Categories
Food & Wine Food & Drink

Hey, Big Spender

One of my favorite things is the restaurant receipt that has the 15 percent, 18 percent, and 20 percent tip amounts printed on the bottom. It provides a quick and easy way to figure out exactly how much to tip. On the other hand, I’m not so fond of the gray area surrounding counter service and their leering tip jars. I always wonder how much I should tip, if at all. To get a handle on what’s appropriate, I talked to some restaurant insiders and frequent diners.

It’s no secret that people who have worked in the restaurant business are usually the best tippers. Margot McNeeley, the executive director of Project Green Fork, has waited tables and tended bar. “It’s not easy work,” she says. “I almost always tip 20 percent, if not more, unless the server is rude. If they’re in the weeds and super busy but nice about not being as attentive, I still tip well.”

Stephen Hassinger, the innkeeper at the Inn at Hunt Phelan, is also a chef with many years of restaurant experience. “Me, I tip everybody,” he says. This includes the dry cleaner ($10 every once in a while), the guy at the car wash who wipes the rims ($3 to $5), and the barista ($1 every time and $3 to $5 sometimes). “Basically anyone who performs any kind of service, I tip $1 to $20 depending on how much work it is and whether I plan on returning,” he says.

Hassinger believes that once you add some decent gratuity, that person will remember you and how you like your coffee or whether you like medium or light starch in your shirts … whatever. “As a rule, over-tip in the beginning, and you will receive good service from that point on,” he advises.

Ken Lumpkin, the chef/owner of Umai, wants people to understand that servers get paid very little and survive on tips. (The norm for servers’ wages is $2.13 per hour.) “I know that 15 percent is the standard, but it has not kept up with the increased cost of living,” Lumpkin says. “Tipping should start at 18 percent.”

He agrees that receiving poor service is cause for a smaller tip but suggests that diners take into consideration whether or not it was a server’s error or someone else’s. “Servers have to deal with backed-up kitchens, angry cooks, angry patrons, running out of supplies, co-workers’ attitudes, etc.,” he says, suggesting that if a patron is dissatisfied, it’s better to alert the manager to the problems instead of stiffing the wait staff.

Ben Vaughn is the chef/owner of Grace Restaurant, which offers fine dining. He says that 18 percent is the average tip. However, Wally Joe, the chef at the Brushmark, says that 20 percent should be the standard for fine dining. “Service is more refined, and extra attention is required and expected,” he says, noting that there may be small touches such as tableside serving of sauces and beverages. “A server should also have full knowledge of the menu and wine list,” he adds.

Joe is very outspoken when it comes to counter service and says that tip jars really annoy him. What am I suppose to tip them on? Handing me my order that they are paid to do? That requires no effort at all,” he says, equating it to a clerk handing him a pack of gum at a convenience store.

Helario “Harry” Reyna, who owns Elliott’s, a sandwich and burger joint downtown, says the standard tip for counter and pick-up orders is 10 percent. Elliott’s has never had a tip jar, but patrons may choose to leave a tip on the table. When Reyna was part-owner of Kwik Chek on Madison, they had a tip jar and split the tips. “That’s how I started a savings account for my daughter,” he says.

Elizabeth Blondis, part-owner of Central BBQ, recommends 5 to 10 percent for counter service and to-go orders. The tips are put into a pool for all employees and divided based on total hours. “That way, everyone — from the prep cook to the busser and everyone in between — shares in the rewards of doing a good job and working as a team,” she says. Blondis notes that no one at Central is paid less than minimum wage (most are paid more), but the additional tips can add up to an extra 50 cents to $1 per hour for employees.

Vaughn says that the staff at Au Fond, his market and cafe adjacent to Grace which offers counter service, is paid a higher rate than the wait staff at Grace. “It’s a nice thing to leave a buck or two to the guys and girls cleaning up and working their butts off, but it’s not expected,” he says.

Gary Bridgman, a former waiter who “carried trayloads of plates/drinks and tracked customer satisfaction throughout the meal,” says he has to be impressed before giving a counter tip higher than a quarter. “I’m more likely to slip a dollar under a dirty dish/tray if I’m not expected to bus my own table,” he says.

It’s important to consider whether your to-go order is being packed up by counter staff making minimum wage or by wait staff making $2.13 an hour. Former restaurant staffer Lauri Smith points out that to-go orders were included in her total amount of sales that she had to pay taxes on. In other words, the server has to pay tax on it whether you tip or not. If the restaurants do not report it accurately, the restaurant and the wait staff get audited by the IRS.

“The people putting together to-go orders [in restaurants] almost always get ripped off,” McNeeley says. “Think about this: They take time, sometimes away from their stations, to put the order together, check it, bag it, ring it up.” Tipping at least a few bucks on to-go orders should be required in her opinion. At the very least, it is always appreciated.

So what about alcohol? Joe does disagree with his servers when it comes to tipping on wine. “I’m probably not going to make any friends among servers for saying this, but there is a feeling that they deserve to be fully tipped 20 percent on expensive bottles of wine,” he says. Joe explains that whether the bottle of wine costs $200 or $30, the work is the same.

Ben Carter, author of the popular blog Benito’s Wine Reviews, says wine should be tipped 20 percent just like everything else. “The only time this becomes a real issue or argument is when you’re spending $500-plus on wine at a single dinner. And even then, there’s a big difference between 10 $50 bottles and one $500 bottle,” he says. The former is going to involve a lot of work and glasses and surely deserves 20 percent, in his opinion, and for the latter, he believes 10 percent might be appropriate without throwing off the overall balance of the bill.

At a bar, 20 percent is always safe, according to Wes Fowinkle, who has been bartending for over 10 years, most recently at the Cove. He prefers 20 percent to the generic “$1 per drink” rule. “If someone orders the most complicated, expensive drink on the menu that takes five minutes to prepare, keeping you from selling five quick beers, you made $1 instead of $5,” he explains. Fowinkle offers some advice for math-challenged and/or multi-drink imbibers who don’t have the luxury of a receipt with tip suggestions: “The easiest way to figure out 20 percent at the end of a night is to divide your tab by 10, then multiply by two.” (This trick works in restaurants too, any time of day.)

When it comes down to it, customers need to be aware of the nuances involved in the restaurant business and what constitutes good service. Hassinger sums it up: “Employees who work for tips appreciate someone who appreciates them.”

Tipping Cheat Sheet

Fine dining: 20 percent

Casual dining: 18-20 percent

Counter service: 0-10 percent

To-go orders in restaurants: 10 percent

Alcohol (including beer and wine): 20 percent

Really expensive bottles of wine ($500+): 10 percent

Categories
Living Spaces Real Estate

Change Your Landscape

Not only does landscaping make your yard look nicer, it can also increase the value of your property and help you save on energy, not to mention it’s great exercise. Other benefits include stress relief and tax deductions.

Property Value Increases: When you spend money on doing your property up, it’s only natural it will raise the value of your property. But what most people don’t understand is that doing work to the house not only adds value on paper, it increases the property’s value in potential buyers’ minds.

People will pay more for a home that looks better than the rest of the houses on the street.

Save On Energy Costs: By using proper landscaping techniques, you can keep your home warmer in winter and cooler in the summer, lowering your energy bills.

Much of the cold that comes into your home in winter is caused by wind. Adding a row of conifers, white pines, or hedges around your home and your windows can help keep the wind out and the heat in. In summer, you can keep your home cooler by planting trees that provide shade over your windows.

Effortless Exercise: Backyard landscaping is a great way to get your daily exercise, not to mention the fresh air. And gardening is known to be a great stress reliever. Getting outside and getting your hands dirty calms the body, and it’s a great way to relax after work or on the weekends.

Tax-Deductible Landscaping: It’s true, you can get money back for adding value to your home. Home improvement (not home repair) is a tax-deductible expense in America.

Container Landscaping: But what if you live in an apartment or a condo and don’t have space to landscape? Not a problem. Planting in containers is the obvious solution.

There really isn’t much difference between traditional gardening and container gardening except for one very important fact: Traditional gardens rely heavily on nature for their basic needs, but container gardens rely almost solely on you. You must provide them with the nutrients they need. Container gardens can dry out quickly.

The good news is you can grow almost anything in containers, from edible plants to decorative shrubs and flowers. You can even grow trees, though they will never get to their intended size, since their roots are confined. It’s also a good idea to select hardy plants that can survive in drought conditions.

When it comes to selecting containers, the most popular pots are terra cotta and stone. However, be careful with weight restrictions if you are putting your containers on balconies.

Taking care of a plant in a container is primarily a matter of making sure it has adequate water and good soil and that you prune when needed.

Repot them when the plants get too big for their containers, and don’t forget to fertilize as needed. If you want to slow the growth of your plants, prune the roots.

Categories
Music Music Features

Hard Rain

When the four members of the Dead Weather convened for their first session in 2008, they had no idea if they would create a light drizzle, a brief cloudburst, or a perfect storm. The band certainly had the potential for a deluge: Jack White of the White Stripes and Jack Lawrence of the Greenhornes were playing in their side project the Raconteurs with touring member Dean Fertita of Queens of the Stone Age, and they recruited Alison Mosshart of the Kills to sing lead. “We didn’t know what we had, so we didn’t know what to call it at first,” says Fertita, who plays keyboards and guitar. “We went in to record a 45, and three weeks later we had a record. There was no premeditation with any of it, really.”

The result of that session was last year’s hellacious Horehound, a skuzzy, swampy, sinister album that drew from the DNA of each of the members’ main bands without sounding like any of them. It’s aggressive and menacing without being especially heavy, moody without being morose. More goth than blues, it rocks harder than you might think possible for a band that relegates White to the drumkit. But he’s a fine drummer, restrained and precise, and Fertita metes out enormous, slashing guitar riffs in White’s place. As singers, White and Mosshart have an electric chemistry, their voices sounding abrasive and androgynous as they trade lines. White’s tense “I Cut Like a Buffalo” may be one of his most outrageous performances ever taped, his insistent yowl punctuated by loud choking sounds. “Is that you choking?” he demands. “Or are you just joking?”

Less than a year after unleashing Horehound, the Dead Weather already have a follow-up, Sea of Cowards, which Fertita describes as darker than the debut: “It’s a continuation of the last one. It’s bigger and a little more volatile. Some of the tones and performances are a bit more explosive sounding.”

It’s hard to believe, but many of the new songs were written during those first defining Horehound sessions and developed during the band’s first tour together. “The first record we made almost accidentally, but this one benefited from us being a band for a year,” Fertita says. “It felt inspired. We would have days off, and instead of going home, we wanted to go into the studio and work. We just took advantage of the time we had so that we could all be together. Time is a precious thing in this situation, so why don’t we make the most out of every chance we get?”

That’s tougher than it might sound. In addition to having other gigs, the members of the Dead Weather are geographically scattered: White and Lawrence recently moved to Nashville (where the band records at White’s Third Man Studios), but Fertita lives in Detroit and Mosshart in London. “It’s tough to get together, which is why it’s so cool that we were able to make the time and take advantage of the opportunity to do this record,” says Fertita, who adds that scheduling sessions tends to be an informal process. “We don’t plan that far ahead, actually. We just gauge how everybody’s feeling. One week we’ll all have a week off. Do you need to be here? Do you need to be there? No? Why don’t we go record? It’s really that spontaneous.”

That approach extends to the studio, where each of the band members has equal creative input (not always a given with such strong personalities). “It’s actually really collaborative,” Fertita says. “We throw ideas at each other, and in the end we have a song. But we don’t always remember how we got there. A couple of weeks ago, we were doing the writing credits for the new record, and we couldn’t remember what everybody did.” That may account for the songs’ sharp attack, which eschews traditional song structures in favor of odd repetitions and turns of phrase and emphasizes a pummeling dynamic. The Dead Weather, in other words, don’t sound like a side project but a tight outfit brimming with ideas and energy.

The band may write in the studio, but they develop their music on the road, which means the songs change significantly from the recorded versions. “We don’t want to give the same show every time,” Fertita says. “We’re all motivated by the idea of creating something and then destroying it every night. We try to take the songs further and further. You learn about the songs as you play them in front of people. You get inspired to try new things. I think it’s in our nature to always be working toward something new.”

In that regard, Fertita doesn’t see the short interval between Horehound and Sea of Cowards as a fluke. “We all grew up as fans of bands that were putting out more than one record every two years. I don’t think it’s great for creativity to dwell too long on anything. Part of the process is doing something, learning about it, and then moving forward. I still feel like we have unfinished business, so I wouldn’t be surprised if we’re making time to start working on another record very soon.”

The Dead Weather, with The Ettes

Minglewood Hall

Wednesday, April 28th

8 p.m., $30

Categories
Opinion The Last Word

The Rant

I admit it. I love to read about Sarah Palin. I don’t want to, but I do. It violates my most basic sense of self-worth. I hate that I spend time reading about her that could be spent so much more constructively, doing things like putting lit cigarettes in my nose or making little hats for my cats. I hate that I have this disorder that makes me want to hang on the most insipid things she says. Yes, it is out of morbid curiosity and a fascination with how someone like her can appeal to so many people. Yes, they are tea-bagging lemmings, but really: Would you ever in your wildest dreams imagine the wolf-killing, anti-environment, semi-literate soccer mom who sees Russia from Alaska would ever command as much attention — and money — that she does?

And now she’s going to have her own television show, the much anticipated (by some) eight-part series Sarah Palin’s Alaska, on the Learning Channel, which is owned by the Discovery Channel. She is going to make a hefty fortune for it and will probably shoot some wolves or polar bears in the process, although that probably won’t make the final cut. So my dilemma is whether to call DIRECTV and have TLC and Discovery removed from my service and boycott all businesses that advertise on the show — or do I allow myself the cheap and tawdry thrill of watching to see how bad it is and then boycott all of the businesses that advertise on the show?

See, reading about her and actually watching her are two entirely different things. I like reading murder mysteries, but I’ve never wanted to see anyone killed. I like reading about natural disasters, but I don’t wish them to happen. I can find humor in reading the things Palin says (her recent comments about whether anyone could possibly not want America to be a militarily dominant world superpower and the fact that she dislikes universities like Harvard were priceless). But seeing her in all her huntin’ and fishin’ glory might prove to be just too much.

She always looks to me like she isn’t clean. Yes, the makeup is done well, but she looks to me like she doesn’t shower before they fancy her up. I’m not sure why that is; it’s just a gut feeling. I bet her feet smell. The very idea that I think about Sarah Palin’s feet is more unsettling to me than I could ever explain to anyone in this lifetime, no matter how long or short it turns out to be. I get it in my mind when I see her, and I have to immediately start singing the same thing over and over with my hands covering my eyes to distract myself from thinking about it. I don’t know what this says about me as a person. It can’t be good. It’s probably terrible.

It’s like every time I see Courtney Love. She looks filthy. But I do worship her in some ways, especially for that Dave Letterman show on which she appeared and was messed up out of her mind and flashed her breasts at him repeatedly and got arrested at a club the following night for allegedly hitting a guy with a microphone stand, which she denied. She also joked on the show about getting busted for having one expired Percocet. See, you can be kind of dirty and get away with things like that, but not if you are running for the office of vice president of the United States.

So what should I do? I’m asking this in a public forum because I have a feeling someone might let me know in the comments area on the online version of this column. I was killing some time the other day and glanced through some of the comments and there were some from someone from Palin’s Wasilla Assembly of God (WAG), or someone at least pretending to be. I so hope they are for real. That would be fantastic for my resume someday. I already had the Church of Scientology Celebrity Center contact me directly after I made one comment about that organization in general, not the Nashville branch, and they were very nice. The guy from WAG (you don’t know how much I wish the church’s name was the Jamboree Wasilla Assembly of God so the acronym could be JWAG!) was pretty nice too. He just told me that they don’t have an underground bunker for the End Times but that they should have a better plan in place.

Maybe when Palin makes her next few million dollars for speaking at tea-bagging conventions, she can help them build a bunker. I know she doesn’t attend church there like she used to, but building a bunker for the Rapture could make for some great television

Categories
News The Fly-By

Food Fight

Volunteer group Food Not Bombs has been dishing out free vegetarian meals to the homeless in downtown’s Court Square Park nearly every Saturday for a decade. But two weeks ago, it seemed as though the group would be homeless, too.

In early April, Center City Commission (CCC) representatives told the group to move to another location. Jerome Rubin, vice president of operations for the CCC, said the park was infested with rats and the presence of food wasn’t helping.

“The health department has been baiting the area, but they have also advised us that the baiting will not be effective if we do not reduce or remove the food source that is causing the infestation,” Rubin said.

Rubin also maintained the group needed a $50-a-week permit to use the park and suggested they move their operation to Morris Park at Poplar and Manassas.

However, last week, the CCC got word that the rat problem was under control. A few Food Not Bombs volunteers subsequently met with Leslie Gower, vice president of marketing and communications for the CCC, and were told they could continue using the park as long as they paid the weekly permit fee.

“Weekly permits would cost $2,600 a year. There’s no way these kids can afford that,” said Mid-South Peace & Justice Center director Jacob Flowers. Food Not Bombs is a Peace & Justice Center program, but Food Not Bombs operates largely without a budget. All of the food served is donated from area grocery stores.

During the meeting, a Food Not Bombs volunteer pointed out that the Court Square guidelines state that “the CCC reserves the right to waive or reduce any … fees for nonprofit groups performing a public service.”

Since Food Not Bombs fits that category, the CCC then decided to waive the weekly fee for the permit.

“We applaud them for doing the right thing, but there are still factors that point to a larger issue,” Flowers said. “We think this was part of a move by the CCC, along with the recently passed panhandling ordinance, to move poverty and homelessness out of sight and out of mind.”

On Saturday, Food Not Bombs volunteers scoured the park picking up trash after serving food to the homeless. Volunteers maintain that they’ve always kept the park very clean.

Jason Smith of Food Not Bombs says he’s happy the group isn’t being forced out of the park.

“I feel really good about having permission to stay here, but I know there are still lots of people who don’t want us to serve here,” Smith said. “We can deal with their dirty looks and scowls.”

Categories
Politics Politics Feature

They Really Like Us!

Memphis, which famously nurses a “black-sheep-of-the-family” complex about itself in relation to the rest of Tennessee — or, better, has an identity somewhere between Cinderella and one of the bad sisters — is getting some serious election-year wooing from candidates for governor.

All of the GOP gubernatorial hopefuls, in particular, are in hot pursuit. In a visit to Shelby County last month, Ron Ramsey, who has made a special point of courting Memphis’ outlying suburbs, especially Germantown and Collierville, noted that “the largest block of Republican primary voters resides in Shelby County”; that “one out of six people in Tennessee lives in Shelby County.”

And, last week, both Zach Wamp and Bill Haslam made fervent pitches for the Memphis-Shelby vote. On an extended visit to town, Chattanooga congressman Wamp had his pitch distilled into a slogan, “Memphis matters,” and called for a “Memphis renaissance” equivalent to what he likes to boast as the “Chattanooga renaissance” that he claims a major part in.

He promised that, if nominated, the first place he would come would be Memphis. Ditto with his initial destination as soon as he got inaugurated as governor. And he vowed, too, that, once installed as governor, he would devote “most of my time” to the concerns of Shelby County.

“As Memphis goes, so goes Tennessee,” Wamp said.

And he may even believe that as Memphis goes, so goes Wamp. He made a special point of appearing at a joint press conference with District Attorney General Bill Gibbons, the former Republican primary opponent whose active support Wamp is overtly courting.

Asked if an endorsement by Gibbons might be in the cards, Wamp said, “There’s 96 days to go [until the gubernatorial primary], plenty of time for that. I hope that that’s the case later on. It’s for him to consider. I didn’t ask for that yet.”

Meanwhile, he praised Gibbons’ now folded campaign as something that had made him “a better candidate” and promised to support Gibbons’ goals. He said he considered the Shelby County crime-fighting program, Operation Safe Community, to be a model. “I’ll continue to try to win General Gibbons’ support,” he said.

Haslam, who spent a couple of days in Memphis himself later in the week appearing at several places across the city’s urban expanse, swore his own fealty to the Bluff City. Prominent at each stop was Haslam’s wife Krissie, a native of Memphis. Haslam addressed the rhetorical point of why a Knoxville mayor should care all that much about Memphis concerns by referring to his wife, “who is from here, as all her family is, and she’d kill me if I didn’t.”

Further: “If Tennessee is your business, then Memphis is your biggest branch. It’s the place of biggest opportunity and the largest population center.” Ignoring Memphis? “If you do and you’re governor, you’re crazy.”

All the GOP candidates — plus Democrat Mike McWherter — have promised to do what they can to aid Memphis’ ailing Med facility, although both Wamp and Haslam carefully noted that, while they are predisposed in its favor, they had not yet seen the text of a letter from the Shelby County Commission addressed to all the gubernatorial candidates.

That letter asked each candidate to commit to routing all federal revenues derived from indigent patient care at the Med back to the Med — something no governor has done since the implementation of the TennCare network.

• One of the most significant acts of interim county mayor Joe Ford‘s tenure may have occurred last week on an occasion when he wasn’t even present.

This was a forum for local environmental leaders. Ford himself was ailing on the day it occurred in the mayor’s conference room, but his assistant Pamela Marshall presided in his stead, along with representatives of various county divisions.

After nearly two and a half hours of animated discussion, the environmentalists present had discussed numerous worthy projects, but their crowning achievement was the epiphany that there should be a county environmental department as such, one concerned with pragmatic planning for a green revolution in Shelby County, step by step.

Maybe something comes of the initiative right away and maybe not, but at the very least an idea was born that, at some point later on, may, like last week’s summit meeting itself, come to seem historic.

Categories
News The Fly-By

Ghost Story

For years, Orpheum employees have reported strange ghostly happenings — dressing-room doors that slam on their own or the sound of running feet when no one is around. Some have also heard the sound of a little girl singing when the theater is empty.

The sounds are generally attributed to “Mary,” widely believed (at least by those who believe such things) to be the ghost of a little girl who haunts seat C-5 on the theater’s mezzanine level. According to legend, Mary died in the 1920s, though stories vary as to whether her death was by fire or the result of being run over by a horse or streetcar.

However, television psychic and medium Sylvia Browne — often seen performing readings on The Montel Williams Show — has a different take on Mary’s ghost. And according to Browne, Mary’s spirit is not alone at the Orpheum. Browne performed a quick reading of the Orpheum’s ghosts over the telephone in preparation for her upcoming appearance at the theater on Friday, April 23rd.

“It seems that where the Orpheum Theater is now, there was some kind of makeshift hospital or a place where hurt soldiers were taken,” Browne said in her signature gravelly voice. “It seems like [Mary] was a nurse. Apparently, she had someone in the service, maybe the Civil War. And he died. She keeps looking for him.”

Unlike most accounts of Mary as a little girl, Browne speculates that the ghost is actually in her late 20s. Browne says her full name was Mary Margaret Forrester, and her dead soldier lover’s name was David.

“[Ghosts hang around] because they have some unfinished business, like a lost love, a trauma, or a mother losing her child,” Browne said.

During the telephone reading, Browne picked up on another ghost — a man named Clifford Ferris.

“He hung himself. I think he was mentally deranged,” Browne said. “He was older, sort of an indigent. He was one of those handyman people who walked around and talked to himself. Not right in his head.”

Browne said Clifford hanged himself from a large tree near the Orpheum’s location. Browne said the two ghosts never knew one another.

“You have layers of time. Mary comes from maybe 1865, and he comes from 1902,” Browne said.

The best-selling author will perform readings on audience members during her Orpheum appearance. Browne believes she manifested her psychic abilities at age 3. For years, she claims to have assisted individuals in contacting dead loved ones, and in 1974, Browne founded the nonprofit Nirvana Foundation for Psychic Research.

While she’s at the Orpheum, Browne says she may help Mary and Clifford move on:

“Somebody needs to go in there and say, ‘Look, Mary Margaret. You’re dead. Go to God. Go to the white light.’ I’ve always helped people do that, and about 99 percent of the time, I’ve had luck.”

Categories
We Recommend We Recommend

All Soul

Ellis Hall may be joining the Memphis Symphony Orchestra to perform a tribute to Ray Charles for the “Kings & Queens of Soul” concert, but Hall, who’s been blind since he was a teenager, is nobody’s tribute artist. He’s a gifted multi-instrumentalist with a five-octave vocal range, and he was already well established when Charles became his friend and mentor in 2001. Few artists on earth can interpret Charles’ material as faithfully as Hall can while adding a few signature flourishes of his own. It’s probably safe to say that even fewer artists have had a trio of backing vocalists like Joyce Cobb, Reba Russell, and Susan “Honeymouth” Marshall, who, in addition to taking their own turns as soloists, will blend their voices as stand-ins for the Rayettes.

“I’m just honored to be invited to perform with the symphony again,” says Marshall, who’s slated to perform Aretha Franklin’s hit “Natural Woman” in addition to backing Hall and joining her fellow singers in a medley of songs by Rufus and Carla Thomas.

“When that 90-piece orchestra plays, it makes a powerful sound,” Marshall says, comparing the experience of a pops concert to a club date. “That sound moves through you.”

Categories
We Recommend We Recommend

Manhunt (pt.1)

“The most dangerous man in America.” That was how J. Edgar Hoover once described George Kelly Barnes, aka “Machine Gun” Kelly. Better, however, to end that quote with a question mark, because Kelly, in fact, never shot anybody. But in 1933, Kelly (a bootlegger, then bank-robber) and his wife Kathryn were indeed wanted by every G-man in the country after the couple kidnapped an Oklahoma oil man and got away with $200,000 in ransom money.

The hunt for Kelly, who grew up in Memphis, and the capture of Kelly, who was nabbed in Memphis, may be a matter of American manhunt history.

But it’s the stuff of great storytelling in the hands of author Ace Atkins, whose latest novelization of a true-crime story, Infamous (Putnam), follows Kelly and Kathryn and the events leading up to and after the Oklahoma kidnapping. That’s 56 days the couple spent on the road fleeing the law and 20,000 miles traveled — Kelly providing the brawn; Kathryn, from Saltillo, Mississippi, providing the brains (and the good looks and the smart mouth and a craving for notoriety). She was, Atkins told the Flyer, a novelist’s dream: “I’ll never have a character I enjoyed writing as much as I did Kathryn Kelly.” And as for her big lug, George:

“I don’t think Kelly was a weak person,” Atkins said. “I don’t think he was a stupid person. But he was not a bloodthirsty criminal. I think Kelly would have been fine just being a bootlegger. But he really is one of the great Memphis characters: an average, good-time, wealthy frat boy who went to Central High.”

Who went on to make it onto every front page in America before landing in Alcatraz — and inside the pages of Infamous.

Ace Atkins discussing and signing copies of “Infamous,” Davis-Kidd Booksellers, Monday, April 26th, 6 p.m

Categories
News

On Location Film Fest Opens Tonight

The 11th On Location: Memphis International Film Festival begins its four-day run Thursday night at Malco’s Ridgeway Four.

We take a closer look at some of the festival’s best bets here.