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Letter From The Editor Opinion

Letter from the Editor: The Infotainment Highway

“Now and for the foreseeable future, virtually everything involving Britney is a big deal. That doesn’t mean every rumor makes it on the wire. But it does mean that we want to pay attention to what others are reporting and seek to confirm those stories that WE feel warrant the wire. And when we determine that we’ll write something, we must expedite it.”

The above memo was issued a couple weeks ago by Frank S. Baker, the Associated Press’ assistant bureau chief in Los Angeles. It says about all you need to know about the sorry state of American journalism. The line between what’s entertainment and what’s news is gettier fuzzier than Paris Hilton’s poodle.

And it’s not just happening at those media outlets that specialize in this weird meld. Even formerly serious news websites are adding “entertainment” sections. I just checked the Huffington Post and learned, for example, that Britney spoke in a British accent at her child custody hearing, and that human trainwreck Amy Winehouse was recently seen running down the street clutching packets of McDonald’s chicken nugget sauce. News you can use, my friends!

This cult of personality worship bleeds inevitably into more important subjects, such as politics. A brief emotional sniff by Hillary Clinton in New Hampshire is analyzed for days, in a way that her eductional proposals never will be. Barack Obama’s “I said, they said” feud with the Clintons nets more attention from pundits than his position on the Iraq war. Mitt Romney’s spat with a reporter gets more coverage in two days than his immigration policy has gotten in the entire campaign so far.

As our major “news” organizations continue this apparently unstoppable transition from an industry devoted to providing important information to an industry devoted to ratings and media megacorporation bottom lines, we consumers must become ever more resourceful. The Web has a million channels. Keep surfing. Keep reading. We are now our own editors.

Bruce VanWyngarden

brucev@memphisflyer.com

And in other news: Props to The Commercial Appeal, whose circulation department promptly solved the billing and delivery problem I bitched about two weeks ago in this space.

Categories
Letters To The Editor Opinion

Letters to the Editor

CVB Chuckle

We had a good (though sheepish) laugh at Chris Davis’ column about our dumpster (Fly on the Wall, January 17th issue.) We’ve been going through a renovation in our building. We hope our downtown neighbors remember their own renovations and how they always take longer than the original plan. Please continue to be patient with us. Like everyone else, we’re looking forward to getting rid of that dumpster!

Kevin Kane

Memphis Convention & Visitors Bureau

On Target?

Mary Cashiola’s article “Bull’s Eye” (In the Bluff, January 17th issue) missed the mark. Her praise for the development planned near Poplar and Cleveland neglected to attend to the thousands of poor people pushed out of that area to make way for the planned upscale shopping and housing.

Eric Sheppard, the president of the development company, contended in the article that his company’s “Whole mentality is … being in areas that people have left vacant for a while.” But the truth is that people didn’t just leave this area vacant. They were forced out of their apartments, which were then boarded up.

What was once a vibrant community of Vietnamese and Hispanic people is now a ghost town awaiting the bulldozer. And all of this in the name of shopping? Sheppard’s comment that “people are going to be thrilled with it” apparently refers to the potential shoppers, and not the people forced from their homes. How much of the residential space in this development is going to be available for low-income people? I very much doubt the people who were once in this neighborhood will be able to afford the new housing. But they can, I guess, take the bus back to their old neighborhood for the minimum-wage jobs Target or whatever other “big-box retailer” will offer.

Peter R. Gathje

Memphis

Iowa Rules!

In response to Tim Sampson’s “Rant” (January 10th issue), I would like to offer answers to some of his questions about Iowa. Though I was born in the South, I grew up in Iowa and consider myself an Iowan, so count me as one person who is from there and actually willing to admit it. Other “admitted” Iowans include Buffalo Bill Cody, Johnny Carson, John Wayne, George Gallup, Herbert Hoover, Glenn Miller, and Grant Wood, just to name a few. I even know several people who live there now, intentionally.

As for how many Flyer readers know the exact geographic location of Iowa, the answer is: probably very few, if they were educated in Tennessee, which ranked 30th in the 2006-2007 Morgan Quitno Press’ annual Smartest State Awards. Iowa ranked 9th. Call me a snob, but I wonder if anyone from Tennessee knows the exact geographic location of any state.

Yes, there are cities in Iowa in addition to the many, many little towns. And while there may be an abundance of diners in these little towns, there’s also an abundance of libraries. Iowa has 540 central libraries, with 5.5 library visits per capita compared to 186 central libraries and 3.2 library visits per capita in Tennessee.

And every four years or so, Iowans like to vote, which may have a little something to do with the importance of the Iowa caucuses. In 2004, Iowa ranked 7th in voter participation; Tennessee was 49th. Critics of the attention given to the Iowa caucuses whine that it is a state that is not representative of the rest of the country. A state with a population that is literate, educated, and inclined to participate in elections is not representative of the rest of the country? Sad, but true, and probably explains a lot.

Floyd G. Benson

Memphis

On January 3rd, American politics experienced a ground-breaking movement for change due to the overwhelmingly large turnout at the Iowa caucus.

Senator Barack Obama, whose campaign has called for a change in America’s polarizing politics, was able to reach across party lines by drawing in at least 5 percentt of Iowa Republicans and a large number of independents to caucus for him. This year, the voter turnout nearly doubled, and whereas the previous average age of caucus-goers was 61 years, nearly a quarter of this year’s participants were under 30.

The unprecedented turnout at the Iowa caucus is a testament to the amount of hard work that each campaign organizer has contributed over the past few months.

February 5th is Super Tuesday, the date of presidential primaries in over a dozen states, including Tennessee. I encourage everyone to come out to vote on February 5th, no matter who you vote for. Please exercise this right and responsibility as an American citizen.

Brianna McCullough

Memphis

Categories
News The Fly-By

Fly on the Wall

Smells Fishy

Since there’s nothing the Fly Team loves more than sitting down to a paper bowl of deep-fried mystery fish, soggy fries, and hushpuppies soaked in vinegar, you can imagine the panic that ensued when we opened The Daily News and saw a picture of Captain D’s — a great little seafood place by anyone’s estimation — next to the headline “Mercury Rising.”

The ensuing terror was based on the fact that mercury is a toxic metal and an ocean pollutant that has been linked to birth defects, and which has been discovered in tuna, swordfish, shark, mackerel, and quite possibly in deep-fried mystery fish. As it turns out, all fears of growing third arms, eyeballs on our feet, or extra rows of teeth were entirely unfounded. The article was actually about businesses in the Mid-South that have filed for bankruptcy since the beginning of 2007. The only time mercury appeared in the story was in the misleading headline, by the picture of Captain D’s.

The Daily News has been struggling to write clever headlines for over a year now, with increasingly troublesome results. It began with an event listing for amputees slugged “Out on a Limb,” followed by a meaty piece on the Liberty Bowl titled “Bowling for Soup.”

Wild West Redux

Last week, the Tennessee Senate passed a bill that will allow anyone of legal drinking age who also holds a gun permit to bring firearms into bars. The decision to put deadly force in the hands of drunks — a human subset widely known to brawl over incredibly important things like sports, politics, who’s hot, who’s not, and who was looking at who the funniest — has been widely hailed by NRA types as a victory for the good guys.

In an unrelated story, Arkansas officials hope to create legislation mandating that toy guns can only be manufactured in bright, unrealistic colors. Because toy guns don’t kill people, people with real guns kill people with toy guns. When they’re sober even. Tragically.

Categories
Music Music Features

Band of Horses Headed to Memphis

“I spent this past New Year’s Eve at a party full of Los Angelenos five to 10 years my junior, young men and women just establishing themselves professionally and hanging on to the last of their 20s. Sometime after midnight — long after midnight, according to the battalion of empty beer bottles and broken-stemmed wine glasses — a group of about 10 of these youngsters huddled together in a mass group hug and caterwauled the chorus of “No One’s Gonna Love You (More Than I Do),” by the Seattle-via-South Carolina group Band of Horses …”

Band of Horses gallops into Memphis next Wednesday to perform at the Hi-Tone. Read Stephen Deusner’s profile of the band.

Categories
Editorial Opinion

Bob Patterson

It is a cliché to say, upon the death of someone notable, that his or her passing leaves such a void that it will seem awkward or strange to go forward with the business of life as usual. But clichés are founded on realities, and all of the above conditions certainly apply in the aftermath of Bob Patterson’s passing last weekend as the result of a massive heart attack. What makes the widespread public regret and feelings of bereavement all the more striking is that Patterson had, for the past 17 years, been the taxman for residents of Shelby County. Although the office of Shelby County Trustee, to which Patterson was first elected in 1990, has certain other duties, the collection and administration of the county property tax and other standard levies is certainly foremost among them.

Yet it was virtually impossible to find someone with a grudge against Patterson — even among those public officials and elected bodies with whom he contended in his nonstop efforts to establish the Trustee’s office as independent and jurisdictionally unbeholden to other branches of county government. Indeed, he was respected for his principled obstinance on the matter, just as he was heeded for the many warnings he gave during the last several years concerning a county financial picture that he insisted was more dismal than was described by other officials. In that regard, the recent cupboard-is-bare acknowledgement by Shelby County Mayor A C Wharton in his speech advocating consolidation came as something of a confirmation of Patterson’s warnings.

Patterson played the role of constructive dissident in county politics as well. Though he was a loyal Republican of long standing and was among the first county officers to advocate partisan elections in countywide races, he arrived at his positions and formed his relationships outside the establishment zones of either major party. It was not uncommon to see Patterson, wearing one of the many wide-brimmed hats he owned, in attendance at Democratic events as well as Republican ones. Patterson was the sponsor of two events that were considered staples of the political year — his yearly barbecue at Kirby Farms and the annual Christmas Party he and his wife Virginia held at their East Memphis home. In 2006 and last December, however, Patterson did not hold his Christmas party. He explained to friends that the turnout had begun to exceed the available space in his home and that he intended to resume the tradition once he had settled on an appropriate larger venue.

He was friendly to all and fair-minded and independent in his thinking, and for some time during the past year had given serious thought to running for county mayor himself during the next election cycle.

Ultimately, Patterson resolved to continue serving as Trustee. And why not? Only last year he earned the Victor E. Martinelli Award presented by the National Association of County Collectors, Treasurers and Finance Officers certifying him as the absolute tops in his field.
It is therefore no cliché to say that Bob Patterson leaves a void. It is hard to imagine local politics and government without him.

Categories
We Recommend We Recommend

Must-See TV

The British Television Advertising Awards at the Brooks Museum might not be what you would expect. This popular annual event is far from being a marathon of silly advertisements — or “adverts,” we should say. The clips range from charming to chilling to sublime, with a bit of British wit mixed in for good measure. Some of the most effective are surprisingly fresh public service announcements, with subjects ranging from anorexia to education. Others make good use of parody, and you’ll grin in spite of yourself. The unifying characteristic among these commercials is their imaginativeness. You will leave the show not feeling as though you’ve sat through an extra-long commercial break but a great series of creative film shorts.

Scene from the commercial ‘Expo’

British Television Advertising Awards at the Memphis Brooks Museum of Art, Thursday and Friday, January 24th and 25th, at 7:30 p.m. and Sunday, January 27th, at 2 p.m. Tickets are $7 for nonmembers. Call 544-6208 for more info.

Categories
Music Music Features

Banded Together

I spent this past New Year’s Eve at a party full of Los Angelenos five to 10 years my junior, young men and women just establishing themselves professionally and hanging on to the last of their 20s. Sometime after midnight — long after midnight, according to the battalion of empty beer bottles and broken-stemmed wine glasses — a group of about 10 of these youngsters huddled together in a mass group hug and caterwauled the chorus of “No One’s Gonna Love You (More Than I Do),” by the Seattle-via-South Carolina group Band of Horses. That night, the song served as these friends’ theme song: They serenaded each other loudly and drunkenly, of course, but also sweetly and affectionately.

This snapshot says a lot about Band of Horses’ music as well as its fans. If these friends speak for the band’s large and loyal audience, who are known to sing along loudly at the band’s sold-out shows, then listeners are drawn to Band of Horses’ folksy, dramatic indie rock because they want their lives to be epic and meaningful, their loves and dreams championed in big choruses and chiming guitar strums. There’s nothing wrong with this necessarily: People listen to and identify with music for better and worse reasons.

On the other hand, apparently no one singing that song on New Year’s was aware of its co-dependent desperation and its deep sense of loss and denial. “Things start splitting at the seams,” sings head Horse Ben Bridwell, “and now the whole thing’s tumbling down.” Or if they were aware of these darker shades of meaning, they chose to gloss over them that night and sing the chorus at face value, which Bridwell’s lyrics not only allow but encourage.

On Band of Horses’ 2006 debut, Everything All the Time, as well as on the 2007 follow-up, Cease To Begin (on which “No One’s Gonna Love You” appears), he writes and sings about specific people and places but leaves enough room in his lyrics for various interpretations and identifications. Of course, grandiose choruses like “No one’s gonna love you more than I do” and “The world is such a beautiful place” (from “Ode to LRC”) certainly guide listeners, giving them sound bites to hang meaning on.

Beyond these outsize choruses, Bridwell conveys information and emotion primarily through musical means, despite the basic rootsiness of Band of Horses’ sound. Most of the songs sport traditional rock instrumentation: guitar, drums, bass, vox, occasionally keyboards. But Bridwell’s guitars chime like early U2, and he and the band managed to make the guitar and snare on “The Funeral,” a stand-out from Everything All the Time, sound skyscraper tall. That enormity can make otherwise humdrum lyrics sound powerful and poignant. They’re meant to be sung aloud by cheering audiences and celebrating friends.

Band of Horses hails originally from the Pacific Northwest indie scene, which encompasses Portland, Seattle, and surrounding cities. The group began as a duo featuring Bridwell and drummer Mat Brooke, both of whom had played in the Seattle-based cult band Carissa’s Wierd. Brooke left the band shortly after the release of Everything All the Time to open a sports bar (he now plays in the group Grand Archives, whose debut is due next month on Sub Pop).

One of the stranger traits of Northwest indie, for better or for worse, is its somewhat academic sound: Many acts borrow from traditional American music but tend to denude it of any regional distinctions, as though folk can be communicated by nothing more than an acoustic guitar, country by subtle pedal steel. Some groups, like Modest Mouse and Built To Spill, have managed to incorporate these styles into a uniquely personal sound, but others, like Norfolk & Western and Death Cab for Cutie, sound placeless and often bland.

Band of Horses drew liberally but generally from folk and country music on Everything All the Time, and the result was a genial back-porch vibe on “Our Swords” and “St. Augustine” that could have been attached to any house in America. But that’s only half the story. Following the departure of Brooke, Bridwell moved from Seattle back to South Carolina, where he was born. The band recorded Cease To Begin in Asheville, North Carolina. The change in location is subtly evident in this collection of songs, in the lyrics (the title “Ode to LRC” refers to a regional newspaper) as well as the music (“The General Specific” is a stomping gospel with barrelhouse piano). The CD packaging even includes snapshots taken around Mount Pleasant, South Carolina.

While many bands benefit from such an influx of new sounds and ideas, Band of Horses actually lost some of its distinctiveness: Cease To Begin sounds less effective and less dramatic, and the big choruses are more like jam-band homilies than indie-specific declarations. There are some striking moments, such as the angry “Cigarettes, Wedding Bands” and the ruminative closer “Window Blues,” but the sentimentality that lurked behind the big moments on Everything All the Time comes to the forefront on Cease To Begin, making for some obvious rather than ambiguous moments. The one track that sounds most like the previous record is, of course, “No One’s Gonna Love You,” which makes the emotions listeners invest in the song partly a nostalgia for the larger, leaner sound of the year before.

Categories
Film Features Film/TV

Indie Memphis looks to expand; Craig Brewer waits.

The Indie Memphis Film Festival completed its 10th year last October and looks to take an important step in its growth this year. According to Les Edwards, who, along with his wife Emily Trenholm, has been a primary coordinator of the festival for most of its existence, Indie Memphis has secured a financial commitment from a currently anonymous donor to pay for the hiring of a permanent executive director. Indie Memphis has recently started a national search to fill the position, according to Edwards.

Edwards, who is a self-employed accountant, says that running the festival has cut too much into his business, and vice versa. “[The festival isn’t] able to grow with us leading it,” he says. “If [Indie Memphis] is going to go to the next level, it’s going to have to be with someone who can work on it year-round. It’s going to take someone who makes their living working in this industry.”

Hiring a full-time director will allow Edwards and Trenholm to move into advisory positions on the festival board rather than hold active positions, Edwards says, and should allow the festival to do a better job raising money, engaging the community, and booking better films. Edwards also says he hopes hiring an executive director will lead to more year-round programming.

Film industry oracle Variety reported recently that Memphis filmmaker Craig Brewer’s “first look” deal with Paramount Pictures was not renewed, one of several such deals that fell prey to Hollywood belt-tightening in the wake of the current writers strike. But, don’t think that means you’ve heard the last of Brewer, who has retained the South Main office of his Southern Cross the Dog production company and has mostly been waiting out the strike on his home turf.

Brewer, a member of both the striking Writers Guild of America and the Directors Guild of America who recently directed an episode of the cable television series The Shield, says that Paramount still owns the rights to Maggie Lynn, the country-music-themed film Brewer had planned to shoot last year before the looming writers strike spurred him to delay the project. Brewer is waiting on Paramount to make a decision on the film while also readying other projects and waiting for a resolution to the strike.

Categories
News The Fly-By

Change to the Charter

After only 38 percent of registered voters in Memphis turned out during the city election last fall, the Shelby County Election Commission is suggesting that future municipal elections be scheduled at the same time as general elections.

The date change is part of a list of policy suggestions presented by election commission chair Myra Stiles to the Memphis Charter Commission last week. Other suggestions included staggered terms for City Council members and appointing outside counsel on questions regarding municipal elections. But charter commission members asked Stiles to return with a much more defined list of suggestions.

“Ms. Stiles is coming in with a broad pen,” said charter commission chair Myron Lowery.

Generally, the city attorney’s office deals with municipal election issues. Last fall, Mayor Willie Herenton — the person who appoints the city attorney — claimed to know of vote rigging and voting machine malfunctions.

“There were some who felt he had a conflict at that election,” Stiles told charter commission members.

Under the election commission’s proposal, staggered terms would require half of the City Council members to run during one election cycle, with the remaining half doing the same two years later.

Proposed changes to the city’s charter could come before voters as early as the November election.

Categories
Politics Politics Feature

Over and Out

COLUMBIA, S.C. — “I’m sad for my Dad,” Tony Thompson was saying after plopping down in a booth at the bar of the downtown Hilton.
I had been sitting there with Howie Morgan, a sometime campaign hand in Tennessee Republican campaigns and a supporter this time around of Mike Huckabee, who had just finished second to the now fully resurgent John McCain in the South Carolina Republican primary. Having spotted Thompson earlier on a cell phone outside the hotel, I had asked him to join us.

It was only about 10 o’clock on Saturday night, but Tony’s party was clearly over. The amiable Nashville-based lobbyist was just then waiting for a cab to take him back to the Marriott, where his father, Republican presidential candidate Fred Thompson, and various staffers and supporters of the former Tennessee senator were gathered.

Holding a wake, as one of them, longtime political hand Steve Allbrooks, had confessed before bailing out and heading back to Tennessee. Ex-Senator Thompson, who had been billed as the GOP’s savior when various party pros had beseeched him to run in early 2007, had just climaxed — and probably concluded — his disappointing run with a distant third-place finish, well behind both McCain, the probable GOP favorite now, and Huckabee.

“I don’t think he’s made any plans to go on,” the younger Thompson said carefully when asked about his father’s future course. He sighed. “You know, he was drafted for this. He’s always been drafted.”

As I thought back, that was a fair description of Fred Thompson’s career. Drafted in 1972 by his political mentor, then Senator Howard Baker, to serve as Republican counsel on the Senate Watergate committee, where Thompson ended up popping the fateful question, Did President Nixon tape any of his conversations in the White House?

Drafted again in the late 1980s for what turned out to be regular strong-man roles by Hollywood after playing himself in a movie about his law client Marie Ragghianti, who was the whistle blower in disgraced governor Ray Blanton‘s pay-for-pardons scandal.

Drafted once more in 1994 by Tennessee Republicans to try to win back the Baker Senate seat, which had meanwhile become Al Gore‘s, then was vacated as Gore ascended to the vice presidency. Thompson did win it back, though he had to do a late turnaround on his campaign’s tentative beginning in order to finally beat Democrat Jim Cooper handily.

Thompson had spoken to that moment earlier this month in Iowa — the first of two states (South Carolina was the second) that had been considered must-wins if he was to overcome yet another feckless start. “You know, there were some who said, ‘Old Fred doesn’t seem suited for this. He doesn’t seem to have the fire in the belly,” he confided to a Holiday Inn crowd in West Des Moines.

He recalled an early political obituary that had appeared during that 1994 Senate race in The Tennessee Journal, the influential political weekly that was then published by Nashville’s M. Lee Smith, who had been a significant player himself in statewide Republican affairs.

“What they said was regarded as gospel, and [Smith] was my old law school buddy. He didn’t mean any harm,” Thompson recalled. “But he said, ‘Fred just can’t do this.'” Thompson had let that sink in before continuing.

“Well, I did. I not only won. I turned a 20-point deficit into a 20-point victory margin.” And, as he pointed out, he had gone on to win reelection to a full term in 2006 with the largest vote total for a statewide candidate in Tennessee history. “I’ve won some races in my time,” Thompson said, as he urged that Iowa crowd to go out into the next day’s caucuses and help him “shock the world.”

It was an effective appeal, but, as things turned out, the best the folks in Iowa could do was reward Thompson with a third-place finish, behind Huckabee and Mitt Romney. It was less a shock than it was a defibrillator moment that barely kept his presidential hopes alive.

He had, as son Tony was saying, been drafted for this effort, too — only to see that “no-fire-in-the-belly” talk get started all over again amongst the Beltway media. That was something of a canard. The fact is that Thompson had just got tired of politics in general and the Washington brand in particular and had opted out of both a reelection effort in 2002 and another would-be draft the same year, for governor.

The unexpected death of Thompson’s grown daughter, Tony’s sister, had further capped his declining appetite for service in the Senate. “I don’t want to spend the rest of my life up here,” he had said then. “I don’t like spending 14- and 16-hour days voting on ‘sense of the Senate’ resolutions on irrelevant matters.”

What Thompson did was go back to acting, to portraying hard-bitten, ultra-authoritative District Attorney Arthur Branch on the long-running NBC show Law and Order. I had long suspected that Thompson’s now notorious delay in beginning his presidential campaign — it was late summer before he got going, a tardiness that many considered ultimately fatal to his chances — owed something to contractual obligations, and Tony now corroborated this.

Yes, there had been a Law and Order rerun season to wait out (an earlier campaign from Thompson, who appeared in every episode, would have compelled its suspension), and there had been a contract to complete as fill-in reader for Paul Harvey as well.

There was also a fundamental flaw in the Thompson-for-President campaign, one that, earlier that day, I had seen a late flash of. The candidate had been booked for an election-day appearance at the South Carolina Arms Collector Association Gun Show, held at the sprawling Jamil Shrine Center, a big flea-market-style barn in Northwest Columbia, and I decided to check it out.

It was a cold, rainy day, and I was surprised to see the large parking lot area overflowing. Once having found a spot on the puddled periphery and having quick-stepped through the drizzle to get inside, though, I was quickly disabused of any notion that candidate Thompson was the big draw.

It looked like an armed camp inside. Table after table loaded with formidable-looking weapons of all sorts. Every species of rifle and nozzled gun imaginable, automatic and otherwise, was being swarmed over and sighted through and sometimes hoisted on the shoulders of a crowd that may have numbered in the thousands. Not to mention, brass knucks, spiked wristbands, and anything else that looked like it could be used for assault purposes.

The candidate himself finally arrived, in an entourage that included both son Tony and Bob Davis, the former Tennessee GOP chairman whose considerable accomplishments include the lifelong retention of a Skeezix-style shelf of lacquered hair that juts out at right angles to his forehead and has survived not only middle age but assorted weathers like this election-day downpour.

To be sure, Thompson attracted attention as he and the others moved through the vast building, aisle by crowded aisle. He is, after all, a familiar image from his movie and TV roles, and he was frequently asked to provide an autograph or pose for a picture. But he left little curiosity in his wake, as each parted wave of shoppers went right back to ogling and handling the shiny and menacing-looking table goodies.

Once, at least, toward the end of his last circuit, on his way out of the arena, the talk got expressly political. One of the vendors congratulated Thompson on his stout rhetoric defending the Second Amendment rights of gun-bearers and compared him favorably in that regard to rival Huckabee, who was generally conceded to have grabbed off much of the conservative hinterland vote that Thompson’s campaign was aiming for.

“You don’t see him here, do you?” the man said, in something of a non sequitur.

“Yeah, well, I’ve been doing this for a long time, a long time before I was in politics,” Thompson said. And, after a few more thank-you, thank-you-very-much responses to such remarks, a few more autographs and pictures, he and his retinue were gone, and the huge crowd kept on swarming as before.

I remembered taking my girls to a production of Swan Lake at the Cannon Center a few years back and how, when the cast came out for curtain calls after the show, the dancer who had played the evil Black Swan and had performed superbly got noticeably subdued applause from the young audience and was visibly hurt by the fact.

That was Fred Thompson in 2008. A gifted and natural actor, as he had many times demonstrated, he had answered an audition call and been handed a role this year — champion of desperate last-ditch conservatives — that, in a year of patent voter unrest and desire for change, was bound to have a limited audience and fan base.

In South Carolina, as in Iowa, Thompson had fulminated against left-wing Democrats, upheld gun rights, deplored abortion and gay marriage, inveighed against the burden of taxation, and denounced illegal immigration and Islamo-fascism and Iran, all of which his chosen part called for. Sometimes he did it well, sometimes not so well, as with any touring road show.

But meanwhile, another player in the drama, former governor Huckabee of Arkansas, whose campaign had gotten a head start over Thompson’s, was saying all these things and more, but more easily and elegantly and subordinating them to a sunnier outlook that had some progressive populist overtones. Put simply, the former preacher, a winner in Iowa and a contender elsewhere, had managed to upstage the ex-actor.

In the last few days before the GOP primary in South Carolina, the Thompson and Huckabee camps had been having at each other pretty vigorously — one reason why Howie Morgan had not exactly been advertising his allegiance as the three of us sat making polite conversation, Howie and I with cocktails, the teetotaling Tony Thompson without.

Finally, I made bold to say, as an aside, “Tony, I didn’t tell you that Howie here is with the Huckabee campaign. I was sure you’d think that was okay.”

Tony’s face changed a little, only a little. And he said, “I’m not sure I do.” He went on to talk about a barrage of “push polls” aimed at his father and clearly, to his mind, emanating from the Huckabee campaign.

The conversation might have taken a difficult direction, but just then someone from the hotel came to tell Tony his cab had arrived, and, after handshakes and a pleasant enough leavetaking, he was gone, presumably headed to commiserate with his father.

Tony Thompson’s place in the booth was shortly taken by Jim Gilchrist, head of the Minuteman Project, perhaps the most zealous of the organizations opposed to illegal immigration and demanding both a fence and total repatriation of illegals, Mexican or otherwise, back to their homelands.

Gilchrist, whose endorsement of Huckabee (arranged, Morgan had said, by himself) had become controversial in the anti-immigration movement, was a friendly man with a surprisingly soft, even kindly face, and I had already talked with him at some length during the long ballroom wait for results at Huckabee’s election-night headquarters at the nearby Convention Center.

At one point, he leaned over and asked me, “Jackson, why is it that the media are so intent on sacrificing the sovereignty of the United States and undermining the economic viability of America?”

I considered my options and answered, “That’s one semantics, Jim. Another goes this way: ‘Give me your tired, your poor,/Your huddled masses yearning to breathe free.’ Those are Emma Lazarus’ words on the Statue of Liberty.” Yep, I really did.

Let’s just say that the conversation went on and failed to reach a consensus. In that respect, it bore a resemblance to the ongoing election scramble in both parties. The Democratic version of the South Carolina primary occurrs this weekend, and the Tennessee primary and the rest of Super Tuesday are just around the bend on February 5th, and, with no resolution in sight, things are still …

To Be Continued.

See “Political Beat” at memphisflyer.com for more political news.