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Music Music Features

Turn It Up

Last Memorial Day weekend, the second annual Memphis Hates You Fest packed the Hi-Tone Café for two nights and bested the debut turnout in 2009, with more than 500 patrons attending.

In a Flyer article previewing the event, Ben Aviotti, a co-founder of the metal/heavy rock collective, attempted to clarify what Memphis Hates You was: “I’ll tell you what it’s not. It’s not a record label,” he said. “Originally, it was just a message board, a forum for like-minded musicians helping each other with shows and promotion. Eventually it expanded to include an online store, festival, and booking agency.”

Well, Memphis Hates You is still all of those things, if not more of each due to the collective’s profile continuing to gain greater exposure. And while it remains free of the label classification, a label is precisely the reason behind what is more or less the collective’s next step.

It was only a matter of time before the growing heavy music scene in Memphis represented several acts ready to debut official releases, with a few already having done so. Although a collective is beneficial on many levels, running a label calls for more organization, easier accountability, and fewer cooks in the kitchen. Enter Good For Nothing Records, run by Memphis Hates You co-founders Aviotti and Nathan Raab, both of the Unbeheld. Using a keen sense of financial caution that is very telling of our times and the state of the music industry at large, Good For Nothing is not a label in the “we want to put out your record” sense.

Call it more of a DIY service designed to aid not only bands within the Memphis Hates You collective but like-minded but unaffiliated acts as well. “We don’t have any intention to bankroll somebody’s studio hit or pay to press up someone’s vinyl. That’s all on them,” Raab says. “We’ll help you do your DIY thing, basically. We’ll do or help with the mastering if you need help with that. We have connections and can get discounted studio time for bands. We’ve got people who can do design work for next to nothing.”

That said, the release that inaugurates Good For Nothing, therefore fully justifying this week’s rollout celebration, was handled from the ground up by the label. This would be the Unbeheld/Galaxicon split 10-inch, released in an edition of 200 with several colors of vinyl and hand-screened cover art.

What many people don’t realize is that a 10-inch is actually more expensive to manufacture than a full-length album because the machinery has to be reconfigured to cut the more uncommon size. Each band contributed one track to each side of the 45 RPM 10-inch, and, at that speed, the maximum amount of good, dynamic audio that can fit is 10 minutes.

Each band utilizes this audio window to its fullest. Higher-profile Southern contemporaries such as Black Tusk, Baroness, Zoroaster, and Kylesa can be heard as influences, but actual ’70s Southern-rock influences are only heard on the Unbeheld side, with Galaxicon managing to hit on prog-rock with the shorter song, no less. The Unbeheld track also displays quite the variety when it comes to the vocals (usually the one trouble spot that keeps prospective fans from embracing a lot of heavy music/metal these days), alternating between clean and soaring stadium-rock style to crustier Baroness-ish bellowing and several points in between. Both tracks go way beyond “promising” and showcase two bands that could easily hold their own against any of the aforementioned heavyweights.

In addition to the Unbeheld/Galaxicon split, upcoming Good For Nothing releases will include a re-release of the Unbeheld’s debut full-length and albums from the bands Dead-I-On and the Chinamen. Aviotti says the label will also look outside the Memphis Hates You scene, citing a re-release of the local hard-rock trio the Dirty Streets’ debut album.

Outside or inside the collective, Good for Nothing is the perfect vehicle to spotlight a scene in Memphis that has weathered serious challenges in terms of local publicity and acceptance. And this week’s label showcase at the Hi-Tone will provide a nice snapshot of this emerging scene, with the Unbeheld, Galaxicon, and the Chinamen joined by Tanks and Sauras. Sauras, it should be noted, is a top-shelf amalgam of different heavy styles that could put the city’s heavy music scene on the map if heard by enough people.

“What a lot of folks in the Memphis scene don’t realize is that there’s a lot of great bands right now. A lot of people are active, and it needs to get out there,” Aviotti says. “We’ve been gaining momentum. I think there will be some great things in the future, for us and for Memphis.”

Categories
Theater Theater Feature

Up and Away

From Up Here, the compelling, if almost entirely humorless drama that opened at Circuit Playhouse last week, tells the timely story of a disturbed boy who takes a gun to school intending to kill himself and everybody else. Yet Liz Flahive’s raw but ultimately hopeful play isn’t about guns, or schools, or shooting.

It’s about child abuse in every sense of the word, save the most conventional sense. It’s about the abuse children heap on each other and the overprotective abuses parents can inflict with only the best intentions. It’s about the abuse communities and the media dole out while quenching the public’s thirst for gritty details and blood. But most of all, From Up Here is about the kind of child abuse that can happen to us at any age when our ever-tender, always-developing personal identities come into conflict with the identities ascribed to us by others. It’s a play about the death of joy, when our creative urges are transformed by convention into a love that dare not speak its name.

Director Irene Crist has served up a robust production. Her excellent ensemble cast, which includes Kim Justis, John Moore, Josh Bernaski, and Liz Sharpe, negotiates the soul-scraping corners of a play that, in the wrong hands, could turn into an exercise in theatrical sadism. Justis is especially good here as a mother on the verge of falling apart. When things seem darkest, she finds this hard-to-watch but impossible-not-to-watch show’s best, and necessary, laughs.

Through February 20th

Like Bottom the Weaver after his sexy adventure in fairyland, I walked away from A Midsummer Night’s Dream, Opera A Cappella unable to determine whether I’d experienced authentic sorcery or some trick to make me an ass. On the surface, Shakespeare’s romantic comedy about magic and mistaken identities in ancient Greece doesn’t seem to mesh all that well with a smooth jazz vibe, the unavoidable byproduct of composer Michael Ching’s daring a cappella score. It’s a little weird to experience Robin Goodfellow’s puckish games in doo-wop pentameter, although Ching’s treatment of the material is both a tribute to Shakespeare’s words and a nearly reckless celebration of the human voice.

Don’t let the buzz — mine or anyone else’s — fool you. The best thing about this Midsummer isn’t the gimmick of using singers instead of an orchestra but the exquisite tension that develops as the natural consequence of extended a cappella performance. For audiences, there’s a NASCAR-like thrill of knowing that there may be a crash and it might be spectacular. For the vocalists, both on stage and in the pit, Midsummer is the ultimate trust exercise, as many voices work together for two hours with nothing to assist them from measure to difficult measure but the sound of other voices. The concentration on display is intense, like watching a team of police officers defusing a bomb. But fun.

Savvy listeners will appreciate the clever composer’s goofy quotations of everything from Mendelssohn to The Sound of Music. But Midsummer‘s clowns, the “hard handed men of Athens” who’ve gathered in the forest to rehearse a play to perform at the Duke’s wedding, get short-sheeted at almost every turn. Their prose isn’t as thoughtfully translated into song, and, as a result, some of the most humane characters in the Western canon are reduced, almost entirely, to sight gags. Somehow — and this is a true testament to the opera’s strengths — it isn’t a crippling defect.

Playing off Ching’s musical wit, director Gary John La Rosa and his design team have strewn the stage with storybook costumes and ornate wigs. The set, defined by a row of Greek columns, is a kitschy cliché top to bottom, glowing in the gorgeous quotation marks of John Horan’s lights. The traditional profiles are edged with glitter rock flourishes and, taken together, make a perfect, whimsical counterpoint to Ching’s winking, compulsively romantic score.

A Midsummer Night’s Dream, Opera A Cappella is an unprecedented collaboration between Playhouse on the Square and Opera Memphis. It seems, at times, like it’s still a work in progress, but it’s still one of the niftiest things I’ve seen on stage in Memphis since I started paying attention 25 years ago. If it’s not a sweet anomaly, it’s an evolutionary moment.

Through February 13th

Categories
Letters To The Editor Opinion

Letters to the Editor

Boycott Chinese Products

There is a national movement building for a three-month boycott of Chinese goods for March through May. If this boycott is successful, it will accomplish three things:

First, it will make participants aware of just how tied we are to Chinese-made goods. In many cases, there will not be affordable alternatives, so participants will have to try to do without until the boycott is over.

Second, the boycott will make stores like Walmart aware of how vulnerable they are to a consumer-driven boycott. 

Third, and most important, it will get the attention of our political leaders. They have been very slow in putting any kind of meaningful tariffs or restrictions on goods from China. No company in the U.S. can compete with Chinese companies that pay as low as 25 cents per hour for labor. 

Putting tariffs on Chinese goods will likely start a trade war, which could include a refusal from China to loan us any more money. And certainly, the cost of living in the U.S. will go up, as more goods are again manufactured in the U.S. or tariffs are added to the price of Chinese imports. But the longer we wait to take action, the more painful it will be.

Please support this boycott. It’s bad enough that China is the largest foreign holder of our debt. If we also continue to give them all of our jobs, we may as well just start learning the Chinese National Anthem.

David Gordon

Memphis

Middle Ground Needed

I picked up a Memphis Flyer (January 20th issue) while passing through the Memphis airport recently and was entertained by the two opposing letters to the editor. Some of Joe Boone’s local references had me at a loss, but I could tell that he is not a Tea Party fan. Then, Lynn Moss’ reply to someone who was “Mad As Hell” seemed to balance the page with a volley of anti-liberal examples “to get the facts straight.” (“Liberal” comes from “liberty,” doesn’t it?)

However, she is just as guilty as the writer she is accusing. To say that the March 2010 bullet shot through a window of Eric Cantor’s office was from a Democrat or liberal is the same as saying that the Tucson gunman was Republican or Tea Party follower. Incredible!

What’s unfortunate is that there was no room left on the page for a voice of reason to bring the two extremes together. Paul’s words from First Corinthians 1:10 would fit nicely here. Maybe they should be read before every session of Congress.

Bob Warmath

Coppell, Texas

Rant Response

In response to Randy Haspel’s Rant in the January 20th issue, I have to wonder just which of the Bill of Rights he sees as having “evolved” to embrace newer technology and which he wants to remain stuck in the 18th century.

Mass communication during the American Revolution went only as quickly as a man on a fast horse, yet the First Amendment is used to protect speech made over the Internet, radio, and television. Who is to say that advances in firearms technology should not also be protected? Furthermore, I do not see how more gun control laws would have stopped the shooter in Tucson from shooting a peaceful gathering of people to see their congresswoman. He had passed a federally mandated background check, and a waiting period would not have stopped him, since he had purchased the firearm long before carrying out his plan.

He possibly could have been stopped if the school which expelled him had told law enforcement about their concerns for his mental health so that he could be flagged against the possibility of his buying a firearm. But this was not done, nor did any of the people who’d gotten on television to express their concerns about him do anything to get him any mental health treatment before he committed the shootings.

Just what hoops should a law-abiding U.S. citizen have to jump through in order to exercise any of their guaranteed rights? Do you think the rhetoric which some people blame for the shooting could have been toned down if there had been a waiting period on all talk-show hosts? Am I the only who’s noticed reports about how crime is being reduced, as well as the laments about gun ownership increasing? If gun ownership is going up and crime is going down, that should show that increased firearms sales are not automatically the root cause of criminal activity.

Doug Hesson 

Memphis

Memphis Flyer encourages reader response. Send mail to: Letters to the Editor, POB 1738, Memphis, TN 38101. Or send us e-mail at letters@memphisflyer.com. All responses must include name, address, and daytime phone number. Letters should be no longer than 250 word

Categories
Music Music Features

Changes at the Hi-Tone

When local entrepreneur and music fan/supporter Jonathan Kiersky returned to Memphis in 2004 after several years of traveling, he was looking for a new career opportunity. And, as luck would have it, inspiration came in the form of a disappointing night out.

“The Hi-Tone Café has always been a great music venue, but I thought more could be done with it,” Kiersky says.

“One night I tried to go to the bar early, around 8 p.m., before a show I was going to attend and was turned away because the show hadn’t started yet. I just thought that was crazy to turn down my money when I wanted to hang out there.”

And so, when Kiersky heard the club was for sale in early 2007, he jumped on the opportunity and immediately set about making significant changes.

“I want the place to be more than a music venue. I want people to feel as comfortable coming here in the evening just to get dinner or drinks or watch a game as for a late-night show,” he says.

Aside from some new tables and chairs and fresh coats of paint, the most impactful immediate upgrade Kiersky made was to the drab bar menu, which was expanded to include a diverse selection of pizzas, sandwiches, and specials made with fresh, locally sourced ingredients.

He also opened the Hi-Tone for Sunday brunch (which has become a popular destination for local scenesters coming down from the weekend) and partnered with the Memphis Grizzlies and Goner Records to host a series of watch parties for the team’s road games.

“I didn’t want to change the Hi-Tone exactly, because it was already a cool place. I just wanted to make it better, more inviting,” Kiersky says.

Kiersky made another big change this December, when he and longtime talent buyer and bar manager Dan Holloway decided to end their professional relationship, thus clearing the way for Kiersky to fully take the booking reins himself.

“I plan to keep up the head of steam we’ve built,” Kiersky says.

“We have tons of very big national-act shows in the works and plan on working more on community projects and developing local and touring bands as well. I’m excited.”

The parting of ways seems to have worked well for Holloway as well. After fielding several job offers both in and out of town, he has signed on to be a talent buyer for a group of venues in Austin, Texas, including the city’s premier underground music nightspot, Emo’s.

“It’s bittersweet, for sure,” Holloway says. “It wasn’t an easy decision to leave Memphis. I owe so much to the people I’ve worked for and with here over the years. I wouldn’t have this opportunity if it weren’t for Memphis, but it was just too good of an opportunity to pass up.”

“I think he’ll do well there,” Kiersky says. “The job should be right up his alley.”

Vinyl Resurgence

Over the years, the vinyl mastering lathe owned and operated by esteemed local engineer Larry Nix (housed in a small wing of the Ardent Studios complex) has cranked out hits and influential recordings by the likes of Isaac Hayes, Big Star, Al Green, and ZZ Top. By 2005, however, the lathe had fallen almost entirely out of use after decades of service due to the decline in vinyl production and Nix’s waning interest.

But in 2009, fellow local producer/engineer Jeff Powell stepped in and approached Nix about getting the business and the lathe going again, and Nix agreed to teach him the craft.

“It has been wonderful,” Powell says. “I am still reading Audio Engineering Society white papers, a couple of old reference books, and even the original equipment manuals. Most importantly, Larry and John Fry have taught me the most about the craft by just talking about it and answering my million questions.”

After two years of apprenticeship and observation, Powell is now working the lathe on his own — most recently cutting projects to vinyl for Greg Dulli’s (of the Afghan Whigs) Twilight Singers and locals The City Champs. Still, Powell feels his skill at this delicate engineering art are still developing.

“It will be an ongoing education. I learn more every time I make a record,” Powell says.

Categories
Daily Photo Special Sections

Can the Grizzlies make the playoffs?

Categories
Politics Politics Beat Blog

Amended Norris Bill Passes Senate Committee, Would Stand Referendum on Its Head

Senators Brian Kelsey and Mark Norris in Senate Education Committee on Wednesday

  • JB
  • Senators Brian Kelsey and Mark Norris in Senate Education Committee on Wednesday

NASHVILLE — Within a two-day period, the advocates of immediate merger of Memphis City Schools and Shelby County Schools have seen the hopes they had invested in a forthcoming March 8 referendum to that end scrambled by a classic good cop/bad cop maneuver.

On Tuesday had come word from Governor Bill Haslam and acting Education Commissioner Patrick Smith that, while the citywide referendum should go through, the state required one “transition plan” to safeguard the rights of affected teachers and another one for general planning purposes.

Failure to comply — and the onus was extended to the boards of both MCS and SCS — could mean withholding of state funding. And there were deadlines: February 15 for plan number one, March 1 for number 2.

It was all said neatly and sweetly, but the message was clear: We — the “we” being the forces of a perhaps legitimately aggrieved establishment — Can Still Keep This From Happening.

During the course of a meeting in City Hall on Tuesday, various Democratic legislators and officials of city and county government lamented the pressure and the deadlines that went with it. But Memphis Mayor A C Wharton, the consistent defender of Memphis’ right to self-determination, said it all could be done: It would be difficult, but the good-cop conditions and deadlines could be complied with.

But on Wednesday, in a committee room in Nashville’s Legislative Plaza, the bad-cop possibility — the one that the pro-merger groups had been fearing for some time — materialized in the form of a completed and amended bill — SB25, HB 51 — from state Senate majority leader Mark Norris of Collierville.

The “bad cop” appellation should not be misunderstood. No one is more sweetly natured or courteous or accommodating than Norris — and that fact of his DNA (or his upbringing) works very well to the advantage of another of the senator’s traits: No one is more unrelenting or undeviating concerning the preservation and pursuit of an agenda which he is dedicated to.

And defense of the Shelby County schools against the threat of amalgamation with Memphis City Schools is very much a part of Senator Norris’ agenda.

Witness the amended bill that he presented to the Senate Education Committee on Wednesday and which was cleared for passage on the Senate floor Monday by a party-line vote — 6 Republicans prevailing over 3 Democrats. Should that plan — which faces rosy prospects in both Senate and House — become law and withstand the legal challenges that are sure to come, the game could well be over for the pro-merger forces. Game, set, match, tournament, and championship.

Seen dispassionately and without reference to its rights and wrongs or to the emotions of one kind or another that it will engender, the completed SB25 is a thing of beauty. It does all of the following things:

-Allows the March 8 referendum to occur without challenge, thereby avoiding one potential legal morass;
-Imposes a delay of two years and some-odd months on implementing the results of a successful election;
-Presumes to give over the very definition of those results to a 21-member commission composed as follows: the county mayor, the chair of the Memphis City Schools board and the chair of the Shelby County Schools board; 15 members appointed — five each — by the county mayor, the MSC chair, and the SCS chair; and three additional members appointed by the governor and the speakers of each legislative chamber.

(For those who are counting, that’s prohibitively top-heavy in favor of county interests, potential Republican Party allegiances, or the vested positions or self-interests of those now holding the offices in question; indeed, given various principals’ known points of view, not a single one of those 21 members could be head-counted as definitely favoring merger, while several could be safely locked in on the other side.)

To resume, the bill:

-Gives the state Department of Education the right of review; and

-(Piece de resistance!) would revoke current state prohibitions against creating municipal school districts or new special school districts at the very point of implementing the now denatured referendum results (“the beginning of the third full school year immediately following certification of the election results,” i.e, August 2013) and would (italics ours) thereby permit the creation of a special school district for the current schools in the SCS system — the casus belli which allegedly provoked the MCS board’s pro-merger forces into acting in the first place!

Clearly, Senator Norris possesses either genius or chutzpah. His bill, while ostensibly not interfering with Memphians’ right to determine the destiny of their city’s school system (which, by order of Chancery Court, had become a fait accompli anyhow), undertakes to interpret the consequences of a successful referendum so as to achieve, at a suitable interval, the very end which the referendum was meant to prevent!

To be sure, Norris’ final version of his bill dropped any provision for a final countywide vote. Under the circumstances, it’s hard to imagine what purpose would be served by one. Formal ratification of what would appear to be a sweeping county-side victory and likely nullification of the original purposes of the referendum?

The senator, of course, was characteristically gracious enough not to make any gloating claims (though some of his supporters were less diffident about doing so). Norris himself defined his measure as one that provided “enhanced self-determination” for Memphis, as “an orderly transition process,” and as an effort “to facilitate the referendum and the process to make it not only meaningful but successful.”

The only proper response to that is “Wow!”

For the record, though, Education Committee vice chair Reginald Tate of Memphis and Senator Andy Berke of Chattanooga put some demurrers into the record and voted against the bill, along with one other Democrat, Charlotte Burks of Monterey.

Berke was especially focused in his criticism. The bill had changed the rules of the game, he said. (Norris had characterized it as a new game without any pre-set rules.)

“People are always complaining about Washington trying to control us, and here we are in Nashville trying to control Memphis,” Berke said, pointing out that Governor Haslam and Commissioner Smith had already created prospective ground rules for local officials to comply with in Shelby County. “Why are we interfering?”

SCS superintendent Aitken with legislators after hearing

  • JB
  • SCS superintendent Aitken with legislators after hearing

After the meeting adjourned, Berke put it this way: “The purpose of this amendment is to try to delay this thing for three years, then have the potential for separating out the county’s [district] at the end of it anyway.”

State Representative G.A. Hardaway, who called the commission created by the bill a “joke,” had no trouble agreeing with that summation.

For his part, SCS superintendent John Aitken, who was on hand for the vote, was relieved, counting the bill “a great victory for us.” Speaking for himself and, by proxy, for MCS superintendent Kriner Cash, with whom he had discussed the situation at length by telephone on the way up to Nashville Wednesday, Dr. Aitken said, “I appreciate the effort and the planning process. I think that’s what Superintendent Cash and I were both were asking for. This bill allows it, and now we’ll see what the House does.”

The House, which was scheduled to take up the bill on Thursday, is expected to act in the same spirit as the Senate, after which the bill will go to Governor Haslam for final action.

The governor summoned members of the Capitol press pack for a quick briefing after the Senate committee’s action, telling them that, while he appreciated both the creation of a “process” and the bill’s apparent acknowledgement that the issue was a local one, his “gut feeling” was that the extended time frame provided by the bill might put MCS “in limbo.” And, pending further reflection and possible elaboration from Norris, Haslam withheld judgment on the bill’s providing a window for creation of a new special school district.

Meanwhile, Chairman Myron Lowery of the Memphis City Council announced that the council’s February 1 regular meeting would be reconvened at 4:30 Thursday “to consider any unfinished business…or any emergency option permitted by any previously adopted resolution or ordinance.”

Among other things, that probably means that the council will complete a prior action that was left conditional on the results of the March 8 referendum, and would take an up-or-down vote to directly endorse the MCS board’s December 20 action in favor of surrendering its charter.

Some believe that such a vote would invoke another portion of state law and directly enable the dissolution of the MCS charter, thereby accomplishing an automatic merger of the two school systems.

An end run around Norris’ end run, as it were, and, like Norris’ bill and, for that matter, like doubtless many other actions to come on both sides, fodder for the courts.

Categories
News

Tigers Fall to Tulsa, 68-65

The Memphis Tigers were out-rebounded and outplayed at home by Tulsa Wednesday night, losing 68-65. Frank Murtaugh has the story.

Categories
Sports Tiger Blue

Tulsa 68, Tigers 65

Losing streaks can be deadly to NCAA tournament dreams. The Tigers must deal with their first such slide of the 2010-11 season after dropping tonight’s game against the Golden Hurricane, their first loss to Tulsa since the 2001 NIT semifinals. Despite limiting Justin Hurtt — who entered the game averaging 20.5 points per game — to 11 points (all after halftime) and despite holding Tulsa to 34-percent shooting for the game, the Tigers lost their second Conference USA game at home over the last six seasons. Memphis now must head to Gonzaga for Saturday’s game with a record of 16-6 (5-3 in C-USA play) . . . and that losing streak.

“Shots just wouldn’t go down,” said Will Barton in a quiet locker room after the game. “Looks we usually hit just didn’t go down tonight. It’s tough on your psyche. I tried not to get too down, not to worry about my individual shot. But I’m so distraught right now.” Barton made only two of eight field-goal attempts and finished the contest with 11 points. With the Tigers down 62-61 and a minute left to play, Barton drove the baseline and attempted a fade-away jumper from the right side that didn’t fall. True to form for this game.

Will Barton

“Tulsa got 33 extra offensive possessions,” emphasized coach Josh Pastner. “They had 16 offensive rebounds and we had 17 turnovers. And the turnovers were unforced. We have to learn to value the basketball.”

The game was rocky from the early (6:00) tip-off. Tulsa shot 28 percent in the first half but only trailed 30-27. Tulsa center Steven Idlet was limited to 21 minutes by foul trouble, but still scored 17 points on 8 of 11 shooting. The Tigers’ Will Coleman and Tarik Black combined for nine fouls (Hurtt converted two go-ahead free throws after Coleman fouled out with 1:19 to play), but also contributed a total of 24 points and 19 rebounds. Coleman earned his second double-double of the season, and Black his eighth consecutive game with at least nine points. Joe Jackson led Memphis with 16 points but was also one of three Tigers with four turnovers (along with Black and Chris Crawford).

Down three with eight seconds to play, the Tigers forced what appeared to be a turnover when an inbounds pass bounced out of bounds off the knee of Tulsa’s Idlet. Officials, though, didn’t see the play clearly and went to the possession arrow, which awarded the ball to the Golden Hurricane. Antonio Barton managed to steal the inbounds pass, but missed a three-point attempt from the top of the key. Will Barton pulled down the rebound but missed another long-distance attempt from the right corner. The win for Tulsa ended a 12-game losing streak to the U of M and improved the Golden Hurricane’s record to 12-10 (5-3 in C-USA action).

The relentlessly positive Pastner wouldn’t hear of dampened spirits after the loss. “We still have a lot to play for,” he said. “No matter what, if we can go 8-0 in the second half of the league race, we’ll be 13-3 and we’ll have won the league title. We’ve put ourselves in a bit of a hole, but we’re gonna have to find a way to get out of it. In the end, you always have an opportunity in the C-USA tournament. We want to play in the NCAA’s and compete for national championships. But to do that, we have to value possession of the basketball. We emphasize it, we run for it. We’ve got to protect it.”

Senior center Will Coleman shook his head at the suggestion of a losing streak taking hold of his team. “We had a slight mishap,” he said, a bright, white Tiger cap atop his head. “This is no downward spiral. We’re going to be fine. I have faith in my guys.”

NOTES
• The great Jack Eaton was saluted before the game, as he will soon enter the Tennessee Sports Hall of Fame. “Big Jack” was the longtime voice of the Tigers, from 1959 to 1987.
• Junior guard Charles Carmouche missed the game with a knee injury suffered in a collision with Will Barton during practice Monday.
• The controversial call on the inbounds play near the game’s end is not a “correctible error,” and no video replay was considered to confirm the officials’ call. Thus the possession arrow.

Categories
Opinion The BruceV Blog

UFO in Jerusalem

Maybe by now you have seen one of the several extant amateur videos of a mysterious UFO hovering over Jerusalem, then suddenly streaking into the sky. All the videos are mystifying, but this one is the best, complete with American Southern accents narrating.
Check out the odd sound just before the light appears. Eerie stuff.

And this video, taken from another angle, and farther away, shows a blast of light prior to lift-off.

Categories
Intermission Impossible Theater

More music from Michael Ching’s “A Midsummer Night’s Dream: Opera a cappella”

Thought I’d post some more images from Midsummer. The audio is from the first night the soloists and voicestra worked together.