Categories
Film Features Film/TV

Tadpole Terrorist

South Korean director Bong Joon-ho’s The Host (already that national cinema’s all-time box-office champ) emerged at the Cannes Film Festival last year and has recently been making its way through U.S. theaters. As it does so, it provides a much-needed counterpoint to the recent spate of low-budget Hollywood horror flicks that have cluttered multiplexes in recent years. Rather than mixing gratuitous gore with deafening pop songs, here’s an imaginative creature-feature that mixes chills and thrills with comedy, social commentary, and bright blasts of cartoonish pop energy.

Slimy, silly, and often downright anarchic, this tale of a mutated sea monster that emerges from the Han River to terrorize Seoul is like a Mad magazine version of a horror movie, but it’s not quite a spoof. Instead, Bong commits to all his shifting tones. The slapstick, family warmth, raw fear, and barely submerged geopolitical critique are all equally embraced.

The Host opens in the year 2000 in the morgue of a U.S. Army base in South Korea as an American officer orders his Korean underling to dump gallons of toxic chemicals down the drain and, ultimately, into the Han River. Seven years later, the result is a giant mutated sea creature — a heaving monster tadpole with teeth and legs — spotted hanging like a possum from the Han River Bridge.

When the creature drops into the water, people rush to the banks of the river and, like children at the zoo, toss fast food and other debris into the water to “feed” the beast, which instead decides there are better dining options on land. This is the comic-horror high point of the movie, as the creature gallops clumsily through the city park in broad daylight, chomping at fleeing onlookers.

This sudden attack draws the film’s human protagonists — the riverside squid-shack-operating Park clan — into the mix. There’s an aging patriarch, suffering the indignity of his two deadbeat sons — one lazy, the other a bitter alcoholic. A daughter is an Olympic archer whose delayed release keeps her from greatness. The little miss sunshine of this dysfunctional family is the grade-schooler Hyun-seo, daughter of the lazy son.

Hyun-seo and her dad end up in the middle of the creature’s attack, with Hyun-seo abducted after her father grabs the wrong schoolgirl in the middle of a mob scene.

With Hyun-seo thought dead, the family goes into mourning, only to have her reappear via a cell-phone call from a sewer dungeon. With a mission to save their youngest family member, the Park clan breaks out of quarantine (the U.S. Army and South Korean government claim the creature hosts a deadly virus) and heads back to the Han to hunt for Hyun-seo. (And, really, how much better would Little Miss Sunshine have been if the family had had to combat a giant killer tadpole?)

As the Park clan embarks on this dangerous adventure, the authorities seem more concerned with tracking them than capturing or killing the monster itself. With the U.S. Army set to unleash an “Agent Yellow” chemical to stop a virus that may not exist and combat a threat of its own making, The Host is one long eyeball roll at American hubris and its impact on the Second World nations that “host” it. In this way, The Host is nothing if not an update of the most evocative Cold War monster movies. It’s worthy of the company.

The Host

Opening Friday, March 30th

Studio on the Square

Categories
News

Memphis Flyer and Memphis Magazine Win Green Eyeshade Awards

Flyer staff writer Chris Davis and Memphis magazine senior editor Marilyn Sadler have won Green Eyeshade Awards for feature writing in a regional competition conducted by the Society of Professional Journalists.

Davis’ “Desolation Row” (February 2, 2006) and “Coast Towns” (September 7, 2006) examined, in words and photographs, the devastation along the Gulf Coast one year after Hurricane Katrina.

Sadler’s “The Poor Side of Town,” published in the September 2006 issue of Memphis, focused on the lives of people living in Zip Code 38126, one of the most impoverished areas in the nation.

The 57th Annual Green Eyeshade Awards honor the best work of journalists in 11 Southern states. The awards will be presented at the Green Eyeshade Awards Banquet in Nashville on May 5th.

Categories
News The Fly-By

Ethical Dilemma

Local governments have attorneys, planners, and engineers on staff, but it might be time to hire an ethicist. Or at least put one on retainer.

Under state law, local governing bodies are required to approve a new ethics policy by June 30,
2007. But last week, after a discussion over who should review ethics complaints, the County Commission ethics policy ad hoc committee sent its lawyers back to the drawing board.

Last year, in the wake of the Tennessee Waltz scandal, the state legislature enacted the 2006 Ethics Reform Act, which stipulates that local governments adopt ethical standards relating to conflicts of interest and gifts.

Under a mandate from the state, the County Technical Assistance Service developed a model policy that included a five-person County Ethics Committee to receive and investigate ethics violations. The model committee was to be composed of three county commissioners, one constitutional county officer (or another county commissioner), and one member of another board governed by the committee … or another county commissioner.

Mayor A C Wharton went before the ad hoc committee last week to suggest that the Shelby County panel should be composed of retired judges, lawyers, and business leaders.

“Whatever model we go with, there’s got to be a window that the public can peek in,” said Wharton. “We’ve got to get the public away from the idea that … elected officials just look out for each other.”

While Wharton thought that public involvement would add credibility to the county’s ethics policy, some members of the commission bristled at the thought of the general public constantly looking over their shoulders.

“I have a problem with laypeople trying to determine what’s legal and what’s not,” said Commissioner Sidney Chism. “You go on Web sites and read comments from people who think they are highly intelligent, and I find they’re just straight-out crazy.”

It’s an interesting question: Who is best suited to judge the ethics of elected officials? And who do elected officials think is best suited to judge them?

Commissioner Mike Carpenter noted that people face a jury of their peers every day at 201 Poplar, and those decisions can result in life sentences. Or worse.

Lawyer David Cocke, a member of the ad hoc committee, said that the public often demands ethics reforms that are more stringent than what is legally required. But even though that may scare local politicians, public involvement is the only thing that will satisfy and reassure an increasingly jaded citizenry.

“Everyone suspects politicians are going to take care of their own,” said Cocke. “You’ve got to find people who are impartial to make recommendations.”

The public cannot be blamed for believing that politicians look out for other politicians. Think about last year’s motion to censure City Council members Rickey Peete and Edmund Ford in the wake of federal bribery charges. The council couldn’t even find the votes to ask them to resign, much less censure them.

After the County Commission committee decided to craft a new draft based on the model policy, Commissioner Henri Brooks proposed keeping all allegations secret until an investigation had determined that an ethics violation had actually taken place. The commissioners wanted to protect against someone making ethics violation allegations for political gain.

Fair enough, but keeping allegations secret — even false ones — would be so much worse. Someone would leak the allegation to the media, reporters would call, and no one would be able to comment officially. But I’d bet the person who reported the ethics violation would be more than willing to talk, especially if it was a false allegation for political gain.

Too many politicians have abused the public’s confidence. If the public is going to trust elected officials, it’s going to take a lot more openness and a lot more information.

But as jaded as Shelby Countians are, they also seem very forgiving. Look at some of the dubious things John Ford was reportedly doing before he was indicted. People still like him. And Rickey Peete was reelected to the City Council after a bribery conviction.

But I could be wrong. Maybe my ethicist will know.

Categories
Music Record Reviews

Turn the Lights Out–The Ponys

This four-piece post-punk band has made the leap to indie big deal Matador after two thrilling if generally underappreciated albums on indie lesser deal In the Red. The Ponys’ guitar/bass/drums attack isn’t radically different from a thousand rock bands before them, but they are doing it better. The group finds solid riffs — listen to the infectious, bass-driven bounce of “Poser Psychotic” — and then rides them with unapologetic swagger. There’s a sharper focus here than on their last, Celebration Castle, and the addition of a bubbling organ in spots adds unexpected color. You might wish bassist Melissa Elias would sing every once in a while (as she did on Celebration Castle), but the Ponys’ visceral kick and shredded guitar whomp is a true modern-rock wonder. (“Poser Psychotic,” “Double Vision,” “Harakiri”) — Werner Trieschmann

Grade: A

Categories
Living Spaces Real Estate

New Homes: Better Than Ever

As an unsustainably hot housing market slows down to “real time,” buyers are seeking answers to lots of questions about how to find the right home. And while the old real estate saying about the three most important attributes being “location, location, location” still has some truth to it, today’s consumers are more savvy and discerning. Location is only part of the equation: It’s also about conveniences and amenities.

And for conveniences and amenities, it’s hard to beat a new home. Today, new homes are safer, more efficient, and more packed with popular amenities than ever.

Safety

Technological advances mean that today’s homes are safer, because new homes take advantage of breakthroughs in building science. Homes now have advanced electrical systems, hardwired smoke detectors, and fire-resistant construction details. Windows in patio doors and near stairways have tempered glass, which makes them less likely to cause injury if they break.

Efficiency

Home builders also have an ever-expanding array of products and materials to choose from to enable them to make a house more resource-efficient and water-thrifty. Many home builders participate in programs like Energy Star, promoting energy-efficient appliances, and WaterSense, promoting water efficiency.

“Green” building is another new trend that’s getting legs as builders return to age-old practices, such as siting a home to take the best advantage of sunlight and shade, and recent innovations such as solar shingles (not just solar roof panels), light-conserving windows, and insulation made from recycled materials. Innovation and consumer demand are combining to produce a “leaner” home. Technology has changed, and so has the market.

Lifestyle

Today’s new home plans reflect what today’s homebuyer wants: larger kitchens for family gatherings, bigger closets, ample storage space, and more bathrooms. Consumers are seeking greater ceiling heights, more — and bigger — closets, walk-in showers with multiple heads, three-car garages, and outdoor entertainment spaces with fireplaces and grills. And builders are responding with designs that provide these features.

In fact, that’s a big reason why people seek new homes. Consumers want value, but they also want choices. They want to pick their carpet colors, their cabinet styles, their light fixtures, and other design elements that help make a house a home.

The decisions shouldn’t be about whether it’s a good time to buy a home, because home ownership remains the American Dream, despite occasional highs and lows in the market. The decisions should be about personal choice: finding the home that’s right for the buyer. Choosing a new home helps make it a perfect fit. ■

Keith Grant is president of the Memphis Area Home Builders Association.

Categories
Music Music Features

Around Town

Classic-rock radio station Rock 103 is giving local bands the chance to shine at Memphis In May‘s Beale Street Music Festival. Jeffrey James & the Haul, Arma Secreta, Organ Thief, Dan Montgomery, and nine more Memphis rockers, who can be heard on the FM station’s Sunday-night program The Great Unsigned, are battling it out for three spots at Overton Square‘s annual Crawfish Festival, slated for Saturday, April 14th, when a panel of judges will select one grand prize winner to play Memphis In May.

At press time, six-man jam band Dova Grove was in the lead, with a whopping 30 percent of the vote. But you’ve got until the afternoon of Wednesday, April 4th, to file your electronic ballot, so barring any loose chads, this is still anyone’s game. Go to Rock103.com for details.

It’s definite: After rumors, delays, and plenty of fodder for the gossip pages, Three 6 Mafia‘s Adventures in Hollyhood will debut on MTV Thursday, April 5th. The reality series picks up where the 2006 Academy Awards left off, chronicling what MemphisRap.com describes as DJ Paul, Juicy J, and Project Pat‘s “quest to establish themselves as Hollywood players.”

So far, so good: Three 6 has already appeared on television shows, including Studio 60 on the Sunset Strip, and an upcoming album, Da Last 2 Walk, is due to hit stores in late May. Yet burning questions remain: Can the rap clique stay true to its Dirty South roots as members pimp themselves on the streets of La-La Land? Will anyone understand their North Memphis drawl delivered via mouthfuls of gold? Does “Sippin’ on Syrup” translate to big success on the mean, big-city streets? Who knows — but expect plenty of face time with Paris Hilton, Flava Flav, and other reality-show vets.

Alvin Youngblood Hart

Meanwhile, former Three 6 cohort — and current rival — Koopsta Knicca is “fresh out of jail” and busy promoting his new album, The Return: Prophet Posse, Part 1, which was released on March 20th. Life has apparently imitated art for the rapper, whose song “Stash Spot” contains the lyrics, “Well I’m fresh up outta jail with no job/So I steal and rob.” While Paul and Juicy were shaking hands with Oscar in February of 2006, Knicca was sitting inside 201 Poplar on aggravated assault and robbery charges. Last week, however, the resilient MC was signing autographs at Spin Street, living proof that any publicity is good.

Get ready to rock in Midtown this weekend: Robby Grant‘s group Vending Machine kicks off the partying early with a free Friday-night acoustic show at Shangri-la Records that starts at 6 p.m. Afterward, head over to The Buccaneer, where Alvin Youngblood Hart and John Paul Keith are holding court, with Mark Stuart and John Argroves providing the rhythm section for both. Saturday night, Vending Machine will be playing at the Buccaneer, along with Jeffrey James & the Haul and a solo performance from Mouse Rocket cellist Jonathan Kircksey.

April marks the return of two Memphians who are making a major splash on the national music scene: Former Accidental Mersh bassist Hank Sullivant, whose group The Whigs will be performing songs from their ATO debut, Give ‘Em All a Big Fat Lip, at Young Avenue Deli on Sunday, April 1st, and Clarence Greenwood, aka Citizen Cope, who hits the Deli on Tuesday, April 3rd.

Memphis’ ’50s-era rockabilly scene is getting plenty of airtime on local PBS affiliate WKNO. The hour-long documentary The Rockabilly Legends: They Called It Rockabilly Long Before They Called It Rock and Roll, narrated by hometowner Wink Martindale, follows the creation of the genre from the cottonfield to the honky-tonk via the careers of Johnny Burnette, Paul Burlison, Jerry Lee Lewis, Carl Perkins, and, of course, Elvis Presley. It also documents the influence of Sun Studios and regional platforms such as The Grand Ole Opry and The Louisiana Hayride. Catch the program on Channel 10, then pick up the accompanying coffee-table book, published by Hal Leonard, or the four-CD box set.

Categories
Living Spaces Real Estate

South Rising

This April 12th through 29th, every-thing’s hotter down south.

That’s when the Downtown Home Show at South End takes place, and many visitors will get their first peek at what all the area hubbub the last several years has been about.

The South End is a 70-plus-acre area of downtown demarcated by developers at Riverside Drive to the west, Huling Avenue to the north, Front Street to the east, and Georgia Avenue to the south. Within those geographical boundaries has been a burst of construction that has seen ideas long on the drawing board turned into reality.

But it’s not an every-man-for-himself development where decisions are made independent of what’s happening in the building next door. The South End is “place-making” in action: turning bricks and mortar into places to live.

“We had a unique opportunity here of doing this assemblage of properties, to have a plan that at the end of the day becomes seamless and fits together,” says developer Terry Lynch of Southland Capital, one of the flag bearers on the South End project.

Where there’s something with a lofty goal, you can bet there’s an “ism” involved. The one on the mind of South Enders is “new urbanism.” That’s the theory of city planning that stresses having an inclusive community and a connectivity of neighborhood while being mixed-use (residential alongside retail alongside commercial), mixed-product (not homogenous in home size, price, or architecture), high-density, walkable, and sustainable.

Armed with these principles (and not a few dollars), developers joined forces to carve out a swath of land that would be created in the image of new urbanism. By the looks of things, they are well on their way to success.

Among the highlights of the South End are: formerly pedestrian-unfriendly land along streets transformed into walkable places with 10-foot-wide sidewalks, “bump-outs,” raised crosswalks, and streets lined with trees; numerous sites for public art; and planned space for restaurants, clubs, banks, a grocery store, health facilities, and retail.

There will be two anchor parks (Martyr’s Park/Asburn Park running next to the Mississippi River and Central Park at Central Station) and numerous pocket parks (open spaces tucked along streets, at intersections, and along natural boundaries).

This is an ambitious project that has been in development for over five years. The population of the South End area was 1,000 in 2001. Projections put that at 5,000-plus by 2011. In that year, there will be 2,500 housing units in the neighborhood.

The Downtown Home Show at South End is free for all visitors and runs April 12th to 29th, Thursdays through Sundays only, from noon to 6 p.m. ■ — GA

LivingSpaces@memphisflyer.com

Categories
Music Record Reviews

Back to Black–Amy Winehouse

This ballsy breakthrough album by British siren Amy Winehouse sounds something like a limey update of I Am Shelby Lynne, another recent combination of nervy, strong-voiced female singer and ear-popping retro production. But this is better. The songs have more wit and specificity. And the production isn’t just ear-popping, it’s stunning — an audacious but not overly reverent re-creation of classic soul that nails every last detail: hand-claps, organ riffs, crackling, all-the-way-live drums. Sometimes it outright steals, but brilliantly, and only from the best. Crucially, Winehouse is never overshadowed by the sonics. And though Back to Black sometimes comes across as the best Etta James record in decades, it’s not so old-timey it can’t make room for a Ghostface Killah cameo. (“Rehab,” “Tears Dry on Their Own,” “You Know I’m No Good”) — CH

Grade: A-

Categories
News

Pick One

A few months after publisher Joseph Pepe arrived at The Commercial Appeal, he sat down for a candid interview and described the state of that venerable institution as he saw it:

“When I got here, this newspaper was in total cost-control mode,” Pepe told the Flyer‘s Chris Davis in an April 7, 2006, story. “[The management wasn’t] looking for ways to expand markets and grow revenues. They were in total death mode. You’re either dying or growing. You’ve got to pick one.”

Fast forward to March 21, 2007. In an e-mail to employees, Pepe announced a program for a voluntary staff reduction, a cost-cutting measure that was being taken after other steps had proven unable to “stabilize our profitability.” Sixty-four employees — management and rank-and-file alike — who have completed 10 years of service with the company and will be 55 years of age as of April 2, 2007, are eligible. They can decide to take the offer or leave it. The CA has not said what will happen if no one decides to take it.

There were no staff reductions (voluntary or otherwise) in 2006, a welcome respite, considering that there were reductions in 2002, 2003, 2004, as well as in 2005, when a buy-out plan was already in place when Pepe arrived from St. Louis.

To that end, some give Pepe credit for keeping the hounds at bay for just over a year, a period in which the newspaper introduced customizable editions and more advertising zones for Millington, Bartlett, Cordova, Germantown, and Collierville, while attempting to up the ante in DeSoto County. However, the CA also saw a number of reporters and managers exit for a variety of reasons.

So now, with new cost-control measures being undertaken, it’s fair to ask — using Pepe’s words as markers — is the CA dying or growing? Is his strategy failing, or are these latest reductions an inevitable fact of life in a slow-growth industry?

Neither Pepe nor CA editor Chris Peck returned calls seeking comments for this story. The Memphis Newspaper Guild Local 33091, one of the paper’s three labor unions, declined to comment as well. The union has been without a new contract since 2004.

“These are challenging times for the entire industry,” wrote Pepe in his March 21st e-mail. Two other E.W. Scripps papers — the Denver Rocky Mountain News and the Ventura County Star — also announced voluntary staff reductions. At the RMN, 50 employees are eligible; there are 22 eligible at the Star.

“I’ve been in the business 29 years, and I’ve never seen a slump come on as quickly as this one in advertising dollars,” said Star publisher and president Tim Gallagher in the Star‘s March 22nd story on its buy-out offers.

A few weeks ago, Scripps revised its outlook downward for its newspaper division. It expects total revenue to be down 6 to 8 percent in the first quarter of 2007 compared to the same period a year ago; the previous estimate had been a decline of 5 to 7 percent. For the full year, the company expects the percentage decrease in newspaper revenue to be in the low single digits, as previously forecast, the company said.

It also doesn’t help that some Scripps executives ruminated briefly about the potential of spinning off the newspaper division or selling some of its assets. And though executives later denied any sale plans, it has been clear that Scripps is focusing its energies on its high-growth businesses, such as cable TV networks and interactive media units.

So, back to the cost-cutting. At the Star, there’s also a hiring freeze, though that doesn’t seem to be the case at the CA. Several new reporters have been hired in the last few months and other staffers have been shuffled to fill areas of need. And in some cases, like the departure of food critic Leslie Kelly, the CA has partly filled those openings through agreements with free-lancers such as Jennifer Chandler.

In interviews with several CA editorial employees who would qualify for the buy-out, most expressed a reticence to discuss the offer because it’s still unclear what the terms will be.

Though the terms were not disclosed in Pepe’s e-mail, a later brief on the buy-out included an indirect quote from Pepe, who said “they [the offers] are generous enough, including health benefits, to give people close to retiring an incentive to help close the gap.”

Since the Star‘s Gallagher gave a similar appeal to those close to retirement, that paper’s offer could indicate the kind of buy-out being offered at the CA. The Star‘s package includes “a week’s pay for every six months an employee has worked for the newspaper, for up to a year’s worth of pay, and 18 months of health benefits covered by the company.”

Richard Thompson’s Web site, Mediaverse:Memphis.blogspot.com, focuses on Memphis media. He is a former business writer for The Commercial Appeal.

Categories
Book Features Books

“A Crucifixion Event”

“I wasn’t making a damn thing,” according to James Robinson. Robinson was remembering the year (1968) and remembering his 15 years working for the Memphis Department of Public Works. He was earning $1.65 an hour. He was a member of the almost entirely black labor force in Memphis known as “garbage men.”

As such, Robinson was an unclassified day laborer. He could be fired, by his (white) supervisor, on a moment’s notice. He had no regular breaks. He had no place to go to the bathroom or wash up. And he had 15 minutes for lunch. If it rained, he lost wages. If the day ran into night, he didn’t make overtime.

It was a low-paying job, and in 1968, it was a very dirty job. Memphians didn’t leave their trash in specially designed, wheeled containers on the curb. Sanitation workers had to carry garbage, often in unlidded, 50-gallon drums, off a property and lift it onto a waiting truck. And the garbage didn’t stop there. Workers had to clean an entire property, and that included fallen tree limbs, loose paper, grass clippings, and sometimes dead animals.

On February 1, 1968, one of those garbage trucks also carried two dead sanitation workers: Echol Cole and Robert Walker. They’d climbed into the barrel of the truck to escape a heavy downpour, but a possible mechanical failure sent the truck’s hydraulic ram into action. The two men were crushed, and on February 12th, nearly 1,300 black laborers in the Memphis Department of Public Works, without notice, went on strike. What they wanted was a union, but, as Michael K. Honey writes in his exhaustive, absorbing, definitive history, Going Down Jericho Road: The Memphis Strike, Martin Luther King’s Last Campaign, “[l]ittle did they imagine that their decision would challenge generations of white supremacy in Memphis and have staggering consequences for the nation.”

Honey, professor of African-American and labor studies at the University of Washington-Tacoma, has spent 10 years researching this story after penning two studies in the 1990s that focused on black workers, unionism, and civil rights in the 20th-century South. He lived in Memphis for six years as a worker for the civil rights movement, beginning in 1970. And he’s researched the city’s modern history as well as anybody: its polarizing racial attitudes, its unyielding government officials, its law enforcers, its activists, its labor organizers, its religious leaders, and the national leader who was shot dead here on April 4, 1968: Martin Luther King Jr. “A crucifixion event” is how Rev. James Lawson, a leading civil rights figure in Memphis in the ’60s, described King’s assassination, 39 years ago. King — his career at a crossroads — was himself 39.

“It’s almost a universal,” Honey said recently by phone from Tacoma. “Most people know that King was killed in Memphis, but almost nobody knows what the sanitation workers’ strike was about or that there was even a strike. People don’t know that King died in the middle of a struggle for the right to belong to a union.

“I see my book as presenting a somewhat different King — someone rooted in the labor movement as much as the civil rights movement. King had a profound appreciation of the issues relating to black workers. From the Montgomery bus boycott on, he was circulating among union people from all over the country.”

One of the many virtues of Going Down Jericho Road is its demonstration of King’s expanding concerns by the mid-’60s: economic injustice in America (and his troubled Poor People’s Campaign); workers’ rights (across all racial lines); the rising Black Power movement (in the face of King’s unwavering commitment to nonviolence); and opposition to the Vietnam war (in the face of opposition from both blacks and whites).

But what of Memphis and of King in 2007?

“The legacy of the ’68 movement has been very much incorporated into the city’s story,” Honey conceded, and he pointed to the strides the city has made in race relations. But it troubles him to return to Memphis. (And he returns often to visit good friends.) He referred to closed factories, the disappearance of union jobs, the poverty he still sees in Midtown, in South Memphis, and in his old neighborhood from the ’70s, North Memphis.

This was the problem King was trying to address, and it’s still being ignored. And not only in Memphis. We have a U.S. president who’s willing to let the issue of poverty go. We saw that in New Orleans.

“But on the eve of the U.S. invasion of Iraq, I took note that people began talking about King’s speech against the Vietnam war — the one he made on April 4, 1967. In that speech, King explained why the U.S. keeps getting involved in these conflicts … how the U.S. has its priorities upside down: spending money on militarism when it should be spending money on solving the social problems that give rise to violence. I thought, back in 2003, that people are now turning to King to understand the mess we’re in.

“Conventional minds, however, want to typecast King as only a civil rights leader. It allows them to not talk about his broader spiritual framework and the larger issues he spoke about. I think people are beginning to move into a real understanding of King — King the moral leader. This is not about black and white only. It’s about human rights and economic justice, war and peace.”