Categories
Music Record Reviews

Listening Log

Sings Out
Noise Choir

(self-released)

I’ve never been much for instrumental rock music, but as an Afropop devotee, the variation on the form presented by this five-song, 13-minute debut is close to my ideal: rhythmic and percussive, with bracing guitar lines and no indulgent solos — groove music twisted askew. Play it as background noise, and it’ll sneak up on you. Members of this relatively new local band were in a group called Reginald a few years ago, and the music worked in much the same way. — CH

(“Muscular Pony,” “Joystick”)

Grade: B

Joecephus and the George Jonestown Massacre
Joecephus and the George Jonestown Massacre

(self-released)

Having long been an alt-country skeptic and mainstream-country defender (some friends might say apologist), this is the kind of record that gives me problems. However much alt-country types might want to claim someone like George Jones for themselves, the vocal quality that made Jones great is still a lot more prevalent in Nashville studios than in the pages of No Depression. In country music, as in R&B, singing is crucial, and the flat, earthbound vocals are what nearly sink this local alt-country band, who are otherwise adept at a trad-country sound and seem to have good taste in the music they love. The vocals are less of a detriment when the music turns from country to rock. — CH

(“No Turning Back”)

Grade: B-

Categories
Music Music Features

Two Worlds Collide

This is David Banner’s time. The Jackson, Mississippi-based rapper’s fourth album, Certified, debuted at number 6 on the Billboard charts, nestled between releases from Barbra Streisand and Earth, Wind & Fire. “Play,” the album’s lead track, broke onto the Hot 100’s Top 10 list, and Banner’s efforts for Hurricane Katrina victims landed a favorable notice in The New York Times. In October, Banner was particularly busy: He recorded a series of exclusive, crunk-based ringtones for the Urban World Wireless network, filmed scenes for his silver-screen debut (Banner’s portraying Tehronne, a character in Craig Brewer’s latest movie, Black Snake Moan), laid down a new version of “Play” for the NBA, and contributed a rap to an upcoming DJ Shadow project.

More mainstream-able than acts like Three 6 Mafia, more grounded than the party-all-the-time Ying Yang Twins, more serious than the always clowning Lil’ Jon, Banner — who possesses a business degree from Baton Rouge’s Southern University — is the perfect candidate to bring crunk music to the masses. For most Southerners, he represents the Dirty South’s great black hope.

“Memphis and Mississippi have never been cool enough,” Banner explains. “There are so many creative, intelligent people from Mississippi,” he says, citing homegrown heroes such as Oprah Winfrey, “but when they were getting hot, they didn’t talk about it. At the same time, you’ve got groups like Three 6, who helped birth the crunk genre but never got credit for it, because other people took off.”

Bay area hip-hop phenomenon Josh Davis (aka DJ Shadow) agrees: “I remember the first time I played crunk stuff, back in 2000 at Scratchcon, which was supposedly the highest echelon of turntablism. People were saying I don’t think you can play that here. The subtext was, you’re not allowed to step into other boxes.

“I’ve always hated that mentality,” says the freewheeling Davis, whose ’96 instrumental hip-hop masterpiece, Entroducing, was released to universal acclaim and re-released in an expanded version earlier this year. “I started off making tracks for a rapper named Paris, and all the early work I did was straight-ahead hip-hop. A lot of people who say they like my stuff aren’t as open-minded as they think they are, which is disappointing.

“David Banner has obviously been around for a minute,” says Davis, who explains that Banner’s work with Crooked Lettaz caught his attention several years ago. “What I like about [Banner’s 2003 solo release] Mississippi is that it starts off with really hard crunk stuff but mellows out into Southern soul. It’s got a politically conscious vibe, which attracted me beyond his voice and his hit singles. ‘Like a Pimp’ is banging, but the album is more multidimensional than that.”

Davis says that for his upcoming album, which is slated for May 2006, he decided to reach out to Banner and other Southern rappers, including Memphian Project Pat, who hasn’t yet committed to the project. “I definitely didn’t want to sit down and just do another instrumental hip-hop album,” Davis explains. “That’s not where my head is now. I wanted to collaborate with people outside of that realm.

“I first got together with David in November 2004,” he says. “I tried Mystikal and Project Pat but ended up coming back to Banner. Fortunately, I was able to be with him when he did the first verse in L.A., and when it came to the second verse, I knew he’d be able to pick up the thread.”

Banner chose to finish the track here in Memphis, at Scott Bomar’s Electraphonic Studio in Midtown. Twelve hours after he, Bomar, and rapper Al Kapone shared the stage for a Craig Brewer tribute during the Recording Academy Honors, held at the Cook Convention Center in late October, Banner arrived at the studio, asked for a blank sheet of paper, and scrawled the lyrics for “Seein’ Things.”

“I’m wondering if the feds broke the levee/Are they in with the devil to control the weather?” he muses on the song, which touches on national politics, the Katrina aftermath, and the African-American diaspora.

No sooner was that track finished than Banner pulled out a tape containing instrumental versions of “Play,” because he needed to cut a PG-rated, basketball-centric version of the song for the NBA. Within the hour, Banner was back on the road, headed to the airport and a European promotional tour.

“Last year, when I was getting this project happening, David was at a lull in his career,” Davis notes. “Now, I feel lucky that I was able to get involved.”

David-Banner.com

DJShadow.com

Categories
Music Record Reviews

Let Chilton Be Chilton:

Thirty years ago, Alex Chilton and Jody Stephens gathered at Midtown’s Ardent Studios to preside over what seemed to be the final days of their soon-to-be legendary band, Big Star. But three decades after the completion of the cult-classic Third/Sister Lovers, Chilton and Stephens were back at Ardent working on a follow-up, this time in concert with Big Star fans turned Big Star bandmates Jon Auer and Ken Stringfellow (of Seattle power-pop band the Posies).

The fruit of this unexpected labor, In Space, sometimes sounds like what you expect a Big Star album to sound like and sometimes it doesn’t. The mercurial Chilton opens the record in familiar Big Star form, his bracing guitar line and vocal on “Dony” evoking the band’s musical legacy. But after that, Chilton leaves it up to his bandmates to meet audience expectations.

Thankfully, they’re all up to it. Auer and Stringfellow first got into the band because of their fidelity to the Big Star sound. Here Auer’s “Lady Sweet” could be a #1 Record outtake, while Stringfellow’s “Turn My Back on the Sun” sounds like a blend of Radio City and the Beach Boys’ Pet Sounds. And Stephens proves more than adept at conjuring the melodic magic of his band’s past with standout tracks “Best Chance” and, especially, “February’s Quiet.”

As for Chilton, he fills the rest of the album with varied, compelling material that sounds a lot truer to his nomadic post-Big Star solo career. “A Whole New Thing” is a rootsy mix of soul, surf, and garage. “Love Revolution” is a sunny goof with a near disco-like groove. “Makeover” is decidedly heavier than anything that ever graced a Big Star record. Chilton’s still his own man, which is part of what made Big Star so refreshing to begin with. — Chris Herrington

Grade: B+

Categories
Music Music Features

Sweet Soul Music

On Friday, November 18th, author Peter Guralnick, who depicted the trials and travails of Stax in his book Sweet Soul Music before documenting the life of Elvis Presley in Last Train to Memphis and Careless Love, will be signing copies of his latest book, Dream Boogie: The Triumph of Sam Cooke, at the museum.

While Cooke never recorded at Stax, his singing style nevertheless made a tremendous impression on those who did — in particular Isaac Hayes, who recalls making a pilgrimage to a local hospital to get a glimpse of the Clarksdale, Mississippi-born pop star in the late 1950s.

“It was after he got into a car wreck in Arkansas,” Hayes says, “and we snuck up the fire escape to see him. He had a thermometer in his mouth, and when the nurse saw us, she told us to beat it. I was poor as dirt, singing with the Teen Tones, and that was the closest I’d ever gotten to someone who really made it as an entertainer.”

On Sunday, November 20th, a new exhibit of personal histories from the museum’s “Soulsville” neighborhood will open. The project will include personal histories and photographs documenting the rise, fall, and redevelopment of the South Memphis neighborhood that surrounds the former recording studio.

Groundwork began last August, when Free River Press director Robert Wolf conducted a four-day workshop at the museum. Participants wrote their life stories, shared their memories, and discussed their hopes for the future of the neighborhood. Histories of Boss Ugly Bob’s record shop, Jones’ Big Star grocery store, Sister’s Café, and nightspots like the House of Payne and the Blue Light anchor the exhibit; the essays will also be edited into a book scheduled to be published by Free River Press, museum publicist (and Flyer columnist) Tim Sampson says.

And on Monday, November 28th, blue-eyed soul singer Linda Lyndell — who belted out the unforgettable “What a Man” for Stax back in ’68 — will close out this year’s Last Mondays in Studio A concert series. Lyndell’s performance, billed as a tribute to labelmate Otis Redding, will include her renditions of “These Arms of Mine” and “Hard To Handle.” The reclusive Floridian, feted by author Rob Bowman as “The Woman Who Saved Stax” in the Oxford American a few years back, seldom performs.

The museum has also seen its share of administrative changes lately. In September, director Nashid Madyun left to open a branch of the Rock and Roll Hall of Fame at the Gibson Guitar Factory. Carol Drake, a former Graceland employee, is now in charge of exhibitions and education at the museum, while Robin Bender went from Pat O’Brien’s to manage Stax events and membership activities. Susan Green is now manager of operations, while Steve Walker has taken over the Stax gift shop.

Walker, a familiar face to anyone who’s ever shopped for CDs in Memphis, started out selling vinyl and cassettes at Record Bar and Tracks before moving to Cat’s Music in 1989. He managed the chain’s Midtown location for more than a decade, he says, explaining that “while Cat’s was really good to me, the opportunity at Stax is really neat, and I couldn’t turn it down.

“This is a chance to work with a label and a logo that I worship,” Walker says of his job switch. He doesn’t expect to make major changes to the inventory, although he is adding CDs and DVDs by other classic soul artists, including Ray Charles and, of course, Sam Cooke. “This is a great place to find cool, off-the-beaten-path gifts,” he notes. “Even when I was at Cat’s, I did a lot of Christmas shopping here.”

One product Walker will definitely be stocking is Can You Dig It?, a double-CD of the best of Isaac Hayes, released on Stax/Concord earlier this month. The collection covers Hayes’ output from 1969 to 1975, which ranges from the Oscar-winning “Theme from Shaft” to a duet with Dionne Warwick, as well as material culled from blaxploitation soundtracks and Operation PUSH performances. Also included: a bonus DVD which features Hayes’ show-stopping WattStax set, as well as an animated appearance from his role as “Chef” on Comedy Central’s South Park series.

Categories
Art Art Feature

Having Our Say

Another Voice: Political Illustration from The Progressive Magazine, 1981-1999,” currently showing at the Memphis College of Art, is combination art exhibit/comic strip/activism and a funny, horrible, hopeful look at the 20th century. It’s curated by former Progressive art director Patrick JB Flynn, who gathered 154 political illustrations by 50 of today’s best artists working in the genre.

Stephen Kroninger’s savagely funny collage, War Baby, he attaches the deformed face of a soldier in goggles and helmet to a diapered baby’s bottom. This man/baby is holding a nursing bottle emblazoned with the Coca-Cola logo. This image is set in a pitch-black background that suggests a void that is as empty as the logic of maiming infants and men’s psyches in order to make the world a safer place. But the Coke bottle serves as a cynical message that maiming is okay if it means a profit. In Holy Terror, a crucified Christ holds a recently fired high-powered rifle. Lying at the foot of the cross is a bloodied body, and behind the cross, a newspaper headline reads, “Sniper Kills Abortion Doctor in His Home.”

Many of the illustrations are paired with quotes — Noam Chomsky, Thomas Jefferson, and Frank Zappa all have their say. Roxanna Bikadoroff combines poet Marge Piercy’s proclamation “I will choose what enters me, what becomes flesh of my flesh” with Eve (gouache, 1992), which depicts a woman with a muscular body and chiseled profile who firmly grasps Adam’s rib in her right hand. Mark Fisher pairs Allen Ginsberg’s 1997 challenge to “Stand up against governments, against God” with Blather, a collage filled with synonyms for the world’s double-talk, such as tommy rot, twaddle, hogwash, yadda, and bunk.

The illustrations in this show are also timely. Refugee Status, Alain Pilon’s 1994 watercolor of a woman with a cardboard suitcase seated on the bare floor in front of a wall smeared with red, still speaks for the millions of refugees displaced by warring factions and recent natural catastrophes. In Hadley Hooper’s acrylic monoprint, The Poverty of Nationalism, the fist of an oppressor pushes the face of the oppressed against the ground. The two are chained together — brutality collapsing in on themselves, destroying the humanity of both the victim and perpetrator.

Particularly relevant are Sue Coe’s images of citizens as collateral damage. In War (Yugoslavia), Coe’s depictions of a burned-out city, a bludgeoned Earth, and mutilated bodies are graphic, but the central figure is a dove. This pure-white icon of hope flies above the slaughter and, as part of its truth-telling about war, carries a jagged piece of barbed wire in its claws.

Works by Frances Jetter and Lawrence Carroll provide scenarios for what may come. Jetter’s linoleum block print, Bombing the Innocent (formally titled End of the World), shows an apocalypse in which a pocked moon looks down with an expression of “shock and awe” on a planet deeply cratered not by meteors but by explosives. A single maimed body attests that this was once an Earth inhabited by humankind.

Carroll has two very different visions. In one image, USA Death Squads, nearly whited-out newspaper print backdrops an American flag and a decapitated head. In counterpoint is his graphite and acrylic photo collage, Martin Luther King Jr. “Watch this world, we only have one” is written in child’s script above King’s head. Across King’s black suit are words from one of his speeches: “I believe that unarmed truth and unconditional love will have the final word in reality.”

King’s beautiful words sum up “Another Voice.” These words, these works, underscore the importance of having our say and making our mark while we still can.

Another Voice: Political Illustration From The Progressive Magazine, 1981-1999

At the Memphis College of Art through November 11th.

rknowles@memphis.edu

Categories
Food & Wine Food & Drink

Groovy Chews

Back in 2002, when the now-defunct Butler St. Bazaar was about to open, Uele Siebert charged several of her friends with a task: Make something to sell. By bazaar time, she was the only one with a cool idea. Actually, it was more of a groovy idea.

She created Groovy Foods, a line of granola, herbal teas, infused oils and vinegars, and steamed breads, which are now sold at Square Foods, Precious Cargo Coffeehouse, Otherlands, and Mothersville.

Groovy Foods is yeast-free, wheat-free, animal-free. It’s only natural for Siebert — she has yeast, sugar, and wheat allergies, and she’s a vegetarian.

She’s currently focusing on her most popular item, Civil Granola. It’s the only item she makes in bulk to sell at local stores. Other items can be purchased in smaller portions or in bulk by special-order only.

Civil Granola is a salty-sweet mixture of oats and sunflower, pumpkin, sesame, and flax seeds that Siebert calls “seeds of civilization.”

“A friend’s aunt had come up with this seed mixture that she would wrap in nori rolls. I thought that was a profound way to eat seeds, so I integrated it into the granola,” says Siebert. “I’m trying to take information that I’ve been blessed with in my personal food journey and pass it along.”

Siebert says her granola provides a balance of protein and carbs, as well as heart-smart oats and omega-3 fatty acids for brain development.

“With a lot of common granolas, you get pure carbs and they’re heavily sweetened,” she says.

Siebert uses a small amount of cane juice, also known as turbinado, instead of white sugar. And she uses brown-rice syrup, a healthier alternative to maple syrup, to make the granola caramelized and crunchy. On special request, she makes chocolate Civil Granola by adding vegan chocolate chips into the mix.

Siebert says she never measures but instead eyeballs ingredients according to what feels right. It may sound unorthodox, but it’s working. She makes about 20 pounds of granola a month to distribute to area stores and more when selling at festivals and other special events.

Why “civil” granola?

“I thought this is one of the most peaceful offerings I can contribute to the South,” she says. “It infuses my own personal lifestyle with a genuine respect for the progress that’s been made here.”

There are three teas in the Groovy Foods line. The most popular is Oh My Goddess tea, a mixture of peppermint, rosebuds, chamomile, lavender, and candied ginger.

“I had a strange amalgamation of herbs in my cabinet one night while I was studying, and I thought, Why don’t I try this out?” she explains.

The Green Tara tea contains basil, rosemary, peppermint, nettles, and mugwort. “All of my teas are female-oriented and goddess-oriented,” Siebert says. “That doesn’t mean that men can’t drink them, but I try to focus on feminine energy in the teas.”

The steamed breads are made from brown-rice flour, lemon juice, brown-rice syrup, water, and ground walnuts. Fruit or other nuts are added by customer request.

Oils and vinegars are infused with herbs, but she says the oils have a shelf life of only a few weeks because she doesn’t have the equipment to put them through a sterilization process.

“I could have built the business in that direction, but I really wanted to keep it simple,” says Siebert. “When I started Groovy, I wanted something that, when I had children, they could participate in. If my daughter wants to join me in the kitchen when she’s a little older and develop her own trail mix or something, that would fit right in.”

In addition to operating Groovy Food, Siebert co-owns Mothersville, a Midtown maternity store. She also has a toddler daughter to tend to and says she’s happy to run the business from her kitchen for now.

That’s a good thing for customers because no order is too small. You can even call her for one item.

“The thing about Groovy Foods is that it really is groovy,” Siebert says. “You don’t have to have a gallon size that you’re committed to for life.”

Groovy Foods is available at Square Foods, Precious Cargo Coffeehouse, Otherlands, and Mothersville. Call 335-2469 for more information.

bphillips@memphisflyer.com

Categories
Food & Wine Food & Drink

25 Years and Counting

Davis-Kidd Booksellers, founded by two social workers, Karen Davis and Thelma Kidd, 25 years ago, will celebrate with a Silver Anniversary Gala on Wednesday, November 9th, at 7 p.m. On hand for the special occasion will be Daisy Maria Martinez, an actress who appeared in Carlito’s Way and Scent of a Woman and is currently the host of the cooking show Daisy Cooks! which airs on PBS. Martinez will sign her new cookbook, Daisy Cooks!: Latin Flavors That Will Rock Your World, and serve up some samples of her zesty Latin cooking. In addition, Bill Smith, chef at Crook’s Corner in Chapel Hill, North Carolina, will be signing his cookbook, Seasoned in the South: Recipes from Crook’s Corner and from Home.

There also will be live music from vocalist Joyce Cobb as well as a silent auction, with proceeds benefiting WKNO-FM. Gala tickets are $25 and are on sale now at Davis-Kidd Booksellers, 387 Perkins Ext., or by calling WKNO-FM at 325-6560.

Bill Vest is back at Fox Ridge Pizza, the restaurant he opened in the Hickory Hill area more than 25 years ago.

He sold Fox Ridge seven years ago to devote himself to his other business, Portable Catering. Vest retained control of Fox Ridge after conditions of the sale were not met. (The Fox Ridge Pizza in Cordova is not owned by Vest.)

According to Vest, Fox Ridge Pizza wasn’t doing well because it lacked consistency. “Sometimes they would close at 7 p.m. or they would close from 3 to 5 p.m.,” Vest says. “That’s no way to make money.”

Vest arrives at the restaurant every morning at 9:30 a.m. to get ready for the lunch crowd. Throughout the day, he goes back and forth between his two businesses.

“My days went from 8 hours a day to 15 hours,” Vest says. “Since I’ve taken it back over, I got a lot of business back. The business is never going to do what it used to do, but we have people who have been coming in for 27 years and we have people who used to come here when they were kids and people who have moved to Olive Branch or farther east who still stop in on the way home.”

Fox Ridge Pizza, 5950 Knight Arnold Rd. Ext. (794-8876)

The Food Network Challenge is coming to Memphis to test the country’s best chefs on their pastry skills.

Host Scott Liebfried will be in The Peabody’s Grand Ballroom Tuesday, November 8th, from 8 a.m to 3 p.m. for the “Rock n’ Roll Pastry Challenge,” which requires the chefs, aka “pastry daredevils,” to create sugary concoctions demonstrating the two elements of rock-and-roll — both the music and the movement (rocking and rolling). On Thursday, November 10th, another contest will be held at the car museum at Graceland from 8 a.m. to 3 p.m. Contestants will bake and decorate a birthday cake fit for the King of Rock-and-Roll. Winners from each competition will receive a $10,000 cash prize.

Categories
We Recommend We Recommend

The Whole Thing

With healthcare costs on the rise and health-insurance benefits being slashed, it seems like a good time for an alternative to conventional medicine. Mary Ellen Smith of Cordova has just the thing.

On Saturday, November 5th, she’s hosting the Mid-South Wellness Expo for Mind, Body, and Spirit at the Agricenter International. The expo’s focus is on holistic medicine, a form of alternative healing that treats the mind, body, and spirit as a whole rather than concentrating on one specific area of the body.

Holistic healing takes many different forms, including acupuncture, herbalism, and whole-foods nutrition. The expo will feature a number of experts doling out advice on these subjects, as well as vendors selling products such as healing crystals, bath salts, hematite jewelry, books, and meditative music on CDs.

“In the past, at trade shows, I’ve felt like people were hesitant to talk with the people behind the booths because they felt pressured to buy something,” Smith says. “We want people to feel comfortable asking questions and being there to learn as much as to buy.”

Mid-South Wellness Expo for Mind, Body, & Spirit, 10 a.m.-6 p.m., Saturday, November 5th, at the Agricenter International, Entrance C (7777 Walnut Grove).

Categories
We Recommend We Recommend

The Bitch Is Back

Like any true diva, the older Sir Elton John gets, the more he shows off his sassy side. Whether he’s hurling insults at the paparazzi or badmouthing Madonna, one thing is certain — the bitch is back.

But, hopefully, after his November 4th show at the FedExForum, we’ll all be a little more inclined to associate John with hit-making ballads and melodic piano-playing. He’s stopping in Memphis on his Peachtree Road tour in support of his latest album by the same name. Since it isn’t due out until November 9th, the show will give locals a sneak preview of Captain Fantastic’s latest body of work.

With songs written by John’s longtime lyricist Bernie Taupin, Peachtree Road is rumored to be a country-rock album reminiscent of 1971’s Tumbleweed Connection. In an interview with Entertainment Weekly, John attributes this to “the air we’re breathing in Atlanta,” where he has a home.

Of course, he’ll likely play some old standards as well. With 43 albums recorded over the past 34 years, he’s got quite the bank to draw from. Besides, the night wouldn’t be complete without “Honky Cat.”

Elton John, 8 p.m. Friday, November 4th, at FedExForum,

200 S. Third St. (tickets, 525-1515), $35-$85.

Categories
We Recommend We Recommend

We Recommend: 11-03-05

Thursday November 3

Lecture by Philip Pearlstein

Memphis College of Art, 7 p.m.

Two big doings at the Memphis College of Art this week as part of the school’s visiting-artist series: If it’s realism you want, see and hear master of contemporary figurative painting Philip Pearlstein, who’s lecturing in Callicott Auditorium on Thursday at 7 p.m. If it’s surrealism you want, see and hear photographer/installation artist Sandy Skoglund who’s lecturing in Callicott on Friday at 10 a.m. With illustrator Sue Coe’s visit in October, this makes it a banner season of speakers at the MCA.

Friday November 4

Opening reception for “South Meets West” by Jeff Aeling

Lisa Kurts Gallery, 6-8 p.m.

Landscape artist Jeff Aeling’s exhibit “South Meets West” compares and contrasts the views as seen from the banks of the Mississippi River and the vistas of Southwest locales in Colorado and New Mexico. So which is better? Consider it a beautiful toss-up.

As it so happens, on Saturday from noon to 4 p.m. at Artists on Central, Dottie Sachritz is having an opening reception for her exhibit, “East Meets West,” which also includes landscape paintings of the Southwest.

Saturday November 5

The Opera Ball

The Peabody Grand Ballroom, 6 p.m., $125-250

Celebrating the start of Opera Memphis’s 50th season with dinner, dancing, an auction, and entertainment, including performances by Ballet Memphis and the Memphis Symphony Orchestra.

Boogie in the Books

Central Library, 8 p.m.-midnight, $50

The Memphis public library system has been offering children’s books for 100 years. In recognition of this milestone, the library is holding a fund-raiser, with live music, food from area restaurants, children’s games, and a silent auction.

Sunday November 6

Charlotte’s Web

Circuit Playhouse, 2 p.m.

Based on E.B. White’s classic about the friendship between a spider and a pig.

Itzhak Perlman

The Cannon Center, 3 p.m., $30-$150

The first season of the Artists Ascending Concert Series, founded 40 years ago by Philip Belz, featured a violinist named Itzhak Perlman. Perlman returns to the series and will perform with the IRIS Chamber Orchestra.

Monday November 7

Riverfront Promenade Forum

Central Library, 6:30 p.m.

The proposal for the landbridge was sunk, so now what? Friends for Our Riverfront are hosting this forum to gather new ideas.

Tuesday November 8

South Main Association Meeting

Zanzibar, 412 S. Main, 6:30 p.m.

It’s not every neighborhood meeting that features a talk by Memphis mayor Willie Herenton followed by a holiday fashion show.

Memphis Grizzlies vs. Seattle Supersonics

FedExForum, 7 p.m.

Wednesday November 9

The Carl Wolfe Trio

Bistro Aroma, 1779 Kirby Parkway, 7-9 p.m.

Trio led by saxophonist Carl Wolfe performs at the new, weekly Best of Memphis Jazz Wednesdays, sponsored by the local record label, Inside Sounds.