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News

Quiet Company

J.D. Reager writes about the ambitious new music schedule of the Poplar Lounge, and rising indie band, Quiet Company, which plays there, Friday.

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News

Kelly English Does England

Hannah Sayle talks with Memphis chef Kelly English about his recent cook’s tour of Great Britain.

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News

Crosstown Renovation to Begin By Early 2014

A report on the planned Sears Crosstown renovation promises 1,300 jobs and 230 apartments. Bianca Phillips has the story.

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Intermission Impossible Theater

The Orpheum’s newly announced 2013-14 Broadway series mixes chestnuts with surprises

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Book of Mormon! is coming to the Orpheum. I can’t believe it!

Why, it seems like only yesterday…

(For best enjoyment play the Youtube clip before going any further)

I was sitting in Pat Halloran’s office, admiring the photos on the wall behind him, while the Orpheum’s President and CEO waxed eloquently on racehorses, his still-new proposal to build a performing arts education facility, and why, in spite of its nine Tony Awards and popularity, Trey Parker and Matt Stone’s musical, The Book of Mormon, would never be a part of his theater’s Broadway subscription series.

I was working on a piece for Memphis (the magazine), about Memphis (the musical), and trying to get a handle on the business of show, what it means when the Orpheum invests in musicals like Memphis, and how the Broadway season is built.

Halloran had a point as strong as it was frustrating. Although BOM would almost certainly attract single ticket buyers, and possibly even sell very well, he had to think of his season ticket buyers. He didn’t think the demographic was overflowing with South Park fans.

For some perspective on the kind of 3-D chess Halloran was playing, The Book of Mormon, still running on Broadway, recouped its $11.4-million investment in only 9-months while the similarly capitalized Memphis, made its $12-mil back in just under two years, moving from the red to the black shortly before it closed in August, 2012. At a time when many shows struggled, Mormon cruised. Its cast album reached number three on the Billboard charts making it the first musical soundtrack to crack the top 10 in 42 years. That would seem like a slam dunk, but, as the old saying goes, the three hardest dates are Christmas, Easter, and Memphis.

Since I brought it up, Memphis (the musical) , which did its namesake city a solid by opening a highly praised national tour here, I should probably mention it makes its second stop at The Orpheum in April.

The possibility that BOM might dock at the Orpheum was never dismissed. Spring Awakening, a differently provocative musical made a one-night-stand at Beale and Main once upon a time, so anything was possible. Halloran just didn’t see subscription material, and I’d assumed he meant forever. So I was surprised to the point of being downright giddy to see Parker & Stone’s dirty little musical closing a 2013-14 Broadway season. And let’s be honest, The Book of Mormon, Warhorse, and to a lesser degree Wicked and West Side Story help to prop up a season front-loaded with spottier material.

BUDDY – THE BUDDY HOLLY STORY

This popular show is an especially jukebox-heavy version of the jukebox musical. It’s more Million Dollar Quartet than Jersey Boys and, as anybody who caught Playhouse on the Square’s strong 2008 production knows, storytelling isn’t the strong suit. But you could do worse than to spend an evening with some of the most infectious Rock-and-Roll songs ever recorded.

FLASHDANCE

Flashdance , featuring the original movie’s hit title track and Michael Sembello’s “Maniac,” has never been on the Great White Way, so it’s a bit of a misnomer to include the 1980’s film-turned-musical on a “Broadway” season. It did spend some time in London and producers of the revamped American version hope to ride this tour all the way to a New York City opening.

Like Billy Elliot, and Footloose, and The Full Monty but with 100% more wet lingerie, Flashdance is a blue collar dance fantasy. It follows the triumphs and travails of a female welder with a chance to study dance, who picks up extra money working at a shake shack. So far reviews have been mixed.

SISTER ACT

Look, another musical based on a not-that-classic movie. Not to be confused with any of the Nunsense nonsense, this one-time Whoopie Goldberg vehicle tells the story of an earthy nightclub singer who hides out among the nuns after witnessing a murder. So, if you can’t resist a good Nuns acting out of character story, this one’s for you.

WEST SIDE STORY

Yeah, it’s an old chestnut. But I’m here to tell you, that Leonard Bernstein score still kills.

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News

Spring Breakers

Chris Herrington says Spring Breakers is a subversive art-house version of Girls Gone Wild that’s infiltrated the multi-plexes.

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News

Hi-Tone Is Coming Back

Midtown’s beloved, but recently shuttered rock club has leased new space in Crosstown. Chris Herrington has the story.

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Memphis Gaydar News

“Love Doesn’t Hurt” Fundraiser

The Memphis Gay & Lesbian Community Center is looking to start a fund for LGBTQ domestic violence victims.

You can donate by attending the “Love Doesn’t Hurt” drag show and fundraiser at Club Spectrum (616 Marshall) this Friday, March 29th. Guest speakers will include a representative from the district attorney’s office, Kevin Phipps from Shelby County Pre-trial Services, Jonathon Cole from the Tennessee Equality Project, Lt. Doreen Shelton from the Memphis Police Department Domestic Violence Bureau, and domestic violence survivors.

The $5 cover will go toward the domestic violence fund. If you are unable to make it but would still like to donate, click here. Make a note that you are donating to the Anti-Domestic Violence Fund.

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Calling the Bluff Music

Michael Koretzky Talks Future of Journalism at the U of M

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Yesterday evening, I attended the University of Memphis’ 31st Annual Freedom of Information Congress that featured controversial journalist Michael Koretzky.

Titled “An Evening with Michael Koretzky,” the event was presented by the U of M’s student chapter of the Society of Professional Journalists (Koretzky is a board member of the national chapter).

Currently a freelance writer as well as an editor for several city magazines in South Florida, Koretzky shared his thoughts on the future of journalism and journalism education, discussed his style of reporting, opened up about being expelled from the University of Florida and getting fired from the Sun Sentinel and Florida Atlantic University’s award-winning student newspaper, The University Press during the lecture.

Prior to the event, I wasn’t too familiar with Koretzky, so I didn’t know what to expect besides the possibility of him presenting some disputable information. But he turned out to be quite entertaining and informative, especially when he disclosed some of the biggest problems he has with journalism. Among the issues with the profession, he highlighted the necessity for journalists to have thicker skin and to be a little braver or just as brave as the sources they interview.

“I’m sure that any student reporter in this room has faced a situation where you’re interviewing somebody, and they’re reluctant to talk to you on record, and you’re trying to convince them that it’s okay. That everything will be fine, but we don’t do that ourselves,” Koretzky said to attendees in the U of M’s University Center Theater.

“I think sometimes we spend too much time taking students with good grades who don’t have the personality to do this job,” he said. “This is not accounting. This is not computer programming. You have to be able to speak to people. You have to be able to stand up for yourself. You have to be able to inspire your sources.”

Koretzky also touched on the lack of respect that journalists receive from citizens. He attributed this to many of us being “hypocrites.”

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“You know how they do those surveys every year on the most admired professions,” he said. “It’s always like firefighters, Supreme Court justice, doctors, and then right down at the bottom, between used car salesman and a pimp, is the journalist. Journalists get no respect. We always say that journalists get no respect because we’re doing tough work or speaking truth to power. I don’t think that’s it. I think people hate journalists because in this country, we only hate one thing and that’s hypocrites.”

I pondered his comments. Who loves hypocrites? I can attest that not too many people do, but we all can be hypocritical at times. Stating that, I didn’t understand why Koretzky would single out journalists as hypocrites. I’m not saying we’re superior, but I believe there are hypocrites in every profession. I don’t think one profession boasts a larger amount of hypocrites than another. As I mentioned earlier in this post, I expected that Koretzky would make some statements that were debatable, and this indeed was one of them.

Koretzky also touched on the frustrations of censorship within publications, and revealed that he was an associate editor at the world’s largest jazz magazine, Jazziz, but didn’t know anything about jazz. He even compared jazz to journalism.

“Jazz got its start in the whorehouses of New Orleans. Only later, these days now that you can go and get a degree in jazz from Berkley, University of Miami,” he said. “Now jazz is really richy. And if you don’t have a degree in jazz, you’re not considered a serious recording artist. Well, I think journalism is the same way. Before there were journalism schools, there was journalism. Now that there are journalism schools, I think it helps, but I also think it can hurt.”

Koretzky’s popular blog, Journoterrorist, which he admitted to receiving a lot of negative feedback on due to some of the content he posts, was also something he opened up about to the audience.

“I call it ‘journoterrorist’ as a joke. It’s a media critique website,” he said. “I’ve only posted 31 times in years but for some reason, I have 198,000 viewers and over 500 comments. What’s really weird about that is the comments are mostly from journalism students and professors and professionals who don’t like what I wrote. And I don’t think I wrote anything incredibly evil. I just wrote my opinion of journalism in the same way that I was trained to be a journalist and cover other people.”

After completing his hour-long presentation, Koretzky took questions from the audience. With the recent increase of newspapers and magazines folding over the last few years, and me being a reporter for a print publication, I asked him his thoughts on the status of print publications in the next five to 10 years. He told me that he went from working at a national website to joining a print publication, alluding that there’s still hope for print.

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“What I find is that print is alive and well when it’s niche,” Koretzky said. “The mainstream print media may not have much of a future, but there are things that you can do with print that you still can’t do online. So high quality print still works. Like magazines and smaller niche publications are doing great. Advertising is up, partly because it’s different and advertisers want something different. We still read magazines.”

Overall, Koretzky kept me entertained and my mind racing about the various topics he discussed. He caused me to truly think about journalism as a profession, what the true purpose of a journalist is, and where we stand in the future. Stating that, I’m not worried that there won’t be a market for my profession, but I’m not getting too comfortable with just being a reporter. In a career like this, it’s evident that you have to bring something new to the table if you desire to go a long way, because the same ole, same ole doesn’t get you far. I’m thankful that I attended the SPJ’s event yesterday, because I definitely left feeling more enlightened on my profession.

Brief Info on Koretzky:

He has worked at several publications including Florida’s Sun-Sentinel and freelanced for The New York Times, USA Today, and Travel & Leisure. He’s also owned several publications that include Ice Magazine and Free Press.

He also was the managing editor of the world’s largest jazz magazine, Jazziz, and the adviser for FAU’s student-run newspaper, the University Press. He was accused of ethical violations in 2004 by FAU’s Student Government and almost fired and fined $6,000. He was let go from the publication in 2010 due to reorganization of FAU’s student media. He’s currently a volunteer adviser for the University Press.

Visit Koretzky’s Journoterrorist blog
Follow Koretzky on Twitter: @Koretzky

Follow me on Twitter: @Lou4President
Friend me on Facebook: Louis Goggans

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Sing All Kinds We Recommend

Hi-Tone Set to Return

Hi-Tone Café owner Jonathan Kiersky announced on Facebook today that he’s signed a lease at 412 and 414 N. Cleveland to open a new live-music venue to replace the former Hi-Tone on Popular, which closed last month.

This deal was in the works when we reported on the Hi-Tone’s closure in a recent cover story, which outlined Kiersky’s tentative plans for the new space:

Kiersky was approached by Chris Miner, co-founder of the nonprofit Crosstown Arts, about space available as part of a strip of storefronts on Cleveland that are being rehabbed as a component of the neighborhood’s ambitious redevelopment as an arts district. The Cleveland locale already houses a gallery and exhibition space for Miner’s organization. As of press time, Kiersky was close to signing a lease on two adjacent bays there.

If the deal goes through, Kiersky plans to knock out a wall separating the two bays to create one 4,500-square-foot space, with higher ceilings and much better HVAC.

“It will be about the same size as the [original] Hi-Tone, but, with the ability to remake the space, it’s going to allow for a larger capacity,” says Kiersky, estimating a 600-person capacity, which might allow for booking bands that had outgrown the Poplar location.

Kiersky is attracted to the idea of being able to design his own club.

“It just got to the point where the building itself was something I couldn’t deal with,” he says. “One of the exciting parts about this new space is we’ll have a blank chalkboard. We can do whatever we want.”

Along those lines, Kiersky envisions a slightly larger stage at the back of the club, rather than the Hi-Tone’s odd small stage in the front corner. He imagines a bar in the middle of the room to reduce congestion. He plans on a separate smoking lounge to reduce in-and-out traffic and give patrons a place to watch a Grizzlies game even while bands are playing.

What he doesn’t envision is a full-time kitchen — he says the new club would be called the Hi-Tone, sans “Café” — or booking bands every night. He sees the bar/lounge open every day, with the rest of the venue holding concerts four to five days a week. And he’s excited about the potential for integration with other tenants, especially the Crosstown Arts space, which has already booked no-alcohol/all-ages shows with a 125- to 150-person capacity.

“There are a lot of bands that I really enjoy that in Memphis on a Tuesday might draw 30 people. Doing it in a 600-person room makes it look really dead to the band and to us,” Kiersky says. “Having a smaller space that’s a two-second walk down and still having the lounge space will be great.”

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Food & Drink Hungry Memphis

Get Your Schnitzel at Grawemeyer’s

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  • Grawemeyer’s

Grawemeyer’s, which opened a little more than a year ago in a charming old porters hotel on South Main, added a new focus on German cuisine a few months ago.

According to Cynthia Grawemeyer, who owns the restaurant with her husband Mark, the restaurant’s menu had been through variations with different chefs, but at some point the couple decided to stick with what they knew, and that was German food.

Both Cynthia and Mark are from German stock, and many of the dishes they serve are based on family recipes. Some of the recipes were gleaned from letters from the 1950s that were written between Mark’s mother and her sister.

The menu includes a German dinner for two with bratwurst, frickadelle, and knackwurst served with sauerkraut, applesauce, and mashed potatoes. There’s also spaetzle and schnitzel.

They also offer rolls imported from Germany. The rolls have a hard crust and are soft on the inside.

For those looking for lighter fare, Cynthia notes that the black bean burger is one of their biggest sellers. They also serve deli sandwiches, salads, breakfast items, and more.