stated that the mayor was pleased with Herman Morris’ work as president of MLGW but he did not feel that Herman would take the company where [the mayor] wanted the company to go. There was no other reason given for the termination.

“After a long pause, Mr. Morris thanked the mayor for having let him serve in his cabinet and said to him, ‘If there is anything I can do for you in the future, let me know.’ We left the office without any further discussion.”

á In his two-page response, Herenton answers a simple “no” to a question about involvement in the deal of his son Rodney, an employee of FTN Financial, which lobbied heavily for a bigger share of the deal. FTN Financial officials, in their response last week, also said Rodney Herenton was not involved and did not benefit from it.

Herenton also answered “no” to the question, “Did you make any promises to the Mays Bird law firm, or any of its attorneys, to use them [on the deal]?” Richard Mays is a Little Rock attorney who made a campaign contribution to Herenton last year and was named “special counsel” to the city on the bond deal.

á In a three-page letter supported by e-mails and documents, Morris gives his first public account of the restructuring of the deal, including a meeting in the mayor’s office on August 26, 2003.

“When I asked whether Rodney Herenton was interested, the mayor stated Rodney could not be a part of it,” Morris wrote. Morris also said no tape recordings of conversations about the deal “are in my possession.”

á FTN Financial began lobbying Morris and Herenton in August 2003 when First Tennessee CEO Ralph Horn, according to Morris, “contacted me and encouraged a significant level of participation for FTN, as a Memphis-based firm, in the transaction.”

FTN’s efforts hit a responsive chord. On August 26, 2003, Herenton wrote Morris, “With respect to co-managers, Morgan Keegan and FTN Financial are more than qualified.”

The next day, Herenton followed up with another letter containing a detailed breakdown of the structure of the bond deal, reducing Wall Street’s share from 65 percent to 35 percent. As previously reported, Herenton added, “It is also desirable that Cheryl Patterson and Richard Mays be included as additional bond counsels.”

á Herenton’s reaction set off alarms in New York and Memphis. J.P. Morgan revised its allocation but not enough to satisfy Herenton, who suggested he might recommend that Goldman Sachs, another New York firm, replace them. J.P. Morgan, in turn, threatened to “sue, contact the governor and senators and pull out all the stops,” according to Morris. FTN Financial, meanwhile, worked feverishly to solidify its position.

“It seems every day brings a new variation on structure and individual firm participation on the power bonds,” FTN Financial vice president Deke Iglehart wrote to then-city finance director Joseph Lee on September 19, 2003.

The inclusion of FTN Financial upset its Memphis rival, Morgan Keegan, where Rodney Herenton used to work. Gavin Murrey, director of fixed-income banking for Morgan Keegan, wrote Lee on September 29th questioning the bank’s credentials in public finance.

Two weeks later, the final arrangement giving Memphis firms 50 percent was essentially in place. Morris recapped the events in an e-mail to another MLGW official:

“I spoke with the mayor this morning and got quite a different reaction to J.P. Morgan’s participation He was more supportive of J.P. Morgan in light of their proposal of a new allocation more consistent with his first suggestions.”