Categories
Food & Wine Food & Drink

Kiss the Cook

Courting with Vegetables

I’m an amazing eater who will try anything as long as it doesn’t involve mayonnaise, and this is due to my beloved’s patient and persistent efforts. 

Years ago, my Achilles’ heel was what he adored the most: vegetables. Whenever a plate of them appeared in front of me, I died inside a little. Sure, I’d attempt a few bites, but I’ve always liked my food rich and a little on the sweet side. My husband, Justin, on the other hand, has the preferences of a particularly voracious bunny rabbit. In his view, raw carrots are an indulgent snack. Vegetarian stir-fry is a thrilling dinner. Every time we go out to eat, he orders a huge salad. (More often than not, we have to switch plates since servers assume that the chick is the one who ordered something healthy and low-fat.) Recently, I watched him bite into a leaf of spinach and deem it “a little sugary.”

This difference in our tastes can bring forth some issues at mealtime. I won’t eat anything that’s even remotely bitter, and he turns his nose up at most desserts. Somewhere along the way, though, my husband devised a sly and stealthy plan. He started courting me … with veggies. First, they were roasted and chopped up small in a lush, hearty spaghetti sauce. Next, he brought together intense flavors and spices that made butternut squash soup taste like candy. After much consternation, he finally allowed me to balance out sour notes in a dish with a pinch of sugar or a teaspoon of agave nectar. On the day he smoked and caramelized brussels sprouts, I was fully convinced. If I knew it was possible for vegetables to taste like this, I mused, I would’ve been a fan all along. 

Soon, I discovered that there were other things I’d been missing: spiky rambutan fruits, tender pork belly, gooseberries, oxtail, raw milk cheese, and prickly pear. A world of possible new favorites opened up to me, and I’m so grateful for the intervention-with-vegetables that kickstarted it. Now that love has unleashed and expanded my dormant palate, what’s often said about love rings true: It really can overcome all. — Amy Lawrence, married to Justin Fox Burks for five years

Let Him Eat Cake

When Tony and I were first married, we loved getting the Williams-Sonoma catalog. I envied the cookware and kitchen gadgets; Tony liked the recipes. Frequently, he would tear one out and leave it for me to see. Occasionally, I actually made one, including an incredibly complicated cranberry-orange cake. Man, was that a mistake.  

First, I needed dried cranberries. (Trip one to the store.) Next was the one cup and two tablespoons of sour cream. (I only had one cup. Trip two to the store.) Then I had to grate the orange zest. (What a mess that was.) The recipe had 16 ingredients, including orange marmalade and half a cup of pecans — roasted and chopped. 

Despite my struggles, the finished cake was lovely, thanks largely to my fancy bundt pan. It tasted pretty good too: a moist pound cake with a little crunch from the pecans and a delicate citrus flavor. But here’s the rub: It wasn’t chocolate, which for me, is the only valid reason for dessert. Not so for Tony. For the next 18 years, his request for special occasions has been the same: “I’d like that cake with the orange rind,” he says. I groan, I complain. Sometimes I comply. 

Other folks must like the cake too, because the recipe is still available on the Williams-Sonoma website. Search recipes for “cranberry-orange cake” but be forewarned. You won’t have all the ingredients in your cupboard. — Pamela Denney, married to Tony Yoken for 19 years

The Twain Shall Meet

My husband, Warren, and I are locked in a constant struggle between eating in or going out. In my family when I was growing up, going out to dinner was always an adventure — one I looked forward to. In Warren’s house, his mom cooked Japanese dishes, or washoku, from her homeland. So Warren learned to cook, and I learned how to find a good restaurant.

Now that we’ve been married for more than 10 years and have two young sons, we’ve found a good rhythm. I’ll admit that it took me awhile to understand that when Warren went shopping at three or four grocery stores, then spent two hours making dinner, it meant he loved me, not that he was trying to starve me.

Over the years he has introduced me to all of his mother’s specialties: sukiyaki, gyoza, tonkatsu; dishes we both enjoyed in Cameroon (where we met as Peace Corps volunteers): koki, njama njama, whole tilapia; favorite dishes from local restaurants: curry shrimp, banana lumpia, fish tacos; and his very own creations: barbecue sushi, crawfish gyoza, and corn-meal-encrusted chicken wings.

I return the love by asking for seconds, doing the dishes, and immortalizing his best meals on what we call his tribute blog, Chop Fayn (chopfayn.blogspot.com). Sometimes I even let him pick a restaurant.

– Stacey Greenburg, married to Warren Oster for 10 years

Categories
Food & Wine Food & Drink

First Impressions

Okay, I admit it. I’m a bit of a food snob about franchise restaurants, so I was surprised last week by the excitement I heard about Mellow Mushroom, a new pizza and hoagie restaurant in Germantown.

At Easy Way, two women picking through the green beans were ecstatic about the restaurant’s funky vibe. At the liquor store, folks were debating possible locations for the next Mellow Mushroom. “Just let it be near me,” someone said. Even Flyer staff writer Bianca Phillips tapped out this enthusiastic e-mail, and she’s a vegan: “Whoa! Do we have a Mellow Mushroom now?! Holy crap! I love the place.”

So what in the world is going on? How about pizzas with hippie names like Magical Mystery Tour (pesto, portobello mushrooms, spinach, feta, and jalapeno), calzones and hoagies (including Phillips’ favorite: teriyaki tempeh), 32 beers on tap (the list begins with Abita Amber and ends with Yuengling Lager), and a charming mural with caricatures of Memphis music icons.

“We had a thousand customers on opening day. It was insane,” said Cary Fairless, who owns and operates Mellow Mushroom with his wife, Lori Fairless. “A lot of people know the brand and the quality of the food. They like the cool environment and the type of service we are giving.”

After one visit, it’s easy to understand the restaurant’s reputation. The choice of pizza ingredients is a little mind-blowing. First, there are four kinds of pizza dough: olive oil and garlic, pesto, red, and barbecue. Next are the cheeses: blue cheese, cheddar, feta, Parmesan, provolone, ricotta, and fresh mozzarella. Fruits and veggies? There are 20. Proteins? Select from 20 more, including four kinds of tofu, anchovies, and jerk chicken.

Started in 1974 by a trio of college kids at Georgia Tech, Mellow Mushroom now includes 100 restaurants in 15 states. The Germantown restaurant — located on Poplar in the former Old Navy location — is the first of several restaurants that the Fairlesses plan for the Memphis area.

“Hopefully, by early summer, we’ll get focused on the next location,” Cary said. “There are lots of great possibilities.”

Mellow Mushroom, 9155 Poplar,

mellowmushroom.com (907-0243)

Marilyn Weber was an experienced baker before she opened Gigi’s Cupcakes last Saturday in East Memphis. But she still attended the franchise’s “cupcake college” to become swirl-certified.

“It was a humbling experience,” she said, laughing. “With Gigi’s, it’s all about the swirl.”

The three-tier swirl of butter cream or cream-cheese icing adorns every cupcake at Gigi’s, but no two flavors are alike. In fact, Gigi’s offers so many kinds of cupcakes that employees hand out cupcake menus so customers can keep it all straight.

“One of the things that makes us unique is that many of our recipes are family recipes that have been time-tested,” Weber said. “Our wedding-cake cupcake comes from a recipe that has been used for generations.”

Daily cupcake specials also mix up Gigi’s standard cupcake selection. A pecan-pie cupcake called “Memphis Mud” was available last Wednesday. “It’s gooey, yummy, and absolutely delicious,” employee Elizabeth Schriner said. (She was right!)

Cupcakes sell for $3 each, and already, bakers are cranking out 900 a day. “We’re not just selling cupcakes,” Weber explained. “We are selling the experience.”

Gigi’s is open Monday through Saturday from 10 a.m. to 7 p.m.

Gigi’s Cupcakes, 4709 Poplar,

gigiscupcakesusa.com (888-2253)

Charley’s Grilled Subs, a worldwide franchise with 400 locations, opened its first Memphis restaurant last week in Oak Court Mall. Started in 1986 on the campus of Ohio State University, the sub shop sells six variations of a Philly cheese steak, another six types of deli subs, and finally, seven Charley’s “favorites,” including barbecue cheddar steak.

In addition to breakfast sandwiches and all-natural lemonade, Charley’s specializes in gourmet fries, loaded with cheddar, bacon, or ranch dressing. On my visit, I stuck with the originals: strips of fried potatoes with the skins, seasoned with a few shakes of Charley’s seasoned salt. Yum.

Categories
Food & Wine Food & Drink

A Year of Wine

Now a month into 2010, this year holds numerous opportunities to learn about, explore, and taste new wines. The year promises to be filled with winemaker dinners, tastings, and large and small events. One of the better ways to seek out these events is on the website localwineevents.com. Promoters from across the globe post wine events on this site for free. Visitors also can sign up for e-mail alerts that notify them when new events in their area are posted.

One of the most exciting series of events in Memphis is the Brooks Museum’s “Art of Good Taste.” Each year the museum hosts winemakers from across the country and around the world during a series of some of the most well-organized events in the Southeast. This year’s theme, “La Dolce Vita,” will showcase the vibrantly beautiful wines of Italy and some of the best wineries, including Badia a Coltibuono. From the wine dinner with Silver Oak and Twomey to the Grand Auction on May 8th, this series has something for every wine and food lover at every price point. Many of the region’s best restaurants will be serving samples of their cuisine, making it a perfect opportunity to get acquainted with them as well.

Make sure to sign up for the e-mail newsletter, Twitter account, or Facebook page of your favorite restaurant and wine shop. This will keep you up to date on new menu items, wines, events, and specials that they may only send to people on those lists. Many times throughout the year, retailers receive highly allocated and highly sought-after wines that they sell out of before they even hit the sales floor. Snatching up a few bottles via Twitter or e-mail is a perfect way to build up your collection.

The best way to learn about wine is simply to drink it. When eating out at a restaurant, scan the wine list for something you haven’t had before and order it. If you aren’t quite sure about it, ask your server or the manager to give you some information. Start with something by the glass so you don’t have to commit to a full bottle. Or better yet, select a half bottle if you are dining with a companion.

“Many of our guests love the fact that we have a wide selection of half-size bottles,” says Rusty Prudhon of Napa Cafe in East Memphis. “It’s a perfect way to have a variety of different wines throughout the course of a meal, especially if you want to pair each course with an accompanying wine.”

Develop a relationship with your favorite wine shop and ask advice and follow suggestions on new and interesting wines. Purchase a journal or use your computer or handheld to write notes about new wines you taste. That way you can remember what you liked or explore more about a particular grape type, region, or producer.

No matter what your budget, there are good wines to be tasted and enjoyed. If possible, save up a little money or go into your favorite shop with a budget and ask them to put together a case or a few bottles that you’ve never had. Ask for a little info on each wine so you have a starting point. You have a whole new year to explore wine. Make it a good one!

Categories
Film Features Film/TV

The Safety of Objects

In a turn of good fortune, the Memphis Brooks Museum of Art will screen Olivier Assayas’ lovely but poorly distributed 2009 film Summer Hours at 7:30 this Thursday evening. The screening at the Brooks is also deliciously (and possibly deliberately) ironic — for in spite of its solid, low-key ensemble cast, the most affecting stretches of this film concern the fates and futures not of people but of displaced works of art.

Some undisclosed time after a celebratory birthday party at her posh but weather-beaten French country home, lively and elegant matriarch Hélène (Edith Scob) dies, leaving her eldest son Frédéric (Charles Berling) to divide the loot with his two siblings, thorny Adrienne (Juliette Binoche, warmer and more beautiful than ever) and pragmatic Jérémie (a subdued Jérémie Renier).

At first, Frédéric is convinced that everyone else in the family will want to save the house and preserve its many treasures, because Hélène’s uncle, who used to own the house, was a famous painter who decked the place with Corot paintings, Odilon Redon panels, Degas plasters, and Art Nouveau cabinets. But it’s soon clear that the family members have other plans.

Any American movie that set such narrow parameters would probably try to liven up the proceedings by heaping big oily dollops of sloppy broad comedy or shrill, self-lacerating melodrama onto the audience. Refreshingly, these unobservant, ignorant touch-ups are missing from Summer Hours. After a brief discussion, the family agrees to part with Hélène’s possessions — which was what she wanted anyway. Instead of the airing of family grievances and the opening of decades-old psychic wounds, Assayas shows us smaller, more grown-up moments, like internecine chuckles shared at dinner or quiet moments when grief springs on the mourner unaware.

As it turns out, the characters aren’t really the focal point of the film anyway. As the process of boxing up, categorizing, and pricing the loot continues, the fates of the characters are casually revealed — Frédéric has a dustup with his daughter over shoplifting, Jérémie goes to China, Adrienne puts some items up for auction at Christie’s — without feeling terribly important. Meanwhile, the film spends more and more time meandering around the house via smooth long takes that absorb its sunlit and shadowy spaces, vistas, and memories.

The continuing adventures of all that stuff exert a strong, bittersweet pull; in fact, Summer Hours focuses so much on the objects taken from Hélène’s house that it’s no exaggeration to say the main characters in the latter portion of the film are pieces of furniture. This means that the film’s most mysterious and moving moments are almost unblemished by the presence of flesh and blood beings. One long take cases a writing desk that, in its new home at the Musée d’Orsay, now looks as foreign and lost in time as a dinosaur skeleton. Across from it, a flower vase sits unused and already forgotten behind glass. You almost feel happy for that vase’s companion piece, which the housekeeper took because she thought it wasn’t anything special.

Categories
Film Features Film/TV

Bangin’ in the nails.

Balding except for some hair plugs, with a face tending toward Droopy dog and a frame that seems smaller after all these years away, Mel Gibson is back on the big screen in Edge of Darkness. Don’t call it a comeback — that would suggest he’s been washed of the transgression of his 2006 drunken, anti-Semitic run-in with the law. Instead, it’s just a return, a pickup in an acting career that last left off with Signs, The Patriot, and Payback. For the moviegoer who is able (not to mention willing) to trade fact for fiction, that’s a good thing.

Gibson stars as Thomas Craven, a Boston detective welcoming home his somewhat estranged daughter, Emma (Bojana Novakovic, who gives a brief but effective performance). Just reunited, a shotgun blast kills Emma on Craven’s front porch, and the cop is left piecing together the mystery of why, assuming the bullets were meant for him.

Here, Gibson gets to act the emotions he’s drawn to again and again, from Mad Max down to Signs: rage, grief, existential haunt. And, as before, his movie’s plot advocates a violent cleansing, a ritual purification bathed in blood. Ain’t that America?

What Gibson so often inflects this brand of violent cinema with is paternalism. Craven, like Mad Max‘s protagonist — and like Gibson roles Tom Mullen (Ransom), Benjamin Martin (The Patriot), and the Rev. Graham Hess (Signs) — is a father first. He’s a man who’s been injured by the world and has the power to set things back in balance by righteous action. It’s a little like playing God. Is it any wonder Gibson himself drove in the crucifixion nails in The Passion of the Christ — not only because he’s the sinner who necessitated the action but because he’s the Father who saw the necessity of it. A line from Edge of Darkness: “You had better decide whether you’re hangin’ on the cross or bangin’ in the nails.”

In Edge of Darkness, the sins of the world are political and capitalistic. As Craven follows the murder plot, he finds an unholy collusion between an industrialist with defense contracts (the great Danny Huston at his creepy best), a Massachusetts Republican senator (Damian Young), and a leftist militant environmentalist faction called Night Flower. In his crusade to find out the truth, Craven is a middle-of-the-road warrior who cuts across party lines to avenge his daughter. (In corporate America’s defense, the crimes they commit in the movie are almost too heinous even for them.)

In addition to Craven, the other rogue agent at play is Jedburgh (Ray Winstone), a national-security consultant assessing and influencing the situation for an unknown employer. Gibson and Winstone share some really nice scenes of dialogue. The script — by William Monahan and Andrew Bovell adapting from Troy Kennedy-Martin’s renowned 1980s BBC miniseries of the same name — is mostly smart, though it is inclined to the overkill. Monahan was responsible for The Departed, which was similarly inflicted.

Up next for Gibson, per IMDb, is a starring role in a movie in which “a guy walks around with a puppet of a beaver on his hand and treats it like a living creature.” Um, that doesn’t fit any theories I have.

Categories
Opinion The Last Word

The Rant

I recognized another certain sign of aging tonight: The Grammy Awards no longer piss me off. When I was a worshipper at the altar of pop music, the annual music awards show was always my opportunity to vent at the establishment. Every time they gave another award to Henry Mancini instead of, say, the Kinks, I had the chance to rage against the machine. But the machine has shifted gears, and the world of popular music is in an upheaval for which the industry is still groping for answers. I stopped following the pop charts around the time cassette tapes came on the market, so my soundtrack has pretty much remained unchanged for the past 30 years. But I still keep an eye on it, and this year’s awards were perfectly satisfactory. Some talented people won, and when the awards ended, my heart was filled with like.

I mean, how can you not like Lady Gaga? Not only is she outrageous and provocative, she’s also seriously good. She opened the show in a futuristic, tight-fitting costume that gave new meaning to the term “cleavage.” Strutting in front of the now obligatory flying wedge of dancers that Michael Jackson hath wrought, Gaga was flung into a fiery kettle and emerged face to face with Elton John, with whom she performed a stunning duo on twin pianos covered in what appeared to be severed arms from the “Thriller” video. For some unknown reason, they were both covered in soot and wearing outlandish sunglasses. I don’t know what the effect was supposed to be, but between Lady Gaga’s outfit and Sir Elton’s latest fright wig, they both looked like they just stepped out of the cast of Cats. The performance set up the evening’s theme of incongruous duets.

As scintillating as was the Gaga-John partnership, the pairing of America’s sweetheart Taylor Swift with America’s ex-girlfriend Stevie Nicks was nearly excruciating, and that was just the singing. It looked like “take your daughter to work” day at the Grammys. Mary J. Blige, who has a nice voice, and Andrea Bocelli sang an operatic version of “Bridge Over Troubled Water” for Haitian relief, which inspired me to write a short poem:

Mary J. Blige might be Queen of the Scene,

But she’s no Mavis Staples, if you know what I mean.

The tribute to Michael Jackson proves that you can grow tired of anything after a while. The 3-D video may have looked nice in the Staples Center, but in my living room it just caused retinal burn. And the kids are adorable, but enough already. (I’ll still probably buy the damn film though.) Also, I know Maxwell is supposed to be the next big thing, but singing “Where Is the Love” with Roberta Flack will invariably draw comparisons to Donnie Hathaway … not a great idea. Flack, who was either drunk or done, was just awful, which is heartbreaking to a man who once wept through an entire, early-’70s Roberta Flack concert at the Mid-South Coliseum. I understand how hard it is to sing live, but somebody ought to tell her.

The evening’s longest performance belonged to Recording Academy president Neil Portnoy, who bragged about the association’s good deeds and solicited donations for Haitian earthquake relief before the screed turned into Portnoy’s complaint, where he scolded the listening public over illegal downloading and file-sharing. It’s fun to watch the “industry” so hapless and lost after their decades-long stranglehold on the entirety of the muzic bidness. It was also nice that Jim Dickinson and Willie Mitchell were recognized in memoriam.

Either CBS or WREG Channel 3 seriously screwed up the ending of the show. I suspect I know which. After showing a series of local commercials and no-snow closings, the station had a Heidi moment and blew the entire presentation for Album of the Year. They returned to Taylor Swift’s thank-yous already in progress and eliminated at least four minutes of network feed. It was like reading a mammoth novel and finding the final chapter torn out or listening to a CD that’s missing a few tracks. Aside from the mutilated ending, this year’s Grammys were pleasant. It was justifiable that “Single Ladies (Put a Ring on It)” won Song of the Year for Beyoncé. But it’s obvious that the real song of the year was submitted far too late for consideration. Everyone knows it’s got to be “Pants on the Ground.”

Categories
News

You Mean There’s a Fogy Side to the Gadfly??!!

That’s “fogy,” not “foggy,” although… Anyhow, you can judge for yourself.

A sample: “As I watched the Grammy Awards the other night…I was, once again, struck by how vastly superior my generation’s music was to what passes for music these days….”

Uh oh. Go here (Politics Beat Blog) to read the rest.

Categories
Politics Politics Beat Blog

MAD AS HELL: Not for All the Tea in Tennessee…

Cheri DelBrocco and friend

  • Cheri DelBrocco and friend

That Glory Train, The Tea Party Express, has pulled into the station. For the next three days, Opryland is The Promised Land. After a series of rallies throughout the past year that looked like they were made for a Quentin Tarantino movie, Tea Party Nation is throwing a convention in Nashville. The love-in has begun. Or has it?

All the usual suspects have shown up. The Beckers, the Birthers, the Dittoheads, and their like minded posses of racists, xenophobes, homophobes, and other sundry phobic gangs in Winger World. And then there are the pro-lifers—who advocate for “justifiable” murder because it “saves innocent life which begins at the moment of fertilization.” Go figure.

According to recent reporting by the New York Times, and other media, there is trouble brewing in Tea Bagger Paradise. It seems as though the organizers who are charging $550 a pop to attend right wing fantasy weekend have chapped a few butts and raised more than a few eyebrows. Tension has mounted in the last couple of weeks, and while the rest of us are deciding between the Colts and the Saints, the Tea Baggers have been feuding like the Hatfields and the McCoys.

And it’s not just over money. Splintering and splitting is occurring over political identity. Libertarian factions who want a smaller government that stays out of personal life choices are sparring with religious groups who want a big government that uses its power to discriminate against people they don’t like.

Last week, Representatives Michele Bachman of Minnesota and Marsha Blackburn of Tennessee both canceled appearances. No one in their camps are really explaining their sudden and last minute decisions as no-shows, although Blackburn reportedly felt that Tea Party brass had put guest speakers in an awkward position by extending an invitation to a for-profit convention.

Last minute switcheroos have also been made by several organizations who were expected to attend. Most notably canceling was a nativist group known as FAIR (for the Federation for American Immigration Reform). FAIR withdrew suddenly this week over concerns about the for-profit status of the convention organizers and the possibility of convention money flowing into unknown campaign coffers. The nativist slot is meanwhile being filled by a group known as NumbersUSA, founded by John Tanton, a retired Michigan eye doctor who’s written that to maintain American culture “a European-American majority” is required. The current head of NumbersUSA, Roy Beck, has made speaking appearances at the national conference of the white nationalist Council of Conservative Citizens.

But alas, there is that certain someone who will stop the bickering, however momentarily, and turn those sour grapes into red-state communion wine. She is the real reason most showing up have made their pilgrimage. They have come to honor their Madonna —The Lady of Perpetual Paranoia—-Saint Sarah of Alaska. She will reportedly receive $100,000 for her appearance and clearly, some in TPN are annoyed and have questioned the steep price tag. However, when Sarah shows up, merrily pouring verbal gasoline and lighting her book of matches by declaring that those in attendance are just like her—- misunderstood and disrespected Put-Upons who are picked on by a country full of “socialist” elites who don’t know what it’s like to live in the “real America”, she will wink her way right into their hearts. And their wallets.

Categories
Sports Tiger Blue

Memphis Tigers 85, UAB 75

When or if the Tigers ever land a spot in a BCS conference, here’s hoping the U of M brass finds a way to retain an annual game with UAB. It may not be Memphis-Louisville, but the Tigers and Blazers historically play games that make college basketball the spectacle it still can be. Tonight’s tilt at FedExForum is likely the best game Memphis fans will see this winter, and every bit as good as most Big East, ACC, or Pac 10 affairs.

After 31 lead changes — read that again, 31 lead changes — the Tigers pulled away over the last four minutes to give the Blazers only their fourth loss of the season (against 18 wins), and second straight in C-USA play. Memphis is now tied with UAB at 6-2 in C-USA, a game behind Tulsa and UTEP (playing Houston tonight in El Paso).

Elliot Williams in traffic

  • Larry Kuzniewski
  • Elliot Williams in traffic

The Tigers trailed at the half, 32-31, but enjoyed the last of 21 second-half lead changes for their 16th win of the season. (Read that again: 21 second-half lead changes.) Wesley Witherspoon led the way for Memphis with a career-high 29 points, followed by Elliot Williams with 25. (The two combined to make 15 of 23 shots from the field and 23 of 26 free throws.) Williams add seven assists in what he called the team’s biggest win of the season.

Categories
Politics Politics Beat Blog

GADFLY: Today’s ‘Cool Sounds?’ Bah, Humbug!

scrooge-gadfly_2.jpg

For people of my generation, the memory of our parents’ disapproval of our music idols is still somewhat fresh in our minds. I can still remember how my parents reacted to seeing Elvis for the first time on the Ed Sullivan Show, and their Yiddishe name for him, “Elvis mit de pelvis.” Don’t even ask what they thought of the Beatles (the words “get a haircut” coming from my dad sound familiar). They were, needless to say, dismissive of Elvis’ and the Beatles’ music, which, they thought, compared quite unfavorably with the music of, say, Tony Bennett, Ella Fitzgerald, Frank Sinatra or the Dorsey brothers.

Of course, horrified as we were by our parents’ stuffiness and judgementalism, we all aspired not ever to be as uptight as they were about music, and so it was with a great deal of dismay that I recall my revulsion to rap and hip-hop as being an epiphany that, at least in that way, I had become my parents. I guess it’s the same feeling we have when we realize that, in spite of our best efforts, we’ve adopted some of the less attractive aspects of our parents’ methods of child rearing.

Of course, they were wrong about Elvis and the Beatles. As I watched the Grammy Awards the other night (mostly for the visual rather than the auditory experience), I was, once again, struck by how vastly superior my generation’s music was to what passes for music these days. I asked myself whether Beyonce, Kanye West or The Black Eyed Peas are likely to have their music played thirty or more years from now, the way The Rolling Stones’, Bob Dylan’s or Paul Simon’s still is. Will we remember, fondly, U2, the way we remember the Supremes or the Temptations? Will there be rap retrospectives as fund-raising vehicles on public TV decades from now the way doo-wop is? Will there be pilgrimages to hear Green Day the way there have been for the Grateful Dead? Forgive my skepticism in asking those essentially rhetorical questions, but what passes for music today is, as I saw one commenter on the Grammy say, frozen TV dinners trying to pass as real food.

So, is it fair to judge a musical genre by its ability to stand the test of time, or should we just accept whatever the latest thing in music is as a barometer of current taste? Whatever happened to New Wave and Punk Rock, anyway? Where are the Talking Heads and Devo, now that we need them (not)? Or, for that matter, disco? Were they just a tribute to our musical fickleness? I believe longevity is an absolutely appropriate criterion for quality. If that weren’t so, symphonic music audiences, regardless of their sophistication, would prefer hearing Phillip Glass or Charles Ives to Beethoven or Mozart, which they overwhelmingly don’t.

I’m no musicologist, but what is it about music that gives it a lasting quality? Take a look, or better yet, listen, to the music of the 50’s and 60’s and what you’ll find is that the common thread is tonality. Harmony and ensemble were still important in that era—-not so much, anymore. Many of the singers of my day had something called a voice. The players also had something called musicianship. The singers understood nuance and modulation. Sure, we had some screamers even back then (e.g., Chuck Berry or Jerry Lee Lewis), but fewer of them saw the need to compensate for a lack of voice talent by cranking up the volume, as seems to be so prevalent today.

So, are rap and hip-hop the new rock ‘n roll? I doubt it. Music must be, above all, musical, and it takes more than decibel levels, pulsating rhythms and rhyming verse to make music. Yeah, I know; our parents thought (hoped, really) that rock ‘n roll was a passing fancy, just the way some of us feel about today’s music. But, they were wrong, and we’re right.