Rachel Weisz stars in the new film, The Whistleblower. Chris Herrington has a review.
Month: October 2011
Save the Date: Flaunt
Mark your calendars for October 22nd. That’s the date of Flaunt, this year’s installment of the George’s Reunion party.

Last years inaugural event drew both former George’s Disco patrons, as well as plenty of folks too young to remember Memphis’ first gay club. Just like with last year’s party, Flaunt will feature drag shows, music, and more.
From the event’s Facebook page: “So what is FLAUNT!? ITS A PARTY!!! Its a non-stop, innovative EXPERIENCE with music, lights, hot models, divas, dancing, and fantastic shows!! IT ONLY HAPPENS ONCE on October 22nd at Minglewood Hall!!!”
Most importantly, the money raised benefit the Memphis Gay & Lesbian Community Center.
For more information or to purchase tickets, go here.
Memphis Restaurant News
Gonerfest 8: A Look Back
J.D. Reager talks with Gonerfest founder Eric Friedl about last week’s fest.

A quick roundup of restaurant news …
Slim Skillet’s is now Slim’s & Bentley’s, and Vito’s Cucina has changed its name to Vito’s To Go.
Bar None is no more. Zac’s Cafe is now open. And Ghost River returns a winner.
This year’s Gonerfest, the eighth installment of local garage/punk label and independent record store Goner Records‘ annual underground music festival, was perhaps the biggest yet in terms of numbers, drawing fans from across the globe to Memphis for five days of rock ‘n’ roll insanity.
Goner co-owner Eric Friedl spoke to the Flyer this week via email about this year’s festival and what could be on tap for next year.
Flyer: How much time/work/etc. goes into producing Gonerfest each year?
Friedl: It’s a lot. Booking bands, hitting up sponsors, making posters & ads, writing the program guide, getting t-shirts and stickers done, producing the extra goodies (this year a giveaway 7″ record), coordinating volunteers and bands and equipment and trying to staff the events and the store, and then try to think of what else we’re forgetting and plan for any contingencies. The weirdest thing is that the hardest part comes about two months before the event, when all these things have to be already in motion, and then there is a lull while we wait for all the stuff to get produced, and then the festival actually hits and all these people show up and it’s a whirlwind of 16-18 hour days. Get to the store in the morning to try to get organized, stay at the club til 3 a.m., get up and do it again. It’s crazy and great!
U of M Honors Artists Knowles and Langdon
The University of Memphis honors former art professors Dick Knowles and Steve Langdon with an exhibit of their work: Memories.

Well, it’s finally happening; as the headline of my piece in February, “Gadfly: Aux Barricades, Wisconsin!”, foreshadowed, the barricades are finally being stormed, and, this time not just in Madison, Wisconsin. It’s beginning to look like “American Spring” may have finally arrived!
The truly grass-roots-initiated (as opposed to the Astroturfed “Tea Party”) “Occupy Wall Street” demonstration has caught on, not only in lower Manhattan, but from Portland, Maine to Honolulu, Hawaii, and many places in between, including (amazingly enough), right here in River City (and internationally as well).
Unsurprisingly, the corporate media did their best to ignore the uprising, preferring to wait for the de rigeur over-reaction of the local constabulary to cover the disobedient rabble aspects of the demonstrations. And, while the MSM’s obliviousness to the events was predictable, even some of the alternative media (ahem), have ignored events that have begun to acquire a life all their own, even when those events have been happening right in their own backyard.
The media were faced with the problem of how best to discredit this rising tide of protest, and settled on suggesting that the protesters didn’t even know what they were protesting about, were unfocused and had no coherent message. Strange how that criticism was never leveled at the Tea Party during the demonstrations that marked its infancy. It must be because they wore better costumes.
Better yet, many in the media decided they could dismiss the protest by caricaturing the protesters as hippies, counter-culturalists, or best of all, anarchists. The fact that many of the protestors have been young, or students, has been seen as an effective way to marginalize the protest, in toto. I mean, it’s not as if students, many of whom are crushed under the burden of loans together with an eviscerated job market, have any skin in the game, right, or like many of the most effective protest movements in history were started by students.
Admittedly, the protestors on Wall Street don’t have the luxury of a single-issue grievance, like the Wisconsin public unions did, and are not as easily grouped under a single banner as those union members were, but their grievances are no less well defined. Their problem (and what makes the media think they’re so easily marginalized) is the sheer number of those grievances, from Wall Street’s avarice and corruption to a government that is presiding over the demise of the middle class, the dangerously wide income disparity and an increase in corporate power and entitlement while rendering the peon working classes powerless and disenfranchised.
And then, of course, it makes it ever so much easier to ridicule any attempt to protest society’s injustices if “Hollywood” gets involved. How dare famous people have principles, much less stand up for them! We saw that with the efforts to liberate the West Memphis Three, and it’s being used, once again, with the Wall Street protests, as celebrities like Michael Moore and Susan Sarandon demonstrate their solidarity with the protestors.
I have no idea whether these protests will end up being nothing more than a flash in the pan, or will spawn the kind of push-back against the status quo that could result in meaningful reform of our entire social, economic or electoral systems. What I do know, however, is that these protests are a long overdue departure from the kind of complacency that has facilitated the takeover of our society by greedy, power-hungry corporatists, facilitated by their willing (and well-paid-for) handmaidens in the halls of government, and that can’t be anything but good.
Right on, brothers and sisters!
The Man Behind Those “Forward Rebel” Ads
Bruce VanWyngarden says the man behind the big ads calling for change in the Ole Miss athletic department has an interesting backstory.
Richard “Dick” Knowles and Steve Langdon were well-loved among the Memphis art community as well as the students and faculty lucky enough to encounter their respective tenures at then Memphis State University. For 30 years they taught drawing and painting until both retired in 1999 to freely create and travel, like the true artists they were. The University of Memphis will honor the late former professors – as Langdon passed in 2002 and Knowles just last year – with an exhibition of works characteristic of their passions and teaching styles. The opening reception for Memories will take place at the university’s art museum this Friday, October 7th, from 5 to 7:30 p.m., with the exhibition running from the 8th until January 7th, 2012.
Curated by Lawrence Edwards, professor emeritus and former chair of the University’s Department of Art, the tribute will showcase Knowles’ proficiency in the world of abstract expressionism alongside Langdon’s clever flair within meticulous drawings and some early paintings.
As a painter, Knowles expressed a particular fondness for nature; capturing aerial landscapes, figures in water, forests, deserts, mountains, and canyons. The exhibition will also feature pieces stemming from his interest in Eastern philosophies and personal desires as a artist.
Langdon’s attentive works in graphite, ink, and Prismacolor, explore his loving observations of diverse physical qualities in the contemplation of complex emotions. The intimacy he conveys through such subtle technique undoubtedly calls for careful consideration from the viewer.
The Art Museum of the University of Memphis will also host exhibitions Sitting Still Revisited and Caseworks from Ramona Sonin, October 8th through November 26th.