Categories
Sports Sports Feature

After a Runaway Win Over Michigan State, Here Are Four Angles for Memphis in The Elite Eight:

• When
the second-ranked Memphis Tigers began NCAA tournament play a week ago,
conventional wisdom held that the cakewalks of Conference USA were behind them.
It was time for men to play like men, and against the men of BCS conferences.
Having snuck by the SEC’s Mississippi State Bulldogs in the second round, the
Tigers were deemed by many to be worthy candidates for an upset by the Big 10’s
Michigan State Spartans.

Friday
night’s Sweet 16 contest was over at halftime. Shooting lights out — and from
the foul line! — the Tigers ran out to a 50-20 lead on their way to a 92-74
victory, setting up a South Regional championship Sunday against the
second-seeded Texas Longhorns. With no fewer than eight Tigers (including Pierre
Niles) getting into the scoring column by halftime, Memphis made this week’s MSU
look like last month’s SMU, or ECU. Those pundits waiting for the Tigers (now
36-1) to crumble under the pressure of a prime-time nail-biter will have to wait
another two days, and hope the Big 12 sends stronger, better shooting, and more
competitive men into the Tigers’ den.

• Should
Memphis reach its first Final Four in 23 years, Antonio Anderson will be the
player of the game against Texas. The junior guard has been coach John
Calipari’s defensive ace since his freshman season, and will certainly get the
bulk of minutes guarding Texas star D.J. Augustin. The Longhorns have an offense
that threatens first from the perimeter, A.J. Abrams complementing Augustin’s
driving skills with a long-distance shooting touch sure to stretch the Memphis
defense in ways Michigan State was unable. The Tigers’ backcourt depth will be
critical, with Willie Kemp, Andre Allen, and Doneal Mack available to spell
freshman Derrick Rose, conserving the star point guard’s energy for the
offensive end. (Any offense Anderson delivers Sunday will be gravy. His mission
will be to contain Augustin.)

• In
1973, the Memphis State Tigers beat Kansas State to win the Midwest Regional in
Houston, Texas. Twelve years later, the Tigers beat Penn and UAB in Houston, on
their way back to the Final Four. As for Sunday’s opponent, the Longhorns are
one of only two teams (both UT!) to beat the Tigers in FedExForum over the last
three years. (Memphis fell to the “burnt” shade of orange on January 2, 2006.)
These are Texas-sized connections for Tiger historians to consider, to say
nothing of their team’s third attempt in as many years to reach the hallowed
Final Four. As for the intangible of playing an opponent in its home state, the
experience factor is heavily on the side of the “visitors.” For Chris
Douglas-Roberts, Joey Dorsey, Robert Dozier, Anderson, and Allen, a third
attempt at a fourth tourney win — in what will be a school-record-tying 12th
NCAA tournament game for each — is welcome regardless of how many stars appear
in the state flag.


Everyone with a bracket loves the underdog during the NCAAs, but this weekend
may be a good one to pull for the front-runners. Never have all four number-one
seeds reached the Final Four. Only three times in the last quarter-century have
three top seeds made it to the tournament’s final weekend (1993, ’97, and ’99).
With perennials North Carolina, Kansas, and UCLA still in the hunt, the
“underdog” who could become the nation’s favorite in a Final Four that holds to
form is, you guessed it, the Memphis Tigers.

Categories
Food & Wine Food & Drink

Republic Coffee Reopening

Midtowners mourned when Republic Coffee, located at 1999 Madison, closed about three years ago. The independently owned neighborhood coffee bar drew crowds with its coffee drinks, vegetarian and vegan food, artworks, pool tables, and broad selection of magazines.

“Somebody was interested in buying the Madison property, and I decided to go ahead and sell it,” explains owner Chris Conner.

Now he has reopened Republic Coffee, sticking to the same concept in a different location. The dark-red building on the corner of Walnut Grove and Racine is an impressive yet unusual spot for a coffee shop. Most recently occupied as office space, the building used to be a restaurant in the 1960s, according to Conner.

“We are part of the Binghamton community renewal program, and I really like this location,” Conner says. “So many people drive by here in the morning on their way downtown, and they typically all come back this way at night. They can stop in for their morning coffee on the way to work, and, when we start offering food in a couple of months, they can stop in on their way home and pick up take-home dinner.”

Food will again be an important component of Republic Coffee. The focus will be on local ingredients with an emphasis on vegetarian and vegan dishes that will be available for lunch from 11 a.m. to 2 p.m. and “blue-plate-like” wholesome options for dinner from 5 to 8 p.m. The shop will be open every day from 6 a.m. to midnight.

Republic Coffee roasts most of its own coffee and uses only “single-origin” beans from small estates.

“That has a huge impact on how your coffee tastes, because the beans are typically only available in small batches and stem from one estate in one region rather than beans from different growers that are blended together,” Conner says. The coffee shop also offers premium loose-leaf teas served in French presses.

Although the former Republic Coffee did have a drive-through, the new location intentionally doesn’t.

“It takes time to make a great cup of coffee, and some people spend 10 minutes in a drive-through line in the car by themselves when they could get their coffee in the same amount of time while checking out what’s going on inside,” Conner says.

Inside Republic Coffee, customers will find booth seating, a back room with two pool tables, free wireless Internet, and meeting space for groups. What visitors cannot miss, however, is the large coffee bar, which is the centerpiece of the room.

“We want to convey a European feel, and in a lot of coffee shops throughout Europe the bar is the centerpiece. That’s where guests order their coffee, spend a few minutes to chat with friends or the barista, drink their espresso, and move on. It’s really the heart of the coffee shop, certainly at Republic Coffee.”

Republic Coffee will celebrate its grand reopening on Saturday, April 5th from 7 to 10 p.m., with an art exhibition and silent auction. Part of the auction’s proceeds will benefit the DeNeuville Learning Center for Women, which offers education classes and counseling for women who want to make positive choices for themselves and their families.

Republic Coffee is located at 2924 Walnut Grove (590-1578)

by Simone Wilson

Categories
News

“Topdog/Underdog” Closes at the Hattiloo This Weekend

“Now I’m completely connected to the Hattiloo,” says Ekundayo Bandele, founder and executive producer of the Edge district’s ambitious Afro-centric playhouse.

Bandele has served as producer, director, dreamer, playwright, carpenter, custodian, and bartender. Now he can add actor to his resume. He’s taken on the role of Booth in Suzan-Lori Parks’ Pulitzer Prize-winning play Topdog/Underdog.

Topdog/Underdog is a classically inspired tale of greed and unexpected reversals of fortune; an exciting dramatic exercise exploring the topography of racial identity in America. Its characters, Lincoln and Booth, were abandoned by their parents, and came up like weeds, working their respective hustles and coping with soul-crushing poverty.

Parks is jamming on a familiar theme here. Her 1995 script The America Play, introduced an African-American Abe Lincoln impersonator pimping himself out as the target in a live-action shooting gallery. Topdog/Underdog also features a black Lincoln. This time he’s a reformed three-card Monte sharp who now makes his living at an arcade impersonating America’s 16th president. Booth is a smalltime hoodlum who wants to throw cards like his brother.

The metaphors in Topdog/Underdog are big. The language is rich and challenging, and Parks is fearless, holding absolutely nothing back.

Topdog/Underdog is at Hattiloo Theatre (656 Marshall, 525-0009) through March 30th. Tickets are $15 for adults.

by Chris Davis

Categories
Music Record Reviews

Local hip-hop collective regroups for a second effort.

The Iron Mic Coalition formed several years ago as a collective of Memphis hip-hop artists who fit neither the city’s dominant mainstream rap style nor the indie hip-hop style. Originally, the group brought together four self-contained local hip-hop entities: M.O.S., Fyte Club, Kontrast, and producer/rapper Fathom 9.

This second full-length album from the IMC showcases seven MCs, five producers (three of them among the MCs), and one DJ, with several voices emerging: Jason the Hater, gruff and comical; Mighty Quinn, smooth and fierce; Derelick, nasally and sly; Yasin Allah, all honeyed-baritone confidence.

With these disparate voices mixing across dense, soulful tracks, the result is something like a Bluff City Wu-Tang Clan: dense, rattling, lyrically and vocally inconsistent. This second album misses the booming, staccato flow of Kontrast’s Empee, who provided some of the best vocal moments on the first Iron Mic disc (especially the solo “Empee’s Lament”) but who only appears as a producer here.

There are occasional lapses into standard-issue battle-rhyme gibberish, but mostly this is a cut above what most conceive as Memphis rap. “Ole School Break” is an early highlight, with a strong leadoff verse from Derelick before Quinn flips Slick Rick’s “Children’s Story” for a bit of autobiography.

“Quick to act and slow to speak” from “Hickory Ridge to the Arkansas bridge,” Iron Mic’s music is not as placeless as most indie hip-hop. The blues and old soul samples aren’t at all definitively Memphis, but a song called “Monday Night” that’s about wrestling rather than football sure is. The group takes stronger aim at its hometown on “Raindrops,” where Derelick announces, “We come from the home of grimy soul music/We got a heritage/We gotta learn how to use it.”

Ultimately, Iron Mic’s vitality comes in representing a considerable, mostly silent slice of the city’s African-American hip-hop audience: people who don’t relate to Three 6 Mafia or Project Pat or Yo Gotti and never thought there’d be Memphis-bred hip-hop for them. — Chris Herrington

Grade: B+

The Iron Mic Coalition performs at the Hi-Tone Café Saturday, March 29th. Doors open at 9 p.m.

Categories
Cover Feature News

A Weekend in Little Rock

Tickets for the opening-round game of the University of Memphis versus Texas-Arlington were going for $150 and up online last week, so it was with some trepidation that I drove to Little Rock on Friday with nary an entry pass into the Tiger game.

My fears proved unfounded, though, as soon as I got off the shuttle in front of Alltel Arena in North Little Rock. A guy was standing there with one ticket for sale, upper level. He only wanted face value: $52.50. Sold American!

In fact, the grounds of Alltel were swimming with Friday night tickets, all for face value. However, as I asked about securing a ticket for the Sunday afternoon game, the answer from everybody was the same: “Man, nobody has Sunday tickets.” Gulp.

My biggest hope for scoring a Sunday ticket was that Mississippi State would lose Friday night, thus flooding the market with Bulldog tickets from disappointed fans ready to get the hell back to Starkville. MSU took care of Oregon Friday night, though, and a potential positive quickly became a resolute negative. Now, not only were Bulldog fans NOT going home, they were calling in reinforcements from their home state. Cell phones were atwitter, and the halls of Alltel Arena were bursting with people looking for extra tickets.

Everybody’s prime target: Oregon and Texas-Arlington fans.

What happens is this: You walk around with your hand in the air, extending your fingers to indicate how many tickets you need. Presumably, people are anxious to unload unwanted tickets. Not Friday night. I felt more like shouting, “I need a miracle!”

It seemed so crass to perch by exits of the Texas-Arlington sections and wait for fans to leave. I felt like an ambulance chaser. Worse, I only needed one ticket. So, with my hand up in the air, it looked like I was telling Texas-Arlington supporters that I was number one and they were, at best, number 16.

Texas-Arlington fans had no tickees to sell. I can only assume they were pragmatists and didn’t buy for Sunday, knowing their team wasn’t going to get historically unprecedented and beat Memphis.

Then, I saw a commotion, and a knot of fellow ticket-seekers surrounded one tall guy. He had Easter Sunday tickets. One hundred bucks a pop. Emboldened by being there on assignment, I kept yelling, “You got one ticket? Just one? I just need one ticket!”

He finally looked at me and asked me what section I wanted. Euphorically, and stupidly, I answered, “I don’t care.” Mercifully, he forked over a lower-level ticket. I gave him $100 and was on my merry way.

The religious holiday connection seemed supernaturally fortuitous. I’ve never actually seen the tall guy with the tickets and Jesus in the same place at the same time. I’m just saying.

Getting a ticket early proved to be good fortune on Sunday, when a survey of ticket scalpers outside Alltel found that lower-level seats were going for $250 and upper-level seats for $150 each.

The first game on the schedule was the number 2 seed Texas Longhorns versus the 7 seed Miami Hurricanes. Texas is led by superb sophomore guard D.J. Augustin and junior guard A.J. Abrams. Augustin plays like he’s water on the floor, slipping around defenders and squirting the ball to open defenders — usually Abrams. (To put it in perspective, Augustin averaged 5.7 assists this year; Memphis phenom guard Derrick Rose averaged 4.5.) In the game against Miami, Augustin passed up open or slightly contested lay-ups several times, preferring to put it in the hands of an outside shooter.

Anticipation and some nervousness were in the air before the Tigers tipped off at about 4 p.m. on Sunday. The Tiger student booster group, the Blue Crew, had more than 25 on hand in Little Rock, including freshman Kevin Brower, junior Daniel Cox, and sophomore Zachary Reavis.

Reavis didn’t like thinking about a possible early-round tournament loss. “I know how I felt after the Tennessee game,” Reavis said, referring to the Tigers’ February 23rd defeat, their only loss of the season.

Cox grew up on the early-1990s Larry Finch-coached Tiger teams, starring Anfernee Hardaway. Cox calls the current incarnation deeper and more talented than Hardaway’s 1992 Elite 8 team.

It would all be for naught if the Tigers couldn’t get past the scrappy 8 seed Bulldogs, who looked awfully good Friday night versus the Oregon Ducks. MSU big man Charles Rhodes in particular had me losing sleep over the long weekend.

Sunday’s Tigers-Bulldogs game was magnificently physical. Joey Dorsey and Robert Dozier cast an imposing, biblical presence in the middle. Dorsey’s play was — dare I say it? — inspiring, slapping away opponent shots and giving an effort far beyond what he did on Friday. On several plays, Memphis’ defense had Dozier on the front line of attack, putting a body on a ball-handler but keeping his arms straight up, not trying to block the shot. That was saved for Dorsey, who jumped from behind Dozier, buffered from picking up a foul and able to cleanly murder the ball after it left the shooter’s hands.

At times, the physicality of the game seemed like the more improbable scenes from a Rocky movie, each team landing haymakers then getting popped right back in the mouth on the other end. The only downside to the scenario: the refs. While the first 15 minutes of the first half was mostly pristine, it started to go downhill as Memphis forward Shawn Taggart picked up two fouls in less than 30 seconds. From then on, the referees seemed intent on establishing some control in the game.

The second half started equally aggressive, but when Dorsey picked up two fouls in 30 seconds and Taggart got another a minute later, Memphis was forced to play conservative defense, giving up easy lay-ups and dunks and slowing the pace of the game, to MSU’s benefit.

By the time it was all said and done, Mississippi State had five players with four fouls each. Memphis had two players foul out — Dorsey and Dozier — and a third, Taggart, had four fouls.

But nothing can diminish what Dorsey did. He turned in his best game of the season. Having to hold the fort against two monstrous opponents in Rhodes and Jarvis Varnado, Dorsey limited their presence in the game until the fouls caught up with him. Dorsey fouled out with 27 seconds left, but his stat line was beautiful: 13 points, 12 rebounds, and six blocked shots.

Another bright spot: Tiger guard Willie Kemp made four of five three-pointers in only 13 minutes. A few Bulldog fans near me referred to Kemp as “Reggie Miller,” the great clutch-shooting former NBA player, and wondered why Memphis coach John Calipari didn’t give him more minutes. With interior real estate so hard to come by in the hard-fought game, and with the need for a consistent hand from the outside, it was hard not to see the MSU fans’ point.

After Memphis finally secured the win, 77-74, a joke made the rounds at Alltel: What Mississippi State needed was more cowbell. I laughed every time.

Memphis moves on to Houston to face another MSU: the 5 seed Michigan State Spartans, who beat number 4 seed Pittsburgh on Saturday.

Texas advances to face number 3 seed Stanford on Friday in Houston. Their big man, Connor Atchley, and versatile wing Damion James are going to have to figure out what to do with Stanford’s twin titans, Brook and Robin Lopez.

Memphis fans are going to have to figure out whom to root for in that contest. Stanford might pose bigger matchup problems for the Tigers, but the Longhorns are going to have a Texas-sized crowd cheering them on if they advance. Which is the lesser of the two evils?

Categories
Letters To The Editor Opinion

Letters to the Editor

Herenton and the Libraries

The mayor’s office, acting like an agency for ignorance and decadence, has deliberately damaged Memphis’ endeavors to become a progressive 21st-century American city. The intent of a platitudinous mayor and his confederacy of corroborators to shut down nine libraries and community centers are tantamount to abandoning the neighborhoods and citizens they serve. These closings are ripping out the very resources critical to public safety. Any capable urban official realizes that the root of violent street crime and other illegal disturbances is a community deficient in essential civilized services.

Memphians should demand from their mayor and City Council a reversal of these policy decisions. Furthermore, the city leadership must nullify the appointments of high-salaried city administrators who are academically void in the library sciences. The idea that “efficiency” will improve in the Memphis library system or in neighborhood community-center functions with underqualified administrators is simply unreasonable.

Timothy McKay

Memphis

The Riverfront and The Pyramid

Friends for Our Riverfront has adopted the cause of protecting the natural and historical look of our riverfront. We have all witnessed their passionate albeit misguided protest of Beale Street Landing.

It is odd now that the group remains completely silent about the Greg Ericson theme-park proposal for The Pyramid and Mud Island — a proposal which would bring noisy rides, amusement games, Pronto Pups, loud music, crowds, litter, traffic congestion, added need for police, and potentially the moving of the I-40 ramp, which clearly will impact the riverfront.

How can Friends for Our Riverfront justify saying nothing over the potential commercialization of 90 acres of prime riverfront property, given their charter? My personal belief is that their president’s friendship with Commissioner Steve Mulroy, an Ericson supporter, has compromised the group and left them bastardizing their own commitment to the riverfront. Normally frenzied in opposition to such projects, Friends has a moral and civic obligation to speak out against the Ericson proposal.

Tommy Volinchak, President

Memphis Downtown Neighborhood
Association

Obama and Wright

Are we to believe that after 20 years as a member of his church, Barack Obama has never heard the anti-American, racist remarks of his mentor and pastor, Jeremiah Wright? Dozens of videos of his sermons are now out, showing this man ranting against “white people” and America, yet Obama states he was never present for any of these. Not very observant is he?

The more likely scenario is that he has known about this pastor all along and is now denying it. The very fact that he has listened to this hate speech for 20 years must mean he agrees with these messages. Obama could have walked out of this church but chose to remain in the congregation of a bigoted, Farrakhan-supporting hate monger.

Americans rightfully condemn the KKK for racist remarks against blacks and should also condemn people, even so-called preachers, who spread racism against whites. Admitting that he did not know this side of his pastor after a 20-year association shows a lack of judgment that we cannot afford to have in the White House. Think of what terrorists around the world will be able to do behind this man’s back.

Of course, Hillary is not much better. As the most famously cheated-on woman in her own house, our enemies will have a field day behind her back as well.

Rick Sneed

Nashville

Bush is the Worst

Many historians now believe that George Bush will be seen as the worst president in our history. By way of contrast, they deem Washingon, Lincoln, and FDR to be our greatest presidents. Two basic elements constitute the criteria of judgment: the profound nature of the crisis the presidents faced and the creative way in which they responded.

The litany of Bush’s failures in foreign and domestic affairs continues to grow, and the evil consequences of those failures will surely impact the nation for a generation or more to come. Many things help explain the enormity of his flawed stewardship: self-righteous arrogance, ideological fixation, incompetence, and the tragic innocence that informs his “freedom agenda” for the world.

It was a wise sage who observed that “character is fate.”

M.L. Wilson

Memphis

Categories
Art Art Feature

Heart of the Matter

Bronze mountains, figures, and worlds explode in Perry Nicole’s “Roy Tamboli: Madrugada,” an exhibition that pays homage to sexual, mental, mythic, and cosmic energies.

What could be the body of a dragon arcs and twists, Art Nouveau-like, through space near the top of Fuerzas (Sprung). The dragon’s gnarled face spews flames that ripple into angel wings. In the midst of these baroque flourishes, Tamboli adds sex and satire to the mythic and the sublime. Tiny patchworks of bronze that look like Adam and Eve just created engage in gymnastic sex on the back of a motorcycle.

Tamboli’s bronzes range from iconic to meditative to chaotic in this body of work. Several gracefully abstracted pelvises stand side-by-side, tilted forward slightly, in Hejira. This is Tamboli’s powerful evocation of a family whose members bolster one another while still being able to move fluidly, en masse, as they celebrate, work together, or seek a better life, as they do here in an artwork whose title means “migration” in Arabic.

A stylized figure with almond eyes and triangular torso stands on his head in Sirasana. A couple makes love. A man shovels earth and buries a tiny body. These episodes from Tamboli’s life, played out on a high narrow ledge, precariously tilted, evoke the tenuous quality of memory and existence.

There are no discreet categories, no moral judgments in this wildly imaginative work in which sex flows into a kicking bull, cannon fire, the molecular makeup of carbon, windblown trees, a hurricane, and human figures hoisted up by angels. Mind, myth, and material world roil into one seething cosmos that Tamboli describes in interviews and artist statements as “madrugada”: “King energy — the power of nature manifested in all things constantly changing.”

Through March 29th

L Ross Gallery’s current exhibition, “Greetings from Spillmanville,” finds another artist/storyteller working at the top of his form. With techniques learned from Looney Tunes, tattoo artists, and 19th-century Japanese printmakers, Bobby Spillman transforms coffee grinds, ink, and dollops of gouache into powerful, poignant works of art that are softly nuanced as well as rich with detail.

A whiskered catfish as big as Moby Dick threatens to swallow a ship in The Rise and Fall of the Dark Pegasus. The subject of Sourdly Lion attempts to devour a lemon tree. A baby duck is swept along by a stream of water through a forest in Carry One and past telephone poles in Field Trip. Its eyes are wide with wonder, reminding us that every life is a grand adventure.

Spillman combines Greek myth with Aesop’s Fables to create stories that transform tragedy into exercises of the imagination. A giant squid in We’re Going To Need a Bigger Boat pulls free from a rope tied to an anchor moored on a hillock at the bottom of the ocean. Its tentacles threaten to capsize a ship on the surface. Instead of drowning at sea like Sinbad’s comrades or being doomed by a fatal character flaw in Greek drama, the work’s title suggests a sequel in which protagonists learn from their experiences and build a boat big enough to encompass their new ideas.

Bobby Spillman’s We’re Going to Need a Bigger Boat

Fearless depicts life lived with wisdom as well as courage. Two adventurers, who know their strengths and their limitations, fly at the edge but still within sight of their flock. Golden-brown sun warms the birds’ bodies. Their wings’ soft and flexible feathers, spread out at different angles, are buoyed by air currents over the tops of tall pines swaying in the wind.

This visionary, bittersweet, deeply felt art is inspired perhaps in part by the 485 students, ages 5 to 12, Spillman teaches at Bruce Elementary School. Many of the students, like their mentor, tote a handmade sketchbook everywhere they go. Some of them spend the last hour of their school day with Spillman doing “art time” as they explore feelings, hopes, and frustrations in their sketchbooks.

“Spillmanville” isn’t a place, an exhibition, or a fantasy. It’s a state of mind and Spillman’s reminder to the child in each of us to jump back into life with eyes, heart, mind, and imagination wide-open.

Through March 31st

Categories
Music Record Reviews

Local Record Reviews

Stax vs. Motown is, of course, one of the past century’s great cultural rivalries, up there with Yankees/Red Sox or Beatles/Stones. In the decades since the Memphis soul label and its Detroit counterpart receded from the center of pop music production, critics and fans have continued to make great sport of pitting these institutions — the twin oracles of ’60s/’70s black culture — against each other.

Soulsville Sings Hitsville presents different approaches to the Motown style. One of Stax’s strengths relative to Motown has always been the greater depth and consistency of its catalogue, manifested in more compelling minor artists and non-hit recordings, but on this compilation, Stax artists mine obscure Motown in addition to the identifiable hits. David Porter delivers a great reading of the Stevie Wonder album cut “I Don’t Know Why I Love You,” while the Staple Singers do a bluesy reworking of the minor Tempations hit “You’ve Got To Earn It.”

More interesting is hearing Stax artists confront more familiar Motown material. The Soul Children reconfigure Stevie Wonder’s “Signed, Sealed, Delivered” for Sunday-morning service, putting a different emphasis on the “delivered” of the title. Even more daring is Margie Joseph’s reworking of the Supremes’ signature hit, “Stop! In the Name of Love,” a deconstruction of a pop-song staple similar to (if less titanic than) Otis Redding’s version of “Try a Little Tenderness.”

The Joseph version adds a spoken-word intro, turning the trademark Motown hit into a dramatic set piece that references both pre-Supremes girl groups and the pulpit-style soul monologues of Clarence Carter or Solomon Burke. Structurally, this version takes the sleek, elegant Motown composition and plays around with it, taking it apart and pulling it back together with baritone background vocals and churchy piano fills in the mix. It doesn’t confirm Stax’s superiority to Motown, but it’s absolutely a testament to the Memphis label’s creativity and ingenuity. — CH

Grade: A-

Categories
Letter From The Editor Opinion

Letter from the Editor: Celebrating Judy Freeman

A bunch of us gathered at the Cove on Broad Avenue a couple weekends ago to celebrate the life of our recently departed friend, Judy Freeman. It was a good crowd. Judy lived a large life, one that touched people from all kinds of worlds.

Judy worked as a sales rep for Memphis magazine for many years, which is how I came to know her. In my publishing career, I’ve known lots of ad reps — a couple better than I’d care to admit. But Judy was unique. She was always on a spiritual quest of some sort: “rebirthing,” yoga, meditation, ballet, travel to the world’s holy places. When she sold an ad, she sold it from a place of honesty and with a genuine sense that she was helping her client. There was no pressure — or bullshit — from Judy. She believed in the power of truth.

Many years ago, Judy and a dear friend of hers joined my girlfriend and me for a spring weekend at a cabin I owned in the Ozarks. It rained on Saturday, but Sunday dawned clear, and we sat on the deck and opened a bottle of wine. The sun was warm, the sky was blue, and we felt very civilized.

Judy, ever the child of the 1960s, decided to smoke a joint. The rest of us didn’t smoke, but we sipped our wine, and the conversation flowed. Suddenly, we heard the roar of an engine. My neighbor from down the road was coming to visit us — on his tractor. I’d met him several times, and he seemed a classic country redneck. As he pulled into the driveway, spewing exhaust and noise, I whispered sharply, “Ditch the pot, Judy! This guy will have us arrested if he sees it.”

Judy beamed a beatific smile and exhaled. Tractor-man pulled up, took in the scene, and, in a Slingblade monotone, said, “How ya’ll doin’?”

There was an awkward moment of silence, smoke wafting in the air. Then Judy grinned and said, “I’m just sitting here on this beautiful day with my lover and my friends, smoking a joint and drinking a glass of wine. Would you like to join us?” The rest of us froze, thinking we were surely destined for the county jail.

“Sounds good,” he drawled. “I believe I will.”

Judy Freeman. She believed the truth was always a good idea. She’ll be missed.

Bruce VanWyngarden

brucev@memphisflyer.com

Categories
News The Fly-By

Fly on the Wall

Still number one

Hooray! Memphis finally has been singled out for being number one on a couple of lists that have absolutely nothing to do with fatness, laziness, crime, education, or college basketball. Airports Council International, an association of the world’s airports, has named Memphis International Airport the number-one air-cargo airport in the world for the 16th consecutive year!

Also, an attention-grabbing study conducted by Prevention, a monthly health and wellness magazine, listed Memphis as the most convenient city in Tennessee for walking. The Prevention study looked at factors such as parks and green space but failed to consider issues like fatness, laziness, or fear of violent gun-toting rapists on strawberry meth.

Clattu, Veratta, Nicto

According to an article published by The National Enquirer — and elaborated upon by Canada’s KBS radio — Priscilla Presley “utilizes” her dead ex-husband’s “secret pre-stage ritual” to warm up for her Dancing With the Stars appearances. What is the amazing 15-second act that “recharged” the King’s “batteries” and left him “glowing”? More importantly, is it legal? The oldest Dancing With the Stars contestant didn’t share all the details, sadly. She only said that she “channels Elvis in her mind,” forcing herself to “achieve Zen-like concentration by uttering [a] secret chant!”

‘N’ The Money

Justin Timberlake has generously donated $100,000 to both the Memphis Rock ‘n’ Soul Museum and the Memphis Music Foundation. The pop star turned actor says contributing to Memphis’ music legacy is important to him. Besides, even the biggest stars in the world have to clean out the change from behind the sofa cushions sometimes.