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Music Music Features

The Flyer’s music writers tell you where you can go

The Apes, a D.C. band famous for their energetic, uninhibited, and completely unhinged live performances, really do defy description. It’s contemporary hippie music for people who hate hippies. Layers and layers of organ merge Birthday Party sensibilities with the symphonic aspirations of bands like Rush and Blue Cheer. Elements of goth fuse with 1960s psych-pop with nary a guitar in sight. It’s pretty incredible stuff, and it’s happening at the Young Avenue Deli on Friday, March 18th. Vending Machine and The Klopeks share the bill.

Pittsburgh isn’t just Steeler country; it’s also the land of the living dead. Zombie film innovator George Romero started a gruesome trend when he shot his classic horror tale Night of the Living Dead there in 1968. Throughout the 1970s, half-rotten corpses shuffled mindlessly through the subdivisions and shopping malls of suburban Pennsylvania, looking for human brains to eat. Inspired by their hometown’s long and illustrious legacy of undead cinema, a Pennsylvania duo called, appropriately enough, Zombi play guitar and synth soundtracks for epic monster movies that have yet to be written. Since horror soundtracks are designed to build tension to a fever pitch and release it with a scream, Zombi’s formula makes for an exciting post-rock experiment. Zombi plays the Hi-Tone on Friday, March 18th with The Sonsabitches and El Dorado & the Ruckus.

Speaking of the Ruckus After Memphis rockers the Porch Ghouls imploded, P.G. frontman El Dorado Del Rey contacted his old blues buddies from Florida, The Immortal Lee County Killers, and asked them to come to Memphis to record some tunes with titles such as “Children Shouldn’t Play with Dead Things” and “Blood on Satan’s Claw.” Though the Immortal Lee County Killers had to move on down the line and do their own thing, that recording session was the birth of El Dorado & the Ruckus. Now the Immortal Lee County Killers, a nasty guitar, organ, and drum combo, are bringing their raunchy, speed-freak blues back to town for a show at the Young Avenue Deli on Wednesday, March 23rd.

Okay. Usually I wouldn’t be able to take a guy who sounds like Carole King too seriously, but let’s face the facts. Anders Parker — originally of the undersung alt-country band Varnaline — is one helluva great songwriter. And to be fair, he only sounds like King on the rare occasion when his piano and string arrangements take him a little too deep into the realm of introspective gobbledygook. At the top of his game Parker has the rare ability to tell literate, detailed hard-luck stories without straying from a tight pop format.

Parker opens for Jay Farrar of Uncle Tupelo fame who is playing Newby’s on Thursday, March 18th, with a new version of his old band Son Volt. After Uncle Tupelo split, Farrar created Son Volt to carry along the jammy, alt-country torch.

Grifter/Bastard Soul Dave Shouse will bring the most recent lineup of his ever-changing band The Bloodthirsty Lovers (see Local Beat, p. 44) to the Young Avenue Deli on Sunday, March 20th. No matter who’s playing these days (and frankly, I can’t keep up), you can always count on Shouse to deliver with his Memphisized glitter rocking Glamtronica.

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News News Feature

Real Fake News

Continued violence in Iraq, a struggling economy, an unpopular plan to privatize Social Security, homeland security left underfunded while the wealthy get giant tax cuts … What’s a White House to do when the news about its policies isn’t favorable? Fake it.

An explosive, front-page New York Times story last Sunday exposed the Bush administration’s attempts to manipulate public opinion. Over the past four years, at least 20 different federal agencies have been involved in producing hundreds of fake TV news segments, many of which were “subsequently broadcast on local stations across the country without any acknowledgement of the government’s role in their production.” (The story cited one such segment that was broadcast on WHBQ Fox-13 in Memphis.)

In fact, since President Bush took office, the White House has spent at least $254 million on these fake segments and other public-relations ploys to spread positive propaganda about administration policies. Bush has paid lip service to the concept of a free press, saying in January 2005, “there needs to be a nice, independent relationship between the White House and the press, the administration and the press.” He also claimed “our agenda ought to be able to stand on its own two feet.” But apparently it can’t.

One of the concerns about these fake news segments is that they don’t reveal the fact that they are paid for using taxpayer money and contain a one-sided, positive take on administration policy. In a now-infamous segment by the Department of Health and Human Services, a PR official named Karen Ryan posed as a reporter interviewing then-Secretary Tommy Thompson. The Government Accountability Office found the agency “designed and executed” her segments “to be indistinguishable from news stories produced by private sector television news organizations.”

The Office of Broadcasting Services (yes, there is an actual Office of B.S.) is a branch of the State Department which traditionally acts as a clearinghouse for video from news conferences. That all changed three years ago. In 2002, “with close editorial direction from the White House,” the unit started producing “news” segments to support President Bush’s rationale for going to war in Afghanistan and Iraq. As one senior official told Congress, the phony segments were “powerful strategic tools” used to influence public opinion. In all, the office produced nearly 60 segments, which were then distributed around the world for local stations to use. Though the White House has claimed ignorance of of fake news, a White House memo in January 2003 said segments the State Department disseminated about the liberation of Afghan women were “a prime example” of how “White-House led efforts could facilitate strategic, proactive communications in the war on terror.”

The Government Accountability Office is a nonpartisan branch of Congress that investigates government fraud. The GAO criticized the administration’s role in creating phony news three times in the past year, saying it constitutes “covert propaganda.” The GAO also forbade federal agencies from creating prepackaged news reports “that conceal or do not clearly identify for the television viewing audience that the agency was the source of those materials.” The administration’s response? The New York Times reports that last Friday, “the Justice Department and the Office of Management and Budget circulated a memorandum instructing all executive branch agencies to ignore the GAO findings.”

The spots are produced with taxpayer money by outside public-relations firms. Federal law warns federal agencies from doing exactly that. The U.S. Code states “appropriated funds may not be used to pay a publicity expert unless specifically appropriated for that purpose.” However, the GAO, which monitors the law, has no enforcement power. That responsibility lies with Congress and the White House. U.S. federal law also contains the Smith Mundt Act of 1948, which prohibits the spread of government propaganda in the United States (although it allows groups like Voice of America to broadcast it to foreign audiences). According to the Times, State Department officials claim that provision doesn’t apply to them either.

This article first appeared on AlterNet.com.

Categories
Music Record Reviews

Questography – Candice Ivory (self-released)

This second release from Memphis-bred singer Candice Ivory is quite a departure from her 2003 debut, Path — Undefined. That album hinted at other directions but was rooted in jazz and neo-soul. On Questography, Ivory sets aside the acoustic jazz flavor of her debut for a full plunge into electronic music, with lots of synth and programmed drums.

The result showcases Ivory’s studio skills (she produced the record) as much as her acumen as singer or songwriter, demonstrating a deft touch for a diverse array of sonic settings: “Always” and “Believe” are moody slices of what was once called trip-hop. The live drums and driving guitar of “New Shows” is new wave akin to what Prince was doing in the early 1980s. “Bye” is a sing-along-worthy dip into neo-soul. And the record continues to push boundaries with the tough rock of “Go Bone” and the drum-n-bass beats of “Affirmation” and “Questography.”

That Ivory sounds totally at home with each and every one of these styles is a testament to a ferocious natural musicality. It remains to be seen if she’ll ever settle into a specific genre, but Ivory has made it clear that she’s much more than the soul/jazz singer she once seemed to be.

Grade: A-

Candice Ivory plays two CD-release shows for Questography this weekend at Café Soul, Friday, March 18th, and Saturday, March 19th. Each night’s performance begins at 8 p.m.

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Music Music Features

Local Beat

Guitarist Dave Shouse hasn’t graced a Memphis stage since October 2003. But this spring, the indie stalwart’s latest band, Bloodthirsty Lovers, has three gigs planned for the Bluff City. Their first local appearance will be this Sunday, March 20th, at the Young Avenue Deli — just after the Lovers travel to Austin, Texas, for the South By Southwest music festival.

“We have to go and strut our wares,” Shouse says of the weeklong music showcase, which he’s visited with his other bands, the Grifters and Those Bastard Souls, several times over the last decade. “Our goal this year is to get in and get out without getting pissed off in the process,” he adds, chuckling.

Since the Grifters’ break-up in the late 1990s, Shouse has grown wary of the corporate music machine. He says he’s still trying to recover from a pact with the devil — aka V2 Records — that he made for Those Bastard Souls’ 1999 release, Debt & Departure. “I couldn’t get out of that deal quick enough,” he reveals, explaining that he turned in a proposal for a $6 million project, which subsequently ended the contract.

“It’s sad, but I’ve become so callous since the V2 stuff. It’s like chasing something you think you’ve always wanted, and once you get it, it kicks your ass. My self-esteem got flushed, and I had to retool and start up again. This time around, I’m focusing on trying to be happy and realizing that if I enjoy making music, I should just make it.

“When I began Bloodthirsty Lovers, I didn’t want to deal with anybody,” Shouse says. “I recorded our first album myself on the computer and did the artwork myself.”

A year after he self-released the album, French Kiss, a New York-based indie label expressed interest in the eponymous-titled CD. “I thought they could pick up distribution, and it seemed like a feasible deal because,” he says, “it was a label run by musicians. No contracts or anything, so I thought I’d give it a shot. I ended up with a good label, a good publicist, and a great booking agent but just a phantom band.”

Originally, Shouse saw himself as the sole creative force behind Bloodthirsty Lovers. Hired guns like drummer Paul Taylor and keyboard player Shelby Bryant occasionally fleshed out his musical ideas, but the name fronted a concept more than an actual band.

“I planned to have a trio and shift the focus away from guitars and toward electronics and samples,” he says. “Then, after I’d made the record, I realized I had to go play these songs live.

“I’ve played with so many people since I left the Grifters,” he adds, “and I learned that I really missed that stability — having people to hang out with, commiserate with, and jubilate with. Ten years ago, with the Grifters, I was hanging out in a flower shop, drinking and playing music four nights a week. Sure, we’d write songs, but sometimes we’d play for hours and not come out with anything more concrete than a great time. I missed that impulsive approach to music.”

So, Shouse recruited guitarist Steve Selvidge to collaborate on the Bloodthirsty Lovers’ second album, 2004’s The Delicate Seam.

The two recorded The Delicate Seam on a home computer, bringing drummer Kevin March (Those Bastard Souls, Guided By Voices), keyboardist Ross Rice, and a few other musicians into Easley-McCain Studio to finish the project.

“Kevin came through town, and we took him over to the studio to work on the album. He didn’t know what he was doing, and we ended up rewriting a few songs to fit his mistakes. Having to do that made me happy,” Shouse marvels. “I realized this was what I’d been missing. Getting people together and just making music is the important part.

“Now,” he claims, “the band has progressed to a point where I’m ready to get a little more unhinged. My wife warns me against using this word, but I’m ready to ‘Grifterize’ things. Steve and I know we can write songs — let’s make music.”

Since Guided By Voices broke up at the end of the year, March is able to devote more time to Bloodthirsty Lovers. Rounding out the group with bassist Kevin McGinnis, Shouse is pleased to take this project on the road. “We’re doing 25 shows in 29 days,” he says, “but beyond the tour, everything’s still nebulous.

“We have to go on instinct, but I like that. We’ve got the potential to do some unusual things, veer off, and make some new music. I can’t wait to see what happens.”

Bloodthirsty Lovers will be playing Sunday, March 20th, at the Young Avenue Deli; Saturday, April 9th, at the Hi-Tone Café; and at Memphis In May’s Beale Street Music Festival on Sunday, May 1st. For more information, go to BloodthirstyLovers.com.

by ANDRIA LISLE

Categories
News News Feature

Sweeping Changes

When Allison DeVante joined the U.S. Army, she thought she was building a bright future. While serving at Fort Drum in Watertown, New York, she took classes in broadcast journalism and toured bases performing original hip-hop under the pseudonym A.G. Blue. Everything seemed to be falling into place.

Two years later, DeVante’s optimism changed. On September 18, 2002, DeVante says she was raped by a senior officer at his house on base. She says she was told to meet him there to discuss a matter. But shortly after she arrived, she says, the officer forced himself on her. Now, with the help of Memphis lawyer Javier Bailey, she’s suing the Army for $9 million.

“The first person I spoke with [after the alleged incident] was Master Sergeant Sharon Opeka in Public Affairs. She told me in order to save my career and to save my family any heartache, I shouldn’t say anything about it,” says DeVante. “They didn’t help me in any manner. They didn’t send me to counseling. They put me into another unit, and then they began to harass me.”

DeVante says that not only did the Army refuse to offer assistance, some senior officers ridiculed her. She says one officer accused her of fabricating the story to get out of going to Korea. When DeVante filed a formal complaint with the Army’s Criminal Investigations Division, she was accused of filing a false report. She says they tried to suggest the sex was consensual.

In August 2003, DeVante was discharged. She claims she was never told why, but she believes it was because she spoke out about the rape.

“They didn’t even let me do out-processing correctly. That’s where you make sure your financial situation is okay and you have your veteran’s benefits,” she says. “Now I have minimal benefits, and they just took away my post-traumatic-stress benefit. They don’t care about me or other women who have gone through this.”

Stories like DeVante’s have prompted the Pentagon to reexamine the way rape and sexual misconduct in the military are handled. In January, undersecretary of defense for personnel David Chu announced that “sweeping changes” had been recommended by a Pentagon task force. They include mandatory sexual-assault classes, designation of a victim’s advocate for every military command, and confidentiality for rape victims. These changes are set to be put in place this week.

“At the time that this happened to me, they didn’t have anything in place in the military for rape,” says DeVante. “They gave classes on sexual harassment and drunk driving and child abuse and everything you could think of, except for rape.”

According to a study initiated by defense secretary Donald Rumsfeld, the military investigated 1,012 cases of sexual assault in 2003, up from 901 in 2002. The report acknowledges that many cases go unreported by women who fear further harassment.

But DeVante wasn’t about to bow out quietly. Once she returned home to Memphis early last year, she began picketing local military recruiting stations in uniform. Her actions caught Bailey’s attention.

“After looking into [other cases like DeVante’s], I saw the same patterns,” says Bailey. “There’s this pattern of victimizing the victim by threatening them with disciplinary action or suggesting that it was consensual. What’s more disturbing is that the perpetrator usually gets promoted.”

Such was the case in DeVante’s situation. The accused officer was promoted to a prominent position in a Special Intelligence Unit and is currently serving in Iraq.

“In a normal rape case, we’d sue the person who did it, but we’re afraid if we file suit against the perpetrator in this case, we’ll never get him served,” says Bailey. “You only have 120 days to get a person served, and because of national security interests, they’re not going to tell us where he is.”

DeVante says she’ll continue to use her music to get her message across. An album being released in April has several songs that deal with her resentment toward the Army.

“I’m not going to stop,” DeVante says. “The public will not be ignorant about this, because voices like mine are crying out.”

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We Recommend We Recommend

wednesday, 16

Native Son at the Flying Saucer. Memphis Industrial Goth Project at the Full Moon Club. And while I have never heard them, how can you resist going to Young Avenue Deli to hear I Can Lick Any Son of a Bitch in the House and The Reputation? And now I must go. Go hide. I’m afraid the Secret Service might torture me by making me watch one more news report on the retirement of Adrian Rogers, and I just can’t bear the thought.

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News The Fly-By

WHICH END IS UP?

After his forum on Social Security at the Cannon Center last Friday, President Bush signed this admission ticket for an admirer. Question: Which end is up?

Plante: How It Looks

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We Recommend We Recommend

tuesday, 15

The Ides of March can’t be too bad tonight with jazz legend Wynton Marsalis in concert at the Bartlett Performing Arts and Conference Center. And I hear there are some very interesting contestants during Tuesday nights’ 15 Minutes of Fame Karaoke with Tim Bachus at Isaac Hayes Reloaded Restaurant and Nightclub. — Tim Sampson

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Politics Politics Beat Blog

POLITICS

After much back-and-forthing and premature word-of-mouth about his candidacy for the U.S. Senate in 2006, former 4th District congressman Van Hilleary finally is officially in, having made a formal announcement of candidacy Monday via press release and having filed official papers with the Federal Election Commission and the Secretary of the Senate.

That’s bad news for another former congressman, former 7th District U.S. Rep. Ed Bryant, who represented the 7th District from 1994 to 2002, when he vacated his Seat to make a Republican primary race for the Senate seat now held by Lamar Alexander. Bryant and Hilleary, both by-the-book conservatives, are regarded as having overlapping voter and financial support and, more importantly, both gained statewide name recognition two years ago, when Hillleary was the GOP nominee for governor.

Both Bryant and Hilleary have reason to be concerned about another Republican candidate, Chattanooga mayor Bob Corker, who has so far raised upwards of $2 million for the 2006 race and reportedly has good support in the GOP establishment, both state and national.

But another likely Senate candidate, 9th District U.S. Rep. Harold Ford Jr, sees a rosier outlook for the two former Republican congressmen.

“I don’t think he’ll get the nomination,” the congressman said about Corker’s prospects on Friday, after his attendance at President Bush’s Social Security forum at the Cannon Center. “I think Bryant or Van Hilleary will. It doesn’t matter how much money you have if people don’t know you.”

Ford’s statement was an acknowledgement of the fleeting nature of name recognition in politics. The seat being vacated in 2006 is that of Senate Majority Leader Bill Frist, who is considered likely to make a presidential race in 2008.

Of the six Republican candidates who ran for that seat 1994, only Frist remains well known across the state, at least among voters at large. Corker, who later served two years as former Governor Don Sundquist’s finance director, has a more limited range of recognition so far , centered around his political base in Chattanooga.

Corker is, however, busy making up for that shortcoming. He was in Memphis Monday night for a well-attended fundraiser at the home of high-stakes entrepreneur Brad Martin. And the Chattanoogan’s supporters in Shelby County include the local GOP’s last three party chairmen, David Kustoff, Alan Crone, and Kemp Conrad.

Bryant is being backed by a number of local establishment figures as well — notably former national Republican committeeman John Ryder. Hilleary’s local organization has yet to take shape, although Mike Carpenter, president of the Associated Builders and Contractors, had been helping Hilleary locally for some months.

Carpenter, however, is dropping out of state politics to concentrate on his own forthcoming race for the Shelby County Commission.

.Not to be ignored in all this conjuring, of course, is the only woman in the GOP primary race, state Rep. Beth Harwell of Nashville, the immediate past chairperson of the state Republican Party and no doubt the possessor of many political IOUs stemming from that service.

Harwell’s former statewide role is a reminder of an unresolved issue concerning Hilleary, who exercised some political muscle last year to get himself voted in as Ryder’s successor as national GOP committeeman from Tennessee. Does he get to keep that office, which entitles him to speak for all Tennessee Republicans, even as he vies against several others for senator?

At the very least, it’s a possible point of controversy.

Meanwhile, pending an announcement from Rep. Ford, state Representative Rosalind Kurita of Clarksville remains the only Democrat formally in the U.S. Senate race.

Rep. Ford was in attendance at President Bush’s Social Security forum at the Cannon Center Friday and was one of several local dignitaries acknowledged by the president during his remarks. At one point, while speaking of the possibility of maintaining a Social safety net under his Social Security plan, Bush ad-libbed, “Harold understands that.”

That may be wishful thinking. The congressman has not signed on to the Bush proposal, having aligned himself, along with virtually all other Democratic members of Congress, in a solid front in opposition to the president’s plan — or at least to that portion of it calling for private investment accounts funded by the Social Security tax.

Beyond that point, though, Ford seems willing to re-think the premises of Social Security — a fact which continues to be highlighted by several national publications and pundits. USA Today featured Ford on its front page last week as one of six national figures whom it considered undecided on the issue of changing Social Security.

That’s probably an overstatement. But the congressman has put forward ideas of his own. He has introduced a bill — the ASPIRE Act — that would confer a government-funded birth grant to newborns to be used for investment purposes and suggested Friday, after Bush’s presentation, that the president might think about something similar if he wants to alter the structure of Social Security.

As Ford sees it, any investment add-on should not only be funded from sources other than the Social Security tax but should have a progressive component, like that contained in ASPIRE, whereby citizens below a defined poverty line could expect proportionately greater investment fodder.

The Memphis congressman added a new wrinkle to that concept Friday. Among the issues he raised after the forum concerning Bush’s plan was this one: “What happens if people lose? Will some kind of Federal Deposit Insurance Corporation be created?” Ford seemed to be floating the idea of a governmental machinery that would cushion against losses that might occur through bad investments in sour lemons like Enron and WorldCom. A Fail-Safe mechanism, as it were, one that would allow profit but prevent unreasonable loss.

Believe it or not, the 2006 Shelby County countywide election has already begun — with prospective candidates detaching themselves from the woodwork and beginning to organize campaign staffs and fundraisers.

The aforesaid Mike Carpenter intends to run for the District 1 county commission seat now held by John Willingham. Carpenter, who was among the unsuccessful applicants last year seeking to fill a vacancy in another District 1 seat last year, indicated he would campaign on the need for a new school-funding formula as well as on opposition to the concept of a converting The Pyramid into a casino, a longtime project of Willingham’s.

Another applicant for that District 1 vacancy last year is Mike Rich, who intends to run for yet another district seat, the one currently held by Marilyn Loeffel, and has been attending commission meetings with some regularity of late.

The commissioner who ended up filling the District 1 vacancy last year, George Flinn, is likely to draw opposition from Karla Templeton, Willingham’s daughter and yet another former applicant for the seat. That’s if her father, who continues to have complications resulting from former heart surgery, follows through on his current intention to run again for his own seat. If he doesn’t, his daughter will likely turn her attentions to that seat.

Loeffel is known to be thinking of a race for the job of Shelby County clerk, which incumbent Jayne Creson has indicated she will retire from.