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Steppin’ Out

thursday August 31

Sesame Street Live:

Super Grover! Ready for Action

DeSoto Civic Center, 7 p.m., $11-$17

Grover needs your help, kids. His superness has been sapped, so you and his friends Elmo, Big Bird, and Zoe must sing him back right. Along the way, learn about healthy living and the importance of good nutrition, proper hygiene, and a full night’s sleep. There will be two shows on Friday at

10:30 a.m. and 7 p.m., Saturday at 10:30 a.m. and 2 p.m., and Sunday at 1 and 4 p.m.

friday September 1

Opening Reception for New Works by Reyna Castano

Joysmith Gallery, 5:30-8:30 p.m.

This exhibit features the colorful abstract paintings by Mexican artist Reyna Castano.

Opening Reception for

You Are Hereby Amy Pleasant

Rhodes College,

Clough-Hanson Gallery, 6-8 p.m.

Amy Pleasant’s “You Are Here” features a wall installation and ink drawings on paper that show tiny people revealing life’s larger picture by simply going about their business.

saturday September 2

Beastly Bargain Sale

Memphis Zoo, 9 a.m.-6 p.m.

The zoo is holding it semiannual sale of apparel and animal-themed goods. Runs through Sunday.

Marionetas

Childrens Museum of Memphis, 2 p.m.

Patricia Carreras leads an afternoon full of traditional Hispanic storytelling and puppetry.

Always, Patsy Cline

Bartlett Performing Arts and Conference Center, 8 p.m., $20

This tribute to country queen Patsy Cline is presented by the Tennessee professional theater troupe the Cumberland Country Playhouse and stars Kellye Cash.

Tommy Drake

Comedy, Tennessee, 8:15 and 10:30 p.m.

Texas-based performer Tommy Drake went from being a prop comic to being the opening act for Cher on the second leg of her Farewell Tour.

sunday September 3

Biker Sunday

Cornerstone Church, 5998 Elmore Road, Southaven, MS, 10:30 a.m.

Bikers can get their motors running and their God on during this special service at Southaven’s Cornerstone Church. Lunch follows the service, which will then be followed by a riding tour through DeSoto County.

Opening Reception for

Young and Old Masters of Israel

Memphis Jewish Community Center, Shainberg Gallery, 2-4 p.m.

“Young and Old Masters of Israel” comes from the collection of the Safrai Fine Art Gallery in Jerusalem and features oil paintings, watercolors, etchings, and lithographs by Israeli artists.

Lyfe Jennings

The Orpheum, 7:30 p.m., $35.50-$49.50

Soul/R&B artist Lyfe Jennings got serious about his music while spending 10 years in prison for arson. Within a month of his release he was performing at the Apollo. His debut album, Lyfe 268-192 (268-192 was his inmate number), was released in 2004 and contained the hit single “Must Be Nice.” His latest, The Phoenix, was released in August.

Wednesday September 6

Book Discussion With Mary Monroe

Benjamin L. Hooks Central Library, 6:30 p.m.

Mary Monroe is the author of the trilogy God Dont Like Ugly, God Still Dont Like Ugly, and the recently published God Dont Play. The books follow a voluptuous heroine named Annette Goode. In the latest book, life is good for Annette — save for the anonymous hate letters she’s receiving and the gnawing sense that they’re being sent by her husband’s former lover, who may or may not have his name tattooed on her ass.

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Cover Feature News

West Intentions

Late last November, after his University of Memphis Tigers beat Marshall in their regular-season finale to clinch a winning record and the football program’s third-straight bowl berth, head coach Tommy West was asked a straightforward question: “Was this season your best coaching job?”

West responded, “Well, I think I do a good job every year, so that’s hard to answer.”

One bowl win, one departed All-American, and one open-heart surgery later, the Tiger coach enters his sixth season on the Memphis sidelines as the fourth-most successful coach in the program’s history, his 32 wins trailing only Billy Murphy (91), Ralph Hatley (59), and Zach Curlin (43). But with success come expectations, and Tommy West realizes the hill gets steeper as those expectations rise. What can Tiger fans expect from their football team this fall? And where exactly is the program headed, long-term? Who better to ask than the coach himself?

First of all, we’re glad you’re here for year six. How’s your health?

Tommy West: My health is good. I’m getting my strength back. I’m trying to exercise in the heat of the day. I probably won’t have it all back before the end of the season, but I’ll be pretty close. The doctors have told me it takes about eight months to a year, but I don’t feel like anything’s holding me back. Larry Kuzniewski

Tommy West

The hardest thing right now is my diet. Your metabolism is so slowed down by the medications. And I’ve got to lose about 15 pounds. I can almost gain weight eating lettuce. I tell [the doctors], ya’ll want me to lose weight and my heart beats about once every third day. I hear it tick. That’s been the hardest part. Normally, once I start exercising, I drop weight and I’m ready to go in August.

Did the surgery alter your thinking at all about coaching?

Oh yeah. I don’t know if it was the surgery or the time I had just sitting in a chair, but you do a lot of thinking. At 51 years old — barely out of my 40s — what am I doing sitting up here in a hospital with my chest split open? It made me stop and appreciate more. It made me realize how much I really do enjoy doing what I’m doing. I like living in Memphis. I like coaching at the University of Memphis. I think [our program] can be bigger and better than it is.

You don’t come across as one of those over-the-top intense coaches who would seem prone to heart problems.

I’ve always taken great pride in being the duck going across the water that looks like there’s no effort at all, but if you look under the water, he’s paddling like crazy. I run pretty tight. I stay pretty low-key off the field, but when it comes time to work, I’m pretty intense with it. On practice and game days, I’ve got to find a way to channel the intensity.

Can the loss of one player — DeAngelo Williams — constitute a rebuilding year?

Yes, when you look at the number of yards and the number of points and the leadership, I think it can. It’s a double-edged sword. Nobody loves DeAngelo more or respects what DeAngelo’s done more than Tommy West. On the other hand, it really irks me to hear that we’ve been in three bowls in a row just because of DeAngelo Williams. There are a lot of other kids out there who have busted their tails, opened holes for him, made tackles when we weren’t gaining yards, and kicked field goals.

The loss for us is the combination of [placekicker] Stephen Gostkowski and DeAngelo. Now, add those points up! Larry Kuzniewski

Senior free safety Wesley Smith

We go back now, and if we built this program the right way, someone else will step up.

I feel really fortunate to have coached him and have him here. I loved watching him play, but even more than that, I loved watching him practice. He was a great practice player, like most of the great ones are. It’s no coincidence that Tiger Woods is one of the hardest workers. Michael Jordan was one of the hardest practice players. Walter Payton. Jerry Rice … All the greatest of the greats were among the hardest workers there have ever been, and that’s no coincidence. DeAngelo grew his game. It was a lot of fun.

What kind of long-term impact do you feel Williams will have on your program?

He’ll be talked about forever. He opened people’s thought process to “I can go to Memphis and accomplish every goal that I ever wanted to accomplish.” He came here, he led the nation in rushing, he was a Heisman Trophy candidate, he made All-America teams, he went in the first round [of the NFL draft]. He did all the things that we told him he could do and the SEC schools told him he couldn’t do if he came here. And he had a great time doing it. He endeared himself to a city. Anybody that’s famous, you can call by one name: Tiger, Shaq, Madonna, Cher. In Memphis, if you say DeAngelo, nobody says, “Who?”

What should Tiger fans expect from this year’s

running game?

That will be one of the keys to our team. We’re not going to have one guy run for 2,000 yards. But if we can keep our rushing game where it was with a complement of running backs, quarterbacks, and wide receivers running the ball, we’ll be fine. That’s how we have to overcome the loss of 2,000 yards from one guy. We have a talented group of wideouts, and we hand them the ball on reverses a lot, so they’re going to have to get us some yards. Anytime you lose a great player, you’ve got to be as good or better as a team.

What about the quarterback position?

The misfortunes of a year ago are going to be positives for us this year. Our transfer, Martin Hankins, went through spring practice. Patrick Byrne should be totally healthy, so he’s in the mix. Will Hudgens has lost some weight and looks good. Larry Kuzniewski

West commands his troops on the practice fields

The experience we have will help us. [Note: West named Hankins his starting quarterback as this issue went to press.]

Lots of experience back on the offensive line. This has to help break in the new backfield.

I think we’re two-deep on the offensive line. I expect us to be good there. We have to be good there.

A football team often finds leadership from its offensive linemen. Is that the case with your team?

Well, I’ve always said that when your linemen are the leaders of your team, you have a very unselfish team. When your skill guys are the leaders, a lot of times you have a selfish team. Skill guys want the ball.

We are a very quiet football team. We don’t have a lot of mouth, and that’s fine with me. Part of that is we’ve recruited our kind of guys. I’m not a big talker on the field. I want our work to do our talking. This is a team that is going to be led by examples more than vocals.

On the defensive side of the ball, you lost some big hitters in Tim Goodwell, Carlton Baker, and O.C. Collins. Who are some of the players we’ll see filling the void?

Wesley Smith is the first one. This is the first time Wesley has ever been healthy through spring ball. He’s a tall, thin guy, and he’s been nursing shoulder injuries. But he looks really good. Next is our defensive line. We’ve got some additions there who I believe will make plays for us — Corey Mills, Clint McDonald, Jada Brown. And we get Rubio Phillips back. Those guys are capable of making plays. They’re a little bit quicker, and they just make things happen. Quinton McCrary is back from injury at linebacker, and Rod Smith is moving from safety to linebacker.

I anticipate our defense being a lot better. We ended last season playing pretty good defense after a stretch of playing poor defense. It’s critical that our defense is good from the start.

Talk about Wesley Smith. He’s flown under the radar, with Danny Wimprine and Williams earning so many headlines the last three years. Four-time all-conference players don’t come around often.

No, and barring injury, he’s probably going to [be all-conference] again. Wesley has been a very consistent, solid player. He’s a very quiet guy, leads by example, just does his job. He has really been a solid football player for us. And he’s played banged up.

Your special teams are going to miss Stephen Gostkowski’s placekicking, but you have one of the finest punters in C-USA — Michael Gibson — returning.

I think we’ve got one of the best punters in the nation.

Now, a casual fan might say if your punter is a star, you’ve got a problem.

Yeah, we hope he never gets on the field. But he can change the game, change field position for us. Overall, our kicking game is going to be better. We’ll be as good or better on coverage, and the next phase is to get better at return teams.

As far as the kicker goes, it’ll be interesting to see how it plays out. We have Trey Adams, Kittrell Smith — and Patrick Byrne has kicked. We’ve got some choices, and that’s the good thing.

What has pleased you most over your first five years coaching the Tigers?

The class of the program. We’ve seen what this can be. Our fans, our support. I think it still can be better. To end the season two years in a row with the last home game drawing over 40,000 … My first year, I think we had about 12,000 for the last game.

Also, the way this is being done. We’ve got class people, from top to bottom. We graduated 20 of 22 this year. We had eight seniors another year and graduated seven. We’ve done it our way, and it’s worked. I’m proud that we have a product that’s not only exciting to watch on the field, but it’s first-class off the field, too. When I go to bed at night, I don’t worry about where my guys are. Now, they’re kids; they’re 19, 20 years old. We’re not immune [to trouble]. But I hope our fans appreciate the kind of program they have. I know winning’s the bottom line. I’m not trying to hide that. And I’m extremely proud of 24 wins in three years. But I’m equally proud of how we’ve done it.

The worst thing, to me, would be to lose with bad people. How miserable would that be? I’m not going to be around a bunch of kids that I don’t like being around.

We’ve changed the face of this program. The truth is, we were not looked at as a first-class Division I program when we started. We had a little bit of the outlaw-ish image: “If I can’t go to Ole Miss or Alabama or Tennessee, then I’ll stay home and go to Memphis.” That face is changing now. There’s a lot more local talent — from all over Shelby County — coming to [the U of M] now. And that’s for the entire school, I mean. I’d like to think [our football program] has had something to do with that.

When we signed Scott Vogel, he was one of the first private-school players we ever had here. Now, you look at all the Christian Brothers players … It wasn’t like that when we started. Kids just didn’t view us as an alternative. Maybe for city kids, but county kids thought otherwise.

When we first started, our facilities were not first-class. Our locker room was horrible. When it rained, the roof leaked. We had a team that was a bunch of mouth, and they were losing. Nobody wants to hear a guy talking trash while he’s getting the stew beaten out of him. I hated it. That’s not what our program’s going to be viewed as. That’s what I’m most proud of. We’ve changed the perception of an entire city.

How do you feel about the expanded 12-game schedule? And what does this say about the NCAA’s reluctance to have a Division I-A playoff because of “too many games”?

I think it’s good for the game. The length of our season is not a problem. The length of our games, I believe, is somewhat of a problem. I’ve been an advocate for years to try and shorten our games. We have TV games now that run close to four hours. I believe we can handle the 12 games with our 85 [scholarship players]. We couldn’t go any more. I don’t believe we can go to a playoff with 85.

I think the NCAA needs to do away with red shirts and go to five-for-five [allowing players to play five full years, as opposed to the current four years of eligibility in a five-year window]. It’s a no-brainer. Why not? They’ve got five years to go to school, why not five to play? They can come out early, if they want.

At some point, we’re going to run out of players. Someone’s gonna run out of right tackles. It even affects discipline. Hey, I haven’t got but one more guard, and this kid just got in trouble. I can’t get rid of him, so I’ll do something else. These two freshmen are red-shirted over here — they can’t play — and we’ve got three more games.

How long do you see yourself leading this program?

Until we go to a BCS [Bowl Championship Series] bowl game.

Beyond that?

Well, if it happens next year, I’ll go beyond it. I’m not ready to get out, and I’ve got a son coming into this program. [The BCS] is my ultimate goal. When I said that five years ago, people snickered. I heard the comments: “He might want to try and have a winning season before he talks about a BCS game.” But now, all of a sudden, it’s out there and it’s not so far-fetched. This old coot just might be right.

I can remember when Florida State wasn’t very good. And I can remember when Miami was about to drop football. I pictured this program as being a Florida State, Miami. Obviously, we’re not anywhere near that yet, but we’re gaining on them. When I feel this job is done, and I can turn it over — to one of my guys hopefully — I’ll be ready to move on.

Your name was mentioned with the Ole Miss vacancy, and with success, you’re going to get more and more calls from some of the glamour conferences.

I am very comfortable where I am. You’re never gonna say never, and I’ll be honest with you. If Tampa Bay calls me next year and offers me $5 million a year to come coach their team, there’s a good chance I’m going. Let’s don’t act like it couldn’t ever happen.

But every other coach who has sat in my chair [at the U of M] was trying to get to a Clemson, an Alabama, an Auburn. I’ve already been there. It’s not a burning desire of mine to go back to the bigger budgets, bigger headaches, more alumni. We all have egos, but I am very comfortable where I am. I like my staff. I like my players. For me to ever leave here, it’s going to have to be pretty special.

You talked about changing the face of the program. With DeAngelo in the NFL now, you are the face of this program.

I’m proud of where this program is. We all want to be good. I want to take this program further than it’s ever been taken, further than people ever thought it could be taken. I want to do things in this program that have never been done before, and that motivates me.

This is one of the few places that I’ve been where you feel appreciated, instead of, “Okay, what are you gonna do next year?” Our people still appreciate what we’re doing. It hasn’t reached the point where “eight wins aren’t good enough. When are we gonna win 10?”

Tell us one similarity and one difference between Tommy West and John Calipari.

The similarity would be our passion to win. John has a passion to make Memphis the number-one basketball program in the country. And Tommy has a passion to make Memphis the number-one football program in the country. I think it’s pretty obvious in both of us.

The biggest difference is probably in the amount of money we spend on clothes. His clothes cost more than I make!

Categories
News The Fly-By

Now and Again

Take your time. That’s my advice for anyone who checks out Memphis Heritage’s last show on South Main, “Then and Now: A Perspective on Memphis’ Historic Architecture,” before they move to their new home at Madison and Edgewood. The exhibit, a collection of Don Newman’s Memphis photographs alongside images of those same places today, looks through the lens of history. Literally.

You shouldn’t rush an exhibit more than 50 years in the making.

Some of the pictures look like identical twins, while other pairs may take more careful study to see just what has changed and what hasn’t. But like before-and-after pictures of dieters, all of them are worth a double-take.

“[Photographer] Gary [Walpole] stood as close to where Don stood as he could,” says June West, executive director of Memphis Heritage. “Sometimes it was hard, because it seems like Don was flying, but it’s still very effective.”

Newman’s widow donated roughly 300 of his historic Memphis images to Memphis Heritage in 2003 and donated about 800 more recently. They show landmarks such as The Peabody, Main Street, the E.H. Crump building, and just about every other place in downtown Memphis.

“As soon as you see them, you can’t help but think about what it looks like today,” says West. “I immediately started thinking about doing a show called ‘Then and Now.'”

West says she wanted the exhibit to show some of the architecture that has been saved, as well as some of it that has been lost. One set of images depicts the old Goldsmith’s building on Main Street, with the sleek, modern facade it had in the ’60s and what it looks like now, with its original exterior.

“When the Belzes began to redo the building, they took off the facade and the front was still there,” says West, explaining the changes that took place during the old department store’s conversion to Peabody Place. “In some cases, they would tear everything off and then put a new facade up. In others, they would put it up on top [above street level]. There are a number of buildings downtown with [original facades]. It might give the owners an incentive to take a peek underneath.”

Other images in the exhibit include Central Station (looking much the same), Beale Street (with corresponding Coke and Pepsi ads), and Riverside Drive (appearing almost naked without Tom Lee Park).

“We picked images we felt would be accessible and have a sense of importance to Memphians,” says West. “We’ve got a lot of older Memphians who come into [the gallery] and there’s a lot of reminiscing that goes on.”

Newman, a native Memphian, snapped images of the city during the ’40s and ’50s, sometimes for commercial purposes but mainly for himself. Because his negatives are 8 by 10 inches, the resulting photographs can be very large and very detailed.

West’s hope is that the show helps people focus on the importance of preserving architecture.

“Historic preservation is not on everyone’s mind. I hope 10 percent of the people are conscious of it,” she says. “This show — whether you’re a preservationist, a developer, a politician, or a citizen — will make you think about the changes we make to the architectural landscape.

“We’re not condemning what we haven’t done, but saying, ‘Let’s take it from here.’ We need to be thinking about what we want to save.”

For me, a city’s personality often comes across in its architecture. People might be the heart of the city, but its structures give it a sense of place and an identity separate from other cities.

Just as importantly — if not more so — buildings form an urban landscape that people remember. Take a street corner, but change all the surrounding structures, and you’ve lost your frame of reference. Without any landmarks, it’s simply a different place, even if the longitude and latitude are exactly the same.

I’m not trying to say we should save everything, but I think reusing historic buildings adds depth to the city. Instead of tearing everything down and rebuilding, reusing older buildings forms a connection between generations and keeps the area authentically “Memphis.”

“Some developers never want to look at adaptive re-use. They don’t see the benefit of it,” says West. “All they see is the additional cost.”

At the gallery, people spend time looking from the Don Newman black-and-white photographs to Gary Walpole’s color doppelgangers and back again. But back on the street, we should also keep an eye on the future.

Then and Now” runs through September 29th at the Memphis Heritage Gallery, 509 S. Main.

Categories
News The Fly-By

The Cheat Sheet

It’s been a few weeks since John Mark Karr “confessed” to the murder of JonBenet Ramsey, and still no journalist here has been able to come up with a local connection to the 10-year-old crime. Meanwhile, just about every news crew in America is staked out in Boulder, Colorado. C’mon, people; we’re really missing out on the action here.

A judge has ordered Elartrice Ingram to undergo a mental examination. The former Schnucks employee went on a rampage July 21st and is charged with stabbing seven of his co-workers and threatening an eighth. Now, why would anyone think there might be something wrong with him?

Officials with Eudora Baptist Church announce they will demolish their 1,500-seat sanctuary sometime next year. The curving structure has been an East Memphis landmark for more than 40 years. It’s an odd-shaped building, but we’re going to miss it. Greg Cravens

Local media celebrities, including the Flyer‘s own Chris Herrington, lined up to eat worms on Saturday. Yes, worms — in three different flavors. The stunt was a fund-raiser for the Memphis Literacy Council and a promotion for the new movie How To Eat Fried Worms. We’re not sure who comes up with these things, but we’re glad they didn’t try something similar with Snakes on a Plane.

After a string of prostitution arrests, prosecutors want to shut down a Brooks Road topless club called Blacktail’s Shake Joint. So that’s what the place was. Whew, that was a close call. We were planning to go there this weekend and get a tasty milkshake. That would have been hard to explain to the police officers.

Categories
News

Sumo Seagal

A recent photo of Memphis transplant Steven Seagal suggests he may be thinking of ditching his martial arts guru/guitar slinger image for that of a sumo wrestler.

The photo, located at the celeb gossip site TMZ.com, shows a heavy-set Seagal decked out in some sort of tight Star Trek-esque zippered shirt, and the pounds are definitely packed.

Perhaps the weight gain is a result of his newfound rock star life. For more, go here.

Categories
Music Music Features

Two Rap Detours

This Saturday night, the Hi-Tone Café will provide the backdrop for the debut of two new local rap acts: Memphis Babylon, Chopper Girl‘s brand-new band, and Lord T & Eloise, the brilliantly tongue-in-cheek brainchild of Robert Anthony, Cameron Mann, and Elliott Ives.

Last week, I made it to Hoodoo Labs, Chopper Girl’s home studio, to hear her rehearse with Memphis Babylon, a Midtown supergroup that features guitarists Scott Taylor (Grifters, Porch Ghouls) and Scott Rogers (Dutch Masters, Cool Jerks), bassist Tommy Trouble (Final Solutions), and drummer Joey Pegram (Shabbadoo, Side Walk Talk). Sequestered in an attic practice space, the group ran through songs like “Wicked Witch,” “Mad as Fuck,” and “Possessed,” which fans will recognize from the rapper’s solo repertoire.

“I feel like I have a lot more power now,” Chopper Girl says. “I usually have backing tracks on a CD, but I’m having to fill all the vocals, which is a real creative challenge. I’m confident of this group’s ability. I knew they could come up with something that sounded amazing.

“Rap,” she says, “is often about hiding emotions, while playing rock is much crazier, so performing with [Memphis Babylon] is more of an emotional outlet for me. It’s less formulated, and I get to cut loose and bring out the dynamics of a song.”

The group sounds not like the sum of its rap/punk/garage/alt-rock parts but akin to a brooding, shape-shifting, metal machine — more Metallica or Slayer than, say, Ice-T’s misguided rock-rap effort Body Count.

The bewigged, velvet-clad Lord T & Eloise, on the other hand, evoke a flow that draws comparisons to both License to Ill-era Beastie Boys and the Chris Parnell/Andy Samberg Saturday Night Live skit “Lazy Sunday.”

Although the project has its roots in a series of e-mails that Anthony (Eloise) and Mann (Lord T) exchanged in college, it came to fruition at Young Avenue Sound recording studio, which is located less than a block from Hoodoo Labs.

“Originally,” says Mann, “we were joking about the conspicuous consumption we saw on rap videos — the cars, the money, the bling — and we were making fun of those overused, ridiculous themes. Our songs were all over the place. We were trying to rap about the things we knew, very white things like rising interest rates and Sperry topsiders. These characters, Lord Treadwell and Maurice Eloise XIII, evolved. After all, what’s more bling than being an 18th-century aristocrat?”

“We figured we needed to stay true to our private-school educations,” adds Anthony, who raps and crafts most of the hooks for the group. “The idea was funny, and conceptually, it worked. Rap is a giant embellishment no matter what your background.”

Enter Ives, who plays guitar and serves as a producer for Free Sol, works with bands Rabid Villain and The Tetanus Brothers, and owns his own studio, Cyn House Productions. As Myster E, Ives both makes beats and sings the hooks for Lord T & Eloise.

“Cameron and Robert were college buddies of mine,” says the classically trained musician, who samples timpani, cello, and harpsichord for the group’s beats. “I thought they had catchy lyrics and a cool premise, but they couldn’t flow. Over the last three years, the songs have gotten better, the beats and production have gotten better, and they’ve actually become rappers.”

Lord T & Eloise are currently getting 500-plus plays a day on songs like “Million Dollar Boots” and “To My Ladies” via their MySpace page — “not bad for a local group which has never played live or had a product to sell,” says Ives.

“Last month, Chopper Girl ran across us online,” Mann says. “She started e-mailing me, and we figured out that she lives three houses down from the studio. She came over with Tom Skeemask and Nasty Nardo, who asked, ‘Is this the dude with the wig?’ She asked if we wanted to get on the bill for Saturday’s show, and we just went from there.”

Now, Lord T & Eloise are shooting their first music video with Old School Productions and putting finishing touches on their first album, which will be jointly released by Young Avenue Records and Cyn House this fall. They’re also garnering attention from the city’s rap community, including producer Carlos Broady and veteran rapper Al Kapone, who recently cut a verse for “Million Dollar Boots.”

“Either of these groups could kill the college scene,” Kapone says. “As far as the street side goes, with songs and tracks that sound this good, they’ll just have to accept ’em.”

Chopper Girl & Memphis Babylon,

Lord T & Eloise, and Nasty Nardo play the Hi-Tone Café Saturday, September 2nd. Go to MySpace.com/ChopperGirl or

MySpace.com/LordTandEloise for more information.

Categories
News The Fly-By

Q&A with David Allen Hall

Memphis has the highest infant mortality rate of America’s 60 largest cities. Some areas are worse than others. Near Cypress Creek in North Memphis, babies are dying at rates higher than those of many Third World countries.

Peace activist David Hall believes that’s due to toxic waste deposited by companies like Velsicol Chemicals and the now-defunct Firestone Corporation.

Last week, Hall and attorneys Jay Bailey and Halbert Dockins announced plans for a class-action lawsuit against those companies. They say they’ve studied state reports that show high levels of contaminants like cyanide, chlordane, and mercury.

“Those reports indicate numerous incidents where they have exceeded acceptable levels of spillage of these toxins,” said Bailey. “They’re in levels so large that human exposure would cause immediate problems.” — by Bianca Phillips

What is the infant mortality rate near Cypress creek?

We’re losing 14 babies per every 1,000 live births, which means we have the worst infant mortality rate in America.

Can anyone who lives near the creek get in on the suit?

All of it has to be done scientifically. I’m not looking to create a gravy train for someone who says I used to live in the area and now I want my handout. It’s for people who have legitimate concerns, who have been injured.

For example, a lady called me and said that she lived in Cypress Creek. Her area was flooded and her yard was inundated with that filth coming up out of the creek. Now she has cancer, and she’s the first one in her family that’s ever had cancer. She asked me if I thought there was a direct link. I told her I don’t know. But that’s what a class-action lawsuit will do. It will provide her a means to be tested.

Will everyone who takes part be tested?

Nobody has a right to be in on it if they are not tested and screened and found to be affected by it. It’s got to be fair.

What about babies believed to be lost due to pollutants? How will they be tested?

I guess we’ll have to exhume some bodies. If someone’s not willing to stomach that, then they might not be able to be part of this. That’s just part of the science. But I think a judge will determine all of that.

[Bailey says they’ll first check for medical records on infant deaths to see if certain tests were done that might prevent the need for exhumation.]

Is this only affecting zip codes 38107 and 38108?

Cypress Creek is eight miles long. You can start where it begins, if you can stand the stink and filth, and go all the way around to where it dumps into the Wolf River. The Wolf goes right into the Mississippi River. For all we know, people in Collierville or Germantown could be getting a dose of it too. All of us could be getting some good ol’ contamination in us.

Categories
Music Record Reviews

Literate Southern rock from Middle Tennessee

As contemporary Southern rock bands go, Memphis’ Lucero is more dynamic and charismatic than Murfreesboro’s Glossary. And fellow Middle Tennesseans Kings of Leon are more danceable and definitely more high-profile. But near as I can tell, the only band in the genre that writes sharper songs are the Drive-By Truckers.

I was charmed by Glossary’s previous album, 2004’s How We Handle Our Midnights, a record where the romantic rootlessness of the genre was pinned down by a very post-collegiate specificity. The music felt like it emanated from a real place rather than a record collection.

The songs on For What I Don’t Become are more generalized, which can be both a strength and weakness. This band has enough flair — musical and verbal — to sidestep roots-rock clichés. And the less concrete focus fits a band that’s grown up a little and, presumably, hit the road more.

An awful lot of songs on For What I Don’t Become muse on mortality, but they’re never morbid. The opening “Shaking Like a Flame,” which, crucially, provides the album’s title, finds lead singer Joey Kneiser bitter but bemused: “Surrounded by rows and rows of the same house/Stretched out under the sky/Like a cemetery that just waits for you to die.” But as these songs accumulate, the theme that emerges is a restlessness that’s similar to the feeling that animated How We Handle Our Midnights but made more universal. There’s an admirably understated desperation this time that feels less literary and more natural.

Musically, this band gives bar-band rock a good name. The sound is basic and sturdy, with just enough flourishes (love the piano, handclaps, and bluesy guitar licks on “Poor Boy”) to differentiate it from the pack. The key is the harmony vocals between Kneiser and his wife Kelly, but there’s also an alt-rock undercurrent (I hear echoes of Pavement and Dinosaur Jr.) that pops up here and there. — Chris Herrington

Grade: A-

Categories
We Recommend We Recommend

Book ‘Em

When literacy rates are low, unemployment and poverty tend to be high. It’s this fact that came to mind when LaDonna Long, a seasoned festival organizer, was approached by Lorenzo Parker, director of the West Memphis Parks and Recreation Department, who wanted to put on a community-wide event. Last year, the two organized the first CrossRoads Family Literacy Festival, giving away more than 1,000 books collected by the West Memphis Police Department to more than 900 people. At this year’s festival, being held Saturday at the Tilden Rodgers Sports Complex in West Memphis, the plan is to give away more books to more people. Most of the titles are for children, though there are used and new adult books as well.

In addition to the book giveaway, there will be a fishing rodeo for kids age 7 to 12, rides, a puppet show, clowns, and performers. Representatives from Midsouth Community College will also be on-hand to provide information about literacy programs. What’s more — it’s all free. “It’s a giving festival,” says Long. “We want people to learn the importance of reading.”

CrossRoads Family Literacy Festival, 7 a.m. Saturday, September 2nd, Tilden Rodgers Sports Complex, West Memphis, Arkansas.

Categories
Letter From The Editor Opinion

Letter from the Editor: The Sound of One Hand Bagging

“Paper or plastic?”

It’s the question we hear every time we’re in the grocery line — the modern equivalent of “To be or not to be?” It’s eternal, never-changing. The bagboy proffers his deceptively simple riddle. You have two possible responses. Choose one. But it’s a trap, the sound of one hand bagging, a Zen koan without a “correct” answer — unless it’s “No.”

Plastic bags are made from oil. Paper bags are made from trees. So the question really is: Which resource do you prefer to destroy for the purpose of carrying home your bread and cheese and Grape-Nuts? There are dozens of organizations and Web sites devoted to this dilemma. Millions upon millions of dollars are spent making paper and plastic bags. An equal number of millions are spent hauling them to our landfills and picking them up off our streets and out of storm drains.

Recycling is one answer, but most Memphis paper bags don’t get recycled. And according to the Web site Reusablebags.com, only three states have facilities to recycle plastic bags: Ohio, Indiana, and Florida.

What’s needed is fresh thinking. In San Francisco and Los Angeles, city governments are considering charging customers 17 cents for each plastic bag they take home from the grocery store. The idea is to discourage people from using disposable bags altogether. They’re also encouraging grocery stores to sell or provide reusable cloth or mesh bags for their customers. Many stores are doing so and putting their logo on the bags. Win, win.

Sound crazy? Can’t possibly work? In fact, it already is working elsewhere. Some European countries have already banned disposable bags. In the three years since Ireland imposed a 15-cent-per-bag fee, the use of plastic bags has decreased by 90 percent. That saves oil and saves the environment and saves money for consumers in the long run.

With gas at almost $3 a gallon, it doesn’t make sense to waste a precious resource like oil producing disposable plastic bags. We hear and read over and over how progressive thinking makes a city more attractive to smart young people who might consider moving there.

So let’s get progressive, Memphis. Come on, City Council. Come on, grocery stores — think outside the bag.

Bruce VanWyngarden, Editor

brucev@MemphisFlyer.com