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Intermission Impossible Theater

Will Call: Tips and tidbits for the theatrically inclined

Frankly, although there’s a lot of fun stuff out there right now, only one play is calling my name this weekend…

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I’m catching the show on Sunday and talking to the director Leslie “Sticky” Reddick for a feature in next week’s Flyer. This timeless Moliere farce is all about how a con man pretending to be a preacher is able to use a family’s middle class values against them. I can’t wait to see how this story is interpreted by a spunky African-American company that’s not afraid to ruffle a feather or two.

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Intermission Impossible Theater

Happy Birthday: The McCoy Theatre turns 30

Top L to R: Lori Olcott, Billy Pullen, Chris Davis, Bittom L to R: Chris Davis, Ed Porter

  • Bottom Photo by Nan Nunes Hackman
  • Top L to R: Lori Olcott, Billy Pullen, Chris Davis, Bottom L to R: Chris Davis, Ed Porter

This just in from the self-promotion department:

Tonight (Friday, Oct. 29th) Rhodes College students, faculty, and alum will celebrate The McCoy Theatre’s 30th anniversary with a sold-out performance of The Robber Bridegroom followed by a party.

The Robber Bridegroom‘s cast is a blend of students, notabile community performers like John Hemphill, and alum like Michael Towle, Mary Buchignani, and me, your humble Intermission Impossible blogger, who was in the McCoy’s original production of The Robber Bridegroom in 1988.

This is something of a public service announcement since pretty much everybody who has ever been involved in theater in Memphis has, at one time or another, wanted to see my cut off head in a box.

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Sing All Kinds We Recommend

Sound Advice: Jack Oblivian & the Pirates at the Cove

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The appropriately maritime-themed nightclub the Cove will host what could be the most intriguing musical pairing of the year when the newly-formed Jack Oblivian & the Pirates take the stage there this Saturday night.

This super-group of sorts finds local garage-rock powerhouse Jack Oblivian teaming up with a new backing band (dubbed “the Pirates” – no connection to the local cover-band of the same name) comprised of the members of the sunny indie-pop group Star & Micey. Keyboardist Adam Woodard, a member of both Oblivian’s usual band, the Tearjerkers, as well as Star & Micey, facilitated the match-up, and spoke to the Flyer this week about the unlikely collaboration.

Flyer: How did this pairing come together?

Woodard: I’ve been playing with Jack for nearly a decade and just recently hooked up with Star & Micey. I think Jack is just such an amazing songwriter, and the beauty of a great song is that it can be interpreted by just about anybody and still hold up as a good song. Star & Micey have such a unique sound and I really was curious about the match up. Also, Star & Micey has a large local following, and so does Jack, but they are two groups that rarely mingle. I really want to cross-pollinate these two scenes. That’s when interesting things happen. But mostly, Jack’s a good friend and so are the folks in Star & Micey, and I figured this would be a good way for to hang out with both at the same time.

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News

Over-valued CEOS; Devalued Workers

Ruth Ogles Johnson says it’s time to look at the disparity in wages between those who make the goods and those who manage.

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Sports Tiger Blue

PREVIEW: Tigers vs. Houston

Saturday, Liberty Bowl, 6 p.m.

• The course of Houston’s season was altered on September 18th, when quarterback Case Keenum — a Heisman Trophy candidate and reigning C-USA Offensive Player of the Year — tore his ACL in the Cougars’ loss to UCLA, ending his senior season. (Keenum has appealed for an extra year of eligibility.) Since Keenum went down, the Cougars have gone 2-2, beating Tulane and (last week) SMU, while losing to Mississippi State and Rice. Houston enters this weekend’s game with an overall record of 4-3. The Cougars are 3-1 in C-USA play, tied atop the West Division with SMU.

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• Even without Keenum, the Houston offense has been among the best in the country. The Cougars average 442.6 yards per game, second in C-USA and 23rd in the nation. Their average of 39.6 points per game ranks first in C-USA and 9th in the country.

• David Piland — a freshman — has taken over quarterback duty for Houston. Piland passed for 233 yards in the victory over SMU last weekend, and has a total of 816 yards for the season (six touchdowns and three interceptions). His primary targets are Patrick Edwards (38 receptions for 561 yards) and James Cleveland (31, 448). Edwards leads C-USA in punt returns with an average of 12.1 yards.

• Junior Bryce Beall is the Cougars’ top ball carrier with 629 rushing yards on the season. His average of 89.9 yards per game is second in C-USA behind SMU’s Zach Line. With 12 touchdowns, Beall is tied with Southern Miss kicker Danny Hrapmann for the C-USA scoring lead (72 points).

• Houston ranks seventh in C-USA in total defense, giving up an average of 401.1 yards per game (and 29.6 points). The Memphis defense, though, ranks last in the league in both yardage allowed (447.6 per game) and points (39.4).

• This will be the 21st meeting between the Tigers and Cougars, with Houston holding an 11-9 edge. (The Tigers are 5-5 against Houston in Memphis.) Memphis beat Houston three straight times during the DeAngelo Williams era (2003-05), but has lost the last two contests, 23-20 (in overtime) in 2006 and 55-14 last season.

• Memphis quarterback Ryan Williams ranks fourth among C-USA quarterbacks in efficiency rating (130.4), behind SMU’s Kyle Padron (136.6), Tulsa’s G.J. Kinne (136.0), and East Carolina’s Dominique Davis (131.6). Williams has completed just under 60 percent of his passes and has thrown only five interceptions in 132 attempts.

• Tiger linebacker Jamon Hughes leads C-USA with 86 tackles, an average of 12.3 per game. He was named the league’s Defensive Player of the Week after his 21-tackle effort against Southern Miss on October 16th.

• Saturday’s game will be Larry Porter’s first Homecoming as head coach of his alma mater. As a player, Porter’s teams went 2-2 in Homecoming games.

• The Tigers have a record that’s spooky-good around Halloween. Including games played on October 30th or November 1st, Memphis is 22-11-1 when playing within 24 hours of All Hallow’s Eve.

• Among the 97 players on the current Tiger roster, 55 of them are either freshmen or sophomores. The Memphis roster features a total of 20 seniors. The roster features 34 players from within 17 miles of the U of M campus.

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Politics Politics Beat Blog

Et Tu, Al? Sharpton Comes to Memphis and Adds His Thrust Against Consolidation

Sharpton at ASCME on Thursday

  • JB
  • Sharpton at ASCME on Thursday

After throwing his somewhat slimmed-down weight onto the scale against the local November 2nd consolidation referendum in a speech at the AFSCME headquarters building on Beale, visiting eminence Al Sharpton was briefly mobbed by a group of reporters and other attendees.

Among the questions thrown at him during a fleeting melee that passed for an impromptu press conference was this one: Had he actually read the proposed Metro charter that he had just denounced as a threat to the rights of The People?

“I’ve read it, I’ve studied it, and I’m definitely disappointed with it,” was Sharpton’s answer. (Take that one or leave it, and, okay, the same question might fairly be asked of FedEx founder Fred Smith and other prominent supporters of the charter.)

The extent to which the Rev. Sharpton, head of an organization called the National Action Network, was fully conversant with local issues might have been tipped by his answer to another question: How did he regard the recently filed federal lawsuit, evoking Dr. Martin Luther King as he had done and based on the same civil rights assumptions that he had just invoked against the charter, that had put the results of the November 2 vote in legal limbo?

“Again, I have serious questions about what happened on August 5,” Sharpton answered, confusing litigation aimed at the state law mandating separate city/county tallies of consolidation votes with the recently dismissed Chancery lawsuit seeking to overturn the results of this summer’s county election. Significant numbers of inner-city African-American Democrats had conflated their suspicion of the August election outcome with their opposition to consolidation, and, in his remarks, Sharpton, too, had linked the two cicumstances as instances of “co-option”.

(That particular neologism figured prominently in Sharpton’s speech. A central tenet of his opposition on behalf of inner-city Memphis had to do with the fact that the city would surrender its charter, while the surrounding munipalities would not be required to. “If you’re the only one putting up your charter, then that’s not consolidation, that’s co-option.”)

What did Sharpton make of the fact that consolidation had drawn passionate opposition from white suburbanites as well as black city dwellers? “Well, sometimes there are unusual alliances. People get to the same place for different reasons. I think that’s all the more reason why this should be defeated, because you have people from different perspectives that agree with the same conclusions.”

In the case of consolidation, of course, those “different perspectives” are akin to those featured by Poe in the famous story, “The Murders in the Rue Morgue,” in which bystanders, on the basis of some overheard shrieks, all describe the perpetrator (who turns out to be an out-of-control orangutan) as belonging to some human faction other than themselves.

Similarly, suburban opponents of consolidation see it as a scheme emanating from the inner city, while residents of the urban core, newly up in arms against the referendum, denounce it as a plot to disenfranchise Memphis for the benefit of the outer municipalities. Not quite “the same conclusions.” What these attitudes have in common is a vision of lost local sovereignty, a dread of surrendering political control to a larger collective.

And, indeed, the frustrated protests from consolidation supporters that the proposed charter hasn’t really been read, or understood, or given a fair shake are irrelevant to this kind of visceral reaction. Logical arguments about the governmental and economic improvements to be had from consolidation get nowhere. Increasingly, opponents of all kinds are saying it’s spinach, and they’re saying the hell with it. And the feeling — for that is what it is — is contagious.

Take Shelby County Commissioner James Harvey, for instance, who was cited to the crowd by Greg Grant, local president of the National Action Network and one of the impresarios Thursday. (Another was local AFSCME president Warren Cole.)

Harvey, a black Democrat, was described by Grant as one who had taken the initiative on the commission in opposing consolidation. In actual fact, as the commissioner acknowledged afterward, he had not even been a co-sponsor of a recent commission resolution opposing the referendum. The measure had emanated from white Republican suburbanites like Terry Roland and Wyatt Bunker. Harvey, who famously (and perhaps uniquely) makes up his mind about issues after listening to debates, had in fact decided to support the resolution only as the vote was being taken.

(One of the ironies of the county body’s vote was that the commission, along with the Memphis City Council, had voted to endow the Metro Charter Commission in the first place.)

Anyhow, there Harvey was, after the event Thursday, giving a confidently assertive press interview in which he both conceded, as Sharpton had done, that people of radically disparate views opposed the Charter and maintained that the Charter was “biased.”

Consider, as Grant did, some of the organizations that have taken formal positions against passage of the Charter: the NAACP, the County Commission, the Shelby County Democratic Party, local labor groups. “Civil rights and labor on one side, big business on the other. What else do you need to know?” Sharpton had asked rhetorically.

What else? Well, maybe that a phalanx of conservative ad hoc organizations, along with the mayors and governing bodies of the suburban municipalities, could be lumped together as Charter opponents, as well, and they, too, could cite “business interests” as the requisite foils. The self-professed populists of the Right and the Left are together on this one.

A reporter was asked by one of the attendees: Had this event on Thursday been the “funeral” of this latest effort to consolidate city and county governments? Nope, was the answer; this had been just a memorial service. The consolidation effort was long dead. In fact, it was stillborn. Al Sharpton is not the only one who can profess to be “deeply disappointed.”

So, too, though for opposite reasons, are the proponents of consolidation, who continue to believe it is in the best interest of the whole community, and will, it is rumored, try again in a couple of years in the almost certain event of a defeat next Tuesday.

Categories
Film Features Film/TV

Beat Happening

Although Rob Epstein and Jeffrey Friedman’s Howl is little more than a series of thoughtful, pedantic, and downright loopy footnotes to Allen Ginsberg’s most famous poem, it also contains a few precious scenes that approximate the same bursts of naked feeling that inflame Ginsberg’s best work.

This documentary/mosaic is broken into four separate yet interlocking sections. The first section, filmed in faux-gritty black and white, reimagines the first public reading of “Howl” at a San Francisco coffeeshop. A second section uses courtroom transcripts and a cadre of minor movie stars (Jeff Daniels, Mary-Louise Parker, Treat Williams, David Straithairn, and Jon Hamm) to re-enact highlights from the 1957 obscenity trial inspired by Lawrence Ferlinghetti’s publication of Ginsberg’s Howl and Other Poems. Another section interprets the poem through a series of animated vignettes, with predictably mixed results. Tying everything together are some personal reminiscences by Ginsberg (played by James Franco), musing and putzing around in a greenish apartment a few years after the trial that secured his fame and reputation.

The courtroom sequences are almost entirely devoid of suspense; “Howl” wormed its way into the canon a while ago, and these days, a crafty teacher can slip this compact, homoerotic cri de coeur into a high school English class without much fuss. But the trial scenes nonetheless fascinate because of the attention lavished on, of all things, the opinions of literary critics and academics. In these post-expert times, it’s almost touching to see fussy adjunct-professor types serve the cause of justice by fumbling their way through muddled definitions of literary merit. Weirder still is the collective blind spot of the prosecution’s battery of literary critics, who crow about the poem’s “formlessness” while failing to notice its obsessive, incantatory use of repetition and parallelism.

Purring, err-ing and groaning his way through the film, Franco-as-Ginsberg offers a fairly effective vocal impersonation, although he can’t duplicate Ginsberg’s glassy, lights-are-on-but-nobody’s-home stare. To Epstein and Friedman’s credit, the film doesn’t glorify the rest of the Beat generation, which Ginsberg dismisses as “just a bunch of guys trying to get published.” The poet’s rambling, mock-serious commentary on his own artistic inspirations and practices reaches its apex when, while reminiscing about a Cezanne he saw in a museum, he defines good art as a form of prophecy that communicates feeling across time.

The animated visualizations of the work both slow down the poem and expand it, and while it’s admirable to force moviegoers to listen to Ginsberg’s flood of words, words and image don’t always cooperate. The most successful imagery, which is inspired in part by the animated flourishes in Alan Parker’s Pink Floyd movie The Wall, appears during the “Moloch” section, Ginsberg’s screed against the suburban-industrial complex. The least successful imagery involves either the skinny urban vampire wandering through the streets or the cosmic couplings of Ginsberg’s all-inclusive sexual fantasias. And the most memorable imagery (for better or worse) shows a forest of phallic trees that discharge their glorious payload…um…“under the wartime blue floodlight of the moon.”

Verdict: better than a poetry reading.

Opens Friday, October 29th, Studio on the Square.

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Daily Photo Special Sections

South main trolley halloween

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We Recommend

Pssst…Bargain Bears:

Our own Bianca Phillips has been searching all week for stuffed cats to pin all over her body. (She says it’s for Halloween, but…) Today, she finally had some luck with Summer Avenue’s Thrift Citi.

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“That place is crawling with stuffed animals!” she shrieked from beneath the pile of kitties you see here.

So if you’re looking for cheap teddy bears, now you know where to go.

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Sports Tiger Blue

Tiger Basketball ranked 19th by AP

In the first AP poll of the 2010-11 college basketball season, Memphis is ranked 19th, 21 voter points behind Washington (and 188 points ahead of #20 Georgetown).

Defending champion Duke tops the poll with 55 of 65 first-place votes. The rest of the Top 10, in order: Michigan State (8 first-place votes), Kansas State (2), Ohio State, Pitt, Villanova, Kansas, North Carolina, Florida, and Syracuse.

Gonzaga (12) and Butler (17) are the only teams outside the “power six” conferences ranked ahead of the Tigers.

Four teams in the Top 25 are on the Tiger schedule: #7 Kansas (Dec. 7), #20 Georgetown (Dec. 23 at FEF), #23 Tennessee (Jan. 5), and #12 Gonzaga (Feb. 5).