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Music Music Features

Saturday Band Listings

Saturday Schedule

Cellular South Stage

Muck Sticky 2:30-3:20 p.m.

Duman 3:50-4:50 p.m.

Cat Power 5:20-6:35 p.m.

Buddy Guy 7:05-8:30 p.m.

Lou Reed 9-10:15 p.m.

Santana 10:45-12:15 p.m.

Sam’s Town Stage

Oracle and the Mountain 2:30-3:30 p.m.

Saving Abel 4-5:05 p.m.

The Whigs 5:35-6:40 p.m.

Simple Plan 7:10-8:25 p.m.

Seether 8:55-10:10 p.m.

Disturbed 10:40-12:10 p.m.

Budweiser Stage

Al Kapone 2:20-3:30 p.m.

Tegan and Sara 3:50-5 p.m.

Colbie Caillat 5:30-6:35 p.m.

Arrested Development 7:05-8:20 p.m.

John Butler Trio 8:50-10:15 p.m.

Matisyahu 10:45-12:15 p.m.

Tennessee Lottery Blues Tent

Eli “paperboy” Reed 2-2:45 p.m.

Preston Shannon 3:10-4:15 p.m.

Kenny Neal 4:40-5:50 p.m.

Backdoor Slam 6:15-7:30 p.m.

Watermelon Slim 7:55-9:10 p.m.

Pinetop Perkins & Hubert Sumlin

w/ Billy Gibson 9:35-10:45 p.m.

Bettye Lavette 11:15-12:30 p.m.

Soco Blues Shack

Richard Johnston 2, 3:30, 5:50, 7:30, & 10:45 p.m.

Blind Mississippi Morris 2:45, 4:15, 6:30, & 9:10 p.m.

Band Listings Saturday, May 3

Muck Sticky

Cellular South Stage

2:30 p.m.

This Memphis-based musical prankster matches a high-pitched, half-rapped drawl with a weed-centric, semi-utopian, NC-17-rated worldview. You may be confused, but you probably won’t be bored.

Duman

Cellular South Stage

3:50 p.m.

Representing this year’s Memphis in May honored country, Turkey, Duman is an Istanbul grunge-rock trio whose lead singer, Kaan Tangöze, first started writing songs while a college student in Seattle, learning the music from the source.

Cat Power

Cellular South Stage

5:20 p.m.

Georgia-bred indie rocker Chan “Cat Power” Marshall has been a cult favorite for more than a decade but has expanded her audience in recent years with a little help from some Memphis friends. The Greatest, which was recorded in Memphis in 2006, was a breakout record for Marshall and featured the work of several Memphis musicians, notably Hi Records guitar legend Teenie Hodges. Her latest album, a collection of mostly covers called Jukebox, continues the Memphis ties with takes on Jessie Mae Hemphill’s “Lord, Help the Poor & Needy” and Dan Penn’s “Woman Left Lonely.”

Buddy Guy

Cellular South Stage

7:05 p.m.

Once the hot young gun of the Chicago blues scene, Buddy Guy is now the elder statesman, towering over that city’s blues scene as Muddy Waters once did. A brilliant guitarist, Guy ventured south for 2001’s Mississippi-recorded Sweet Tea to show he can still excel outside the standard Chicago style. This year he’s on the big screen, stealing the show from the Rolling Stones in their concert film Shine a Light.

Lou Reed

Cellular South Stage

9 p.m.

Matisyahu

As the frontman of the Velvet Underground, Lou Reed served as the catalyst for the punk, glam, and alternative-rock movements to come. Since going solo in the early ’70s, he’s documented subterranean urban culture on the classic “Walk on the Wild Side,” paid respects to the late Andy Warhol on Songs for Drella, and reported on urban decay in his hometown on New York. Though Reed’s catalog of challenging, literate work is immense, he’ll always be best known for the classics he penned for the Velvet Underground in the late ’60s: “Sweet Jane,” “Heroin,” “Sister Ray,” etc.

Santana

Cellular South Stage

10:45 p.m.

Lou Reed

Guitarist Carlos Santana and his eponymous band injected Latin styles into the California rock scene of the ’60s, going on to star at Woodstock and score hits with “Evil Ways” and “Black Magic Woman.” Decades later, Santana made one of the most successful comebacks rock music has ever seen with the 1999 album Supernatural. The album sold more than 10 million copies and landed 11 Grammy nominations, morphing Carlos Santana from a classic-rock legend to a modern superstar.

Oracle and the Mountain

Sam’s Town Stage

2:30 p.m.

This newish local band is a promising rock quartet whose music evokes grunge, alt-country, and contemporary indie rock in equal doses.

Saving Abel

Sam’s Town Stage

4 p.m.

This heavy Southern rock band from Corinth, Mississippi, recently made the leap from unsigned Mid-South hopefuls to major-label up-and-comers, releasing their eponymous debut on Virgin Records this spring.

The Whigs

Sam’s Town Stage

5:35 p.m.

Stefano Giovannini

Cat Power

One of the best and most buzzed-about young rock bands around, this Georgia-based indie power trio evokes such alt-rock icons as the Replacements and even Nirvana. The band’s label-released debut, this year’s Mission Control, is a deceptively simple blast of crunchy riffs, locomotive drumming, and catchy hooks.

Simple Plan

Sam’s Town Stage

7:10 p.m.

The Montreal-based pop-punk quintet Simple Plan have followed cohorts such as Blink-182 and Good Charlotte out of the scene’s underground and onto the pop charts, scoring multiple hits with their 2004 breakthrough album Still Not Getting Any.

Seether

Sam’s Town Stage

8:55 p.m.

Santana

South African alt-metal band Seether has become Music Fest regulars, making appearances over the past few years. The band broke through in America via a slot on the Ozzfest tour in 2002 and hasn’t looked back since.

Disturbed

Sam’s Town Stage

10:40 p.m.

Chicago-based nü-metal band Disturbed reveal elements of alt-rock and even rap like many of their genre contemporaries but also boast an

Seether

old-fashioned sensibility at times, evoking metal heroes such as Judas Priest, Iron Maiden, and Pantera.

Al Kapone

Budweiser Stage

2:20 p.m.

M-Town’s own Al Kapone possesses one of the most original voices on the city’s rap scene, but, more often than not, he’s languished in the shadows of the monolithic Three 6 Mafia. More recently, however, this hardcore gangsta rapper has stepped into the light with releases like 2003’s Goin’ All Out and his contributions to the soundtrack of the Memphis-set rap film Hustle & Flow. Lately, Kapone has been working with a live band, the Untouchables, which should make his Dirty South rhymes translate well to the big stage this weekend.

Tegan and Sara

Budweiser Stage

3:50 p.m.

The Whigs

This Canadian duo consisting of twin sisters is one of the biggest indie success stories of the past year. After a decade performing together, Tegan and Sara morphed from conventional folkies into a duo that incorporated punk and alt-rock into their sound on the 2007 breakthrough The Con, which was produced by Chris Walla of the Seattle indie band Death Cab for Cutie.

Colbie Caillat

Budweiser Stage

5:30 p.m.

California folk-pop songwriter Colbie Caillat (think Jewel crossed with Natasha Bedingfield) recorded and posted songs on MySpace a couple of years ago and suddenly became an Internet sensation. Digital word of mouth led to a deal with Universal records, which released Caillat’s debut album, Coco, last summer.

Arrested Development

Budweiser Stage

7:05 p.m.

Disturbed

In 1992, West Coast so-called gangster rap was rampant, but an alternative emerged out of left field in the form of Arrested Development: a sprawling, rootsy, Afrocentric crew whose breakthrough hit “Tennessee” was a master stroke they could never repeat. A decade later, rapper Speech got the group back together, releasing the album Since the Last Time in 2007.

The John Butler Trio

Budweiser Stage

8:50 p.m.

Courtesy twovital.com

Arrested Development

From an opening act for the Dave Matthews Band to a platinum-selling headliner, Australian jam band the John Butler Trio mine American roots music and rollicking, bluesy pop. The group’s third studio album, Grand National, runs the gamut of contemporary pop, as Butler tries on hip-hop, reggae, and full-on rock for size.

Matisyahu

Budweiser Stage

10:45 p.m.

David Moore

Richard Johnston

On the surface, Matisyahu seems like a joke act — a Hasidic Jew celebrating his culture and religion via Jamaican reggae. But this high school Deadhead is serious. His second studio album, Youth, even went on to garner a Grammy nomination for Best Reggae Album.

Eli “Paperboy” Reed

Tennessee Lottery Blues Tent

2 p.m.

Raised in the unlikely environs of Brookline, Massachusetts, this blue-eyed soul singer spent time in Clarksdale, Mississippi, after high school to get a real musical education. Reed’s new album, Roll With You, demonstrates an ease with classic ’60s soul that should place him near the top of the soul revival scene.

Preston Shannon

Tennessee Lottery Blues Tent

3:10 p.m.

Preston Shannon, a longtime Memphis blues/soul singer/guitarist and Beale Street bandleader, will help the Beale Street Music Festival earn its name by bringing some modern Memphis sounds to the Blues Tent.

Kenny Neal

Tennessee Lottery Blues Tent

4:40 p.m.

Baton Rouge swamp-blues stalwart Kenny Neal has long been one of the top names in contemporary blues. After growing up in a blues family around stars such as Buddy Guy and Slim Harpo, Neal has graduated to their level on his own. He recorded for Alligator Records for most of the past two decades but recently released Let Life Flow, his debut for another venerable blues label, Blind Pig.

BackDoor Slam

Tennessee Lottery Blues Tent

6:15 p.m.

Hailing from the Isle of Man, Backdoor Slam, featuring Davy Knowles on guitar and mandolin, Adam Jones on bass, and Ross Doyle on drums, will rock the Beale Street Music Fest with a sound that harkens back to earlier British blues-rock exports.

Watermelon Slim

Tennessee Lottery Blues Tent

7:55 p.m.

Watermelon Slim hardly fits the blues archetype. He’s a Vietnam vet, former trucker, and recipient of a master’s degree. Watermelon Slim also has channeled his creativity into a second career as a blues musician, releasing a protest album called Merry Airbrakes shortly after his stint in the service. Fast-forward three decades, and you’ll find Watermelon Slim and his band riding the wave of their terrific album The Wheel Man.

Pinetop Perkins & Hubert Sumlin with Billy Gibson

Tennessee Lottery Blues Tent

9:35 p.m.

Memphis harmonica master Billy Gibson must be living right to share the stage this weekend with two certified blues legends: The 94-year-old Pine-top Perkins is a boogie-woogie piano master who once replaced Otis Spann in Muddy Waters’ band. The 76-year-old guitarist Hubert Sumlin is a youngster by comparison and cut his teeth as the great Howlin’ Wolf’s primary guitar foil.

Bettye Lavette

Tennessee Lottery Blues Tent

11:15 p.m.

One of the better recent comeback stories on the roots-music scene, Bettye Lavette was a cult-fave soul singer in the ’60s but never broke through. An active live performer into the ’90s, Lavette found her way back into a studio this decade and recorded with the rock band the Drive-By Truckers for her deep-soul testament The Scene of the Crime.

Richard Johnston

Soco Blues Shack

2 p.m., 3:30 p.m., 5:50 p.m.,

7:30 p.m., and 10:45 p.m.

Tegan and Sara

Richard Johnston has become one of the rising stars on the independent blues scene, winning the 2001 International Blues Challenge and releasing a best-selling debut album, Foot Hill Stomp, dedicated to — and inspired by — Jessie Mae Hemphill.

Blind Mississippi Morris

Soco Blues Shack

2:45 p.m., 4:15 p.m., 6:30 p.m., and 9:10 p.m.

Known as the “Real Deal on Beale,” Blind Mississippi Morris is a longtime staple of the contemporary Memphis blues scene, keeping the modern version of the Memphis sound anchored in its Delta roots.

Categories
Music Music Features

Sunday Band Listings

Sunday Schedule

Cellular South Stage

Carney 2:20-3:25 p.m.

Rue Melo 3:55-4:55 p.m.

Gavin Degraw 5:25-6:35 p.m.

Finger Eleven 7:05-8:15 p.m.

Fergie 8:45-10:15 p.m.

Sam’s Town Stage

Billy Lee Riley 2:30-3:30 p.m.

Duman 4-5 p.m.

Jerry Lee Lewis 5:30-6:30 p.m.

Aretha Franklin 7-8:05 p.m.

Michael McDonald 8:35-10:05 p.m.

Budweiser Stage

Pete Francis 2-3 p.m.

Umphrey’s McGee 3-4:40 p.m.

Michael Franti & Spearhead 5:10-6:20 p.m.

O.A.R. 6:50-8 p.m.

The Black Crowes 8:30-10 p.m.

Tennessee Lottery

Blues Tent

Calvin Cooke 2-3:05 p.m.

SamuEl James 3:30-4:40 p.m.

Nick Moss & the Flip tops 5:05-6:20 p.m.

Magic Slim & the Teardrops 6:45-8 p.m.

Doyle Bramhall 8:30-10 p.m.

Soco Blues Shack

Richard Johnston 2, 4:40, 6:20, & 8 p.m.

Robert “Wolfman” Belfour 3:05, 5:30, & 7:05 p.m.

Band Listings Sunday, May 4

Carney

Cellular South Stage

2:20 p.m.

This Los Angeles quartet led by a couple of brothers (guitarists Reeve and Zane Carney) plays bluesy, classic-style rock and just released their debut record, Nothing Without You, on Interscope Records.

Rue Melo

Cellular South Stage

3:55 p.m.

Named after its Paris-raised lead singer, this California quartet mixes rock, R&B, and hip-hop on singles such as “Check It Out” and “Smooth Brotha.”

Gavin DeGraw

Cellular South Stage

5:25 p.m.

Alice Stevens

Doyle Bramhall

This New York singer-songwriter hit in 2003 with a mainstream rock style that came across as a more sophisticated Matchbox Twenty or a more muscular Maroon 5 (a band with whom DeGraw shared a label). After scoring a huge pop hit with the single “I Don’t Want To Be” from his debut album, Chariot, DeGraw returned this year with an eponymous follow-up album.

Finger Eleven

Cellular South Stage

7:05 p.m.

These Canadians are melodic modern-rockers who met in high school and have been recording under the Finger Eleven moniker for more than a decade, finally breaking through in the U.S. in 2003 with the surging, emotional Top 40 hit “One Thing.”

Fergie

Cellular South Stage

8:45 p.m.

Gavin Degraw

Maybe pop music’s most unlikely current superstar, Fergie was a showbiz kid (with roots in both kiddie television and teen pop) who, at around age 30, joined the Black-Eyed Peas just before the group crossed over from underground hip-hop to mainstream pop. When Fergie went solo with 2006’s The Duchess, few expected her to surpass the popularity of her band, but nearly two years later, the album continues to produce radio and video hits such as “London Bridge,” “Fergalicious,” “Big Girls Don’t Cry,” and “Glamorous.” Fergie hasn’t always been taken seriously as she’s climbed the entertainment ladder, but she’s taken it to the bank. And her colorful, acrobatic stage presence helps her translate her pop/hip-hop/R&B sound to the stage.

Billy Lee Riley

Sam’s Town Stage

2:30 p.m.

Born across the river in Pocohontas, Arkansas, Billy Lee Riley remains one of the wildest rockers to have ever sprung from Memphis’ own Sun Studio. Although he never hit as big as Elvis or Jerry Lee Lewis, Riley’s original tunes like “Flying Saucer Rock’n’Roll” and “Red Hot” are considered landmarks of the rockabilly genre to this day. Riley remains a consummate performer and a perennial crowd pleaser who never fails to delight audiences at the Beale Street Music Festival.

Duman

Sam’s Town Stage

4 p.m.

Representing this year’s Memphis in May honored country, Turkey, Duman is an Istanbul grunge-rock trio whose lead singer, Kaan Tangöze, first started writing songs while a college student in Seattle, learning the music from the source.

Jerry Lee Lewis

Sam’s Town Stage

5:30 p.m.

Way back in 1957, this Bible college dropout from Ferriday, Louisiana, was determined to become Sam Phillips’ next discovery. His first single, the pumping piano tune “Crazy Arms,” did moderately well. Then all hell broke loose when Lewis cut “Whole Lotta Shakin’ Goin’ On” at Memphis’ Sun Studio. Onstage, the Killer fulfilled every parent’s worst nightmare, delivering a solid mule kick to his piano bench and shaking his hips in a frenzy. Lewis reinvented himself as a straight country star in later decades, but a slow-building rock-and-roll comeback (which began with the late-’80s big-screen biopic Great Balls of Fire and includes his induction into the Rock and Roll Hall of Fame) has rightfully restored Lewis to his position at the forefront of rock royalty.

Aretha Franklin

Sam’s Town Stage

7 p.m.

With Sam Cooke, Otis Redding, and, more recently, Ray Charles and James Brown all departed, the uncontested “Queen of Soul” is far and away America’s greatest living soul and R&B artist. The Memphis-born Franklin unleashed her gospel-trained pipes on a series of records in the late ’60s and early ’70s — albums such as Lady Soul and Spirit in the Dark, classic singles such as “Respect” and “Chain of Fools” — that stands as one of the absolute peaks of recorded pop music. In the decades since, she periodically pops up to remind everyone of her greatness — in the mid-’80s with the modern-soul classic Who’s Zoomin’ Who?, in the late ’90s with the post-hip-hop Master’s course A Rose Is Still a Rose. No fan of travel, Franklin’s live appearances are few these days. Don’t miss it.

Michael McDonald

Sam’s Town Stage

8:35 p.m.

C. Baldwin

Fergie

The voice behind Doobie Brothers hits such as “What a Fool Believes” and “Taking It to the Streets,” McDonald’s buttery baritone was a defining sound for laid-back California rock in the ’70s. And that voice made a swift transition to the adult end of Top 40 in the ’80s (such as “On My Own,” his hit duet with Patti LaBelle) and into adult-contemporary today as his baby-boomer audience ages along with him. McDonald tours regularly today and remains quite popular in the Memphis market.

Pete Francis

Budweiser Stage

2 p.m.

Michael McDonald

Francis was the frontman for the Vermont-based ’90s cult band Dispatch, going solo early this decade as a folkish singer-songwriter who sounds something like a male Joni Mitchell, with rock and reggae elements.

Umphrey’s McGee

Budweiser Stage

3 p.m.

This is not your typical jam band: Expect Midwesterners Umphrey’s McGee to channel Frank Zappa or King Crimson at the Beale Street Music Fest this weekend. Consummate live performers who often play songs by Toto, Snoop Dogg, and Metallica, they cut their first studio album, Local Band Does O.K., in 2002 and have been prolific since with a series of studio albums, live records, and compilations.

Michael Franti &
Spearhead

Budweiser Stage

5:10 p.m.

Michael Franti first appeared in the early ’90s as the voice behind the leftist, alternative hip-hop duo Disposable Heroes of Hiphoprisy. Now fronting the San Francisco-based band Spearhead, Franti’s music is more diverse, adding blues, rock, folk, and reggae to his hip-hop template for a kind of black roots music. His husky, charismatic baritone and fiercely political worldview remain.

O.A.R.

Budweiser Stage

6:50 p.m.

Pete Francis

This gentle, Maryland-based jam band went under the radar to build a massive live following in much the way Phish did. After years of hard touring on the jam and college circuits, O.A.R. can now fill Madison Square Garden, as witnessed on their new double-disc, double-DVD document of a recent sold-out concert at the venerable venue.

The Black Crowes

Budweiser Stage

8:30 p.m.

O.A.R.

These Atlanta rockers hit it big right off the bat with their 1990 debut, Shake Your Money Maker, giving a Southern-fried, neo-classic twist on the authentic hard-rock template Guns N’ Roses had recently taken platinum. Eighteen years later, the band remains active and relevant, perhaps more than ever to Memphis audiences via the presence of the band’s new hotshot guitarist: North Mississippi Allstar Luther Dickinson. Dickinson lends his considerable chops to the Crowes’ latest album, Warpaint, and will be joining them onstage this year at the Beale Street Music Festival.

Calvin Cooke

Tennessee Lottery Blues Tent

2 p.m.

Sometimes dubbed “the B.B. King of gospel steel guitar,” Cooke is a Detroit-based church musician who has recently brought his gospel blues public with a debut album produced by the like-minded Robert Randolph.

Samuel James

Tennessee Lottery Blues Tent

3:30 p.m.

A rising star in the world of traditional blues from the unlikely home of Portland, Maine, James is a young African-American blues player whose light acoustic style evokes country blues, jug bands, and ragtime, as heard on his recently released debut album, Songs Famed for Sorrow and Joy.

Nick Moss &

the Flip Tops

Tennessee Lottery Blues Tent

5:05 p.m.

The Black Crowes

Guitarist Nick Moss spent a decade as a sideman on the Chicago blues scene, including a stint in Jimmy Rogers’ band, before setting out to form his own band earlier this decade. The band, which released the two-disc, 21-song epic Play It ‘Til Tomorrow last year, has been labeled a modern version of the classic Paul Butterfield Blues Band of the ’60s. Moss & Co. are nominated for Album of the Year, Band of the Year, and Best Guitarist in the upcoming Blues Music Awards.

Magic Slim &

the Teardrops

Tennessee Lottery Blues Tent

6:45 p.m.

A classic Chicago blues band, Magic Slim & the Teardrops have been a staple of the Windy City scene since the mid-’60s and are still going strong, as witnessed by their three nominations at this year’s Blues Music Awards, including Band of the Year.

Doyle Bramhall

Tennessee Lottery Blues Tent

8:30 p.m.

Texas bluesman Doyle Bramhall has been a force on that state’s blues scene for decades, learning from the likes of Jimmy Reed and playing alongside the Vaughan brothers, Jimmie and the late Stevie Ray. After playing in a variety of Texas blues bands for decades, Bramhall finally started recording solo material in the ’90s.

Richard Johnston

Soco Blues Shack

2 p.m., 4:40 p.m., 6:20 p.m., 8 p.m.

Richard Johnston, a late-blooming street performer, has become one of the rising stars on the independent blues scene, winning the 2001 International Blues Challenge and releasing a best-selling debut album, Foot Hill Stomp, dedicated to — and inspired by — the late north Mississippi hill-country blueswoman Jessie Mae Hemphill. Solo, Johnston is sure to wow audiences with his world-weary howl and his picking ability on the cigar-box LoweBow, a one-stringed cousin of the electric guitar.

Robert “Wolfman” Belfour

Soco Blues Shack

3:05 p.m., 5:30 p.m., 7:05 p.m.

Belfour was born and raised in the north Mississippi hill country but relocated to Memphis more than 40 years ago. Belfour’s understated acoustic blues style, considered a link between Junior Kimbrough and R.L. Burnside by Fat Possum producer Bruce Watson, remains largely unnoticed by local blues fans, but his albums (2000’s What’s Wrong With You and Pushin’ My Luck, released three years later) have received rave reviews around the world.

Categories
Music Music Features

Jay Reatard Grows Up

Since his 2007 appearance at Austin’s South By Southwest Music Festival, garage-punk savant Jay Reatard (real surname: Lindsey) has become the Memphis musician with the biggest national footprint in terms of press, hype, and relentless touring.

The first album he released under the Jay Reatard moniker, Blood Visions, came out in late 2006 on In the Red records. It was a slow grower, but, eventually, word spread. Lindsey assembled a back-up band with members of local scorchers the Boston Chinks, and live shows left audiences wanting more …

Read the rest of Andrew Earles’ profile of the Memphis rocker.

Categories
Music Music Features

Beale Street Music Fest: The Bands, The Music, The Line-up

The Beale Street Music Fest will divide acts among four stages — with an added “blues shack” this year — in Tom Lee Park, a 33-acre site that sits at the base of historic Beale Street and stretches along the majestic Mississippi River.

Friday night’s lineup features a diverse trio of heavyweight headliners that may force eclectic music fans into a tough decision …

Get all the dope on this weekend’s Memphis in May Music Fest here.

Categories
Opinion Viewpoint

Hillary, Obama, Sex, Beer, and Strippers

I was out of town last week on my annual trout-fishing trek to the deep woods of Pennsylvania. (You know, the place where Obama saw his shadow, and now we have six more weeks of Hillary.) I was off the grid — no Internet, no cell phone — just my gun and my religion and a four-weight fly-rod. And beer …

Read Bruce VanWyngarden’s column from this week’s Flyer.

Categories
News

Don’t Cut $93 Million from Memphis Schools, Herenton Says

Mayor Willie Herenton, who will make his case for running the Memphis City Schools next Tuesday, asked the Memphis City Council this week to drop the idea of withholding $93 million in city funding from the schools.

Herenton made the request in a brief letter to council members Wednesday.
“To abruptly withhold $93 million from the Memphis City Schools would not be in the best interest of our children. In fact, this course of action could seriously damage a school system that needs new directions. If we could all stop for a moment and contain our emotions and let reason prevail, then progress can be made on different fronts.”

Council members are considering deleting school funding from the city budget — an idea Herenton himself has proposed previously. That would leave funding for city schools in the hands of the Shelby County Commission and allow the city council to possibly reduce property taxes instead of raising them by 58 cents, as Herenton proposed last month. It is unlikely that the commission would restore all $93 million if the City Council follows through. The total city schools budget is slightly more than $900 million.

Herenton will speak to the council about schools next Tuesday. He has declined interview requests and suggestions from businessmen that he take a more active role in promoting his own candidacy.

Herenton wants the school board to ask him to take the superintendent’s job. That appears unlikely. School system sources say Herenton’s offer is not catching fire with board members, who are more likely to support someone such as Alfred Hall, the syste’s chief academic officer and a regular at board meetings. Board member Martavius Jones has recommended Hall.

A search firm, Ray and Associates, will present the school board with a list of qualified candidates next week. Ray and Associates was also involved with Knox County in the search for a new superintendent. In March that job went to James McIntyre, 40, formerly chief operating officer for the Boston Public Schools.

The most important quality of a superintendent in Knox County, the consultants determined, was someone who “inspires trust, self-confidence, and models high standards.”

The Metro Nashville school system is also looking for a new superintendent.

Categories
Living Spaces Real Estate

Memphis “Hot Properties”

It certainly does not look like a bungalow from the street. Symmetrically placed windows with shutters are set on each side of a recessed entry with single-light French doors. Used brick on the front and engaged columns on the corner complete the facade that is trying so hard to be a Greek Revival cottage in the French Quarter. A wonderful old iron fence on the left side of the yard adds to the New Orleans flavor …

Read the rest of this week’s “Hot Properties” column by John Griffin.