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Sports Tiger Blue

Tigers 87, Siena 60

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The Tigers had little trouble with Siena this evening in the quarterfinals of the Old Spice Classic in Orlando. With much of Tiger Nation transitioning from turkey to pie, Tiger sophomore Shaq Goodwin scored 10 points in the game’s first 10 minutes and the U of M enjoyed a 15-3 run over a six-minute stretch of the first half to take control at HP Field House. Michael Dixon scored 13 points off the bench in the first half and was one of four Tigers in double figures with 16 for the game. Joe Jackson added a team-high 18, Goodwin 17 (with 10 rebounds), and freshman Austin Nichols 12.

Memphis held the Saints to 33.8-percent shooting from the field and forced 20 turnovers, though Siena outrebounded the U of M, 47-41. The win improves the 21st-ranked Tigers to 3-1 for the seasion, while the Saints fall to 2-5.

The Tigers will face LSU — a winner over St. Joseph, Thursday — in one of Friday’s semifinal contests. Oklahoma State (the same Cowboys that drilled the Tigers on November 19th) will face Butler in the other semi. The championship game will be played on Sunday.

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News

Going Shopping on Black Friday? Drink!

The Flyer staff has compiled a great list of drinks (and places to consume them), should you need respite from Black Friday shopping.

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Sing All Kinds We Recommend

Sound Advice: Becky Flax at Otherlands Friday

Becky Flax

  • Becky Flax

Becky Flax is a student at Sewanee. She’s a talented guitarist, singer, and songwriter who also makes guitars. She’ll be at Otherlands on Friday night.

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News

What About Germantown?

David Pickler writes that it’s time to settle the schools issue and allow Germantown to move forward.

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Beyond the Arc Sports

Turkey Day Road Recap: Grizzlies 100, Celtics 93

Zach Randolph struggled with Jared Sullinger, but the Grizzlies got the win.

  • Larry Kuzniewski
  • Zach Randolph struggled with Jared Sullinger, but the Grizzlies got the win.

Just some quick notes on last night’s victory over the Celtics in Boston while we’re all sitting around waiting on stuff to cook this Thanksgiving morning:

  •  Zach Randolph struggled mightily while matched up with Jared Sullinger. The two were battling on the blocks a great deal early, and it seemed like Randolph just couldn’t ever get anything going. He made a couple of his patented 19-foot rainbow jumpers, but overall it didn’t seem like he ever really got going. He shot 5-16 from the floor, with an eFG% of .313 for the night. I wasn’t expecting Randolph to have as much trouble with Sullinger as he did, but then again I guess we’ve never really seen a fully healthy Jared Sullinger face off against the Grizzlies, either. He certainly gave Randolph fits.

  •  Kosta Koufos couldn’t get anything to fall, either, but he finished with 13 rebounds. Two things Koufos does better than Marc Gasol: block shots and grab rebounds. Two things Koufos doens’t do better than Marc Gasol: shoot from the elbows, yell menacingly after great plays. Also pass, but that’s three. And Koufos is a decent passer, it’s just hard to expect Gasol-level distribution from anybody else.

  •  Speaking of passing, Ed Davis had a few great high-low feeds to Koufos last night—and that wasn’t the only thing Davis did well. The Grizzlies really picked up the pace with Randolph sitting, and paired with Nick Calathes, Davis did very well in the faster-paced game running the pick and roll. On defense, Davis was able to use his athleticism, partly because Gasol’s absence gives Davis more space to hang out and a little more time to react. Davis ended up with 11 points, 7 rebounds, and 3 blocks in 24 minutes, which is exactly the kind of stat line he needs to have if he’s going to establish himself as a legitimate rotation player for the Grizzlies.

  •  Jerryd Bayless got back on track a little bit. Joerger seems to have moved him off the ball full-time right now, prefering to play Calathes as the backup PG, and Bayless had another “on” game after a long streak of “off” games Wednesday night, scoring 22 points on 10 shots (how’s that for efficiency?) including two free throws that iced the game after a string of improbable Celtics 3-pointers rattled in and made the game closer than it should have been. The Grizzlies are desperately going to need “Good Bayless” production while Gasol is out, and even when he’s not.

The Grizzlies have Thanksgiving off, and they return to action Saturday night at FedExForum against the Brooklyn Nets, who are pretty awful right now. We’ll see if Jason Kidd has to spill another drink.

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Sports Tiger Blue

“American” Football Picks: Week 14

LAST WEEK: 3-2
SEASON: 52-20

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FRIDAY
USF at UCF
SMU at Houston

SATURDAY
Temple at Memphis
Rutgers at UConn

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Music Music Features

North Mississippi Allstars Homecoming at Minglewood Hall

Those Allstars stay busy. The Brothers Dickinson recently returned from a European tour promoting their latest record, World Boogie Is Coming. They will play their Thanksgiving homecoming show on Friday, November 29th, at Minglewood Hall. But that’s not the half of it. The North Mississippi Allstars have partnered with the Mid-South Food Bank to gather the goods. You can bring canned food (check the date) and take a selfie at the donation desk to be part of the Food Bank’s online photo album of helpful blues fans. Don’t go missing from that. We’ll be looking for you.

Think the Allstars are through packing this night with excitement? WRONG. The band announced that the concert will be filmed for release on DVD, and the crew will be 100 percent local, according to Cody Dickinson’s Facebook page. As far as the concert is concerned, there will be plenty of surprises as special guests are lined up to join the Allstars onstage. Even if the guests were 100 percent local, this would be something to see, given the brothers’ recent two-month stint at Minglewood under the Sons of Mudboy aegis. That band, a second-generation continuation of father Jim Dickinson’s legendary outfit with Sid Selvidge, Lee Baker, and national treasure Jimmy Crosthwait, rounded up a who’s who of contemporary Memphis players: Harry Peel, Al Gamble, George Sluppick, Paul Taylor, and others. Who needs out-of-towners?

Another point of interest: Pay attention to Luther’s guitar. The elder Dickinson brother was paid a tremendous honor last year when Gibson introduced the Luther Dickinson ES-335. The 335 is an essential blues tool: B.B. King’s Lucille is a 335. Chuck Berry? Yep. Orbison and John Lee Hooker too. Gibson let Luther add details to the design, including a block inside the frame to cut down on feedback, a Bigsby tremolo, and the paint. That paint job was copied from Father Jim’s 335 and enters the official Gibson palette of colors as “Dickinson Burst.” Wow.

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We Recommend We Recommend

Sister Swing

Sister Act, with its score by Little Shop of Horrors/Little Mermaid composer Alan Menken, is the latest Hollywood movie-turned-Broadway extravaganza to arrive onstage at the Orpheum. It’s a feel-good fish-out-of-water yarn telling the story of Deloris Van Cartier, a nightclub performer whose world changes suddenly when she’s hidden away in a convent after witnessing a crime.

This roadshow has a Memphian in the cast. You may catch Angie Marie Smith dancing in the ensemble or subbing for a lead, but as the “swing” in a physically demanding show, you will absolutely see her.

“People get this thing called ‘Nun Neck’,” Smith says, explaining why a common injury makes Sister Act such a demanding show for swings and understudies. “The head pieces weigh five pounds, so this happens a lot. We have a physical therapist come in once a week.”

Smith, who covers for 11 roles in Sister Act, took her first turn onstage at Memphis’ Evangelical Christian School playing Molly, the littlest orphan in Annie. At the time, she was so shy she auditioned with her back to the audience.

“The director took a chance,” says Smith, who also performed with Bartlett Community Theatre in shows like Cotton Patch Gospel and The Secret Garden, where she played Colin.

“I played the boy,” she recalls, wincing.

After graduating from Millikin University in Illinois, Smith worked regularly, moving from summer stock to tours of Miss Saigon, Thoroughly Modern Millie, and Cats.

“Sister Act” at the Orpheum, December 3rd-8th. $20-$90. orpheum-memphis.com

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News The Fly-By

Quit It!

A week ago, I stood up in front of a room of highly motivated people and tried to convince them to quit.

I had been invited to speak at the Ignite Memphis event at Crosstown Arts. If you’ve never been to one of these before, they’re surprisingly fun for an evening centered around PowerPoint presentations. Speakers create 20-slide presentations that auto-advance every 15 seconds on the topics of their choice. It’s not just a local phenomenon; Ignite events happen in cities all over the world.

At this particular Ignite, the slate of presentations ranged from storytelling, to drinking, opera, more livable cities, Jesus, and the end of the world. And I talked about quitting, because, lately, quitting has become an activity very near and dear to my heart.

Before you think about quitting, though, it helps to rethink the concept of “busy.” You’re busy. I’m busy. Being busy is important, but it’s not an excuse. Americans value being busy to the point that there are children’s books glorifying the concept (Little Miss Busy, for example). We’re constantly telling others that we’re too busy, that we have so much going on.

Why do we do this? A handful of people really are that busy. I suspect that for most of us, it’s done out of fear — a fear that we’re not doing enough or producing enough to seem important. We stay at work late when we don’t need to, and we blow off the things and people we care about unnecessarily, mostly because we’re afraid to say no. We’re afraid of free time. We’re afraid to not be busy.

For a long time, I was that person. I always pushed hard, tackled everything at once, and never, ever stopped working. I thrived on being so busy. In my case, it was more than just feeling valuable — it was a method of running from the parts of my life that weren’t so great at the time.

I loved my old job (writing the “I Love Memphis” blog). It was fun, and I got to meet a lot of very cool people and check a bunch of things off of my bucket list. But it was also a lot of nights and weekends and stress and being “on” all the time. Those things were part of the job, so I didn’t mind them. After a while, though, it just stopped being fun. I started changing from someone who was super happy to someone who was a cranky mess.

I didn’t realize how bad things had gotten until I read an article by Adam Dachis called “Burnout Is Real: How To Identify and Address Your Burnout Problem.” The article details how to identify burnout (among the many warning signs: irritability, exhaustion, feeling like you’re never doing enough, inefficacy, and the denial of said warning signs) and then how to take action to counter it.

That’s the thing about burnout: It’s nearly impossible to recognize it when it’s happening to you, even if you fit all of the warning signs. I told myself I was just having a bad day, that I would be totally fine if I could just get all of these things done, that sleeping and eating weren’t as important as whatever was next on my to-do list. As you can imagine, I was a joy to be around.

And one day, I woke up and knew what I had to do: I had to quit.

Once I got the idea in my head that I could make my life better and improve my mental health by walking away from something, I couldn’t think about anything else. It wasn’t easy, but few things that are worth it are.

So, that’s what I’d like you to do. Find that thing in your life that you’re just doing out of obligation, and stop it. Give up an activity that you feel “meh” about. Stop feeling “meh” about things in general.

Stop complaining about how busy you are and how many obligations you have. If you’re busy, own it. Let others know that you’ve made that choice. More importantly, start quitting. Start quitting the things that you aren’t completely invested in; the ones that aren’t that important; the ones that don’t make you happy. Just quit.

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We Recommend We Recommend

Star Bright

It’s shaping up to be a good holiday season for Ekundayo Bandele, executive director and playwright-in-residence for the Hattiloo Theatre. The best news is that the new Hattiloo, which broke ground in Overton Square three months back, is coming together even faster than expected, and he plans to announce the venue-opening show in January. If Scrooge Was a Brother, Bandele’s take on the Dickens classic, opened at Chicago’s eta Creative Arts Foundation last week, where it runs through December 29th. On the home front, he is opening his newest Christmas play, The North Star: An Urban Nativity.

“Langston Hughes’ Black Nativity gets turned into a concert,” Bandele says of the play. “I really wanted to tell the story of what happens at the Nativity. And to tell it like I’ve never seen it done, in a way that I think would be interesting for me to watch.”

Bandele’s Nativity is contemporary, but he digs into the source material to tell the story of a poor carpenter, a pregnant virgin, the people who love them, the people who wonder at them, and a big bright light in the sky.

“It’s suspenseful,” Bandele says of a show that, for the most part, takes place in the 24 hours leading up to Christ’s birth.

“It’s much more about Mary and Joseph and their relationship than it is about Christ,” Bandele says.

“The North Star: An Urban Nativity” at the Hattiloo Theatre, December 5th-22nd. $18-$25. hattiloo.org