Categories
Art Art Feature

Space, Light, Line

Brilliance in the Lost Moment of Hesitation,” Ali Cavanaugh’s show at
L Ross Gallery, explores the courage and wisdom of Milly Naeger, a
teenager battling cancer. In the artist’s statement for her show,
Cavanaugh congratulates Milly on “a battle well fought.” At the time of
the photo shoots, on which Cavanaugh’s current body of work is based,
Milly did not know what the outcome of her treatment would be.

In Interior Light, one of the show’s most memorable works,
Milly’s arms are outstretched, her palms up and open. The striking
coral-and-teal diamond pattern of the teenager’s arm warmers brings to
mind the leggings worn by jesters at Renaissance fairs. Milly’s
movements, however, are neither antic like that of a Harlequin nor
frenzied like the jig of a memento mori designed to strike fear in the
souls of mortals. The slow, undulating movements of Milly’s wrist and
arms are similar to those flexible graces of the mudra dancers of
India.

Cavanaugh’s 50 or so layers of nearly transparent washes create
colors so luminous that Milly looks lit from the inside as well as
bathed in the pure light suggested by the stark-white plaster panel on
which Cavanaugh paints. Eyes closed and head bent to the side, Milly
appears to be listening, aware of the feelings and physical sensations
moving through her, experiencing each moment as fully as she can. In
spite of the knowledge that her body may fail her and that sooner or
later death claims all of us, Milly dances with gratitude and
grace.

This is a must-see show — not only because Cavanaugh is one of
the few accomplished fresco painters working in the U.S. today or
because she has mastered body language and light, but because
Cavanaugh’s themes are universal. In this pantomime, one of the
bravest, most honest statements regarding the human condition, Milly
dances for us all. Through June 30th The genius of
Wayne Edge’s best works lies in this sculptor’s ability to suggest the
whole cosmos in one piece but still keep his composition open and
elegant.

Empty space lies at the center of Sunrise on Glass Butte, the
largest, most supercharged work in Edge’s David Lusk exhibition,
“Gazing at Distant Mountains.”

Tiny pieces of quartz attached to a jumble of dark-brown, nearly
black sticks of wenge wood, pointing in all directions, could be a
shower of shooting stars or the first glints of sunrise. This evocative
work suggests kinetic and quantum as well as galactic energy. Sticks of
wenge at the bottom, tipped with bits of translucent, smoky-gray
volcanic glass, remind us that energy roils not only throughout the
cosmos but also inside earth’s molten core.

Large, slightly contoured pieces of wenge trace what looks like the
international flight pattern of an airline. Bottom left, a larger,
tautly arched bow feels like the bowl of heaven enfolding earth and
starlight into the palpable blanket of night.

Keep studying this remarkable work and you’ll see the last glints of
light in the universe sucked into the gaping mouth of a black hole and
the fast-frame action of two samurai warriors engaging in the swordplay
of kendo, another art form that Edge has mastered. Through July
3rd

One of the most moving paintings in “Caballo de Silueta,” Mary Cour
Burrows’ Perry Nicole Fine Arts show of equestrian studies and stray
dogs, is Perro Perdito.

In this encaustic on panel, the sheen of beeswax becomes the slick
sweaty fur of a dog Burrows photographed in Guanajuato, Mexico, last
summer. The subject of Perro Perdito looks up at us with eyes
clouded over with cataracts. A background of Van Gogh-like whorls helps
us feel what the dog feels — nauseous and dizzy from lack of
sleep and sustenance. Burrows paints only the front part of the dog as
he walks past us, left leg extended far forward, in a gait that feels
both desperate and determined. He will walk until he finds water, food,
compassion, or until he drops. “Perro Perdito” keeps moving because he
must. Through July 3rd

Currently at the P&H Café is Christopher Robin’s “Will
Work 4 Food.” This is a show loaded with social and sexual satire with
a beautiful nude, a motley crew of contemporary artists behaving like a
band of boisterous Renaissance minstrels, and a portrait of
singer/songwriter Davy Ray Bennett. Working in the style of
15th-century Northern Renaissance painters’ careful observation and
multiple layers of glaze, Robin lays the soul as well as the skin of
his nude model bare and captures Bennett’s unsettling synthesis of the
sensitive and the sardonic, which, like his songs, cuts to the bone.
Through July 7th

Categories
Theater Theater Feature

Over the Moon

An
imaginative and irreverent playwright with a thing for time travel and
the musical theater could pen an interesting musical mystery based on
the fatal circumstances surrounding John Kander and Fred Ebb’s musical
Curtains, which is currently onstage at Theatre Memphis. Kander
and Ebb, the innovative songwriting team behind an extensive list of
musicals including Cabaret and Chicago, were
collaborating on Curtains, a whodunit and backstage
comedy/romance, with 1776 author Peter Stone. But before their
work was completed, Stone died of pulmonary fibrosis. Then Ebb died of
a heart attack. And because the show must go on, both men were replaced
by Rupert Holmes, the songwriter/recording artist behind “Escape” (aka
“The Pina Colada Song”).

This isn’t the first time great artists have died to give Holmes an
opportunity to shine. Charles Dickens suffered a stroke, leaving his
Mystery of Edwin Drood unfinished until Holmes stepped in in
1985 and transformed the story into the Tony Award-winning Broadway
musical. Coincidence? Probably so. But Curtains still feels like
a dish prepared by too many cooks, like something that was finished
rather than completed.

In addition to being a mystery without much suspense,
Curtains is a play about a play that’s not quite ready to open.
It’s an unfortunate irony for this frothy throwback to the golden age
of the American musical. In fits and starts, Curtains can be a
great deal of fun.

Director Mitzi Hamilton has a tendency to look for good dancers,
which means her shows don’t always feature the best acting. But in this
case she’s assembled an able cast that knows how to put on the
razzle-dazzle. Her Curtains is sleek and stylish, and that may
be the show’s biggest problem. Even a musical about a troupe of actors
locked in a theater where people are being murdered right and left
needs a little grit. This production is all about broad smiles, cute
dialogue exchanges, and dancing on heavenly, cloud-covered
rooftops.

Marques Brown stands out from the crowd for his upbeat take on
Curtains’ musical-loving crime-scene investigator, but it takes
more than an able actor and an enthusiastic cast to keep this mostly
enjoyable story on track. As a backstage comedy/romance it’s
incomplete, and as a murder mystery it’s awful. In the end,
Curtains is only successful at being a big old-fashioned musical
extravaganza. And if that’s all you’re looking for, this show totally
kills.

Through June 28th

Douglas Carter Beane’s satirical drama The Little Dog Laughed
is, as anyone who ever chanted a certain nursery rhyme might imagine, a
story about laughter, sport, the moon, and dishes running away with
spoons. Now at Circuit Playhouse, it tells the story of Mitchell (John
Moore), a hot but somewhat air-headed film actor on the cusp of
stardom. If only he can hide his slight case of homosexuality long
enough to play a gay man on the big screen, he’ll be on Easy Street.
But Mitchell gets drunk sometimes, and to the amusement and
consternation of his lesbian agent Diane (Irene Crist), he calls
prostitutes. When he falls for Alex, a charming bisexual rent boy (an
understated performance by DJ Hill), the sly comedy turns ever so
slightly in the direction of farce. Diane’s acid tongue has been dipped
in silver, and it never stops wagging, even when she has little to
say.

The Little Dog Laughed aims at easy targets and hits them
easily enough. It’s no stretch to portray Hollywood types as shallow,
fast-talking whores who’ll stab you, rob you, and call you “baby” while
they’re doing it. Likewise, it’s no great revelation that there’s still
a surprising amount of homophobia even in the seemingly gay-friendly
entertainment industry. And although it threatens, the play never
becomes an outright indictment of Tinseltown’s well-documented
hypocrisies.

Although Moore and Hill both do exceptional work, their one big
make-out session feels choreographed and dispassionate. Then, amid a
good deal of slobbery neck-kissing, Hill’s underwear is ripped off and
the audience is given a face full of pale butt and swinging bollocks.
Had a cow subsequently jumped over that ass, the show would have
instantly moved out of the “good but not for everybody” category to a
must-see instant classic. Oh well.

Through July 12th

Categories
Opinion Viewpoint

Blogging and Beyond

The first time I heard the word “blog” was from Flyer
colleague Chris Davis, who at some point back in the early 2000s used
the term in a conversation we were having about websites in general,
including one I was then doing some serious labor on. The next time the
concept — of 24/7 online “Web logs” (aka blogs) — really
snagged my consciousness came in late 2002 when I learned of one based
on a variant of my name.

This was the famous, or infamous, or, in any case, now defunct
“HalfBakered” operated by one Mike Hollihan, who currently holds forth
as online editor of the locally produced Main Street Journal, a
print periodical aimed at a conservative audience.

HalfBakered was so called because Hollihan had convinced
himself that journalism — even, or maybe especially,
alternative journalism — was a liberal scam and that I, as
someone who focused on politics, was the local scammer-in-chief.

That characterization was as flattering as it was faulty, depending
on misapprehensions and misprisions of various kinds — ranging
from Hollihan’s chastising me for allegedly ignoring a then-raging
story, one that I had in fact broken, to his epiphany that my having
quoted Woodrow Wilson’s phrase “open covenants openly arrived at”
denoted my membership in a dark and demonic international
conspiracy.

The transition to more or less traditional journalism has improved
Hollihan in some ways, cramped his style in others. In any case, even
in his blogging days, he found enough real acorns (all of us should be
thankful he discovered assorted other at-large subjects to write about)
that by 2004 I found myself becoming a fan, at one point touting
Hollihan’s erratically appearing on-again/off-again site as “Best
Temporarily Out-of-Commission Weblog.”

In 2005, by now acquainted with a plethora of blogs (and a sometime
contributor to one myself), I wrote a column in which I hazarded this
description: “The blog is the bastard child of the conventional website
and the chatroom, blending the focus of the former with the masquerade
party of the latter. Add a dash of group therapy and a jigger of trick
or treat, and you’ve got it.”

Actually, you don’t. And I didn’t. As both the print and broadcast
versions of conventional journalism increasingly find themselves
stranded somewhere between hospice and Death Valley, the blog as a
genre has become something infinitely more substantial. And not just
because staff-written blogs of one kind or another are by now staples
of all journalistic enterprises (including the Flyer). The best
action is still outside the house.

Outrageous opinion remains a staple of the independent blog. But
more and more it is bloggers of that sort who are breaking news —
looking into corners or under rocks while big-city dailies are cutting
staff, contriving circulation-builders that don’t work, and trying to
cover politics and government by passing along press releases.

On the score of blogger effectiveness, just ask Tennessee
gubernatorial candidate Roy Herron, a Democratic state senator whose
dissembling and back-and-forthing on a legislative resolution opposing
the federal Employee Free Choice Act was exposed by several attentive
bloggers acting in concert. Maybe it was this embarrassment that
prompted Herron to redeem himself with progressives by salvaging an
endangered paper-ballot initiative. D’ya think?

Ask Republican state senator Diane Black about the furor, stretching
all the way to CNN, that erupted when one of her staffers was exposed
by blogger Newscoma as the sender of an e-mailed “portrait of the
presidents” depicting 43 presidents as usual and the 44th, Barack
Obama, as a pair of goggle eyes in black space.

Or behold, for that matter, an infinite number of blogger-caused
turnarounds on the national scene — ranging from Dan Rather’s
firing to the outing of page-molesting congressman Mark Foley to this
year’s valiant last-ditch stand against Graham-Lieberman, which
convinced Obama to seek the exclusion of that media-muzzling mechanism
from an omnibus military funding bill.

And well under way is the latest phase of the citizen media’s war
against secrecy: Twitter — the instant-by-instant networking of
pared-down word capsules expressing everything from the fact that a
given sender is brushing his teeth to the best means of evading
secret-police units in Iran.

“Tweeting” the process is called. Don’t get me started!

Too late. I already have. Jackson Baker is a Flyer
senior editor.

Categories
Music Music Features

Local Beat

There’s lots of music this weekend beyond the standard concert.
Here’s a guide:

Friday, June 26th: The monthly South Main Trolley Tour
is Friday, and the Memphis Music Foundation is taking advantage
of the foot traffic to celebrate the one-year anniversary of its
Memphis Music Resource Center with an open-house “birthday
party” from 6 to 9 p.m. Visitors can catch some modern Memphis music as
well as take a look at the center, a free information center and
workspace available to local musicians and others involved in the music
industry. There will be two performance spaces set up for the night
with confirmed acts Black Rock Revival, Sore Eyes,
Teflon Don & Young Producer Kriss, Good Luck Dark
Star
, Queens of Zion, and Battle Victorious. …
Though not music-related, another “Trolley Night” event you might want
to take note of is the debut of the trailer for the local feature film
Daylight Fades. A vampire-themed film from Old School
Pictures
and director Brad Ellis (who are two-time Indie
Memphis winners for “best local feature,” most recently for Act
One
), Daylight Fades is an unusually ambitious local
production, and the clips look great. You can see the trailer at 506 S.
Main, where it will debut at 7 p.m. and be shown on a loop until 9
p.m.

The two-day North Mississippi Hill Country Picnic kicks off
Friday at Potts Camp, a 1,100-acre site in the Holly Springs area. The
picnic is the brainchild of blues guitarist Kenny Brown, a
longtime protégé of R.L. Burnside. For ticket
information, directions, and instructions about what to bring or not to
bring, see NMSHillCountryPicnic.com. The
music runs from noon to midnight each day, and the lineup Friday
features chitlin-circuit icon Bobby Rush (4:30 p.m.), heirs to
the throne the Burnside Exploration (6:30 p.m.) and the
DuWayne Burnside Band (8:30 p.m.), hill-country survivor
T-Model Ford (7:30 p.m.), and a midnight ramble of a jam session
featuring Jim Dickinson (11 p.m.).

Saturday, June 27th: Shangri-La Records is having a big sale,
dubbed Purge Fest 2009, from 11 a.m. to 6 p.m., which will
feature live music from J.D. Reager & the Cold-Blooded
Three
, Memphis punk institution Pezz, and one of the city’s
most highly regarded up-and-coming bands, young rockers the Dirty
Streets
. … The North Mississippi Hill Country Picnic continues
with, among others, Cedric Burnside & Lightnin’ Malcolm (3
p.m.; the duo also will play the Levitt Shell Friday night), the
Rising Star Fife and Drum Band (5 p.m.), Robert Belfour
(5:45 p.m.), Hill Country Revue (8:15 p.m.), the North
Mississippi Allstars
(9:30 p.m.), and a closing jam led by Brown.
… The Stax Music Academy SNAP! Summer Music Camp will present
its grand finale performance at 7 p.m. at the Buckman Performing
Arts Center
. The theme is “At the Corner of Soulsville and
Hitsville: Stax Celebrates Motown”
and features Terron
Brooks
, who has done The Lion King on Broadway and played
the Temptations’ Eddie Kendricks in a television movie. Tickets are $10
in advance and $12 at the door. For more information, call
946-2435.

Sunday, June 28th: The Memphis Belles burlesque troupe
and Shangri-La Records will team up for a “Rock and Roll Car
Wash”
from noon to 3 p.m. in the parking lot of the Midtown record
store. The event is being held to raise money for the Belles’ costumes
for their Hi-Tone Café show in July.

Monday, June 29th: Local “holy hip-hop” artist Mr. Del
celebrates the launch of his new Memphis-based “urban” and hip-hop
label Dedicated Music Group (DMG) with an event at
Café Soul in the South Main Arts District. The event also
will serve as a release party for Mr. Del’s third album,
Thrilla. The album is the first release for the label,
which inked a distribution deal with Universal last August. In addition
to Mr. Del, DMG artist Mali Music will perform. Showtime is 8
p.m. Thrilla hits the streets on Tuesday, June 30t

Categories
Living Spaces Real Estate

That’s Life

n Friday, June 12th, sometime around 4:30 p.m., Todd Keadle was
being urged to take cover in a freezer at the Schnucks on Union. He
resisted, however, and made his way through the nasty storm, tornado
sirens blaring, to his home in Vollintine-Evergreen. Keadle had made a
bet with himself. He won. He lost.

Keadle and his wife purchased their home 16 years ago, having been
sold in part by the three beautiful oak trees in the front yard. About
five years ago, one of the oaks split in two during a bad storm. The
tree took out the front porch. On Keadle’s drive home during this last
storm, he thought about the remaining two trees (the objects of his
bet). One stood. The other had halfway uprooted some 15 to 20 feet in
the air, missing the Keadles’ house this time but destroying a
neighbor’s garden and taking out a utility pole that blew out power in
the area for three days.

First, there was the ice storm in 1994, then “Hurricane Elvis” in
2003, and, now the June 12th storm — all felling trees around the
region.

Suzy Askew, a garden designer and volunteer plant coordinator in
charge of plant propagation at the Lichterman Nature Center, pinpoints
the three types of trees most vulnerable: large oaks that have reached
maturity or have been compromised by previous storms; trees that grow
too tall too quickly, such as Bradford pears; and trees that were
planted in an area too narrow, such as near a street curb, for root
systems to spread and take hold.

“It’s nature taking care of itself,” Askew says. In other words,
what will be will be.

Askew has a tree in her yard that was damaged by the 2004 storm. “I
cannot prevail,” she says. Instead, she’s planted another tree next to
it as a replacement, something she wishes others would do as well. “We
need to grow more trees,” she says.

As for keeping still-viable trees from being wiped out prematurely,
it’s best to seek professional help.

Mark Follis, the owner of Follis Tree Preservation and a Ph.D. in
agroforestry, says keep the trees trimmed. “In nature, trees are
surrounded by other trees so that they don’t take the full brunt of the
wind,” he explains. When trimmed properly, trees are better able to
take the strain. Second, occasionally fertilize the tree. Trees
need food but too much is bad a thing. Third, be careful with root
systems, taking care not to overmulch or damage them with construction
projects.

Mitch Harrison of Harrison Tree Service recommends that trees be
inspected by an International Society of Aboriculture member once a
year and says that during the summer, trees should be watered two or
three times a week for at least two or three hours. Otherwise you’re
just watering the grass.

For those now living in tree-fear and who are considering removing
trees to avoid a catastrophe, it’s probably not worth it. Taking down a
tree, particularly a large oak, is cost-prohibitive, “thousands and
thousands of dollars,” Follis says. Plus, Plato Touliatos of Trees by
Touliatos says it’s hard to know when a tree has fully aged. Removing a
tree that hasn’t reached full maturity is, he says, “like you take the
average male and you shoot him!”

Keadle is considering removing the third oak in his yard and
planting two more. He is happy about one thing. “Thankfully,” he says,
“no one was hurt.

Categories
Politics Politics Feature

Changing the Odds

A week or so after its inception, a sudden boom for city councilman Jim
Strickland
as a mayoral candidate showed little sign of abating.
And whether first-termer Strickland or somebody else from the council
or County Commission gets in, it seems likely that the field of
challengers to Shelby County mayor A C Wharton, still the
odds-on favorite for city mayor, will increase and increase
substantially.

The council boasts two other mayoral prospects besides Strickland,
whose place in the limelight appears to have derived from his
initiatives on budget cutting and transferring the Memphis Sexual
Assault Resource Center from city administration to that of Shelby
County.

Current council chairman Myron Lowery is considered an all
but certain mayoral entry. In the course of brief remarks at Sidney
Chism
‘s annual “Community Picnic” on Saturday, Lowery told the
teeming crowd of politicians and political junkies, “I am not running
today. I may be running soon, though. We’ll have to see.” Yet another
mayoral bid was advertised at the picnic by Shelby County commissioner
James Harvey, who attached a sign to a chain-link fence on the
grounds that said in part, “Memphis Mayor 2011/James Harvey vs. A C
Wharton … “

Another potential entry from the council is Strickland’s fellow
first-termer Kemp Conrad, a special-election winner whose tenure
is but a few months old but who has wasted no time either in making his
mark, exposing boondoggles in city government, and proposing various
reforms.

A former local Republican chairman and a budget-cutter like former
Democratic chairman Strickland, Conrad sees himself as more open to
humanitarian projects than most textbook conservatives. During the last
round of council budget-cutting, Conrad’s intervention was important
and perhaps decisive in saving full funding for programs of the
Metropolitan Inter-Faith Association (MIFA).

But it is Strickland who’s getting the most talk of late for the
mayor’s race, especially if it should materialize as a special election
earlier than its scheduled date of October 2011. Incumbent mayor
Willie Herenton has filed to challenge 9th District congressman
Steve Cohen next year, and there had already been persistent
speculation that the mayor might leave office early for legal or other
reasons.

A special election would give Strickland and the other council
hopefuls free rein to run without fear of surrendering their seats.

Though his chief backer is council-mate Shea Flinn, who is
counseling him behind the scenes, Strickland has won public hosannahs
from other sources as diverse as liberal blogger Steve Steffens
and conservative columnist Marilyn Loeffel. As recently as
Saturday, Shelby County Republican chairman Lang Wiseman gave
the councilman some heady praise (see below). Tom Guleff, a
maverick government-watcher whose “Joe Citizens” dispatches and website
have earned a following in Shelby County, has launched an unofficial
“Draft Strickland” campaign on Facebook.

Conrad himself is something of a Strickland booster. “I consider it
an honor to serve alongside Jim Strickland,” he says.

Both Strickland and Conrad are white males, of course — a fact
of personal identity that could be a handicap in a city in which
African Americans and women have fared better at the polls in recent
years.

Former council member Carol Chumney, already has announced
she will reprise her 2007 mayoral race when the time comes, though it
remains to be seen how much of her impressive second-place finish in
that three-way race was due to anti-Herenton sentiment and how much
support would carry over into a second mayoral race, especially now
that Chumney, a frequent media presence back in the day, is largely out
of the public eye.

The favorite in the race continues to be Wharton, who is already
announced and starts with a forbiddingly huge support base. Moreover,
the county mayor has raised more money than any of the others are
likely to.

Those who believe that Strickland or Conrad, both of whom are proven
money-raisers, could run a viable race in the face of this reality
maintain that they will compete seriously for Wharton’s share of the
Poplar corridor vote and in other predominantly white enclaves.

And with other serious black candidates like Lowery and Harvey
taking sizable hunks of the African-American vote, the county mayor
could have a real race on his hands.

• Addressing the conservative Dutch Treat luncheon group on
Saturday, GOP chairman Wiseman, who was elected to head the Shelby
County Republican Party earlier this year, talked with unusual candor
about his party, its objectives and prospects, and assorted city-county
issues.

At one point, Wiseman dealt frankly with the concept of crossover
voting. The catalyst was a question about the looming Herenton-Cohen
confrontation in next year’s 9th District Democratic primary.

Acknowledging that the race would create a turnout “bad for the
Republicans” and that it would be a “very difficult idea to try and win
for a Republican in that race,” Wiseman began, “I’ll tell you who I
would vote for. You’d have to hold your nose. …” And then, amid
knowing chuckles from his score or so of listeners, let the rest of
that thought go unexpressed.

Wiseman resumed, pondering the question of how best to turn away
Herenton’s ambitions. “You’d have to vote in the Democrat primary. But
who does that hurt? Bill Gibbons,” he said, referring to the
district attorney general’s candidacy for governor in next year’s
Republican primary, simultaneous with the Herenton-Cohen showdown in
the Democratic primary.

The other side of the coin, Wiseman said, was that “there [should]
be a serious Republican in every race” — the idea being that,
should Herenton win the congressional primary, a voter might conclude,
“I’m going to vote for a Republican just to keep Herenton from
winning,” and Republican turnout overall might rise.

“We have to fight the mentality that it’s a lost cause,” Wiseman
said concerning demographic shifts that have begun to favor Democrats
in countywide elections. He noted, without specifying, that four
Republican incumbents in countywide office are reportedly not intending
to run for reelection.

Wiseman considered remedies for county Republicans’ dilemma. “We
have to convince our own people that all is not lost. … People who
have moved from one part of the county to another, we’ve got to get
those people re-registered. We also have to take our message to places
that traditionally we’ve not gone — traditional African-American
areas. I think there’s a lot of potential there. We need to get out and
do service projects. … It might take a year, five years, 10 years.
[We should] go ahead and start planting seeds.”

Such a strategy might not yield “immediate tangible results” for
Republicans, Wiseman conceded. “We have to build trust. They don’t want
to hear what you have to say until they trust you first.” As examples
of Republicans who have built such trust in traditionally Democratic
areas, he named Sheriff Mark Luttrell and U.S. senator Lamar
Alexander
, both of whom polled “from 20 percent to 30 percent” in
areas where Republicans normally are held to the 7 percent range.

“The reason is, those guys get out in the community. They go to
areas where Republicans are not traditionally received.”

In the course of arguing that there were many African Americans and
other traditional Democrats “who are Republicans and just don’t know
it,” Wiseman said, “Take Jim Strickland, the councilman. He’s out there
pushing budget cuts so we don’t have to raise taxes. Jim’s a good
friend of mine. I help him all the time he needs help. He needs to come
over to the good side.”

Wiseman attempted to counter some of his conservative questioners’
negative attitudes toward the city of Memphis. “The fact is, the city
cannot live without the county, and the county cannot live without the
city. We’re an economic unit, and if Memphis goes down the toilet, the
county can’t make it. It just can’t, from a civic, educational, safety
[point of view] … and vice versa.

“When businesses come to town, they don’t start at the city limits
and look at just the county. Memphis is geographically positioned in
such a way we should be a Top 10 city.” As for outward migration from
Memphis and Shelby County: “That tide will turn. There’s a tipping
point.” As population builds up in adjoining areas, those areas are
faced with upgrading their infrastructures. “They start to look at
raising taxes. That’s what Tipton County is doing now.”

Go here for recent Politics Beat posts.

Categories
Letter From The Editor Opinion

Letter from the Editor: Steve Jobs’ Memphis Sojourn

Steve Jobs doesn’t live here anymore. If he ever did.

In January, the ailing CEO of Apple announced he was taking a leave
of absence from his company to deal with “health issues.” This week,
the maestro of Mac was at his home in San Francisco, e-mailing his
staff and apparently back in charge of the company he founded.

What happened in the interim is quite the mystery. In April, Greg
Akers posted an item on the Flyer‘s website about rumors that
Jobs was living in Memphis for “health reasons.” A week or so later, I
heard from a reliable source that Jobs was living on Morningside Place
in Midtown, recovering from surgery. I hear lots of rumors, and my
thought was that even if it were true, Jobs, who suffers from
pancreatic cancer, didn’t need a bunch of people driving around in
front of his house. Nor was it likely anyone would talk about it for
the record.

Then, last Saturday, in a story using almost entirely anonymous
“sources,” The Wall Street Journal reported that Jobs had gotten
a liver transplant in Tennessee. Various blogs posted satellite
pictures of a house on Morningside Place where Jobs supposedly lived
while in Memphis. They reported that security cameras had been placed
in the trees and that a guard was stationed in the driveway. On Sunday,
curiosity got the better of me. I walked up the drive and snapped a
couple of pictures. There was no security, and the place looked
empty.

Reports then emerged that the house in question had been sold in
March to a Memphis LLC with the address of the law firm Burch Porter
& Johnson. Jobs’ principal lawyer in San Francisco once worked at
BP&J. Was that the connection? No one’s talking — not the
realtors, not the state of Tennessee (which owned the house), not even
the neighbors.

The speculation is that Jobs came to Tennessee for a transplant,
because the waiting list for an organ is much shorter here than the
national average. If so, he did nothing illegal. There is no residency
requirement in Tennessee to get on the waiting list. But it does
suggest that Jobs had the resources to game the system in his
favor.

So, was he living here while he recuperated? We may never know. And
that may be the biggest mystery of all: How one of the men primarily
responsible for all of us being interconnected on the great global grid
managed to disappear off the face of the earth (or at least to Memphis) for five months.

Bruce VanWyngarden

brucev@memphisflyer.com

Categories
News The Fly-By

Fly on the Wall

Whad’Ya Know

Those who dish it must also take it. And it’s take time. On
Saturday, June 20th, your Pesky columnist was invited to be a guest on
Michael Feldman’s popular talk/game show Whad’Ya Know?, which
airs locally on WKNO FM. Everything was going fine until Feldman, a
gracious host with the wit of a lost Marx brother, asked this trick
question: “So what have you gotten yourself into lately?”

When I told him that I’d been visiting a school for would-be
professional wrestlers, he asked, “Is that the Terry Lawler School of
Wrestling?”

“No,” I answered, not seeing the point in telling him it’s Jerry
Lawler. “The man who started this school wrestled as Mike the
Nightmare.” Except the school actually was founded by second-generation
grappler Nightmare Ken Wayne. So, on behalf of the entire Whad’Ya
Know?
crew, I would like to personally apologize to both Lawler and
Wayne for getting their names wrong. It was early. Coffee was in short
supply. Please don’t pile-drive us. Please.

Breathing exercise

According to local news sources, 41-year-old Augustus Hudgins was
taken into custody for exposing his engorged man-parts in public.
Hudgins told police officers that, although it might look like he was
choking his chicken in Court Square, it was all a misunderstanding.
Hudgins explained that he was only “giving his penis some air.” The
Fly-Team collectively agreed that this excuse would have come in handy
when we were 13.

Review

A glowing report at examiner.com
had some interesting things to say about the director of The Little
Dog Laughed
, a play currently at Circuit Playhouse: “Hysterical,
director Jerry Chipman calls the play ‘good medicine.’ But the laughter
is treating which ailment? When Chipman answers that question, his
bright, blue eyes slouch toward gray.” Hysterical and slouchy-eyed?
We’d hate to see a pan.

By Chris Davis. E-mail him at davis@memphisflyer.com

Categories
Cover Feature News

The Boys of Summer

The uniforms. The first thing you’d notice if you could rewind 30
years to watch a baseball game would be the uniforms. More snug, rarely
button-down, and with more colors than belong on a baseball diamond,
uniforms circa 1979 were a product of their times. (When you pray to
the baseball gods, be sure and ask them to forgive the Houston Astros.)
Unless your name was George Hendrick (a St. Louis Cardinal in ’79), you
wore your pant legs high, stirrups visible from the cheap seats. And
there was lots of hair, be it an afro straining the limits of your
fitted wool cap or wings that flared out between your ears and the
cap’s edge. Players were smaller in 1979 — for a few reasons
— but they made up what they lacked in size with color,
character, and tonsorial extravagance.

You would have enjoyed Memphis baseball in 1979. Playing at Tim
McCarver Stadium at the Mid-South Fairgrounds, the Bluff City’s home
team was in its second season as the Class Double-A affiliate of the
Montreal Expos. (Considering the Expos no longer exist — having
moved to Washington and become the Nationals in 2005 — the
30-year time warp seems that much more jarring.) Playing two levels
below the major leagues, the ’79 Chicks assembled a band of future
big-leaguers that rivals any team the city has hosted since. And it
showed on the field. Managed by Billy Gardner — his one and only
season at the helm in Memphis — the Chicks won their division’s
first-half championship. (The Southern League split its season back
then, sending first-half and second-half division winners to the
playoffs.) Overall, the Chicks finished 20 games over .500 (82-62), a
feat Memphis baseball fans have witnessed only three times since.

Memphis Redbirds president Dave Chase was a 25-year-old office
manager for the Chicks in 1979, his second in professional baseball.
And Chase points to that season as a turning point for minor-league
baseball. “That was the beginning of the renaissance for minor-league
baseball,” he says. “Big crowds, enthusiasm. That was the high-water
mark for the Southern League. Coming out of the Sixties, minor-league
baseball was dying. I had been in Savannah the year before, and you saw
a fan response in Memphis that you didn’t see there.”

While he wasn’t the biggest star of the club, pitcher Charlie Lea
made the ’79 Chicks a home team in ways most minor-league outfits
cannot. Raised in the Mid-South (though he was born an Army brat in
Orleans, France), Lea was chosen by Montreal in the ninth round of the
1978 draft after starring on the mound for what was then called Memphis
State University. Sent straight to Class Double-A — in other
words, his hometown Chicks — Lea pitched in 12 games as a pro in
1978, sporting a record of 3-3 with an earned-run average (ERA) of
3.57. (Lea chuckles when he reflects on leap-frogging Class A. “I’m
gonna say it was all about talent, but I was a Memphis guy and Avron
Fogelman owned the team. I’m sure their thought was let’s put him in
Memphis and see what happens with the crowds. If he holds his own,
that’s great.”) Lea would spend the '79 season at the top of a
rotation that included two pitchers — Bill Gullickson and Bryn
Smith — who would each pitch more than 350 games in the big
leagues.

What struck Lea most about his early years in the minors was the
realization that the game he’d loved throughout his youth was now a
job. He was given a $9,000 signing bonus and by 1979 was earning around
$700 a month. “It was the transition from student-athlete, playing
three games on the weekend and one or two in the middle of the week and
going to class — hanging out with your friends — to slowly
evolving into a professional baseball player,” Lea says. “It was still
fun, but you started to realize that it’s a job, especially the first
time you see a player get released. This is serious business, and that
hit home. For a ninth-rounder like me, this was a last chance in pro
ball.”

Lea relished playing for the Chicks and felt no rush to get to the
big leagues, or even higher in the minors. “I got off to a really good
start [in '79], 6-0, I think. Then I was just dreadful over the
second half of the year. I was happy to be there, probably too naive.
Never did I think I should be sent to Triple-A. I didn’t think I was
dominating that league by any means, and it showed in the second half.”
Lea finished the season with a record of 8-8 and an ERA of 4.39.

As for pitching in front of his family and friends at Tim McCarver
Stadium, Lea acknowledges their presence as a mixed blessing. “When
you’re doing well, it’s great pressure,” he says. “When I was just
holding my own, it was bad pressure. It was self-inflicted, but you
wanted to do well for your home team and your friends who are at every
game. There’s no anonymity mixed in. I wouldn’t change any of it. That
kind of pressure can be a great motivator.”

The Chicks ended the season’s first half with a record of 36-34,
tied atop the Southern League’s Western Division with the Montgomery
Rebels. Lea laughs when asked about his recollection of the Chicks’ 2-1
victory in a tiebreaker at Tim McCarver that earned the team a
postseason berth: “If we beat them 2-1 at that point of the season, I
know I didn’t have anything to do with it!”

Arm injuries forced Lea into early retirement in 1988 after winning
62 major-league games. But for at least two nights, Lea could call
himself the greatest pitcher on the planet. On May 10, 1981, in the
second game of a doubleheader at Olympic Stadium in Montreal, Lea
no-hit the San Francisco Giants. Then in 1984, he started and won the
All-Star Game for the National League. You can hear Lea these days as a
radio analyst on Redbird broadcasts.

If Lea’s presence on the team was hometown hero made good, Tim
Wallach’s arrival was that of a prodigy predestined for a larger stage
than Tim McCarver Stadium. Having been honored with the 1979 Golden
Spikes Award as college baseball’s finest player, Wallach was selected
by the Expos with the 10th pick in that June’s draft.

“You’re always anxious to see your number-one pick,” Lea reflects.
“He was one of those guys that you came to the ballpark knowing he was
playing third base, batting fifth or sixth, sometimes third. At the end
of the year, he was gonna have 25 to 30 home runs and 80 to100 RBIs.
Tim was laid-back, kept to his business. Typical California guy.”

Fresh off leading Cal State-Fullerton to a national championship,
Wallach joined the Chicks and split time at first base and designated
hitter with slugger Dave Hostetler (who led the Chicks with 114 runs
batted in that summer). A future winner of three Gold Gloves as a third
baseman with Montreal, Wallach made the adjustment from aluminum bat to
wood with relative ease.

“I enjoyed hitting with wood more than I did with aluminum,” Wallach
says. “Transitioning to wood, you had to use your legs a lot more [for
power]. You could get away with more using aluminum.” Wallach says the
new hitting approach forced him to refine his swing and took him a step
closer to the majors. “I never felt like I was a star or above anyone
else,” he says. “I always had to prove myself, and that’s probably why
I stayed around a long time. Being a first-round pick, sometimes you
can feel like you’re owed something. Never did I have the feeling that
it was going to be easy. I felt like I had to work, and I did. My goal
was to get to the big leagues, but I always focused on where I was at
the time.”

Arriving in June, Wallach had much to do with the Chicks improving
their record over the season’s second half. Memphis improved to 46-28
in the second half, only to finish two games behind the Nashville
Sounds. Wallach hit .327 over 75 games with the Chicks and slammed 18
dingers in only 257 at bats.

When asked about the likes of Lea or Tim Raines, Wallach is
unusually effusive about his teammates of 30 years ago. “Shoot, I
played with all those guys a lot of years,” he says. “They were not
only tremendous baseball players but real good people. When I do see
some of them over the years, it’s like old times. They’re just good
people. I made a lot of really good friends during those first two
months of playing professional baseball. They welcomed me, and it could
have been difficult. They had been moving up together, but they treated
me like I’d been there forever.”

Among his teammates in 1979, Wallach remembers the versatility of
Tony Phillips, a utility player both in the minor leagues and later in
the majors, where he played in 2,161 games and was a vital member of
two pennant-winners with the Oakland A’s. “He always had energy,”
Wallach says. “He could do anything, play anywhere. He understood what
he needed to do, and I think that’s why he had so much success in the
big leagues. There are a lot of guys who stick around in the big
leagues by not trying to do what they can’t do.”

Wallach went on to play 2,212 games in the major leagues, earning
five All-Star appearances. Having spent the bulk of his career a long
way from his native California, Wallach owns a pair of records that
will never be broken: most games (1,767) and hits (1,694) as a Montreal
Expo.

One player stole the show — quite literally — for
Memphis 30 summers ago. Only 19 years old and in his third year of
professional baseball, Tim Raines hit .290 for the Chicks, scored 104
runs, and stole 59 bases. Destined for the outfield in the majors,
Raines played second base for Memphis and opened the eyes not only of
fans throughout the Southern League but his own teammates. (Now
managing the Newark Bears in the Atlantic League, Raines declined to be
interviewed for this story.)

“I played with and against some good players in college, but Tim was
probably my first experience at seeing someone you absolutely know is
destined to be a major-league player,” Lea says. “A lot of guys —
myself included — were just humping it every day to improve our
craft. But Tim, we knew he was gonna be a big leaguer. He never lifted
a weight. They thought he was gonna be the next Joe Morgan, but it
wasn’t meant to be. He had speed and could cover a lot of ground; he
just didn’t have the hands to play second base.”

Raines came along during a golden era for base stealers. Lou Brock
retired in 1979 as baseball’s all-time thief, the same year Rickey
Henderson debuted with Oakland and began his own race to shatter all of
Brock’s records. But Raines was more than just flash and dash.

“There are a lot of guys who can steal a base during a part of the
game when it’s no big deal,” Lea notes. “But when the game’s on the
line, and everybody in the ballpark knows that this is your base
stealer, and he’s gonna try and steal second base, Tim could still
steal the bases. He learned his craft. He knew when to run, knew
counts, studied pitchers.”

Raines stole his first two big-league bases in September 1979 during
a brief promotion to Montreal. After a season of Triple-A ball in
Denver, he swiped 71 in the strike-shortened 1981 season for the Expos,
winning the first of four consecutive National League stolen-base
titles. His 808 career steals rank fifth in baseball history. He won
the 1986 National League batting title and the next year was named MVP
of the All-Star Game. Over 23 years, Raines accumulated 2,605 hits,
played in seven All-Star Games, and was a member of two world
championship teams with the New York Yankees.

Details can fade from a baseball season three decades gone by, but
the stars of the ’79 Chicks share fond memories of the stadium where
they played and the manager for whom they played. Billy Gardner moved
on to Denver in 1980 (the Expos’ Triple-A affiliate) and the Minnesota
Twins in 1981 (where he’d manage for five seasons). A second-baseman
during his playing career (1954-'63), Gardner was a quiet baseball
educator.

“He was a great guy,” Lea remembers. “Old-school baseball. He was a
lifer, a lot of wisdom to inpart. I don’t remember anything he said
specifically. Very laid-back. He had a dry sense of humor. And that was
my first relationship with tobacco juice. Everywhere he stood. On the
railing, in the corner of the dugout. Fences were just dripping with
tobacco juice.”

Wallach adds, “I was blessed to have him as a manager. He treated
everybody the same. He let us play but taught us how to play to be a
big leaguer. His patience is what I took from him. He wasn’t a really
vocal guy. But when he spoke, you heard what he had to say and you took
it to heart.” Gardner, who turns 82 next month and lives in
Connecticut, hasn’t managed in the majors since 1987.

As for Tim McCarver Stadium (last used by the Redbirds in 1999 and
torn down in 2005), comparisons with modern ballparks only detract from
what at the time was a happy home. The Chicks, it should be noted,
averaged 3,490 fans in 1979, second in the Southern League.

“It was a cool ballpark,” Wallach says. “The fans were right there
on top of you. It wasn’t huge, so it was a nice place to hit. People in
Memphis loved the Chicks.”

“That ballpark was as good as all of them, better than most,” Lea
says. “Back then, it was truly a minor-league experience, very similar
to the movie Bull Durham. We played in Savannah, Columbus,
Montgomery, Chattanooga, Knoxville … and every one had old stadiums.
There was no AutoZone Park to compare them to, so it was okay. Plus,
the goal was to get out of the minors, so it was a nice motivator,
too.” (Tim McCarver Stadium was expanded before the 1980 season and the
team’s attendance increased by 95,000. The attendance figure in 1980
— 322,027 — would not be matched until the Redbirds arrived
in 1998.)

Lea and Wallach acknowledge a difference between the baseball they
played in 1979 and what they see today. But there’s no bitterness in
their reflections; it’s simply then vs. now. “Once you get between the
white lines,” Lea reflects, “the game remains the same. All the
strategy … that’s pretty pure. The culture outside the white lines
has obviously changed, with performance-enhancing drugs.

“There was nothing [30 years ago] that could take you above your
God-given ability. Nothing you could take that would make you run
faster. Nothing you could take that would make warning-track power
become home-run power. Nothing I could take in liquid or pill form that
would turn my 89-mph fastball into a 94-mph fastball. Once you got to
the big leagues, you learned about the availability of amphetamines,
but they only helped you get back to your God-given ability if you were
sick or hungover.”

Lea points out that the late Seventies and early Eighties were a
time of chemical addiction in baseball. Raines himself battled and
overcame a cocaine habit early in his big-league career. “But those
types of drugs,” Lea notes, “were performance-decreasing
drugs.”

Now manager of the Pacific Coast League’s Albuquerque Isotopes (top
farm club of the Los Angeles Dodgers), Wallach says the biggest
difference he sees is in the number of distractions baseball players
have today. “It’s the same game,” he notes, “just played bigger now.
The guys I played with, it was the only thing going. We wanted to play
baseball. Now, you’ve got video games, all these other distractions out
there. When I grew up, if there were two of us or nine of us, we found
a way to play baseball. That’s all we talked about: baseball.”

EPILOGUE:

The 1979 Chicks faced the Nashville Sounds (a Cincinnati affiliate)
in a best-of-three series for the Western Division championship that
September. The Sounds took the opener, 10-2, in Nashville, before
Memphis won Game 2 in 10 innings, 4-3, at Tim McCarver Stadium. Rick
Ramos pitched all 10 innings of Game 2, a contest won by a walk-off
homer from Wallach leading off the 10th. The Sounds took Game 3, 5-2,
to advance to the Southern League championship series, where they would
beat Columbus. Charlie Lea took the loss in the season finale for
Memphis, giving up three runs in two innings on the mound. Over the
three playoff games, Raines was a nonfactor, picking up only one hit
and scoring two runs.

Categories
Letters To The Editor Opinion

Letters to the Editor

Memphis Style

I enjoyed the Flyer‘s article on local “street style”
(“Summer Style,” June 18th issue). Judging from the pictures, Memphis
has a lot of people who are fashion-savvy (and good-looking). One
question: Where did you find these people? All I ever see when
I’m out on the town are overweight schlubs in shorts, T-shirts,
flip-flops, and baseball caps.

Karen Exler

Memphis

Supporting Failure?

Republicans have said no to every policy advanced by this president.
After eight years of fiscal failures and an economic meltdown caused by
so-called free-market policies, they still insist on following those
same policies. In fact, the only thing that Republicans, nationally and
locally, seem to agree on is guns. While I agree Americans have a right
to own guns, a system that allows people with mental health problems to
buy guns is troubling to say the least.

I would like to see both parties agree on the reason that gas prices
are rising. It’s not big oil policies or Americans wasting energy; it’s
the same greedy speculators who are driving up the price at the pump.
We have been told that supply and demand works. Well, the demand is
down worldwide, and the supply is the same. So, what’s broken? It’s the
lack of oversight and control in the commodities market.

Democrats have no excuse for not addressing this issue. Republicans
have said they want Obama to fail. One way to do this is to ignore the
rising cost of energy. In the midst of the worst economic downturn in
more than 50 years, what better way for the Republicans to continue the
economic mess they created than by running up everyone’s oil costs?

No longer are Republicans the flag-waving patriots of the past.
Supporting failure in America has become the rallying cry for GOP
— and the right-wing talking heads who support them.

Jack Bishop

Cordova

No Radio

I have no complaints about MLGW during the recent storm aftermath.
My complaint concerns our local radio stations (Editor’s Note, June
18th issue). Updates and information on conditions should have been
broadcast via all radio stations in the Memphis area during the crisis.
Even WREC-AM shut down at 7 p.m., leaving nowhere on the radio dial to
get information. What a joke.

Cole Mitchell

Memphis

Anti-Semitism Epidemic

In his Viewpoint column (June 18th issue), Richard Cohen rightly
points out how anti-Semitism is an ingrained part of the culture of
many Arab Middle East countries — in their mosques, on mainstream
television, and in their classrooms. It’s a tradition of hatred that
will only be eradicated when these countries shake off the tyranny of
fundamentalist Muslim regimes and move into the 21st century. (Iran
offers a clear object lesson of how that process may unfold.)

But the shooting at the Holocaust Museum in Washington, D.C., also
makes it quite clear that here in the good ol’ U.S.A., we have our own
fundamentalist anti-Semite population. The right-wing cheerleaders on
Fox and other conservative media outlets glibly throw out incendiary
comments on President Obama and his “socialist” agenda and suggest that
he will “take away our guns.” Such irresponsible rhetoric often
motivates gullible and hate-filled people such as James W. von Brunn to
take them seriously — and to take action.

Here’s what’s fundamental: If your religion teaches you to hate,
it’s not a religion, it’s politics — the politics of fear.

Marvin Green

Chicago

A Lesson From Iran?

As pictures of the Iranian political turmoil emerged with protesters
holding signs reading, “We Want Elections, Not Selections,” I was
reminded of the recent vote in the Tennessee General Assembly that
unconstitutionally codified a judicial retention (s)election
system.

It reminded me of the parable of a dog owner who was approached by
his neighbor complaining of the dog’s incessant yelping. The owner
explained that the reason his dog yelped was because of a construction
nail in the dog’s bed that jabbed its belly each time the dog moved.
Asked why the dog simply didn’t find a new place to sleep, the owner
replied, “It doesn’t hurt bad enough.”

If there’s a lesson in democracy coming from Iran for Tennessee’s
political leaders, it’s that a citizen’s right to vote is so precious
they will sacrifice their lives for it. But only after it’s been
denied. Tony Gottlieb

Hendersonville, Tennessee