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We Recommend We Recommend

Stir It Up

Bill Wharton’s musical performances are smokin’ — from his swampy Florida blues to the gumbo he cooks on stage. For 17 years, Wharton, aka the “Sauce Boss,” has fed his fans the gumbo that he specially prepares during each show.

The Tallahassee musician is now set to jam with his band at Blues City Café from Thursday, July 19th, to Saturday, July 21st, and at the Memphis Union Mission on Sunday, July 22nd.

At his upcoming Memphis performances, Sauce Boss doesn’t plan on letting anyone go hungry, especially when it goes to people in need. “We’re all about the food,” he says.

Four years ago, Wharton founded Planet Gumbo, a nonprofit organization that aims to provide hope and sustenance. Since then, he has performed for and fed residents of homeless shelters nationwide. “We try to give a message of hope — and a big pot of gumbo,” Wharton explains. “Food breaks down all barriers and brings people into the kitchen. We bring the kitchen to people, no matter where they are.”

Playing blues and cooking gumbo are “one and the same,” and only Wharton’s special Liquid Summer Hot Sauce rivals his energetic music in spiciness. But for Sauce Boss, “giving back to the communities where we play” is most important.

“I thought I had it really good before I starting doing this. But now that I have a life with service, it’s opened up so many avenues,” he says. “It’s amazing, totally amazing. You’ve got to give to receive, and you receive an awful lot when you give.”

Sauce Boss, at Blues City Café (138 Beale), July 19, 8 p.m. and July 20-21, 10 p.m., free; at the Memphis Union Mission (383 Poplar), July 22, at dinnertime, free. For more information, go to WWW.sauceboss.com or www.planetgumbo.org.

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We Recommend We Recommend

Gee, Wiz

One of the biggest events this summer is at bookstores Saturday, July 21st. Weighing 1.8 pounds and coming in at 784 pages, Harry Potter and the Deathly Hallows will be released. But the party really starts the night before. All across Memphis on July 20th, Potter enthusiasts of all ages will be coming together to celebrate the seventh and last tome in the J.K. Rowling series.

Davis-Kidd Booksellers is throwing a “Marauding at Midnight Party” beginning at 10 p.m. There’ll be a snowy tribute to Dumbledore, photo ops with Hogwarts professors, and confetti cannons at midnight.

Barnes & Noble Wolfchase is having a “Midnight Magic Party” beginning at 7:30 p.m., with a costume contest, fortune telling, and other activities. The Barnes & Noble Carriage Crossing event starts at 8 p.m. and includes a Bertie Bott’s Every Flavor Bean jelly-bean-tasting contest, giveaways, and games. You can also get your picture taken in front of a painting of Hogwarts with a cutout of Harry.

Bookstar in Poplar Plaza kicks off its event at 8 p.m., with trivia, crafts, a costume contest, and FOX 13’s Joey Sulipeck, who will read from the penultimate wizarding tale, Harry Potter and the Half-Blood Prince.

Burke’s Book Store is having its Harry Potter event on Saturday, starting at 9 a.m. An English breakfast will be served, and part of the proceeds from the book’s sales will go to the Memphis Literacy Council.

Who is the mysterious “R.A.B.” mentioned in the last book? Will Snape finally be vindicated as one of the good guys? Will Harry get killed off? Will there be life after Harry Potter ends?

We’ll all know the answers on the 21st.

“Harry Potter and the Deathly Hallows” Events, Friday, July 20th, and Saturday, July 21st: Barnes & Noble Wolfchase, 2774 N. Germantown Pkwy., 386-2468; Barnes & Noble Carriage Crossing, 4610 Merchants Park Circle (Collierville), 853-3264; Bookstar, 3402 Poplar, 323-9332; Burke’s Book Store, 936 S. Cooper, 278-7484; Davis-Kidd Booksellers, 387 Perkins Ext., 683-9801.

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Music Music Features

Soul Comes Home

After a long absence from secular music, Al Green — arguably Memphis music’s most important living artist — has been busy this decade, with two new collaborations with producer Willie Mitchell, 2003’s I Can’t Stop and 2005’s Everything’s O.K., prompting a heavy touring schedule.

This week, at the Memphis Botanic Garden, Green will give his first public Memphis concert in recent memory. Green took time out during a European tour that landed him in London, Madrid, Paris, and the Netherlands to talk to the Flyer about his homecoming concert, the exciting new album he’s been working on, and how he ran into Justin Timberlake at an overseas airport.

Flyer: Has your touring schedule increased in the aftermath of these last two albums?

Al Green: Last year we did 147 shows. This year we’re doing 130 shows. It was really two things: It was [Green’s guest appearances on] the Ally McBeal shows — there was an awakening of something there. And it’s the new albums with Willie Mitchell. We’ve been opening our shows with “I Can’t Stop.”

And you’ve been working on a new record?

Yeah. We’re doing another album with a hip-hop band called the Roots. I’ve done two songs with Anthony Hamilton. I got two songs with D’Angelo. And hopefully I’ll get two songs with a girl singer. They’re trying to pick between Alicia Keyes and the new girl from Blue Note, Joss Stone. It’s gonna come out [later this year]. I wrote 15 songs for it, but they can’t use but 12.

Everyone says Al sings like Al, but the music is different. The music is kind of hip-hop. That’s the way they want to make it, but they don’t want me to sing any different: “You sing like yourself. And let us do the music.” It’s coming off nice.

What was it like working with a younger generation of musicians and producers?

They are so up on things. Quick to catch little things. Anthony Hamilton and D’Angelo just wanted to come into the studio to hear me sing. But I wanted to write some songs. So me and Anthony did two songs, and he did the background on another one. I’m hoping for the best. I want to do a good job. I’m not a very complicated man or extravagant man, as you can see living with me there in Memphis.

You mentioned the heavy touring you’ve been doing the past couple of years, but I can’t remember the last public concert you gave in Memphis. How long has it been?

I’ve done two concerts at the Peabody. One was for the American Cancer Society. The other was for St. Jude, and that was this year, now. But the members bought up all the tickets. But this time at the Botanic Garden is for the public. I really can’t remember the last one before that.

Why has it been so long?

Because I live in Memphis. I kind of like to work other places than where my home is and where the church, the Tabernacle, is. People come from all over the world to see Al down at the Tabernacle on Hale Road in Whitehaven. It’s amazing to see all these people come.

Will the show in Memphis mean anything different to you?

For me, I have to be real and approach it the same way I would the show in Paris or London. I have just one way of doing it, and that’s to go out there and sing from your heart.

A lot of focus in Memphis lately has been on Justin Timberlake, whose family is here and who claims the city as his hometown.

Yeah, he’s my neighbor. His people live out in Shelby Forest. I live out in Shelby Forest. I talk to his mother at the gas station.

We were at the airport the day before yesterday and believe me, coming through the line, going through the maze, was Joe Cocker’s band, because he was opening the show for me; Justin Timberlake and all his group — boy, there’s a lot of them; and Al Green’s band and all his people. The guy at the checkpoint said, “How many bands do we have here?”

So you just ran into Timberlake at the airport?

Yeah. It was nice to run into him. I get to hug him, and he gets to hug me, and there’s really nothing else to say. We all went to the checkpoint, and everyone had to pull off their shoes and take off their belts and go through the metal detectors.

What do you thinkP about what Timberlake is doing lately with his music? It seems to have become a lot more R&B-oriented.

What I think is not important. I have to let Justin do what he thinks in his heart is good for him. He has to work out his own destiny, just like I had to work out mine. It’s what he thinks about himself that matters.

Now, he’s got about three bodyguards who are about 6′-6″. I shook hands with all three of them, and, man, my little hand in theirs looked like a little penny or something. I’m going like, “Damn, what do you eat?” And this one guy said [in a deep, growling voice], “People.” I said, “Oh, okay. Get away from this guy.” [Laughs]

Thanks for taking the time to talk to us.

Well, look, tell all the people at the Flyer and back in Memphis that I said hello and that I also said love and happiness, because that’s what the world is made of, and I believe in that. I’m gonna stick to my guns and try to do a great show in my hometown. Me and the band, I mean, we’re gonna get down. You’re gonna come to the show cause you know I’m gonna rock the house. What do I always do? I rock the house. Ain’t no doubt about that. So come on down with your rocking shoes on.

Al Green

“Live at the Garden”

Memphis Botanic Garden

Saturday, July 21st

Showtime 8:30 p.m., tickets $35-$86

Categories
Music Music Features

Outlaw Spirit

For Joey Killingsworth, “Quittin’ Time” was just the beginning. The Memphian wrote the song and got radio airplay before forming his namesake band, Joecephus and the George Jonestown Massacre.

“I was doing some stuff with John Pickle for his movie The Importance of Being Russell, and I came up with a wacky song called ‘Quittin’ Time,’ which got played on Rock 103, so I thought I ought to put a band together,” Killingsworth explains of the X-rated update of Johnny Paycheck‘s “Take This Job and Shove It.”

(Country music runs in the family. Joey’s father, Bobby Killingsworth, has played guitar with Eddie Bond for more than four decades.)

“Originally, I had two separate groups in mind,” admits Killingsworth, who launched the stripped-down Joecephus and the White Lightnin’ Band around the same time. “Then Hank III became my inspiration: He combines country music and heavier stuff, so I decided I could combine country and hardcore. I love Black Flag and Waylon [Jennings]-era country, so I tried to blend it. We did some acoustic shows, then our first electric show was with Shooter Jennings, Waylon’s son.”

In a recent snapshot, Killingsworth poses shirtless in the middle of Sun Studio, showing off the tattoos that further testify to his affinity for both country and punk rock. A heavily inked symbol for the experimental noise group Einsturzende Neubauten sits high on one shoulder blade, dwarfed by a brilliant caricature of Jim Marshall‘s iconic Johnny Cash portrait.

The song “Jerk U Off My Mind” has garnered more than 7,000 plays on Joecephus and the George Jonestown Massacre’s MySpace page (MySpace.com/JoeyKillingsworth). That song and tunes such as the speed-metal-inspired cow-punk anthem “Going Back to Memphis” and the country boogie “Honky Tonk Night Time” have brought Joecephus and the George Jonestown Massacre national exposure. In April, the group contributed a cover of “Death Comes Ripping” to a Misfits tribute CD. And next month, they’ll hit the road to open shows for Reckless Kelly and Unknown Hinson.

“[As of] this month, we’ll have been at it two years,” Killingsworth, a veteran of ’90s-era indie band Grendel Crane, notes of Joecephus and the George Jonestown Massacre. “When we started, we’d have gigs every weekend or every other weekend, and we’d make $20 apiece. Somehow we started networking, and we’ve been opening for everybody from Southern Culture on the Skids in New Orleans to David Allan Coe in Knoxville.

“I had to turn down a gig playing with The Bottle Rockets last weekend, because the band couldn’t do it,” Killingsworth says, explaining that he’s resorted to running a classified ad with the hopes of finding a permanent rhythm section.

“Right now, it’s me on guitar, Richard Wagor on bass, and either Don Mayall or Brett Broadway on drums, but I’m trying to find a core group, a permanent lineup that can get on the road and tour,” he says.

Last month, Killingsworth was tapped to perform with the late Waylon Jennings’ band at the prestigious Spirit of the Outlaws monthly concert series, held at Douglas Corner in Nashville. He also found time to put the finishing touches on his band’s second full-length CD, Smothered and Covered.

Joecephus and the George Jonestown Massacre will celebrate the release of Smothered and Covered with local reggae group Soul Enforcers at The Buccaneer this Saturday night.

“We’d go into the studio whenever we had a song ready,” Killingsworth says of the album’s marathon-long recording sessions. “We’d have some drinks, knock it out, and really have fun with it.”

It sounds like ol’ Hank might’ve done it that way too, but even so, Killingsworth is cautious about the group’s potential with stereotypical country-music fans.

“With whatever [the mainstream country-music industry] hypes as the new outlaw thing, they might wear big hats, but they’re not really doing anything different,” he says. “Luckily, there’s an undercurrent with these Spirit of the Outlaws shows and with people like Hank III and Dale Watson, who are just too rowdy for the establishment.”

Joecephus and the George Jonestown Massacre play the Buccaneer on Saturday, July 21st. Showtime is 10 p.m. $5 cover.

Categories
Film Features Film/TV

Almost Grown

Though I haven’t read any of the Harry Potter books, I get the sense that the movie series, however solid, has underachieved. The first two installments, directed by the terminally average Hollywood veteran Christopher Columbus, felt like dutiful, literal-minded adaptations — like someone taking care to transpose the content of the book to the screen rather than capture the spirit of the source material in a different medium.

Harry Potter and the Order of the Phoenix, the recently released fifth installment, joins Mexican filmmaker Alfonso Cuaron’s series-best third film, Prisoner of Azkaban, in breaking out of this trap. Order of the Phoenix is directed by British television vet David Yates, who is new to the series, and whether the credit goes to Yates or author J.K. Rowling’s novel, Order of the Phoenix feels more like a film than the non-Cuaron preceding films and less like a series of scenes from the book.

One suspects Yates and screenwriter Michael Goldenberg (also a Potter newbie) deserve a lot of credit: Even though Rowling’s novel ran nearly 900 pages, Order of the Phoenix is the shortest (at a still-hefty 138 minutes) and least densely plotted movie in the series. In fact, Order of the Phoenix doesn’t move the series forward in terms of strict narrative as much as it deepens the story’s characterizations and emotional terrain — while adding a crucial bit of backstory.

Order of the Phoenix picks up where the previous installment, 2005’s Goblet of Fire (the first in the series to be rated PG-13) left off. In that film, Harry (Daniel Radcliffe) faced down his nemesis, the evil Lord Voldemort (Ralph Fiennes), for the first time, a confrontation that left a classmate dead and Harry shaken. Order of the Phoenix opens with a forlorn Harry slumped in the swing set of a darkened playground, tormented by his Muggle foster brother Dudley (Harry Melling), this human menace soon replaced by a more serious magical one.

What follows is the darkest, most dangerous installment yet. There are no high-flying Quiddage matches here (though the Weasley twins do engage in a similarly rousing bit of uncivil disobedience) and fewer bits of wonder for wonder’s sake. Instead, Order of the Phoenix is largely about Potter and his pals — trusty sidekicks Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson) — asserting their independence, preparing to confront Voldemort and his minions in place of elders who aren’t taking the impending threat seriously enough —  though this plotline results in an action climax so steeped in both standard mythologies and fantasy-film pyrotechnics that it feels a bit too much like something borrowed from Star Wars.

Though there are fewer light-hearted, magical bits here than in previous installments, Order of the Phoenix is like the other Potter movies in that many of the greatest pleasures are incidental or tangential to the primary plot. This starts, as always, with the witty, inventive depiction of a subterranean parallel society with its own government and media institutions. But the real treat is the terrific supporting cast of adults. The Potter movies have become a gallery of contemporary British thespians, and, in addition to delicious turns from repeat performers such as Gary Oldman, Emma Thompson, and Alan Rickman, Order of the Phoenix adds Helena Bonham Carter (as one of Voldemort’s helpers) and, best of all, Imelda Staunton (so brilliant in Mike Leigh’s Vera Drake) as new Hogwarts headmistress Dolores Umbridge, a dowdy, smiling, pastel fascist who almost walks away with the film.

Harry Potter and the Order of the Phoenix

Now playing

Multiple locations

Categories
Book Features Books

Introductions

Introducing: Everything you’ve ever wanted to know about Johnny Mellor — aka Woody Mellor, aka Joe Strummer (of the Clash) — who tragically passed away in 2002 due to an undiagnosed heart condition.

But talk about exhaustive biographies: Chris Salewicz’s Redemption Song: The Ballad of Joe Strummer (Farrar Straus & Giroux) takes the cake. Most music biographies fall victim to too much pre-fame, pre-relevance, and youth coverage, and Redemption Song is no different. Occasionally in the opening pages, Salewicz does flash-forward and back through Strummer’s adolescence, the Clash era, and post-death accounts from friends and relatives. For the most part, though, Redemption Song follows in chronological order, and the highlights of the first 160 pages — some of it slow reading — are as follows:

Strummer’s older brother suffered from depression and committed suicide when Strummer was 18. This had a massive impact on Strummer’s life and creative drive, including Strummer’s pre-Clash concern, the 101’ers, a decent pub rock band that never released recordings while together.

Naturally, the Clash sections of Redemption Song beat out the book’s beginning and end in terms of readability. Most interesting is the fact that the band was created by an impresario, just like the Sex Pistols, who had Malcolm McLaren. The Clash was more or less masterminded by a lesser known but equally brilliant London scenester/hustler by the name of Bernard (“Bernie”) Rhodes. The political phrases pasted on Strummer’s Telecaster, for example? That was Rhodes successfully launching a trend that carries on to this day.

Salewicz’s writing is workmanlike, and he gets the job done. It also helps that the author was a good friend of Strummer’s. This intimacy benefits Redemption Song, peppering it with minute details that a less familiar biographer might not know.

After the Clash folded, Strummer busied himself with sporadic projects, including but not limited to soundtrack work for the movie Sid and Nancy, co-writing much of the second Big Audio Dynamite (Mick Jones’ post-Clash project) album, and recording a 1989 solo album, Earthquake Weather, which turned out to be a flop.

The closing portion of Redemption Song is given over to Strummer’s final years with the Mescaleros, his handpicked band, which made a respectable impact by jumping all over the musical map: reggae, roots-rock, ska, and much cover material. It was with this group that Strummer reignited the spark that burned hot during his days with the Clash.

Clash fans are encouraged to check out Pat Gilbert’s Passion Is the Fashion: The Story of the Clash. For Strummer fanatics, see Redemption Song. — Andrew Earles

You’ve read your fair share of critical essays. You’ve read plenty of personal essays. But what of the “familiar” essay? Charles Lamb and William Hazlitt in the 1820s made the prose form famous, but over half a century ago, writer Clifton Fadiman was mourning its demise, along with what went with it: “formal manners, apt quotation, Greek and Latin, clear speech, conversation, the gentleman’s library … [and] the gentleman,” according to Fadiman’s “A Gentle Dirge for the Familiar Essay.”

But perhaps Fadiman was speaking too soon, and who better to prove him wrong than Fadiman’s own daughter — author, editor, teacher, and, yes, essayist Anne Fadiman? Her collection of a dozen essays, At Large and At Small (Farrar Straus & Giroux), makes delicious summertime reading, whether it’s Fadiman fille remembering Mr. Lamb, Samuel Taylor Coleridge, or Vilhjalmur Stefansson. You’re not familiar with Stefansson, the Arctic explorer? Fadiman would love to introduce you. The surprise ingredient to her brother’s homemade ice cream? Liquid nitrogen.

But don’t be surprised by Fadiman’s observant eye and equally keen intelligence. She was once editor of The American Scholar. She’s currently the first nonfiction writer-in-residence at Yale. But in At Large and At Small, she wears her scholarship lightly. She doesn’t indulge in Greek or Latin. Her manners aren’t exactly formal. And yet, her speech is clear; her conversational style is winning. No, she’s no gentleman. But, thanks in part to Anne Fadiman, the familiar essay is not only alive, it’s well. — Leonard Gill

Call for Submissions

It’s that time of year — time to get that short story of yours whipped into shape and into the hands of Memphis magazine, the Flyer‘s sister publication. Entries for the magazine’s annual Fiction Contest are due by mail (no faxes, no e-mails, please) on Wednesday, August 1st.

Co-sponsored this year by Burke’s Book Store and Davis-Kidd Booksellers, the contest rules are simple: Authors must live within 150 miles of Memphis; stories (which needn’t have a Memphis setting or Southern theme) should be between 3,000 and 4,500 words; and multiple entries from a single author are allowed, but each entry must come with a $10 fee. That’s a small price to pay, because the winning story earns a $1,000 grand prize and publication in a future issue of Memphis. Two honorable-mention awards of $500 each will go to stories if the quality warrants.

Need more info? Click on “Fiction Contest” at MemphisMagazine.com or contact Marilyn Sadler at sadler@memphismagazine.com. Or that’s all you need to know? Mail your short-story manuscript now to: Fiction Contest, c/o Memphis magazine, P.O. Box 1738, Memphis, TN 38101.

Categories
News

BBQ and Pickle-cicles: Timberlake’s New Restaurant Gets Ink in New York Magazine

New York magazine’s “Grub Street” blog paid a visit to Justin Timberlake’s NYC restaurant, Southern Hospitality, last night, and they spotted JT chowing down in a booth. (Or as they put it: It was “either Timberlake or Osama bin Laden.”)

The magazine promised to post the entire menu, including pickle-cicles and haystack onion rings, later today.

Check out the post here.

Categories
Book Features Books

Harry Potter Events This Weekend

One of the biggest events this summer is at bookstores Saturday, July 21st. Weighing 1.8 pounds and coming in at 784 pages, Harry Potter and the Deathly Hallows will be released. But the party really starts the night before. All across Memphis on July 20th, Potter enthusiasts of all ages will be coming together to celebrate the seventh and last tome in the J.K. Rowling series.

Davis-Kidd Booksellers is throwing a “Marauding at Midnight Party” beginning at 10 p.m. There’ll be a snowy tribute to Dumbledore, photo ops with Hogwarts professors, and confetti cannons at midnight.

Barnes & Noble Wolfchase is having a “Midnight Magic Party” beginning at 7:30 p.m., with a costume contest, fortune telling, and other activities. The Barnes & Noble Carriage Crossing event starts at 8 p.m. and includes a Bertie Bott’s Every Flavor Bean jelly-bean-tasting contest, giveaways, and games. You can also get your picture taken in front of a painting of Hogwarts with a cutout of Harry.

Bookstar in Poplar Plaza kicks off its event at 8 p.m., with trivia, crafts, a costume contest, and FOX 13’s Joey Sulipeck, who will read from the penultimate wizarding tale, Harry Potter and the Half-Blood Prince.

Burke’s Book Store is having its Harry Potter event on Saturday, starting at 9 a.m. An English breakfast will be served, and part of the proceeds from the book’s sales will go to the Memphis Literacy Council.

Who is the mysterious “R.A.B.” mentioned in the last book? Will Snape finally be vindicated as one of the good guys? Will Harry get killed off? Will there be life after Harry Potter ends?

We’ll all know the answers on the 21st.

–Greg Akers

Categories
News

Anna Mae He Case is Resolved

Jerry and Louise Baker have ended their seven-year custody battle for Anna Mae He. The Tennessee Supreme Court ruled in January that the 8-year-old must return to her biological parents Shaoqiang and Qin Lou He.

The Hes initially entered Anna Mae into temporary foster care after Shaoqiang — then a graduate student in the economics department at the University of Memphis — lost his living stipend following a sexual assault charge. He was acquitted, but the Bakers kept Anna Mae. A local judge gave the Bakers custody of the child, ruling that her parents had abandoned her.

Anna Mae will fully return to her parents at the end of this month, following a court-mandated period of visitation. The Chinese citizens will return to their native country.

Read some of the Flyer’s coverage of the story here.

Categories
Politics Politics Feature

The Race is On! Here’s the List of City Candidates

Sixteen candidates
for mayor, gazillions of council candidates, and even something of a race for
city clerk.. That’s what it looked like after Thursday’s filing deadline. Some
winnowing out will occur before next Thursday’s withdrawal deadline, but what
you see below is what you get to choose from.

By tomorrow we may
feel like making some fearless predictions. Meanwhile, here’s the list:

Mayor:

  • Fred Askew
  • Laura Davis Aaron
  • Carlos F. Boyland
  • Randly L. Cagle
  • Carol Chumney
  • Willie W. Herenton (incumbant)
  • Robert “Prince Mongo” Hodges
  • Bill Jacox
  • Roosevelt Jamison
  • Dewayne A. Jones, Sr.
  • Bill Mcallister
  • Jame McKay
  • Herman Morris, Jr.
  • Jerome C. Payne
  • Sharon A. Webb
  • John H. Willingham

City Council
District 1
:

  • W.B. Bates
  • Jerry Benya
  • Rudolph Daniels
  • Keith Ferguson
  • Stephanie Gatewood
  • Jesse Jeff
  • Bill Morrison
  • Antonio “2 Shay” Parkinson
  • Riesel Sandridge

City Council
District 2
:

  • Daryl Benson
  • Jesse Blumenfeld
  • Bill Boyd
  • Karen Camper
  • Georgia Cochran-Cannon
  • Ivon Faulkner
  • Todd Gilreath
  • Scott Pearce
  • Daniel Price
  • Brian Stephens

City Council
District 3
:

  • Jennings Bernard
  • Albert Banks, III
  • Harold Collins
  • Davida M. Cruthird
  • Ike Griffith
  • Jerome Payne
  • Ronald Peterson
  • Madeleine Cooper Taylor
  • Coleman Thompson

City Council
District 4
:

  • Wanda M. Halbert
  • Johnny Hatcher, Jr.
  • Venita Marie Martin

City Council
District 5
:

  • Jeff Bailey
  • Denise Parkinson
  • Richard Parks
  • Kerry Rogers
  • Bob Schreiber
  • Jim Strickland

City Council
District 6
:

  • Perry Bond
  • James O. Catchings
  • Charles Etta Chavez
  • Jesse Chism
  • Philmore Epps, Jr.
  • Edmund Ford, Jr.
  • Clifford Lewis
  • Alicia A. Howard
  • Willie H. Justice, III
  • Reginald Milton
  • Ed Vaughn

City Council
District 7
:

  • Veronica Sherfield Castillo
  • Barbara Swearengen Holt-Ware
  • Preston Poindexter
  • Derek D. Richardson

City Council
District 8, Position 1
:

  • Joe Brown
  • Ian L. Randolph
  • Tiffany L. Lowe

City Council
District 8, Position 2
:

  • Janis Fullilove
  • Henry Hooper
  • Matthew Jordan
  • Derrick Lanois
  • George Monger
  • Jesse E. “Elder” Neely
  • Brian L. Saulsberry
  • David W. Vinciarelli
  • Trennie Williams

City Council
District 8, Position

3:

  • Del Gill
  • Myron Lowery
  • Toni Strong

City Council
District 9, Position 1
:

  • Cecil Hale
  • Scott McCormick

City Council
District 9, Position 2
:

  • Joseph L. Baier, Jr.
  • Kemp Conrad
  • George Shea Flinn
  • Frank Langston
  • James Christopher Lochbihler
  • Florence Johnson Raines
  • Joe Saino

City Countil
District 9, Position 3
:

  • John H. Coats
  • Boris Combest
  • Reid Hedgepeth
  • Desi Franklin
  • Lester F. Lit
  • John Pellicciotti
  • Mary Wilder

City Court Clerk

  • Betty S. Boyette
  • Thomas Long
  • Jeffrey J. Shields
  • M. Latroy Williams