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Art Art Feature

Desirables

In “Philosophy of Beauty,” the current exhibition at David Lusk Gallery, Tad Lauritzen Wright reveals strong, if not completely serious, feelings about art, life, and beauty.

In 2nd Chance Series: The Fate of Beauty, he invites viewers to play shuffleboard with a game whose point-zones include “hot as a two dollar pistol,” “drop dead gorgeous,” and “ugly as sin,” the kinds of slurs and adulations that start barroom brawls and mark intense infatuations.

In a body of work that contains no sacred cows, no designations between high and low art, no hierarchies of any kind, Lauritzen Wright turns beauty inside out and upside down. Doodles and cartoon characters stand alongside advertising slogans, masterworks, and redheads. In the large grid painting Redhead Discount, redheads include jackrabbits with fuchsia ears, bright-red sunburned faces, and Hershey-brown hound dogs.

Lauritzen Wright’s cosmetically imperfect figures are sassy and alert. A Minute of My Time is composed of 1,440 self-portraits, one for every minute in a day. The artist records almost every expression, body posture, and bad-hair day known to humankind. In Beautiful Headrests, 1 and 2, tall, lean, squat, round, and oval bodies tumble and play on pillowcases embroidered with Kama Sutra free-for-alls.

Mona Lisa’s umber hair and robe have been replaced with a mosaic of cartoon figures, word games, and handwritten lists in the multi-media collage 2nd Chance Series: Mona Lisa. In Lauritzen Wright’s version of the masterwork, there’s a lot going on inside Leonardo’s laid-back, enigmatic icon of beauty. There are things to do, places she wants to go, people she cares about, favorite movies, and favorite recipes.

On scraps of paper, on pillowcases, in colorful grid paintings, and in the face of the artist, we piece together Lauritzen Wright’s philosophy of beauty. His sassy, sexy, all-systems-go philosophy is as hot as a two-dollar pistol. It’s as hot as minute-to-minute awareness of one’s being.

At David Lusk Gallery through October 28th

Leandra Urrutia’s wildly imaginative figurative works in the exhibition “Ceramic Sculpture” at St. Mary’s Buckman Performing & Fine Arts Center record pleasure at the edge of pain, life at the edge of death, and beauty that is all the more desired because it is temporal and uncertain.

Bulbous white orbs in axis x simultaneously suggest voluptuousness, cancer, and pregnancy, and in variable b, the shins and feet of babies (some with missing toes) hang like trophies from what could be umbilical cords, intestines, tentacles of an octopus, or nylons stuffed with dried brown grasses. In axis y, on the far back wall, Siamese twins or a fetus with an encephalitic head and four legs attempt to push through the membrane of an ovum.

If you can stand being ping-ponged between desire and repulsion, birth and disease, ecstasy and pain, you’re in for one of the most daring and original shows of the year.

At the Buckman Performing & Fine Arts Center through October 27th

Jenny Balisle celebrates beauty with meticulously layered paintings that feature surfaces that look wet to the touch, the application of oil paints similar to those used by the 17th-century Dutch masters, color fields and drips of the abstract expressionists, complex surfaces of Art Brut, and semi-abstract landscapes that possess the scale and atmosphere of Chinese scroll paintings.

“Process,” Balisle’s current body of work at the L Ross Gallery, suggests this artist can simulate almost anything on the surface of a painting, including the complex colors and textures of erosion. Chemical blues and iridescent siennas look like patinas of weathered metal in one of her untitled mid-sized oils on panel. In a triptych of oils (each panel measuring 21-by-45 inches), lemon yellows next to deeply scratched sienna and umber surfaces evoke bright sunlight pouring through chinks in walls encrusted with eons of corrosion.

One of Balisle’s most successful works combines the techniques of the modernists with an Eastern aesthetic. While this painting’s drips and color fields can be read as pure abstraction, its large size (5-by-7 feet), layers of paint shot through with sienna, yellow, and light green, and smudges that resemble stands of bamboo also evoke the scale, atmosphere, and images of Oriental landscape.

Thick impastos of umber on the left side of the work look like touchstones through which we might access this ethereal landscape. The desire to rub one’s hand across the weathered rutted earth and bark is almost irresistible.

At the L Ross Gallery through October 31st

Categories
News The Fly-By

Smart Text

On Monday, October 16th, a text message saved Louise Sowers’ life.

She, her two children, and a friend were sitting in a car at a gas station when Sowers’ ex-boyfriend, Christopher Deener, pulled up beside them. Angry that Sowers was seeing someone else, Deener ordered Sowers into his Chevrolet Impala.

When she refused, Deener grabbed Sowers and forced her and the kids into his car. Once in the vehicle, Deener began driving toward Sowers’ home, threatening to kill her if she didn’t stop dating other people.

Sowers secretly sent a text message to her friend, requesting that she call the police and have them send officers to her home.

“The message she sent to her friend was very [helpful] in the police working fast,” says Joe Griffin, a Memphis Police Department public information officer.

Deener was arrested and charged with simple assault and domestic violence. A handgun was found under the driver’s seat of his car.

Though Sowers owned a cell phone, many domestic-violence victims in Memphis do not. But a new program launched last week will provide cell phones to some of the county’s most high-risk victims.

“Many of these people tend to be a transient population, so we can’t call their homes, and we lose contact with the victim,” says Heidi Verbeek, executive director of the Shelby County Crime Victims Center. “Having a cell phone will ensure that we’re able to make sure they’re okay.”

Traditionally, when victims get protective orders against their abusers, enforcement is difficult. Even when police are called, the abuser usually leaves before officers make the scene.

Last year, while dropping her child off for daycare, Christie Thurmond was shot and killed by her ex-husband, despite a protective order against him. The next day, attorney general Bill Gibbons received a certified letter from Thurmond in which she said she feared for her life.

Domestic violence victims who receive the phones as part of the pilot program are instructed to use them only for emergencies, such as when they come into contact with their abuser, and to check in with the Crime Victims Center twice a week.

For the program, 12 cell phones have been donated by Cricket Communications. Two will be given out each month to domestic-violence victims through April. At that time, the program will be evaluated. If deemed effective in aiding victims and preventing violence, Cricket will donate additional phones.

“Since cell phones are portable, they should be very helpful. A woman may be nowhere near a phone, just like the case where [Sowers] was kidnapped,” says Verbeek.

René Parson, area general manager for Cricket, says the text option can be very helpful in times of trouble and suggests victims use the camera feature on their phones to document abuse.

“We’d also suggest victims dial 911 with the cell phones and leave it on,” says Verbeek. “Then they could use GPS tracking to determine where the call is coming from.”

Categories
Music Record Reviews

Crazy Itch Radio

This R&B- and funk-loving London DJ/producer duo is the ideal techno band for music fans who aren’t rave aesthetes or club kids (and who are gauche enough to label it all “techno”). Where previous records (Remedy, Rooty, Kish Kash — each better than the one before) aimed for exhilaration and achieved it, this one goes for casual command, subtly incorporating such new elements as country and Eastern European sounds (have they been listening to Gogol Bordello?) into their already dense sonic gumbo. As a result, Crazy Itch Radio underwhelms at first, then grows on you, though the energy does flag toward the end. In a very good year for Prince albums (from Justin Timberlake, the Coup, Gnarls Barkley, Van Hunt, and Prince), this more than holds its own. (“Take Me Back to Your House,” “Smoke Bubbles,” “Hey U”)

— CH

Grade: A-

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We Recommend We Recommend

Steppin’ Out

Corny

Corn Maze at Jones Orchard

6880 Singleton Pkwy., Millington, through October, $6 children, $8 adults

The cornfield at Jones Orchard was cut into an “Egyptian Adventure” theme. There are two mazes within the field, totaling more than 3 miles of trails, and both trails have six GPS checkpoints. A separate maze has a haunted theme.

Mid-South Maze

Agricenter, through October, $5 for children 6 to 11, $7 for ages 12 and up

The corn maze at the Agricenter features 2 miles of trails. On Friday and Saturday, the maze is haunted, and Wednesday is family night with hayrides and a bonfire.

Tourism

Costume Twilight Tour

Elmwood, Saturday, October 28th, 6-8 p.m., $10, children under 12 free

Meet some of Elmwood’s most notable underground residents. Actors in costume will bring to life some of the more interesting people buried at Elmwood, including blues musicians, war heroes, and scoundrels. There will also be a civil war-era mortician’s tent.

2nd Annual Not-So-Haunted Hike

Touliatos Nature Center,

2020 E. Brooks Rd.,

Saturday, October 28th, 5-7 p.m., free

Ghosts aren’t invited to this hike, but do expect to see snakes and spiders and birds of prey. Guest speakers will be on-hand, and costumes are encouraged.

Let’s Get Physical

ARTeries Blood Drive

Theatre Memphis, Thursday, October 26th, 3-7 p.m.

Semi-annual blood drive hosted by ARTeries, a group of members of the arts community. Donations go to

LifeBlood.

2nd Annual Bone Bash

The Bridges Center, Saturday,October 28th, 7 p.m., $150

This masquerade/black-tie fund-raiser for the Arthritis Foundation will have a Phantom of the Opera theme with a Halloween twist. There will be palm and crystal-ball readings, live music, a silent auction, and more. Reservations are required and can be made by calling 685-9060.

Mistress of the Dark

Sam’s Town 250

Memphis Motorsports Park, Saturday, October 28th, 1:10 p.m.

Elvira, “Mistress of the Dark,” is planning to retire this year and is creating a reality show to find her replacement. But before she hangs up her tight black gown and bouffant wig, she’ll serve as grand marshal for the finale of the Memphis NASCAR season.

Elvira’s appearance is just one of many events to be held during the Sam’s Town 250. For more information, go to the Memphis Motorsports Park Web site at memphismotorsports.com.

Can You Hear Me Now?

Workshops with Sharlette Pumphrey

The Sanctuary, 6266 Stage Plaza N., Bartlett, October 27th-29th, $65 per workshop

Sharlette Pumphrey will lead three days of workshops at the Sanctuary. On Friday, from 6 to 7 p.m., she’ll give a class on mediumship, which include learning to use tools of the trade such as the pendulum and dowsing rods. Saturday’s class on ghosts, from 7 to 9 p.m., is the first of a two-parter and will include members of the Mid-South Ghost Hunters who will tell about their own experiences. On Sunday, from noon to 2 p.m., Pumphrey and the Ghost Hunters will take participants to a haunted location to test what they’ve learned.

You’re Kidding, Right?

Zoo Boo

Memphis Zoo, Friday-Saturday,

October 27th-28th, 6:30-9:30 p.m.,$10 for zoo members, $12 nonmembers

Pirates have invaded the Memphis Zoo, and you may find yourself walking the plank — or at least playing pirate bingo. Other activities include a “not-so-haunted” tour of Cat Country, a 3D Haunted Mine Simulator Ride, and a haunted maze.

Halloween on the Island

Mud Island,October 31st, 5:30 p.m., $2

Family fun on Mud Island, where kids can trick or treat and explore a haunted River Walk.

Wait. There’s More

Hot Biscuit Halloween Spooktacular

Center for Southern Folklore, Saturday, October 28th, 4-6 p.m.

Three events in one: The first is a Monsters from Memphis reunion, which will bring together authors whose work has appeared in the Monsters from Memphis anthologies. The second is a Halloween poetry slam. Finally, if time allows, there will be a walking tour of downtown sites mentioned in the Monsters from Memphis stories.

A Room With a Boo!

Gallina’s Italian Restaurant, Saturday, October 28th, 7-10 p.m., $33

Murder and mayhem are on the menu during this interactive dinner-theater presentation brought to you by Death Du Jour Mystery Theater.

Categories
News News Feature

Kidding Around

When the police showed up at Dan Harper’s Central Gardens home in April to investigate complaints about a noisy party, they didn’t discover a bunch of college kids having a kegger. They found a bunch of pre-schoolers swarming the backyard, high on popsicles and juice boxes and the live music of hip Midtown music acts Noise Choir and Amy LaVere.

It was the first Memphis Rock-n-Romp, a semi-regular live-music party for kids and their parents. The Memphis Romp — inspired by a sister organization in Washington, D.C. — was started by Stacey Greenberg, a 34-year-old mother of two boys, ages 2 and 4.

Greenberg, in addition to holding down a full-time job, writes about eating out with her kids on the blog Dining With Monkeys (www.DiningWithMonkeys.Blogspot.com) and is a regular contributor to the Flyer‘s dining section (“I’m like a super multitasker, I guess”). She first heard about the Washington Rock-n-Romp a couple of years ago from a friend who went to one in Baltimore.

“I thought I’d like to do something like that in Memphis and wondered what it would take to make it happen,” she remembers. Greenberg e-mailed Washington Rock-n-Romp founder Debbie Lee, eventually getting her blessing to use the name.

Greenberg talked up the idea with like-minded friends who had kids and formed an eight-person planning committee. The group includes Harper as well as a couple of music-scene-connected parents, musician Robby Grant (Vending Machine, Big Ass Truck) and booking agent Mike Smith.

“I ran into Robby Grant at the Children’s Museum, and he was excited,” Greenberg says. “That’s when I thought it could happen, because he was in a band and if he was interested in doing it, other people would be to.”

Greenberg and her friends planned three events for their “trial year” and will conclude the first season of the Memphis Rock-n-Romp this weekend.

“It’s a kid-friendly show in a backyard,” Greenberg says, summing up Rock-n-Romp’s simple concept. “It’s not kids’ music; it’s adult music, but at a kid-friendly volume and in a kid-friendly space.”

For their first event in April, each member of the planning committee was asked to invite 10 other parents, which resulted in more than 100 people being invited. From there, Greenberg says, they’ve sought to expand the event beyond their circle of friends.

“The only rule is you have to have a kid with you,” Greenberg says. “We haven’t had any weirdos [show up]. Just typical Midtown parents and their kids.”

The attendance at September’s Romp, which featured music from Jeffrey James & the Haul, Two Way Radio, and Cory Branan, was mostly toddlers and pre-schoolers (and their parents).

“It’s been more of a new-parent experience,” Greenberg acknowledges. “The cut-off [for kids] is 10 years old. But we’re pretty open if someone has a little bit older kid [they want to bring]. We just don’t want people to think of it as an all-ages show.”

Greenberg sees the Romp as benefiting everyone involved. “I’m hardly ever awake at midnight, so even if a band is playing that I want to see, I would be asleep or would need a babysitter,” Greenberg says. “It’s a way for parents to see music and also expose kids to music. When I first had kids, it was like my CD collection was all kids’ music. My kids love the Ramones. Now my kids know Vending Machine and Two Way Radio.”

As far as the bands, the benefit, according to Greenberg, is in getting “to play to a crowd that doesn’t usually get to come out and see them. And a lot of musicians have kids and want a chance to play where their family and friends and kids can all come.”

The musicians also seem to have a lot of fun. At the first Romp, LaVere did a song about a cow with her kiddie audience providing mooing accompaniment. At the September romp, Branan set up a microphone for kids to add their own vocals to his songs.

This weekend’s Rock-n-Romp will have a Halloween theme, with kids (and parents) encouraged to come in costume and with pumpkins on hand for kids to paint. Parents interested in attending can go to MemphisRocknRomp.Blogspot.com to request an invitation.

Categories
Music Music Features

Familiar Faces, New Band

About six months ago, Jeremy Scott — veteran of The Reigning Sound and Harlan T. Bobo‘s backing band — decided to lay down his bass. Lucky for us, he picked up a guitar and formed The Wallendas with Jim Duckworth, Steve Parkinson, and Grayson Grant.

Actually, Scott explains, he’s been playing the six-string instrument since he was a teenager. “I started off on clarinet and sax, but I thought the guitar was cooler,” he says. He credits Parkinson for encouraging him to finish some demos he was working on earlier this year and bringing Duckworth — who’s played with The Gun Club and local legends K9 Arts — into the mix.

“Originally, it was just the three of us, and I thought I’d play bass, but then I ran into Grayson at a crawfish festival last spring,” Scott remembers. “He said we should get together and play, and I was like, funny you should mention that. I called him a few days later and said, ‘Now that you’re presumably sober, do you still want to do it?'”

The Wallendas woodshedded at The Buccaneer lounge, holding court during happy hour for months before Scott decided they were ready to headline a late-night gig. “I didn’t want us playing under really adverse conditions and getting disillusioned, so we built the band playing for a crowd that didn’t necessarily ‘know’ us,” he says. “Now I’m getting feedback from all kinds of people who are thrilled to see Jim playing rock again.”

With a spate of originals honed to perfection, Scott’s next step is to get the group into a recording studio in the next few months. “We have enough material to do a full-length album, and I already have the sequencing figured out,” he says.

Catch the Wallendas at Murphy’s Friday, October 27th. To learn more about the band, go to Scott’s Web site.

Don’t miss former Memphian Cory Branan — who recently pulled up his Bluff City stakes to move to Arkansas — when he rolls into the Hi-Tone Café for an all-ages show next Wednesday night. The first stop on a tour that pairs Branan with Thrift Store Cowboys, the Memphis show will feature three sets: one from the Lubbock, Texas-based musicians; one from Branan, who will mine material from his newest album, 12 Songs; and one with him fronting the group. The 17-date tour will take Branan and the Cowboys all the way to the West Coast and back, with a stop in Lubbock to celebrate the Thrift Store Cowboys’ new release, Lay Low While Crawling or Creeping, on November 10th.

Bentonia, Mississippi, bluesman Jimmy “Duck” Holmes has plenty to smile about: Earlier this month, the 59-year-old guitarist/juke-joint owner, who celebrated the release of his debut album, Back to Bentonia, on the St. Louis-based Broke & Hungry label last April, was gifted an acoustic guitar by Epiphone. The instrument adds new dimension to Holmes’ haunting, finger-picking blues style, adapted from legendary Bentonia players such as the late Skip James and Jack Owens, who built careers on songs such as “Hard Time Killing Floor Blues” and “Devil Got My Woman Blues.”

“I can’t really wait to see what that box can do,” says Holmes. “That guitar looks just like the kind I used to see in my parents’ juke joint when I was growing up.”

Trick or Treat: Misty White‘s annual Hell on Earth party — now in its 21st year — is slated for Earnestine & Hazel’s Friday, November 3rd. White deemed the theme this year to be “Black Jack,” because, she says, “you can still win at cards, even if the world’s going to hell.” This year, Hell on Earth boasts two stages and more than a dozen performers, including Chopper Girl, The Menstruals, Olivera, The Marcels, The Guacos, Big Rig, Three Faces of Angerhead (with Antenna club alumnus Mark “Angerhead” Kallaher manning the lead mic), and White’s own group, The Zippin Pippins. Also slated to appear: a topless dancer named Lady Sam. Showtime is 9 p.m. sharp; costumes are encouraged. In the meantime, don’t miss The Final Solutions, The Secret Service, and Chopper Girl’s rap-rock band Memphis Babylon at a Halloween bash at the Hi-Tone Café on Tuesday, October 31st.

Categories
News

Missing Manatee Mystery Solved!

Thanks to alert Flyer reader Benton Thompson, who sent in this photo that pretty much clears up the whole “missing manatee” thing. Click headline to see a larger version.

Categories
News The Fly-By

Par for the Course

Members of the City Council aren’t interested in shying away from a challenge, even if there’s trouble with the green. Or greens, as the case may be.

Though the funding source remains unclear, the City Council voted last week to spend $180,000 to keep Davy Crockett golf course open through next June.

The course, considered the most challenging in the city, is also the least played and the most difficult to maintain. During budget talks last spring, the parks division had slated Crockett for permanent closure, but a council vote kept it open through this month.

“You need to add that it’s the most neglected,” said councilwoman Barbara Swearengen Holt, the impetus for putting Crockett back in the budget. “That’s how it got to be where it is now. … My desire and the desire of the people I serve in that area is that you take down the ‘For Sale’ sign.”

But the decision to keep the “country club of Frayser” open was a bit rough. The city owns eight public golf courses, including a brand new $5.2 million 9-hole course in Whitehaven that has yet to open and the recently revamped — but still closed — Riverside course south of downtown. Under a special enterprise fund, golf courses are supposed to be supported by their revenue rather than by tax dollars.

“When they moved it from the general fund 10 years ago, it was because at that time, golf was a sport that was becoming more popular,” parks director Cynthia Buchanan said via telephone. “It was seen as an operation that could support itself.”

But golf’s popularity is now on a downswing. To break even, Crockett needs to do about 30,000 rounds of golf a year. Currently, the parks division estimates it will only see about 8,000 rounds for the year.

Buchanan sees the course as an anchor for the Frayser community; because the citizens have rallied around it, there’s value in keeping it open. But during a council committee meeting, Buchanan said the problem wasn’t with the golf course but with trends in nearby development.

“The courses further east where new development tends to go … those courses attract enough people to break even or make a profit,” said Buchanan. “The courses further west, they don’t get a large number of players. It’s where your customers live. Generally, the golf course near where they live is where they’re going to play.”

Crockett may be able to attract players from outside the neighborhood because of its interesting terrain, but with two more public courses in nearby Millington, courses in Mississippi and in East Memphis, it’s a challenge.

And with golf season in Memphis stretching from March to October, some council members wondered if the course should be shuttered for the winter months, which Buchanan said would have a “minimal” financial impact to the city.

“I don’t see any point in keeping it open if no one’s going to be playing there,” said Carol Chumney.

But Holt championed keeping the facility open year-round. “The things we mothball usually rot away. … It’s just another way of saying we’re delaying the inevitable.”

But it’s this type of decision that puts the city closer to going in the hole. Barely anyone plays Davy Crockett during the golf season, but the city is going to spend $180,000 to keep it open through the winter when golfers aren’t on the links?

Don’t get me wrong — I’m all for local government providing amenities for its citizens. In discussions such as these, I often think back on something former Charleston mayor Joe Riley said: A great city is one that both poor people and rich people can love and enjoy.

And, as such, there are plenty of city amenities that are not required to pay for themselves: community centers, parks, ball fields. But a golf course is not like a library or a community center, serving a variety of citizens and uses.

Councilman Jack Sammons has employees who live in the area and said they were more focused on the mayor’s plan for a larger police force. “This golf course,” he said, “they could care less about. What they care about is seeing something happen in this community.”

Public amenities often raise the value of neighborhoods, but value is subjective. Our currency, for instance, isn’t based on the gold standard but in people believing that it’s valuable. Perhaps a lean budget and neglect have cause a once-viable amenity to deteriorate. But if the community isn’t interested in golfing, is it in the public’s interest to have a golf course there?

And maybe the bigger question isn’t about Davy Crockett but how many municipal golf courses does one city need?

Austin has five. Atlanta has six. We have eight, almost one for every council district.

“The bottom line is that golf courses are overbuilt across the United States,” said Buchanan. “All of the courses cannot be sustained with the number of golfers currently playing.”

And we’ve got newly built and renovated courses that aren’t even open yet. I’m not a golfer, but I know what it means to be teed off.

Categories
Opinion

Off Track

The toughest job in Memphis is selling annexation to the 36,000 residents of southeast Shelby County and Bridgewater who are supposed to join the city next year.

By comparison, selling Grizzlies tickets to Shane Battier fans, extra homework to seventh-graders, and E-Cycle Management to state legislators is a piece of cake.

After 50 years, during which Frayser, Raleigh, Parkway Village, East Memphis, Whitehaven, Hickory Hill, and Cordova were annexed — boosting the population of Memphis to 672,277 and the land area to more than 300 square miles — the policy appears to have run off the rails. The proposed annexation of land 20 to 25 miles from downtown would further stretch an already undermanned police force and shake up the uneasy truce between the city and county school systems. Politicians and lawyers have gerrymandered the boundary line to exclude the wealthy residents of Southwind while taking in their middle-class neighbors who share the same roads, sewers, stores, and public services. Mayor Willie Herenton all but pulled his support for the annexation this week, warning that the cost of extending city services could outweigh the increase in tax revenues.

And, most important, many of the Memphians-to-be feel the same way as Rufus Washington, president of the Southeast Shelby County Coalition.

Last week the Memphis City Council set the wheels in motion to bring Washington and his neighbors into our fair city on January 1st, 2007, by passing an ordinance on the first of three required readings. Due to a procedural screw-up by the council, however, Washington and 20 others who came downtown to protest the annexation were denied a chance to speak until a public hearing on November 21st. In an interview last week, he said he and his neighbors were “bamboozled” by the City Council.

“A lot of people are pissed off,” said the 68-year-old retired RPS/FedEx Ground manager, grandfather, and ex-Marine captain, who can still fit into his dress blues.

Washington bought his house in 1993 for $165,900. Today it is appraised at $189,000, giving him a negative annual return when adjusted for inflation, while suburbanites outside the annexation have enjoyed double-digit annual appreciation.

“Annexation does nothing for me,” said Washington. “It is not a value-added move. It’s all about revenue, all about the dollar.”

Eleventh-hour protests may not do Washington and his neighbors much good. “If you don’t have a solution you are going to get annexed,” says Jackie Welch, who developed Washington’s subdivision and others along Winchester. An attorney familiar with annexation procedures agreed.

“The most effective strategy has been to negotiate it out several years, which the city has been more than willing to do,” said the lawyer, who spoke on condition of anonymity. “But the opponents are not going to beat it.”

The delaying strategy allowed thousands of residents of Cordova and Hickory Hill, most of them white, to move outside the ever-expanding city limits and avoid paying city property taxes for as long as 10 years. The importance of the boundary line and the effective date of annexation is especially clear in the case of Southwind, the gated residential community around the Tournament Players Golf Course.

According to the Shelby County Assessor’s Office, there are 494 dwellings in Southwind with a total appraised value of $308 million. Thanks to an agreement negotiated by their attorneys and agreed to by city attorney Sara Hall in May, the residents of Southwind and Windyke, a less-exclusive area south of Winchester, will not be annexed until 2013.

“It was an unfortunate turn of events in the courtroom,” said City Council chairman-elect Tom Marshall. “It should have required the approval of the council.”

In Southwind alone, the city is leaving $2.6 million in property taxes on the table for six years, or $15.8 million total. Using the Memphis Crime Commission’s figures, that $2.6 million would pay for hiring and training 26 new police officers.

After annexation, Washington will pay another $1,620 a year in property taxes. A neighbor in the nearby Richwood subdivision, former Shelby County Mayor Jim Rout, will pay an extra $2,145 a year on his house, appraised at $250,000. But Southwind’s residents get a six-year tax holiday. Jerry West, president of basketball operations for the Memphis Grizzlies, will save $31,727 a year on his $3.7 million house, and Alan Graf, chief financial officer for FedEx, will save $14,577 a year in taxes on his house, which is appraised at $1.7 million. (As part of the deal, which neither Graf nor West had anything to do with, Memphis has annexed a commercial strip along Hacks Cross Road and, therefore, its share of the sales tax from businesses as well as the world headquarters of FedEx at Winchester and Hacks Cross.)

Higher taxes and last week’s little lesson in parliamentary procedure was only a taste of what the city has in store for its future citizens. In addition to being denied the right to speak until the third reading of the ordinance — which won’t become effective until the minutes of that meeting are approved later, giving council members yet another chance to change their minds — this is what comes with the annexation deal:

* City schools instead of Shelby County schools.

* Law enforcement by the Memphis Police Department, which Herenton and Police Director Larry Godwin recently said is understaffed by 650 officers. Asked this week if annexation would further stretch law enforcement, Herenton said “the mayor does not annex” and suggested that the City Council and planning office give the matter “careful analysis.”

* City parks, which tend to become overgrown and neglected every time the city coffers run dry or the mayor wants to make a statement, as he did in the summer of 2005.

* Roads and sewers, which residents already have in abundance but haven’t had to pay for, or at least not the city share.

* Garbage service and the bills and add-ons that come with it.

* Streetlights and annual car inspections.

If the annexation is completed, the population of Memphis will “grow” overnight to more than 700,000, or more than twice the population of St. Louis, which cannot annex. Schools and libraries, including the new Southwind High School opening in 2007, will sooner or later shift to the city, if the city doesn’t immediately take possession. And the history of Memphis since 1950 suggests that over time most white residents who have not left already will move out of the annexed areas into Germantown, Collierville, and other parts of Shelby, Fayette, and DeSoto counties beyond the grasp of Memphis.

The annexation line in the Southeast Extended area is so gerrymandered that it looks as if it were drawn by a drunk with the shakes. At one point, just east of the new high school, it makes an elaborate jigsaw cut to exempt a developer’s partially completed subdivision, while taking in others a few hundred yards away. Marshall said it is possible that the line will be redrawn to conform to more logical natural boundaries.

Overriding all annexation decisions is this stark reality: Directly west of Southwind’s gated community, on the west side of six-lane Hacks Cross Road, there is an attractive, tree-covered parcel of land that retains the pastoral look of this area 20 years ago. When Nonconnah Parkway, now Bill Morris Parkway, was extended to Collierville in 1997, a developer put in streets, curbs, sewers, and utility hook-ups for a high-end residential subdivision. But the property was inside the Memphis city line, if only a stone’s throw from Southwind. Today, not one single house has been built.

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Letter From The Editor Opinion

Letter from the Editor: Daily Paper Doldrums

The San Jose Mercury News will lay off as many as 101 employees to cut costs and make up for declining advertising revenue — including 41 newsroom positions, it was announced Friday.

The same day, owners of The Philadelphia Inquirer and the Daily News told employees that those papers are experiencing one of the worst declines in ad revenue in history.

“Simply put, this dramatic revenue decline will prevent us from meeting our bank obligations if we don’t take absolutely critical actions on the cost side,” an owner said.

I’m just guessing, but I suspect “critical actions on the cost side” will entail more reporters and editors losing their jobs.

The story is the same for daily newspapers all over the country. You’ll read spin about how newspapers have “more readers than ever” because of their Web sites. But those readers don’t come close to paying for the huge costs of producing, printing, and delivering a dead-tree product to your home every day.

Classified ads have almost disappeared from newspapers in many markets, thanks to the success of such free Internet sites as CraigsList.com, Backpage.com (with which our FlyerMarket.com is affiliated), and eBay. And large advertisers are increasingly turning to magazines, TV, and the Internet.

I’m on my computer most of the day, and when news happens anywhere in the world, I get a headline and a link to the story delivered to my desktop. After work, I watch CNN for further news of the day.

Consequently, when I open my Commercial Appeal, the only “news” I haven’t already read is local. I read those stories and the sports, check out the columnists, and do the chess puzzle. Then, I open my laptop to check the “real” national and world news — what’s happened since the paper went to press the night before. This, in a nutshell, is the problem facing daily newspapers — and career journalists.

The Flyer is a different animal. Our circulation department is eight guys with pickup trucks; we don’t come to your house — you find us. We have comparatively few reporters, but they’re focused like a laser on Memphis news, politics, and entertainment. We’re lean and healthy — so far.

That said, I sincerely hope we’re not seeing the end of the daily newspaper. It’s an essential part of our democracy. A strong free press helps keep our leaders honest. Plus, I’d hate to have to start taking my laptop into the john.

Bruce VanWyngarden, Editor

brucev@MemphisFlyer.com