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Blurb Books

For a Change

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How’s this for a fun literary fund-raiser? A golf tournament. And how’s this to add to the challenge? Players are limited to using one club only over the course of nine holes. That’s right. One club. And it’s up to the player to pick. A putter? Great on the green but what’ll it take to get to the green? Or a wood? Good at getting the ball off the tee but good luck getting the ball into the hole. Or through or over the trees. In which case, bet players wish they’d decided on an iron. Because this is the Overton Park Golf Course, and trees can be a hazard, probably will be a hazard on Saturday, September 29th. That’s when the One Club Challenge takes place to benefit Literacy Mid-South.

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News

Memphis to Get Credit Card Parking Meters

Bianca Phillips reports on the city’s plans to install credit card-friendly parking meters.

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Sing All Kinds We Recommend

Craig Brewer/Alloy Orchestra with Pre-Indie Memphis Events

The Indie Memphis Film Festival will begin on Thursday, November 1st. But in the month leading up to the festival, Indie Memphis has two great events on tap.

On Thursday, October 4th, at A. Schwab’s on Beale, filmmaker Craig Brewer will host an “Indie Memphis Peep Show” to preview this year’s festival. In addition to live music and a performance from the Sock It To Me Burlesque Troupe, the Peep Show will unveil this year’s Indie Memphis lineup and show trailers and clips from some of the films.

The event, which is scheduled to run from 7 p.m. to 9 p.m., is restricted to Indie Memphis members, but a one-year membership is available to anyone for $50, which includes a “Festival Tripper” pass, which provides access to most films at this year’s festival.

Alloy Orchestra Returns

My favorite Indie Memphis screening over the years was a double-bill of the silent classics The General and Man With the Movie Camera with live musical accompaniment from the Boston-based Alloy Orchestra.

Well, the Alloy Orchestra is coming back for a one-off Indie Memphis event on Wednesday, October 17th, at the Paradiso theater. The three-man band will be providing a live score for a screening of Fritz Lang’s 1927 silent sci-fi classic Metropolis. The screening will take place at 8 p.m. Tickets are $15 or $12 for Indie Memphis members. “Early bird” tickets — at a $2 discount — are available through October 4th.

For more info on all things Indie Memphis, see indiememphis.com.

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Politics Politics Beat Blog

Who Won in This Showdown?

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One side included the likes of outspoken Shelby County Commissioner Terry Roland; the other was the proposed new ownership of the NBA’s Memphis Grizzlies. So how’d that come out? This week’s Flyer editorial looks in on it.

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Sports Tiger Blue

C-USA picks: Week 5

LAST WEEK: 8-0
SEASON: 33-6

UTEP at East Carolina
Houston at Rice
Marshall at Purdue
TCU at SMU
Louisville at Southern Miss
Louisiana-Monroe at Tulane
Tulsa at UAB
Missouri at UCF

C-USA_logo.JPG

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We Recommend We Recommend

A Tale Told

Lanford Wilson’s story has ended. The celebrated playwright and Off-Off Broadway pioneer died in March 2011. But he left behind an uncommonly humane collection of stories that will be told for some time to come.

This season all across Memphis, theaters, schools, and arts groups are celebrating Wilson’s life with productions of his best-known works.

The Wilson retrospective launched last week when Talley’s Folly, Wilson’s Pulitzer Prize-winning romance, opened on Theatre Memphis’ NextStage with Greg Alexander and Aliza Moran cast as Matt Friedman and the unfortunately named Sally Talley. Set in an eccentric, dilapidated boat house in rural Missouri during WWII, Talley’s Folly is a love letter to Tennessee Williams’ The Glass Menagerie. Like Williams’ breakthrough “memory play,” Talley’s Folly opens under house lights with an effective scene-setting monologue: This play is a waltz. It’s a story about two people, awkward and broken in complementary ways, making love work around politics, privilege, and prejudice. Theatre Memphis’ production, ably helmed by director Marler Stone, is a solid primer on Wilson’s lyrical, character-driven approach to theater.

Next up is for Wilson fans is Hot L Baltimore, which chronicles a day in the life of a condemned hotel. It opens at Playhouse on the Square on Friday, September 28th, with Michael Gravois, Irene Crist, Ron Gephart, and Courtney Oliver.

Wilson’s also receiving two operatic tributes. The Wilson/Williams connection re-emerges in December when the University of Memphis stages Lee Hoiby’s opera version of Summer and Smoke with a libretto adapted by Wilson. In April 2013, as part of its Midtown Opera Festival, Opera Memphis will stage Hoiby’s one-act This Is the Rill Speaking, an image-laden account of life in the Ozarks based on one of Wilson’s early plays. ”Talley’s Folly” at Theatre Memphis through October 7th, theatrememphis.org ”Hot L Baltimore” at Playhouse on the Square, September 28th-October 14th, playhouseonthesquare.org

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News The Fly-By

Cash or Credit

It’s an all-too-common problem when parking downtown: You pull into a metered space, but you only have a few nickels. With the current rate of $1 an hour, those nickels only buy you a few minutes. You cross your fingers and hope to avoid a parking ticket.

But the city is currently seeking a vendor to install, maintain, and provide the associated software for new meters that will be capable of accepting credit cards as well as change.

The city put out a request for proposals seeking a vendor over the summer. Six firms sent in proposals, and the city is expecting to award a contract by early November. New equipment may be installed by spring.

“We see a great advantage to new equipment that can accept credit cards. That will increase the compliance rate,” said city engineer John Cameron. “If I only have a little change in my pocket, I might only be able to get 20 minutes of parking, whereas if I have a credit card, I could pay to stay there a full hour.”

The current parking meters, which are mostly located downtown with a few scattered throughout Midtown’s medical district, range in age from 10 to 30 years old. Most are digital, but the city still has a few of the old mechanical clockwork-style meters.

The engineer’s office is debating whether or not they want the new meters to accept dollar bills.

“From what we’ve heard, there are a lot of maintenance issues with cash acceptors. They get jammed. But we’re keeping the door open for that,” Cameron said.

New meters would be a mix of single-head meters and multi-space parking kiosks. The kiosks would be used on streets with five to six parking spaces per block.

“The kiosks are very effective, and they’re easier to collect funds from,” Cameron said. “But they’re more expensive, and there’s some charges associated with them so they wouldn’t break even for less than, say, five to six spaces on a block.”

The city currently has 1,200 meters, but Cameron said they’ve identified 200 more spots that could support meters.

“There are some blocks downtown where there are building basements under the sidewalk, so we can’t put a single head meter post in the sidewalk. The multi-space kiosks could be located away from the basement, and we can meter that piece of roadway,” Cameron said.

The new meters should also be easier to maintain. At any given time, there are a number of broken parking meters, and Cameron said the city relies on citizens to report those. However, the new meters will be fitted with wireless technology since they’ll be accepting credit cards. That technology will also serve as a way to alert the city when a meter is down.

As for the cost of parking, Cameron doesn’t anticipate a rate increase with the new meters, but he admits that Memphis is “well behind our peer cities in the rates we charge.”

The city brings in $400,000 to $500,000 per year from parking meters. Since the ability to accept credit cards may bring about better compliance, Cameron expects that figure to double once the new meters are installed.

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News The Fly-By

Fly on the Wall

Crack Up

Who doesn’t think that a drive down Summer is incomplete without some random quotation marks and double entendre? Universal Glass has a brand-new paint job and now more than ever they want to see your “crack.”

We’re pretty sure they mean broken windows.

Listed

Memphis doesn’t get much respect in the magazine world. We’re always making some sensational worst cities list, and by all accounts, we’re among the fattest, laziest, most depressed and crime-addled cities in the world. On the bright side, we’re also very sober and a great place to retire or visit a cool film festival! Now, apparently, and due to completely random criteria, Travel & Leisure magazine has dubbed Memphis the ninth dirtiest, loudest, and rudest city in America. T&L generously notes that Memphis has improved its standing thanks to its 52-Clean litterbug hotline, but “Offenders get only a scolding letter in the mail — perhaps proof of the locals’ easygoing nature.” Voters also put Memphis in the top 10 for its “purposely sloppy barbecue and unrestrained music scene.” Littering we get. But are there really places where restrained music and neat barbecue are considered a good thing?

Neverending Elvis

When The Wall Street Journal called pop singer Emin Araz oglu Agalarov “the Michael Bublé of Russia,” the international recording artist said he’d rather be known as “the Elvis Presley of Azerbaijan.” And who wouldn’t?

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News The Fly-By

No Use Crying

There will be no spilled milk in the upcoming demolition of the former Midwest Dairy plant on South Bellevue.

That’s because the South Memphis Alliance, which is redeveloping the site, will donate the enormous milk bottle that sits atop the dairy to the Children’s Museum of Memphis (CMOM).

The abandoned dairy plant, which has gone through many ownership changes since it opened in 1930, will be demolished under the Neighborhood Stabilization Program 3, a grant-funded program of the U.S. Department of Housing and Urban Development.

The program aims to reverse disinvestment in communities most impacted by foreclosure. In addition to the South Memphis Soulsville neighborhood where the dairy plant is located, Frayser, Binghampton, Vance Avenue Choice Neighborhood, and Glenview/Orange Mound are also being targeted by the Neighborhood Stabilization Program for future demolition and community development.

Dick Hackett, CEO of CMOM, first noticed the giant milk bottle as a child when making trips to visit family in the Soulsville area. Standing over three stories tall and weighing more than five tons, the structure is one of 22 in existence in the United States and currently the largest milk bottle in the world. As plans to demolish the historic dairy plant circulated, Hackett’s interest in the milk bottle grew.

“I’ve kept an eye on it over the past five years, knowing that at some point that building had to be renovated or removed,” Hackett said.

“I got a call from the [South Memphis Alliance], and we jumped at the opportunity to have the world’s largest milk bottle at our museum. To us, it represents a large part of the American dream. A lot of immigrants came to the United States and had the dairy industry as part of their livelihood. Turner Dairy also bought the plant at one point and is still located in Memphis, so that’s another tie.”

South Memphis Alliance’s development manager, Shelley Thomas, said she is excited to work with Hackett and the museum.

“I love how CMOM incorporates things that are relevant to the area, and obviously milk is very important to the health of a child,” Thomas said.

After the dairy plant is demolished, the South Memphis Alliance will build a children’s center with programs aimed at helping foster children and local families. Fund-raising for the children’s center has yet to begin.

While Hackett estimates that it will take a few weeks to renovate the milk bottle, plans for incorporating it into the museum are already under way. One plan includes building a barn-like outdoor classroom with the milk jug serving as a centerpiece as well as a functioning space for exhibits.

“There’s a little bit of clean-up that needs to be done to the exterior, and then we will bring it to the site and set it up,” Hackett said. “Hopefully, we’ll be able to add concrete walls and have some sort of door or entrance from an outdoor classroom into the bottle. We’re also hoping to have space for some kind of exhibit unique to the milk bottle.”

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We Recommend We Recommend

Born Free

The academic world has failed to answer many important questions about the life and work of Jean-Jacques Rousseau. Like, if this celebrity philosopher, whose social contract outlined the republican fundamentals of legitimate political order, was really such a big damn deal, then why didn’t Monty Python even mention him in “The Philosophers Song”? Descartes is there alongside Kant, Hume, and Wittgenstein. And it’s not like Rousseau isn’t a funny-sounding name. Nor is it hard to rhyme. But when it came to ol’ J.J.’s stout drinking habits, the Pythons, it seems, had nothing to say.

Once again, this vastly fascinating topic is being completely ignored by a distinguished panel of experts who are coming to Memphis to participate in “Rousseau at 300,” a free symposium and celebration of the philosopher’s tricentennial at Rhodes College, September 27th-28th.

Instead of pursuing a Pythonic model by focusing on things like stability and liquor consumption, visiting professors from Boston College, St. Michael’s College, and UC-Davis will deliver lectures on relatively unimportant things like the pursuit of happiness, the origins of evil, childhood development, and the politics of standing apart from the crowd. ”Rousseau at 300″ at Rhodes College, Thursday-Friday, September 27th-28th. This “Communities in Conversation” event is free, but attendees are requested to register online with Rhodes College at the following online address: alumni.rhodes.edu/rousseau.