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Intermission Impossible Theater

Authentic Queers & Phony Virgins: Jacques Brel is Alive & Well & Living in this Post

Jacques Brel

  • Jacques Brel

I’m not sure how long it’s been exactly since Jacques Brel is Alive and Well and Living in Paris last played on a Memphis stage. I’m not certain that I want to know because knowing will make me feel like a fossil. It has to have been 20 years. It was last seen at Circuit Playhouse where it’s being revived beginning this weekend. The last production opened sometime in the early 90’s and featured the great Jim Ostrander performing alongside a newcomer named Michael Detroit. At least that’s how things were supposed to happen. I’d recently formed a small theater company with the show’s director Sidney Lynch and had agreed to sit in on rehearsals as her extra set of eyes and ears. It was a silly proposition really because I knew very little about Brel at the time and had no idea what to expect. I certainly didn’t anticipate being so completely devastated by what I heard. I honestly don’t think I’d been so high on language and rhythm since Shakespeare was first poured down my throat.

Shortly before that production was scheduled to open Mike became seriously ill and it was clear he couldn’t go on. Sidney looked at me and I held my hands up in surrender. I wasn’t that kind of singer and even if I was there was no way I could learn all those amazing songs so quickly. Calls were made, drinks were drunk and hands were wrung. That’s when Jim Ostrander did the most amazing thing I’ve ever seen. He told Sidney not to worry. He’d done the show before and knew every note. He could sing Michael’s songs too. And so he did. It was a superhuman effort and I must have watched him do it ten times at least. It’s not just one of my favorite shows it’s one of my favorite memories. That’s why I am so pleased to present right here in one epic blog post every damn song from Jacques Brel is Alive & Well and Living in Paris as performed by Dusty Springfield, Ray Charles, David Bowie, The Dresden Dolls, Marlene Dietrich, Marc Almond and of course, Jacques Brel. Annotated for your pleasure.

It begins like this…

Marathon: If there is a better song about the relentlessness of time I don’t know it

We must dance because the Thirties scream
The Thirties scream because the Horsemen ride
Orphan Annie lives, Daddy Warbucks dies
Breadlines, shanty towns, Frankenstein’s bride
Adolf Hitler and the Siegfried follies
Joseph Stalin and a bag full of jollies
Call your broker and buy marzipan
While we keep on dancing, dancing on and on

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Sports Tiger Blue

Elliot Williams Turning Pro

If Elliot Williams leaves a legacy after his single season as a Memphis Tiger, it will be one of perfect timing. Williams would be the first to lift an eyebrow at such a suggestion, considering he transferred to Memphis primarily to be near his ailing mother, and the Duke team he left happened to go on to win the national championship. But when he cashes his first NBA paycheck later this year, the season he spent as a Tiger will come to feel well nigh perfect.

Elliot Williams, NBA-bound

  • Larry Kuzniewski
  • Elliot Williams, NBA-bound

The St. George’s grad returned to his hometown program rocked by the departure of coach John Calipari and a lost recruiting class that would have included (at least) Xavier Henry and DeMarcus Cousins. Had Williams not been granted an NCAA waiver that allowed him to play immediately for new Tiger coach Josh Pastner, the U of M win total for 2009-10 could well have been half the 24 they actually achieved. Williams was that integral. The only sophomore in Tiger history to score more points than the 610 Williams racked up was another Elliot (Perry). A durable two-way guard with an ability to score from inside or out, Williams embodied the prescription for what ailed a staggering program in transition from one of the most visible coaches in the country to a rookie not old enough to run for president of the United States.

But Williams’ decision to enter June’s NBA draft is the other side of his perfect timing. Currently projected as a late-first-round pick (draftexpress.com actually has him going 25th to the Grizzlies), Williams stood to lose ground with a return to the U of M program. With the arrival of Joe Jackson, Will Barton, and Jelan Kendrick next season, Williams would return to a complementary role not unlike that he filled as a freshman at Duke. He might be just as valuable in that role — guards who can contribute at both ends don’t fall from trees — but the value would be less pronounced . . . and much less visible to NBA scouts.

What kind of pro will Williams be? Like so many basketball players who turn pro shy of their 22nd birthday, he’ll be doing the bulk of his development in the NBA. Williams is quick and fast, but not extraordinarily quick or fast. He can shoot, but he’s not consistent. He can handle the ball, but not like certain point guards we’ve seen in these parts. As for his size, 6’5” guards are always in danger of falling into that “’tweener” category that can be deadly to career growth in the NBA.

The most valuable asset William’s will take with him is between his ears. He’s a sharp young man, one who steered clear of clichés and errant wit in postgame interviews, one who will be more than capable of learning some of the details that your average NBA rookie might gloss over.

By the most strict definition, Elliot Williams was a “one-and-done” player for the Memphis Tigers. Something tells me, though, as the years pass along, he’ll be missed for his single season of contribution in ways his more famous predecessors will not.

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Politics Politics Beat Blog

Pellicciotti Censure Resolution Fails in Commission, But…

Pellicciotti (left) and Thomas during showdown

  • JB
  • Pellicciotti (left) and Thomas during showdown

County mayoral candidate Otis Jackson, who is now serving as General Sessions Court clerk, got a scare last week, but one which, ironically, resulted in his getting a pass this week.

Commissioner Mike Ritz, something of a self-appointed fiscal watchdog on the county legislative body, pressed a relentless interrogation of Jackson last week, on the basis that the latest county audit had revealed the clerk’s books to have been seriously “unreconciled.” That word, and its variants, got a strenuous workout during a committee hearing which revealed mismatching account entries dating back several years.

In the end, it was decided that several of the problems were attributable to a dysfunctional computer system installed under the previous clerk, Chris Turner, who was defeated by Jackson in 2008. But the most serious shortcoming involved a matter of some $3 million directly traceable to Jackson’s administration that remained (that word again) “unreconciled.”

Jackson was not under suspicion of malfeasance, but, still, the discrepancy in his books, coupled with Ritz’s previous accusations that the clerk had spent prodigally on dining occasions for his staffers, threatened to put his mayoral campaign (already of the dark-horse variety) in crisis mode.

Two things occurred to, er, reconcile Jackson’s situation. One, he was able to submit a supplemental report adjuged by the county auditing team to have properly resolved the discrepancies. Two, in the meantime interim county commissioner John Pellicciotti, who was appointed last year to fill a vacancy in District 4, Position 3, levied a motion to censure three clerks — Jackson, Chancery Court clerk Dewun Settle, and Probate Court clerk Chris Thomas — for what county audits and “management letters” had revealed to be persistent problems in reconciling their books.

Inasmuch as Thomas is now a candidate for the commission’s District 4, Position 1 seat — the same seat being sought by Pellicciotti, who is switching tracks because he had promised, upon his appointment, now to seek reelection for the Position 3 seat — his colleagues were sufficiently diffident as not to offer him a second.

But his motion, with all its potential political volatility, returned to the full commission’s regular public meeting, and, when Commissioner J.W. Gibson, who hadn’t been at last week’s committee hearing, seconded the motion, Pellicciotti was given a platform to make his point against Thomas. Clerk Settle had meanwhile been excused from blame, and Jackson, too, having already undergone his ordeal, was now off the hook — at the behest of Ritz, no less, who, perhaps seeing a dilemma that cut both ways, partisan-wise, professed a desire to “get [it] behind us and move on.”

Thomas, speaking to the commission in his defense, offered an apology “that my opponent is doing this to y’all” and observed that, as several commissioners already had, “this is political.” He pointed out that he had corrected the indicated fault — a failure to resolve his ledger precisely on a monthly, as against an annual, basis — and lamented, “This is exactly why…y’all don’t want to appoint someone to fill out a term that says they are not going to run, and then they run.”

(He would pass out copies of his own charge — that Pellicciotti should return the money, some $110 month in county funds, that paid for the interim commissioner’s recent public hearings on consolidation, on grounds that Pellicciotti had used the occasions for his own campaigning, something Pellicciotti would staunchly deny.)

In the end, votes were held on the Jackson and Thomas matters. Jackson was exonerated by a 13-0 vote, with Pellicciotti himself concurring, and Thomas, too, saw his censure charge defeated. That one went 12-0, with Pellicciotti recusing himself.

On the surface, then, it appeared that Thomas was victorious, but Pellicciotti, who probably entered the race as an underdog, got a bully pulpit to display himself as a self-declared and single-handed reformer. Speaking to reporters later one, he would condemn an “old boys’ network” that “the people who have been there too long are tied into.”

He went on, “Nobody is willing to call each other out. We have got to hold these people responsible…We [meaning himself] will continue to hold people accountable. We will not put up with people not managing the people’s money appropriately. We are past the time of just ‘trusting’ politicians.”

And, finally: “We’ve got to get rid of these guys who are been in office forever.” [Thomas had boasted his 16 prior years of service as clerk.] “We need young people who can tell us that’s not right.”

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Politics Politics Beat Blog

Wamp Commits Himself to “Memphis Renaissance” as Governor

Wamp and Gibbons after CJC tour

  • JB
  • Wamp and Gibbons after CJC tour

Republican gubernatorial candidate Zach Wamp came to Memphis on Monday for a round of activities beginning with a tour of the Criminal Justice Center at 201 Poplar in the company of District Attorney General Bill Gibbons and Sheriff Mark Luttrell.

Thereafter he stood on the 3rd St. side of the CJC with Gibbons, and, while he couldn’t at this point claim the endorsement of Gibbons, his former opponent for the GOP nomination, Wamp did what he did to lay the groundwork for such serendipity, including a virtual declaration of honorary home-boy status.

“Memphis matters,” Wamp declared. “It matters to the future of Tennessee. Just because I didn’t grow up in Memphis doesn’t mean I won’t be fully committed to Memphis.” The Chattanooga congressman expressed a wish for “a long overdue Memphis Renaissance” and pledged himself to that end.

He promised that, if nominated, the first place he would come would be Memphis. Ditto with his initial destination as soon as he got inaugurated as governor. And he vowed, too, that, once installed as governor, he would devote “most of my time” to the concerns of Shelby County.

“As Memphis goes, so goes Tennessee,” Wamp said.

Asked if an endorsement by Gibbons might be in the cards, Wamp said, “There’s 96 days to go [until the gubernatorial primary], plenty of time for that. I hope that that’s the case later on. It’s for him to consider. I didn’t ask for that yet.”

Meanwhile, he praised Gibbons’ now folded campaign as something that had made him “a better candidate” himself and promised to support Gibbons’ goals. He said he considered Operation Safe Community to be a model. “I’ll continue to try to win General Gibbons’ support,” he said.

Wamp said he was still committed to full support for the Med, but hedged modestly when asked if he intended to sign a specific pledge sought of all gubernatorial candidates by the Shelby County Commission. The commission wants all candidates to commit themselves to rout all federal funds generated by indigent care at the Med back to the Med itself.

“I still haven’t seen it,” Wamp said of the pledge, but indicated he was still committed to sign it.

Wamp expressed support of the burgeoning state sovereignty movement but unequivocally distanced himself from the rhetoric of “states’ rights,” which, he said, smacked of “segregation and going backwards.” He said his recent vow to resist federal health-care legislation by meeting the federal government “at the state line” was metaphorical, not literal.

“I am a fighter. I’m a nice guy and a compassionate guy, but I also from time to time will stand up and fight,” said Wamp, who characterized the new federal health-care act as a “billion-dollar mandate that we can’t afford” and something that was worth fighting. “Fighting may be in a court of law, fighting may be at the ballot box,” he said.

Wamp is battling Knoxville mayor Bill Haslam and state Lt. Gov. Ron Ramsey of Blouneville for the Republican gubernatorial nomination. The winner of that contest will oppose Jackson businessman Mike McWherter, a Democrat, in the fall.

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News

City/MCS Reach Funding Agreement

Tonight’s Memphis City Council meeting might provide some closure to the ongoing city school funding crisis.

Memphis mayor A C Wharton, Memphis City Schools (MCS) superintendent Kriner Cash, and City Council chair Harold Collins presented a proposal to the Council’s education committee in which the city would pay $20 million to the school system by May 1st.

The city would then pay the district another $20 million by July 1st, to be followed by another $10 million payment October 1st. Under the agreement, voted unanimously by the education committee, the issues involved in litigation between the city and the city schools are still on the table.

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Intermission Impossible Theater

A Visit with the Memphis Storyteller’s League

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There’s nothing that pleases me more than finding unique art in unexpected places. That’s exactly what happened last week when I attended a lunch meeting of The Memphis Storytellers’ League which has been active in the Bluff City for more than 80-years. It was originally conceived as an all female club for the Memphis elite but has become more egalitarian over the years. The storytellers meet once a month with one purpose only: to read three short stories aloud.

By describing the storytellers’ readings as “unique art” I don’t mean to imply that the league is carrying on some extraordinary literary tradition. In fact there’s no trace of snobbishness at an STL meeting. The writing certainly isn’t what one might call ambitious. The tales— original autobiographical creations and popular favorites alike— are submitted simply because they brought pleasure to someone in the club. And so the group’s extensive archive functions as a kind of secret, sentimental history of Memphis, passed down from one generation to the next.

To attend a meeting of the Memphis Storytellers’ League is to step back in time to a quaint world where ladies wear fancy hats and everyone is uncommonly civil. The unadorned performances are a charming, unpretentious example of what we talk about when we talk about the relationship between art and community. Whether you’re interested in sweet stories about Easter bonnets or not, there’s an awful lot of emotional history collected here.

Click on to see a short video from the Storytellers’ lunch at Jim’s Place.

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Food & Drink Hungry Memphis

“Treme” and Hubig’s Pie

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  • HBO

Did you catch the premiere of David Simon’s Treme?

I thought it was a fine start, even if with its hints of Simonized tropes (hello, lovable rapscallion!). But what was most interesting to me was that pie that the restaurant owner pulled out of her purse.

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Memphis Gaydar News

Drink Alcohol, Raise Money

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Every Tuesday night, Grace Restaurant in Cooper-Young donates 10 percent from all bar beverage purchases to the Outflix Film Festival, the city’s only annual GLBT film fest.

This year’s Outflix festival is set for September 10th through the 16th. It benefits the Memphis Gay & Lesbian Community Center.

As for Tuesday’s regular event at Grace, you’ll get the most booze for your bucks during happy hour from 4:30 to 7 p.m., but a portion of proceeds from drinks purchased from open to close benefit Outflix. Go here for a cocktail menu. Grace is located at 938 South Cooper.

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Sing All Kinds We Recommend

Craig Brewer on Remaking Footloose

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One of the worst-kept secrets in Hollywood is out: Memphis filmmaker Craig Brewer has signed on to direct a remake of the 1984 teen-cinema fave Footloose for Paramount. Brewer has been rumored in connection with the remake since late last year and had recently been working on a new script for the project, but the final deal for Brewer to helm the rebooted Footloose was reported Monday night by industry trade publication Variety and confirmed by Brewer shortly thereafter.

“I’m now directing Footloose,” Brewer told the Flyer this morning. The next step in the process is casting the film and choosing a location, but Brewer says he expects the film to begin shooting sometime this summer.

The project had initially been set up for High School Musical director Kenny Ortega and envisioned as a lighter, musical-theater-style piece. Brewer had turned down the project after being approached by Paramount last year, but took another look when Paramount executive Adam Goodman gave Brewer the go-ahead to scrap the initial rewrite and take the project in his own direction.