Categories
Opinion Viewpoint

Fear, and Fear Itself

“It is time to fear when tyrants seem to kiss.” — William Shakespeare

If what William Shakespeare said is true, and it is, then today we have little to fear. All the tyrants of the world are certainly not kissing. Everyone seems to hate everyone else, and the Islamic extremists seem to hate every other ethnic sect as much as they hate us. The only foreign leader Bush feels like he can trust is Arnold Schwarzenegger.

That is why when Michael Chertoff, who controls the Homeland Security budget, says that there is a bogeyman around the corner, I take it with a grain of salt. Without putting fear in us, he has no job and certainly no budget. Last week, he said he “had a hunch that there might be an attack this summer.” What sort of comment is that? It is about as vague and silly as terrorist alert levels orange, red, or mauve.

Even the British, with all the Muslims living in England, some of whom recently tried to set off a bomb at Glasgow airport, raised their threat level. Ever the English, I think they went from level “miffed” to “perturbed” after the incident.

The French went from threat level “run” to “hide.” The only higher levels the French have are “cower,” “tremble,” “surrender,” and “collaborate.”

The way the terrorists really hurt us was by making us create the department of Homeland Security in the first place. It has become no more than a pork-barrel political gorging fest. The TSA (Thousands Standing Around) just took the private-sector security guards in ill-fitting blazers and government-issue polyester pants and turned them into a unionized, overweight, overpaid, rigid group that frisks grandmothers on their way to Florida. We now have to bring our carry-on bags to some woman who is about 5′-1″ and pushing the deuce on weight. Her pants are so tight, the zipper looks like gold teeth. Is this really what you want? Your first line of defense against the terrorist is a woman smacking gum and telling you to stay eight feet away from her while rolling her eyes and flirting with her male counterpart?

It has been almost six years since 9/11, and they still do not have a card that safe Americans can get that would move us through the airport line more quickly. Just how long does that take? You ask a few questions, you check the person out, and you issue the card. Equifax and Blockbuster can do it in an hour.

And how about some shoehorns at the end of the security line? Millions fly each year and take off their shoes. How long would it take a business to figure out that providing shoehorns would be a good idea?

You cannot count on the U.S. government, people. The sooner you realize that, the sooner you will stop being disappointed. We got Paris Hilton behind bars, but Osama bin Laden, an old millionaire hooked to a dialysis machine, is still running around. Remember, he was sweet on Anna Nicole Smith. Now that she has died, our only real chance of catching bin Laden is gone.

We have to believe in ourselves, not the federal government. Olympic bomber Eric Rudolph was caught by a small-town, off-duty cop. The “terrorist ring” in New Jersey was foiled by a Circuit City employee. (The guy was good: He not only caught them but sold them a bunch of junk that they didn’t need with extended warranties.) There are your true heroes, not the self-important bureaucrats in government. I really believe that politicians are agents of the devil, yet their duties are largely ceremonial.

What we need to do is secure our borders with our soldiers. We have nobly tried to help Iraq. However, as we have learned time and time again, you cannot help those who are unwilling to help themselves. If we are beaten by the terrorists, it will be in the same way the Soviet Union lost to us: We will be pushed into fiscal bankruptcy by politicians pouring money down a black hole in wars that need not be fought.

Ron Hart is a columnist and investor in Atlanta. His e-mail: RevRon10@aol.com.

Categories
Letter From The Editor Opinion

Letter from the Editor: Legislating the End of Sex

“John Edwards Vows to End All Bad Things by 2011.”

That headline ran last week in The Onion, the online institution that is to newspapers what The Daily Show is to CNN. The ensuing article quoted Edwards as follows: “Racism will soon be a thing of the past. Same goes for being picked last for playground athletics, AIDS, robbery, not having enough spending money, and murder. Because these things are bad and not good, I promise they will be eliminated.”

As with most things that are truly funny, the parody slices perilously close to the real McCoy. Politicians are always promising to end bad things. Here in Memphis, for example, the County Commission and the City Council are considering ordinances that will further regulate strip clubs, massage parlors, escort services, adult bookstores, and adult movie houses. Turns out, we’ve got sex, right here in River City.

One element of the proposals would ban the sale of alcohol at strip clubs, the idea being, apparently, that nekkid ladies aren’t nearly as interesting to look at if you’re sober.

Yeah, that’ll work. Ever heard of BYOB?

I’m sure all of this is well-intentioned, but it’s really pointless. Memphis is not now and never will be Salt Lake City. Our roots run funky and hot. Sex and alcohol and gambling are part of our civic fiber, just like blues and barbecue. These latest attempts to “regulate” vice will only force these businesses underground temporarily, until the next wave of politicians looking for an easy target arises.

And pushing them into the shadows won’t stop anyone from patronizing them. It will just make them harder to regulate. Prostitution isn’t called the “world’s oldest profession” for nothing. Wouldn’t it be easier to just create zoning categories for these enterprises, so they can operate away from churches and residential neighborhoods? That way, cops could focus on crimes against God-fearin’ people, instead of those heathen pervs who frequent titty bars.

But, alas, hope springs eternal among certain of our leaders that we can end all bad things if we just pass enough laws. After all, the laws against murder and carjacking and burglary ended those bad things. Didn’t they?

Bruce VanWyngarden

brucev@memphisflyer.com

Categories
News News Feature

An Artist’s Best Friend

It’s hard to imagine a world without Blue Dog.

George Rodrigue, a Louisiana native, began painting the canine, originally an homage to the loup-garou of Cajun myth, two decades ago, but it feels like the blue-and-white dog has been around forever.

Born in New Iberia, in the heart of Cajun country, Rodrigue attended the University of Southwest Louisiana and studied abstract expressionism at the Art Center College of Design in Los Angeles before ultimately settling in New Orleans.

“Back then, art in Louisiana was everybody trying to copy what was coming out of New York,” he explains. “After my third or fourth trip away, I’d started realizing that Louisiana was very different from the rest of the country. I started documenting every facet of life that was pictorial. Cajun music was in a revival, there were crawfish and gumbo festivals, and I found a wealth of information right there to photograph.”

Using those images as source material, in the 1970s, Rodrigue began creating a body of work that depicted outdoor dinners under giant live oaks, Mardi Gras royalty, crawfish boils, and afternoon hayrides. Then he moved onto Louisiana’s homegrown heroes and folk legends: Evangeline, Huey Long, Paul Prudhomme, and, of course, the loup-garou or werewolf.

“I wanted to graphically interpret the history of the Cajun people, who were cut out of Canada, came to Louisiana, and stayed there,” Rodrigue says, referring to the Acadian exiles of the mid-1700s. “I wanted the people to look cut out, so I made them with sharp edges and used white to show how their inner culture was glowing. It took about five years to really get it down, but the more I came up with the formula, the more unique my paintings became.”

Rodrigue hung 25 of his creations in his gallery window when the Super Bowl came to New Orleans in 1989. “And that was it,” he says triumphantly, noting that within a week, People, The Wall Street Journal, The New York Times, and the Today show, had catapulted his $800 paintings into the national consciousness.

“I got a better reaction the further away [from Louisiana] I’d go,” Rodrigue says of his work, which by the mid-’80s, had begun to feature Blue Dog, modeled on photos of his own pet, Tiffany, who died at the start of the decade.

Through the ’90s, Blue Dog appeared in hundreds of paintings, sharing the canvas with Louis Armstrong, Billy the Kid, and an alligator. Blue Dog wore clown makeup, Mardi Gras masks, and an Abe Lincoln stovepipe hat. Blue Dog also turned up in unexpected places, sitting on cemetery crypts, in front of the White House, and on picnic blankets with Rubenesque nudes.

Painting Blue Dog is freeing, Rodrigue says. “It’s all about shape, colors, and patterns. I was ready for it, really energized to try something new and different and really contemporary. After I painted 100 of ’em, it became a purely emotional exercise.”

Although Rodrigue has accepted commissions for Xerox and Absolut advertisements, he refuses to mass-market Blue Dog, turning his back on what’s potentially a multimillion-dollar industry.

“Everybody says make T-shirts, do this, do that, but it’s not fun for me. I won’t make keychains or icebox magnets. If I did, I’d have to quit painting, because it would no longer be a creative process.”

There are also the fans who wear homemade Blue Dog souvenirs. “Doing something that’s so popular is sometimes a double-edged sword,” Rodrigue says with a chuckle. “We’ve gone places where somebody’s sitting there with a Blue Dog T-shirt, one that they’ve downloaded and ironed on. We’ve got five lawyers working all the time, stopping people from making Blue Dog stuff and selling it on eBay.”

“Mass merchandising,” he decrees, “is for my kids and grandkids to do, but not while I’m alive.”

Although the bulk of the paintings that comprise “Blue Dog: The Art of George Rodrigue,” which opens at the Dixon Gallery and Gardens this weekend, centers around Blue Dog, the exhibit also includes early pieces and samples from Rodrigue’s more recent series of hurricane paintings, begun before Katrina devastated the Gulf Coast.

“Every five years, everything changes,” Rodrigue says. “I’m affected by life as it goes on around me. In the studio, something happens — I can’t sit and paint a happy-eyed Blue Dog when something’s going on around me.

“When I paint for myself, people say, ‘You’re gonna lose your audience.’ But I’ve never worried,” he contends. “If the paintings are sincere to me, if I care about them so much that I don’t want to sell them, people will pick up on it.”

After Katrina, Rodrigue founded Blue Dog Relief, creating silk-screened recovery-themed images to raise money for his battered home state. So far, he’s netted more than $1 million for United Way, the Southeast Chapter of the American Red Cross, the Louisiana Endowment for the Humanities, and the New Orleans Museum of Art.

“Right away, $300,000 came in,” Rodrigue notes. “A lot of people who lost everything in Katrina wrote in and said, ‘This is the first thing I want to buy.'”

Blue Dog: The Art of George Rodrigue

At the Dixon Gallery and Gardens

July 29th-October 14th.

Lecture with George Rodrigue and his wife Wendy on Sunday, July 29th, at 2 p.m. For more information, go to www.Dixon.org or www.GeorgeRodrigue.com.

Categories
News The Fly-By

Weapons of Mass Distribution

Recently in Nashville, Tennessee Department of Transportation (TDOT) workers spent a day picking bits of once-frozen TV dinners off Interstate 440 after a tractor-trailer flipped over a guardrail.

The driver, Peter Wayne Meadows of Okolona, Mississippi, lost control of his vehicle while trying to maneuver a curve. Fortunately for other drivers, and TDOT workers, Meadows was hauling frozen dinners instead of hazardous waste.

As of July, the U.S. Army has shipped 103 truckloads of neutralized nerve agent VX on I-40 through Memphis. The chemical, currently stockpiled in Newport, Indiana, is being shipped to Port Arthur, Texas, for incineration.

It’s the possibility of a wreck that has members of the Kentucky-based Chemical Weapons Working Group (CWWG) and the national Sierra Club worried.

“Nobody knows what happens if you get [the neutralized VX nerve agent] on your skin,” says Elizabeth Crowe of the CWWG, an environmental action group promoting safe elimination of chemical weapons. “If you get a pinpoint amount of [straight] VX on your skin, it is enough to kill you.”

The CWWG and Sierra Club are seeking a preliminary injunction to stop the shipments. A federal judge in Indianapolis heard arguments last week and is expected to make a decision this week. The Army has voluntarily ceased shipments until that decision.

Army spokesperson Greg Mahall says they plan to ship a total of 450 truckloads of neutralized VX by December 2009 but that the chemical is a caustic solution that’s no more harmful than a truckload of “Drano or other drain cleaner.”

“Essentially,” Mahall says, “if you’re exposed to a nerve agent, it shuts down your central nervous system and results in death.”

Though Mahall says the shipments are neutralized, depositions by managers at the Newport Chemical Depot suggest otherwise. In documents presented to the court last week, the managers said samples from tanker spillage showed concentrations of the VX nerve agent in the neutralized byproduct.

“If something were to happen and that nerve agent were to get out of its container, we would have a huge disaster,” says Rita Harris, environmental justice coordinator for the local Sierra Club. “It really shouldn’t be coming … through the center of town. It’s scary because there are so many different accidents that could happen.”

Jeremy Heidt of the Tennessee Emergency Management Agency says they are in constant contact with the drivers as they approach the state border.

“We would stop them in Missouri before they cross over the border if they were to arrive in Memphis during rush hour,” says Heidt.

Local first responders are also notified as the shipments come through.

But the CWWG and Sierra Club would rather the Army dispose of the chemicals on-site in Indiana.

“It wasn’t ever a good idea to ship this waste off-site,” says Crowe. “Now that we know there’s actually more VX nerve agent within the [neutralized chemical], that makes it an even worse idea.”

The Army claims VX was never used in any American war, but there is some suspicion that Iraq used the chemical against Iran in 1988.

Categories
Cover Feature News

Four More Years?

We have seen the field. That is the hard, inescapable fact of last week’s filing deadline. The next mayor of Memphis will almost certainly be one of three contenders — two of whom are familiar properties: the proud (some say reckless, some say haughty) incumbent Willie Herenton, and the determinedly independent (some say foolishly stubborn) City Council member Carol Chumney. A third candidate, former NAACP official and MLGW head Herman Morris, has yet to make his profile clear, and that is perhaps his major problem.

Oh, there is yet a fourth candidate, former Shelby County Commissioner John Willingham, who is well enough known. Respected, even beloved, by some for his densely detailed plans to fix virtually everything and regarded as an eccentric by a perhaps greater number, Willingham constitutes a relatively distant second tier all by himself.

And after him, among the 12 other candidates who qualified by the July 19th filing deadline, there is naught but anonymity, lacking as of now even Robert “Prince Mongo” Hodges, the barefoot denizen of the Planet Zambodia and the numbing punchline to an old joke which, for some time now, has been told only by himself to himself.

A perennial, Mongo filed his papers correctly but was disqualified for one more run because of unpaid fines relating to state election requirements. The now officially irrelevant Mongo did have one moment of historical importance, shaking loose a few hundred frivolous protest votes that likely would otherwise have gone to then-incumbent mayor Dick Hackett in 1991 and thereby making possible the victory, by a margin of 142 votes, of former Memphis City Schools schools superintendent Herenton as the city’s first elected black mayor.

If not for that, Mongo would have been no more consequential than a candidate who remains on the ballot — Bill (formerly Willie) Jacox, the perennial’s perennial, who disappeared from Shelby County ballots for a decade, as did his crude self-advertising handbills that used to litter telephone poles throughout the city, but who is back this year. Two other candidates — bus driver Carlos Boyland and businessman Randy Cagle — were so obscure that, when they tried to launch early candidacies at the Election Commission’s downtown office in 1996, they were erroneously given petitions to run for county mayor that year.

Cagle made something of a fuss at a recent neighborhood forum in southeast Memphis when he accused the media of downplaying his prospects and keeping him, and others like him, out of the charmed ranks of acknowledged contenders.

It doesn’t work like that, of course. Though here and there over the years an effort has been made to logroll somebody into or out of prominence, the media don’t make or break anybody. They — we — are still merely chroniclers of moods and momentums that stir of themselves, or, as in the case of Shelby County mayor A C Wharton, the reluctant warrior who last week finally and firmly squelched insistent draft efforts by a multitude of well-known and unknown courtiers desperate for a change at the city’s helm, are put into motion by specific forces in the community itself.

Now, as always before and (one hopes) forever, ours is a representative system. That, for better and for worse, is the root fact.

Who, then, do the major players represent? Here is a capsule of sorts:

Mayor Willie Herenton: By his own testimony, the incumbent mayor is still the man who, as he told an almost hysterically happy, cheering crowd of mainly African-American citizens at The Peabody on an October night in 1991, was “willed” by them into power and prominence as the culmination of historical justice and inevitability, whose accession to power was attended, at the last rally and at the first post-victory celebration, by no less a figure than Jesse Jackson, the civil rights avatar who had been on the balcony of the Lorraine Motel in 1968 with the slain martyr Dr. Martin Luther King Jr.

One of the ironies of this mayor’s career is that he could not have represented outcasts from power and passions so long denied had he not, just prior to his ascension, been suddenly cast into disrepute with a civic establishment that had once embraced him and appointed him to its major power boards. Forced from his perch as head of the Memphis schools system by a sexual scandal (the late 1980s were post-Gary Hart and pre-Clinton times) and by alleged administrative irregularities, Herenton became a martyr for that moment of change.

Justin Fox Burks

The mayor, an able and commanding figure and (as he never tired of reminding people) a once-undefeated Golden Gloves champion, won three subsequent elections on the strength of his personal dominance and visible successes — mainly in civic (read: downtown) reconstruction and a record of (apparent) fiscal solvency. But his fourth term, which began with a thunderous denunciation of his City Council and a heady claim of divine sponsorship, proceeded into financial difficulties, an era of resurgent crime, and all-too-mortal wrangles with disbelievers, who included both council members and those members of a disaffected population who were challenged by Herenton to “leave” if they didn’t like how he did things in his dominion.

As it happens, the number so aggrieved has risen to the point, among blacks as well as among whites, that the mayor actually ran second (to Chumney) in the first set of polls conducted in this electoral season. Hence his reaching again for the martyr’s mantle and African-American solidarity, as in the now famous press conference of mid-June when he accused various disloyal “snakes,” in concert with a vengeful power establishment, of scheming to overthrow him with — shades of those late 1980s — a sexual-blackmail plot.

But as the Rev. Bill Adkins, a major ally in Herenton’s campaign of 1991 and co-founder of the ill-fated “Draft A C” movement, observed last week, “He really hasn’t done what he promised to do for black people. The truth is, on matters like minority contracting, he’s not even been as good as Dick Hackett was!”

Outlook: Though favored at the moment by prognosticators looking down track, Herenton fared no better than even with Chumney in the last major Wharton-less poll, taken the week before last for The Commercial Appeal by Ethridge and Associates. The mayor still has much to prove, even to his presumed hard-core base in the black community.

Carol Chumney: A maverick’s maverick, first-termer Chumney is, hands down, the most unpopular City Council member among her colleagues in city government, both on and off the council. More than once, she has put on the table a motion for an action or cause with more than plausible rationale, only to look in vain for a second. The most recent and telling case of this came back in April, when Chumney proposed a resolution asking Mayor Herenton to reverse course and accept the proferred resignation — initially rejected by the mayor — of the then beleaguered MLGW president Joseph Lee.

As so often before, Chumney’s motion failed for lack of a second. Accused by colleague Joe Brown of trying to advance her political chances and by member Brent Taylor of procedural irregularity, Chumney responded indignantly, “If I’m out of order, so be it!” A subsequent resolution by councilman Jack Sammons asking Lee to resign encountered racial-bloc voting and failed of approval by a single vote – Chumney’s. She had declined to vote for it on the technically correct ground that Lee had already tried to resign — or at least gone through the motions of doing so.

When Lee’s dormant resignation finally was accepted, on the heels of his misguided (and apparently misinformed) blackmail threat against an MLGW board member, the suddenly ubiquitous Nick Clark, Chumney claimed vindication. But the consensus among many neutral observers was that she had lost face — not just by virtue of her colleagues’ rejection but because she had appeared too unyielding and unwilling to consider compromise, that mother’s milk of consensus politics.

It is, of course, her very intransigence that has accounted for Chumney’s surprisingly high standing in the polls and for the fact that the former Democratic state representative from Midtown draws cheers when she appears before government-bashing conservative groups anywhere in the city.

If Herenton has cast himself as the symbol of a long-suffering race, Chumney has succeeded in becoming the Joan of Arc of the disaffected. Moreover, she has genuine reformer’s credentials, having played a leading role in exposing and correcting child-care abuses while a member of the state House and, as a council member, taking damn-the-torpedoes positions against questionable, if long-accepted, practices in city government. A case in point was the now-vanished arrangement whereby only 12 years of city service entitled one to a comfortable lifetime pension.

Chumney can also take credit for go-it-alone probes that in the last year or two turned up evidence of the city’s fluctuating credit rating and its tenuous budgetary predicament.

Jackson Baker

Mayoral candidate Carol Chumney: Joan of Arc of the disaffected?

Outlook: Though boosted by a grass-roots network of sorts and by recent trends that arguably favor female candidates, all other factors being equal, Chumney seems doomed to run a cash-poor campaign, and though her unquestioned ability to garner free media will help her in that regard, her long-range prospects among black voters remain a mystery, while at the same time she has real competition for the city’s white vote.

Herman Morris: Once a star scholar and athlete and, in his adult years, a man of considerable professional attainment, this up-from-humble-origins success story has found himself cast all too often as a contemporary member of what used to be called “the black bourgeoisie.” This is despite a long early history of legal and political activism on behalf of civil rights causes and candidates.

Morris’ reputation in the public mind is largely fixed from his seven years’ service as president of MLGW, an important (and, these days, crucial) administrative venue that depends disproportionately on behind-the-scenes activity, even more so than other appointed positions of less obvious public urgency. Even in moments of crisis — like the “Hurricane Elvis” windstorm of 2003 — it is elected officials, notably the mayor, who bear the brunt of public attention.

Until this year, when he followed through on a long-nursed ambition to run for mayor — at least partly, many think, to atone for what he regarded as ill treatment by Herenton — Morris was mainly known for the falling-out with Herenton that led to his ouster from MLGW in late 2003 or for the supposed “golden parachute” that, perhaps unfairly, he was considered to have left with or perhaps even for his championing of utility investments, including the now-controversial Memphis Networx, a public/private fiber-optic venture that is popularly believed to have been a financial bust and is on the verge of being abandoned, at a fire-sale price, to a private financial concern.

Morris is the kind of public figure who requires careful scrutiny to properly “get” him, and the same is apparently true of Networx, which, in February of this year, long before the taxpayer-funded investment became an issue, newly announced mayoral candidate Morris made a point of publicly touting. Indeed, in an age in which Memphis is encumbered by a “connectedness” gap (see Editorial, p. 16), Networx might, as the Flyer‘s Chris Davis has suggested in a series of articles, have been the foundation of a viable public utility in its own right.

If Morris is to succeed in the politics of this year, however, he has to stake out some basis for popular appeal. He is funded well. This month’s disclosures showed him well into the six figures — though still considerably below the half-million dollars and up that Herenton has in cash on hand. Morris’ voter support, too, has so far depended largely on affluent sectors of the community and on Republican sources as much as on Democratic ones.

With that need in mind, we may be treated to further quirky moves like Morris’ recent demand that other candidates join him in having drug tests — a patent play to so far wholly unsubstantiated rumors concerning the incumbent mayor.

Outlook: With his mixture of black and white support, based disproportionately in the middle class, Morris may well turn out to be the default anti-Herenton candidate, but his long-term prospects depend on further progress in what has been a slow evolution from his naturally reserved private persona into the kind of glad-handing bonhomie type that a mayoral race requires.

John Willingham: What can we say that we have not said many times already about this gallant and largely misunderstood public figure, to whose gadfly-like prodding of the governmental structure the public owes much — not only in the realm of exposing abuse (à la the now-notorious FedExForum deal, private garage and all) but in the determined venting of alternate public courses, like Willingham’s various proposals for serious tax overhaul?

Willingham has a reputation in too many quarters as a crank, though he overcame it big-time with his upset victory in 2002 over an establishment pillar, the late Morris Fair, to become a member of the Shelby County Commission. That triumph was owing to Willingham’s becoming a channel for massive discontent over the way public funds were used, sans public consent, to bait the Grizzlies into relocating to Memphis.

Forced into an ill-advised race against Shelby County mayor Wharton in 2006 by his correct perception that too many forces, financial and otherwise, were committed to defeating his bid for reelection to the commission, Willingham is once more a private citizen, and, unfortunately for his electoral prospects, even many of his veteran well-wishers have written off his chances, casting their lot with other candidates. His devoted but long-suffering wife Marge has made no secret of her wish that her husband would cease and desist from his flirtations with public office, especially now that his chances seem so slim.

But he is still there, for one more Revere-like ride, it would seem, passing out pamphlets showing he still has an ambitious eye for redesigning the public sphere (most recently to convert the much-pondered-over Fairgrounds into an Olympic Village).

Outlook: The ex-Nixon administration aide, multi-patented inventor and engineer, and well-known barbecue maven is the longest of long shots, eminently more qualified than, say, the unlamented Mongo, but in most quarters given no greater potential for success than the Zambodian would have had. Indeed, some longtime friends wonder if Willingham isn’t taking votes away from the other potentially viable challengers.

Whoever is destined to be mayor of Memphis after October 4th is guaranteed to be dealing with a City Council with a majority of newly elected members. That outcome was foreshadowed by accelerated attrition and by the wave of indictments for public corruption that swept aside two veterans, and it was made certain when council mainstays Tom Marshall and Jack Sammons, both of whom apparently considered mayoral runs themselves, opted out of reelection races just before filing deadline.

That means that such front-burner issues as what to do with the Fairgrounds (a legislatively vetted proposal from developer Henry Turley awaits possible implementation), whether or not to seek functional merger of the city police with the Sheriff’s Department, and how finally to dispose of the ghost facility known as the Pyramid (tomb of a previous governmental generation’s civic imagining) will all come under the purview of fresh eyes and — we are entitled to hope — fresh perspectives.

This new council and the newly elected (or reelected) mayor will also have the advantage and the challenge of dealing with recommendations for change by the Charter Commission that was elected last year and has dutifully and quietly gone about what could turn out to be momentous labors.

In any case, a new team will be taking the field, and the game of Memphis city government will almost surely take new and unexpected turns, no matter who the manager of record turns out to be.

Categories
Music Music Features

Hooked

As curator of the first Memphis Pops Festival, happening Saturday, July 28th, at the Hi-Tone Café, Shangri-La Projects owner Sherman Willmott has assembled a lineup of past, present, and future talent that showcases a genre sometimes overlooked when Memphis music is discussed. With the legacy of blues, soul, and rock-and-roll looming over the city’s music history, Memphis’ contribution to the pop genre tends to be neglected. And by “pop,” I mean pop rock, power-pop, and the garage or punk variations of pop. I do not mean Survivor.

A cursory survey of Memphis pop would probably begin with the Box Tops, where a teenaged Alex Chilton led his band through such ’60s hits as “The Letter” and “Cry Like a Baby.” That band helped launch a scene in the ’70s that included Chilton’s classic cult band Big Star, the Hot Dogs, Cargoe, the Scruffs, Tommy Hoehn, Van Duren, Chilton’s solo career, and Calculated X. It might also include the late ’80s/early ’90s when nascent incarnations of the Simpletones and the Grifters were putting their own twisted spin on pop. But another key band in the history of Memphis pop was the Crime.

The Crime’s heyday was ’80 through ’84, when they released the “Do the Pop” single and the 12-inch EP Crash City USA. Headlining the Memphis Pops Festival are Crime founders Jeff Golightly and Rick Camp, reunited in the form of the new band Everyday Parade, which recently wowed a small crowd at the Buccaneer and should certainly prove to be a highlight of the evening. A brand-new set of Everyday Parade material will be released on CD later this year.

Another surprise on the comeback trail is the Tim Lee 3, featuring the founding member of ’80s jangle-pop stalwarts the Windbreakers. The advance tracks from the band’s upcoming album sound like outtakes from the Dream Syndicate’s classic ’80s album The Days of Wine and Roses.

Yesterday and today: the Crime and Everyday Parade

Representing a younger generation at the Memphis Pops Festival is a who’s who from the hooky end of the local indie scene.

Though currently based in Brooklyn, Viva L’American Death Ray Music for years used various Memphis bars to craft and tighten an evolving, catchy post-punk sound that puts most of their new neighbors to shame. Death Ray is another band on the bill that will be gracing the world with a new album sometime soon.

Antenna Shoes is the rare case of a “supergroup” equaling the sum of its parts, with Steve Selvidge, Paul Taylor, and members of Snowglobe knocking out widescreen power-pop like it’s a walk to the drugstore. The band is currently shopping around a debut album.

Vending Machine’s King Cobras Do, released back in February, is hands-down this writer’s favorite local record in recent memory. Backing Robby Grant for Saturday’s Vending Machine slot will be brother Grayson, Quinn Powers, and longtime drummer Robert Barnett.

The most ubiquitous version of pop-punk can be found blasting from the speakers at your nearest Hot Topic. A better version can be found on a Carbonas record. Channeling what made the Buzzcocks and late-’70s DIY punk great, the Carbonas may be from Atlanta, but they’re honorary Memphians due to regular live visits and a single on Goner Records. The third Carbonas full-length album will be released on Goner in time for Christmas.

Emcee Zac Ives (co-owner of Goner) and DJ Buck Wilders will be filling the spaces in between the bands. Revelers are encouraged to get the festivities started early with an afternoon pre-show at Shangri-La Records. Starting at 3 p.m. on Saturday and concluding just in time to grab a quick nap before heading over to the Hi-Tone, the lineup is as follows: Nice Digs, Arch Rivals, Wallendas, and the Perfect Fits. A seven-inch compilation featuring Viva L’American Death Ray Music, Vending Machine, Antenna Shoes, and the Carbonas will be given away at the show. The EP is a co-release by Shangri-La Projects, Shangri-La Records, and Goner Records. With burgers and hot dogs served throughout the evening (somehow, the perfect power-pop food!), it will be interesting to see how many copies emerge covered in drunken food smudges. As an added bonus, Ardent Records: 40 Years Story, former Commercial Appeal music writer Larry Nager’s documentary on the studio/label that birthed many of the best ’70s pop records, will kick off the evening.

There’s no such thing as overdosing on great pop, as a successfully catchy song happens to be the hardest piece of music to write. Regardless, it’s a safe wager that the Memphis Pops Festival will succeed in filling the fans’ ravenous need for timeless hooks.

Memphis Pops Festival

With Everyday Parade, Vending Machine, Antenna Shoes, Viva L’American Death Ray Music,

The Tim Lee 3, and The Carbonas

The Hi-Tone Café

Saturday, July 28th

Door opens at 6 p.m.; admission is $10

Categories
We Recommend We Recommend

Giddyup

Most girls discover My Little Pony in preschool, but my daughter was a latecomer, eschewing the trend until her early teens when, in a DIY frenzy, she started customizing the pastel prancers. Her passion for the craft was unstoppable, sending her to thrift shops to rescue discarded ponies, to crafts stores for Sculptey and beads, and to online forums for detailed instructions on how to reroot pony manes one strand at a time. To this day, my most treasured gift is a custom garden pony with messenger bag, flower tattoo, and jaunty straw hat. I call her Miss Bloomer. (That’s her to the right.)

If you don’t know that every MLP has a name, then the My Little Pony Fair Collectors Convention isn’t for you. But if your love for the little ponies is, well, a little obsessive, head straight for the Memphis Cook Convention Center for a national gathering this weekend of like-minded enthusiasts. Now in its fourth year, the convention is finally endorsed by Hasbro, which introduced the first generation of ponies (now there are three) in 1982. Andreas Bernhardsson and Maria Wallin, creators of the online Pony Island game, where visitors can raise their own ponies, will give a talk. The convention includes a custom pony swap, pony “Jeopardy,” lots of cool pony merch, and more.

My Little Pony Fair Collectors Convention, Memphis Cook Convention Center, July 28th-29th, 10 a.m.-6 p.m. One-day tickets are $12; two-day tickets are $20. See www.mlpfair.com for more information.

Categories
Living Spaces Real Estate

In Focus

Q: What do people who live in high-rise
condos, townhouses, urban bungalows,
suburban homes, zero-lot-line neighborhoods or on 10-acre farms all have in common?

A: The guy next door.

No matter where you hang your hat, you’ve got to contend with neighbors, especially if you own your living space. Ownership means membership — in your community, in your neighborhood, on your street, in your building, or on your floor — and membership means responsibility: responsibility to hold the line on your neighborhood’s curb appeal and responsibility to make nicey-nice with the folks who live nearby. What that level of responsibility entails depends on you, but a lot of it depends on your neighbors.

How involved you are will go a long way in defining your standing in the neighborhood. Here’s a primer on one of the vital aspects of the exciting world of being alive: neighbors. (And let me take this moment to say how much I like my own neighbors — especially the ones who might be reading this — and to say I’m the luckiest guy in the world to have them in my life.)

The Arms Race

This option is only for those born to neighbor and who long to win at the endeavor. When Jimmy down the street gets the latest self-propelled lawnmower, you get a riding mower. When Pam brings fried chicken to the street potluck, you bring pheasant.

PRO: No one will ever badmouth the appearance of your property. CONS: It’s hard to make friends, and, with escalation, there’ll undoubtedly be some casualties along the way.

The Importance of Being Earnest

No other single factor is as necessary in keeping your neighbors happy as giving the appearance that you care — that you care about your yard and exterior spaces and improvements inside and that you’re invested in the upkeep of your place. And, just as importantly, that you care what your neighbors think. Of course, it helps if you really do care. But it’s not enough alone. You’ve got to wave your flag and remind everybody, lest they forget, that you’re just as committed as they.

PROS: Keeps everybody on an even keel, and it’s easier to get to actually know people rather than just the value of their belongings. CON: You’re following the crowd rather than leading the charge.

Safety in Numbers

Short of equaling your neighbors’ zeal, you must at least not be the weakest link in your neighborhood. Treat it as a law of the jungle: You don’t have to be the fastest gazelle; you just can’t be the slowest. It’s action with due diligence rather than with all diligence. It’s procrastinating bringing your trashcan in but not being the last yahoo on the street with it still on the curb.

PRO: Frees you up for couch time in front of the tube or goofing off online. CON: It hits you in the bottom line: your own property value.

Your guiding principle in dealing with neighbors should be the Golden Rule: Do unto others’ property values and opinions as you would have them do unto yours. Ask yourself, What Would My Neighbor Do — WWMND? Take a long view at being neighborly, doing what’s going to serve you best and make you happiest over the course of a 15-year or 30-year mortgage. And if you ever live near me, remember: I love homemade ice cream and am not above being bribed. ■

greg@memphisflyer.com

Categories
Music Music Features

Return of the Klitz

Los Angeles had the Go-Go’s and the Runaways. New York had the Angels and the Shangri-Las. In Memphis, during a certain era, the most talked about girl group was The Klitz. The band — with Lesa Aldridge, Gail Clifton, Marcia Clifton, and Amy Gassner (billed as Kerry, Darla, Candy, and Envy Klitz, respectively) — sprang onto the Midtown scene in 1978 and quickly worked its way into local rock-and-roll lore. Alex Chilton, Aldridge’s boyfriend and creative partner, served as their impresario and helped the band land early gigs at clubs such as Trader Dick’s, the Hot Air Balloon, and Lafayette’s Music Hall.

Although the Klitz (the name, Aldridge insists, is German slang for “pistol”) are often remembered as Memphis’ first punk group, that honor actually belongs to The Malverns, an earlier band that Gail Clifton formed with Ross Johnson, Matt Diana, and Eric Hill. Aldridge, however, holds the key to the city’s punk legacy. The daughter of a Presbyterian minister, she was reared in Mississippi, on the East Coast, and in Europe. At 18, she was immortalized in a William Eggleston photograph (they’re cousins), shot the night before she left for her freshman year at Sarah Lawrence. In her early 20s, Aldridge returned to Memphis and rented an apartment across the street from Ardent Studios. (The Cramps crashed there while they recorded Songs the Lord Taught Us.) She was also, along with sister Holliday, an inspiration for Big Star‘s Third album, also called Sister Lovers.

“It was a racy time [in Memphis], but I think the Klitz fit right in,” Aldridge says today. “I don’t think we thought about it in those days, outside of the sheer joy of expressing ourselves. I’d played piano since I was 8 and guitar since I was 13. I’d also traveled a lot, and although I think I knew Memphis was provincial, I felt like we were the hub, because all these bands like the Cramps were coming here to be with us.”

“I’d broken up with my boyfriend and was crying on Lesa’s and Alex’s shoulders,” Gail Clifton says of the Klitz’ beginnings. “We started practicing at a boathouse, and our first gig was at the Midtown Saloon in 1978. We were hanging out with the in crowd. The Scruffs influenced me a whole lot, and I think we knew that Alex was something special.”

By ’79, the Klitz had traveled to New York for gigs at Irving Plaza and CBGBs, garnered a write-up in Rolling Stone, and entered Sam Phillips Recording Studio to cut an album with Chilton and Jim Dickinson at the helm. An extremely limited-release single on Jim Blake‘s Barbarian label surfaced, but by the start of the next decade, the Klitz were history.

Aldridge moved to New Jersey and formed a band called Missy & the Men before relocating to Nashville, having three kids, and ultimately teaching English in the public school system. Gail Clifton majored in art history and print-making at the University of Memphis, raised two children of her own, and embarked on a career as a sales consultant.

In 2005, the two staged a mini-reunion of the Klitz with Marcia Clifton. Now, they’ve reformed the group with bassist Stephanie Swindle (Chess Club) and drummer Angela Horton (The Satyrs, Dan Montgomery).

“Before now, I’d come to town and we’d record things. Now we try to get together on weekends and school breaks. I will say that I have not considered moving back here, but [Memphis] is a wonderful town to visit,” Aldridge says.

Local musician Greg Roberson (formerly of The Reigning Sound) has plans to escort the group into Rocket Science Audio later this summer, where they’ll record a new album with studio engineer Kyle Johnson.

After a show in Oxford, Mississippi, last weekend, the Klitz are ready to take the stage at the Hi-Tone Café Friday, July 27th, with Jack Oblivian and Kid Twist. Showtime is 9 p.m. Admission is $7.

“We’ve got some happening songs,” Aldridge says, “and we’re tight and fun to look at.”

When asked if they’d like to see any familiar faces in the audience, Gail Clifton says, “Alex, of course, but I know it’s different for Lesa.”

Aldridge rolls her eyes and says, “Don’t do a ‘we’ on that one!”

For more on the Klitz’ back-story, pick up a copy of Rob Jovanovic‘s Big Star: The Story of Rock’s Forgotten Band or Robert Gordon‘s seminal It Came From Memphis. Also be sure to tune into WKNO Channel 10 on Wednesday, August 1st, when Respect Yourself: The Stax Records Story, which was co-produced by Gordon, airs on Great Performances.

Categories
Editorial Opinion

New Wine, New Bottles

“Often we seem to be having the wrong conversations about the wrong issues.” So said Tom Jones, who with issues-adept Carol Coletta is a partner in Smart City Consulting and in the well-read Weblog, Smart City Memphis, operated by that organization. His point was that “blogs” like his own, Internet journals which solicit dialogue with their readers on public matters, have begun to proliferate in tandem with the growth of computer use. And the goal of all these blogs is to redirect and focus the ongoing public conversation onto their version of the “right” issues.

To be sure, as Jones and fellow panelists at a weekend forum on the blog boom noted, there is still a “connectedness” gap between Memphis and other major metropolitan areas — a fact of more than usual urgency at a time when potentially negligent handling of the once-promising Memphis Networx initiative has become a political controversy. Another panelist, Steve Steffens of the LeftWingCracker blog, noted the public service performed by Flyer staff writer Chris Davis in separating facts from fantasy in the Networx matter — an investigation which has parallels in additional work by Davis on the Flyer Web site and on the Flypaper Theory, an independent blog which he founded and operates.

This mixed-media effect was alluded to by another panelist, anchor Cameron Harper of WPTY-TV, who noted his station’s increasing habit of expanding coverage of a televised story on its Web site and confidently predicted, “There will come a time when people don’t distinguish between watching television and being online.”

Or perhaps they will draw such distinctions — to the disadvantage of “old media.” Mediaverse blogger Richard Thompson, a former Commercial Appeal reporter, says he still enjoys walking through the morning dew to get his paper (even though he’s already digested most of its contents online). But he and the others — and the evidence of declining readership, for that matter — suggest a direr outcome for the traditional print formula.

It isn’t just journalism, however, that’s having to adapt to the new electronic means at hand. So is politics. All three mayoral candidates on hand for Saturday’s event — Herman Morris, Carol Chumney, and John Willingham — acknowledged, when asked by host Jonathan Lindberg of Main Street Journal, the need for their campaigns to function this year in cyberspace.

And, by welcome coincidence, this week saw on CNN the first of two scheduled YouTube debates. It featured video questions offered online to Democratic presidential hopefuls gathered apprehensively in traditional lineup fashion on a stage at the Citadel in South Carolina. The Republican hopefuls will get their shot in September. Meanwhile, we can say without fear of contradiction that the questions on CNN Monday night were more penetrating and the answers livelier and more revealing than we’re used to seeing in these dog and pony shows. There was a genuine sense of spontaneity to the occasion, something the ever more scripted and consultant-heavy political process has long needed.

Of one thing we’re sure: The Internet and politics are marching forward in tandem. But there is still a vital role to be filled by traditional journalism. One of the things the participants at Saturday’s local event agreed on is that traditional standards of proof and objectivity will survive the marriage of old and new forms. We wish.