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News

What’s Up With the 1-2 Griz?

Kevin Lipe breaks down the Grizzlies early season problems and says “Don’t Panic.”

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Sing All Kinds We Recommend

Sound Advice: The Week in Underground Music

Cleveland Avenue becomes the center for underground music in Memphis this week, as both the Hi-Tone and the Buccaneer are trading off shows Tuesday, November 5th through Saturday, November 9th. Here’s a guide (complete with videos!) to the diverse shows both venues are offering this week.

Tuesday, November 5th – Hi-Tone – Small Black, Dream Team, Grid. 8pm doors, $10.00 advance, $12.00 at the door, 18+.

Brooklyn’s Small Black play what is best described as chill wave, but don’t let that scare you off. Underneath the repetitive synth beats are carefully crafted songs, and though the band hails from Brooklyn, their latest video (above) was partially shot in Memphis. Opening the show are locals Dream Team (members of Tiger High) and the new band Grid.

Wednesday, November 6th – Buccaneer – Hunters, Paradice, Loser Vision. 9pm doors, $5.00, 21+.

Hunters have been on the road for most of 2013, touring with big name acts like Jeff The Brotherhood and Hunx and His Punx. With that much time to hone their sound, it’s no wonder Hunters are being heralded by music writers as one of the best live bands to see in 2013. Opening the show are locals Paradice (formerly Warm Girls) and the new band Loser Vision.

Thursday, November 7th – Hi-Tone – Nobunny, Moving Finger, Buldgerz. 8pm doors, $10.00, 18+.

The hardest working rabbit in garage rock returns to Memphis on Thursday, in support of his new album Secret Songs released on Goner Records earlier this month. Known for raucous energy, rampant nudity and killer power pop riffs, NoBunny’s live show is one that must be seen to be believed. Opening the show are locals Moving Finger (read more about them here) and the new hardcore band Buldgerz (featuring members of Hosoi Bros and No Comply).

Friday, November 8th – Buccaneer – Toxie, Trampoline Team, Toxie. 9pm doors, $5.00, 21+.

Local new wave group Toxie had a productive summer touring by themselves as well as opening for the chill wave group Toro y Moi on a string of East Coast shows. The group seems to be due for another single, as the “New Gate” single that was released on Goner earlier this year gained a lot of attention. Also playing the show is Trampoline Team (a new punk group from New Orleans) and 60’s Rock and Roll Revivalists The Sheiks.

Saturday, November 9th – Hi-Tone – Nights Like These, Crowlord, Holy Gallows. 9pm doors, $7.00 18+

After almost a four year hiatus, Memphis’ metal kings Nights Like These have decided to reform. The story of Nights Like These is an interesting one. The band went from the suburban underground label Smith Seven to one of the largest Metal labels in the world (Victory Records) seemingly overnight, only to fade back into obscurity after a behemoth of a second album. If the Nights Like These reunion show at Minglewood Hall this past summer serves as any indication, this group certainly remembers how to shred. Opening the show are local metal groups Crowlord (featuring members of the Unbeheld) and Holy Gallows.

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Beyond the Arc Sports

Teething Problems: The 1—2 Grizzlies’ Negative Feedback Loop

The Grizzlies lost on the road in Dallas Saturday night, dropping to 1–2 on the year. Tonight they’re back home to face the Boston Celtics. What’s working for the Grizzlies so far, and what’s not?

First things first: the reason the Grizzlies have gotten off to a 1–2 start is not that Dave Joerger’s “new offense” is terrible and doesn’t work. Are the Grizzlies’ offensive difficulties related to the transition to a different offensive mindset? Sure. But their offensive difficulties aren’t the real problem so far: the bigger problem at this point—the reason the Grizzlies’ opponents in all three games so far have scored 100 points—is the defense.

In all three of the Grizzlies’ games so far, the two losses on the road at San Antonio and Dallas and the overtime win at home against Detroit, the Grizzlies’ interior defense has been slow to rotate and has let opposing guards drive to the rim pretty much at will. Lockdown perimeter defense has come and gone—usually when the Grizzlies have found themselves in a hole (as has happened in all three games played so far) they’ve been able to dig themselves back out by tightening up and generating turnovers—but even when the perimeter is secure, the path to the basket appears to be far too open for opposing guards.

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I would assume that there’s correlation (if not causation) between the Grizzlies’ defensive ratings (points allowed per 100 possessions) in the last three games—104.8 against the Spurs, 106.3 against the Pistons, and 116.9 against the Mavericks—and the Grizzlies’ newfound pace. Last season, the Grizzlies were 30th out of 30 teams in the league in pace[1] at 88.4. So far this season, they’re 18th out of 30 with a pace of 94.6. That’s a noticeable jump, and it’s happening mostly with the same group of players. The faster pace is probably at least partly to blame for some of the Grizzlies’ problems so far, and one gets the feeling that Joerger would like to play even faster if the players on the roster would allow for it.

On the other end, things aren’t as simple as “Joerger’s offense sucks.” That’s a cop-out this early in the season, and it’s not paying attention to what’s really going on. The Grizzlies struggles in the three games so far, to my eyes,come down to three specific things:

Turnovers. This is fairly obvious. It’s only three games into the season, but so far the Grizzlies have been turning the ball over an average of 17 times per game. Last year’s average was 14. But especially in the last two games, it seems like the Grizzlies have gotten themselves where they’re down by single digits, they’re not getting stops on the other end of the floor, and then they turn the ball over on consecutive offensive possessions and thus never close the gap with their opponent—or at the very least, they make that gap harder to bridge. Playing from behind is bad enough. Playing from behind and then giving the ball away on multiple consecutive trips down the floor is worse. The Grizzlies are going to have to do a better job of taking care of the basketball than they’ve done so far. It feels like some of the turnovers are coming from bad passes—guys are unsure of where their teammates are going to be (because they’re unfamiliar with the sets being run) and they’re also unsure of which teammate they’re going to be passing to, making it much easier for opposing defenders to jump those passes and generate transition baskets. One hopes that will tighten up as the Grizzlies get more comfortable with each other (several new bench players, after all) and more comfortable with the new sets.

Shot selection. I think newly-contract-extended Quincy Pondexter is maybe the most guilty of this one, what with his newfound allergy to taking open three-pointers even though he’s the best three point shooter on the team not named Miller. I think this baffling phenomenon was best explained yesterday on Twitter by Matt Hrdlicka of Grizzly Bear Blues:

I think, ultimately, that this is a comfort-level thing. These Grizzlies are still playing completely inside their heads and haven’t progressed to the point where they don’t have to think about every move they’re making on the court yet. Until they’re not second-guessing every move that they make—which, with the implementation of any new offensive philosophy is something that’s going to take a little bit of time—they’re going to be taking shots that maybe they shouldn’t be taking. And when they’re taking bad shots, it’s going to (1) lead to more turnovers and (2) have a direct effect on the next thing that’s going on:

Defensive efficiency. Last year, the Grizzlies—through their slow, methodical, play with which they simply pummeled opponents into eventual submission—finished 1st in the league in points allowed (89.3 points per game) and 2nd in the league in defensive rating (100.3 points allowed per 100 possessions). The extremely high level of defensive play, coupled with the fact that the Grizzlies did everything they could to, well, grind opponents to a halt and limit the number of possessions, meant that the Grizzlies were an elite defensive team, able to make pretty much anybody look like a lottery team on any given night.

That simply isn’t the case this year, and it’s related to pace, but it’s also related to the bad shooting and turnovers, which are in turn related to the poor decision making going on. When you take a bad shot early in the clock and aren’t able to secure an offensive rebound, or when you simply turn the ball over on a bad pass, you’re creating transition opportunities for the other team, and you’re giving them easier baskets than they’d be getting otherwise. The Grizzlies discomfort in general is messing with their defense—and since the defense isn’t the all-suffocating airborne toxic event it was last year, the Grizzlies are falling behind and having to play catch-up, which leads to a sense of pressure and a desire to play for the quick score, which means bad shot selection and more turnovers, which leads to falling further behind, which leads to more bad decision making and more easy baskets for the opponent…

You see where I’m going with all of this. The problems the Grizzlies are up against right now aren’t related to the offensive system in and of itself—they’re related to the team’s overall discomfort with the new style of play, and that new style of play is going to take a while before it’s not new anymore. But the offensive system really isn’t all that different from the old one. It’s just sped up, and refocused around the Marc Gasol/Mike Conley pick and roll as a starting point instead of “try to post up and then pass out to the wing if that doesn’t work.” It’s about trying to run the offense in a way that spaces the floor better so that the Grizzlies’ dominant post play can be more efficient and more effective, not “going away from what works.”

It’s only three games into this season. I’m not about to say that there’s no reason to be concerned—of course there is. We have no idea how long this transition is going to take, how well the roster as currently assembled is going to adjust to the tweaks to the Grizzlies’ offensive system, how many games it’s going to cost the Grizzlies and how that’s going to affect the Western Conference playoff standings, which will probably be tighter than Fat Elvis’ jumpsuit. There’s plenty of room for the whole thing to go pear-shaped during this transitional period. But these guys are good basketball players. My gut feeling right now is that whatever roughness we’re currently seeing is temporary—it’s not going to be this way all year. The question now is when are they going to start getting it together?

Celtics as learning experience

Tonight would be a good night to batten down the hatches and beat the crap out of a team that’s not very good (winless, actually) and who just played a road game last night in Detroit (which they lost by 10 points). This year’s model of the Boston Celtics is “in a rebuilding year,” to put it nicely. Paul Pierce and Kevin Garnett are gone now, and Rajon Rondo is still out, and Jeff Green and Avery Bradley and the Nets’ sloppy seconds just aren’t going to get very far this year, even in the Eastern Conference.

Taking care of business at home tonight against a bad team could give the Grizzlies a little bit of the breathing room and momentum they need headed into the other two home games this week against the Pelicans (yes, I typed “Hornets” the first time) on Wednesday and the Warriors on Saturday. Those games are practically guaranteed to be much more important at the end of the year than this one. The pressure is off (other than the pressure the Grizzlies are no doubt placing on themselves not to fall to 1–3 on the year) and the opponent is pretty bad, so tonight’s contest against the Celtics should (I say should) be a fairly straightforward win.

A win, and a chance to work out some of the kinks in the negative feedback loop that’s currently giving the Grizzlies so many problems. Here’s hoping they can work out some of that bad mojo tonight.


  1. Which Basketball Reference defines as “an estimate of the number of possessions per 48 minutes by a team.”  ↩

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News

Afshar and Manning: New Records

Joe Boone reviews new records from Memphian musicians Lily Afshar and Terry Manning.

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News

Indie Memphis Winners

Greg Akers wraps up this year’s Indie Memphis Film Fest with a list of the winners.

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News

Chrome Helmets? No, Thanks.

Frank Murtaugh shares his three thoughts on Memphis Tigers football this week.

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Sing All Kinds We Recommend

Indie Memphis: That’s a Wrap

Best Narrative Feature Award winner It Felt Like Love

  • Best Narrative Feature Award winner “It Felt Like Love”

Another Indie Memphis film festival is wrapped up and put back in the attic until next year — though the organization has extensive year-round programming.

Last night, to close out the festivities, Indie Memphis gave out awards for the best of the fest. Winners are listed below. Many of the awards included cash prizes, and they all received a lovely trophy designed by Memphis artist Yvonne Bobo.

Best Narrative Feature Award ($1,000 cash prize)
It Felt Like Love (director: Eliza Hittman)

Duncan-Williams Scriptwriting Award ($1,000 cash prize presented by Duncan-Williams, Inc.)
See You Next Tuesday (writer/director: Drew Tobia)

Hometowner Award, Narrative Feature ($1,000 cash prize presented by the Memphis & Shelby County Film and Television Commission)
Being Awesome (director: Allen C. Gardner)

Hometowner Award, Narrative Short ($500 cash prize presented by the Memphis & Shelby County Film and Television Commission)
John’s Farm (director: Melissa Sweazy

Hometowner Award, Documentary Short ($500 cash prize presented by the Memphis & Shelby County Film and Television Commission)
Bookin’ (director: John Kirkscey

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Jury Award, Documentary Feature ($1,000 cash prize presented by Classic American Hardwoods)
Brother’s Hypnotic (director: Reuben Atlas)

What I Love About Concrete filmmakers

  • “What I Love About Concrete” filmmakers

Jury Award, Documentary Short ($500 cash prize)
Sweet Crude Man Camp (director: Isaac Gale)

Jury Award, Narrative Short ($500 cash prize)
Aftermath (director: Jeremy Robbins)

Jury Award, Animated/Experimental Film
The Missing Scarf (director: Eoin Duffy)

Special Jury Award, The Emerging Artist Award for the creative promise shown by their debut feature
Directors Katherine Dohan and Alanna Stewart, What I Love About Concrete

Special Jury Award, Outstanding Performance
Eleanore Pienta, See You Next Tuesday

Special Jury Award
Great Chicken Wing Hunt (director: Matt Reynolds)

Audience Award, Narrative Feature
Short Term 12 (director: Destin Cretton)

Special Jury Awards
How to Sharpen Pencils (director: Kenneth Price) and Ms. Belvedere (director: Michael Reynolds)

Movie poster for Zipper: Coney Islands Last Wild Ride

  • Movie poster for “Zipper: Coney Island’s Last Wild Ride”

Soul of Southern Film Award
Orange Mound, Tennessee: America’s Community (director, Emmanuel Amido)

Craig Brewer Emerging Filmmaker Award
Randy Moore, Escape from Tomorrow

Governor’s Award
Indie Memphis Executive Director Erik Jambor

Ron Tibbett Excellence in Filmmaking Award
Bob Birdnow’s Remarkable Tale of Human Survival and the Transcendence of Self (director: Eric Steele)

AIGA Movie Poster Award
Zipper: Coney Island’s Last Wild Ride (director: Amy Nicholson)

Audience Award, Documentary Feature
A Whole Lott More (director: Victor Buhler)

Audience Award, Hometowner Film
Meanwhile in Memphis: The Sound of a Revolution (directors: Nan Hackman and Robert Allen Parker)

Audience Award, Documentary Short
Mabon “Teenie” Hodges – A Portrait of a Memphis Soul Original (director: Susanna Vapnek)

Audience Award, Narrative Short
Cootie Contagion (director: Joshua Smooha)

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Sports Tiger Blue

Three Thoughts on Tiger Football

How do we define a “playmaker” on the football field? It’s a vague description, really. (How do we define a “play”?) Generally, playmakers can be categorized as the famous line about pornography goes: “I know it when I see it.” Marcus Rucker led the Tigers with 41 receptions in 2010, while Tannar Rehrer was the top wideout a year later with 70 catches. Who was the playmaker? Rucker got into the end zone eight times (to Rehrer’s four) and Rucker piled up 704 yards (12th in Memphis history) while Rehrer’s 70 receptions only gained 593 yards. Rucker was a playmaker. (Less so as a senior last season, when he caught 47 passes for 525 yards and only three touchdowns.)

The 2013 Tigers desperately need a playmaker. (For these purposes, we’re qualifying playmakers as those who catch passes. Brandon Hayes has been solid on the ground for Memphis, and his 31-yard TD jaunt last week against Cincinnati was certainly a “play.”) Joe Craig leads Memphis with 26 receptions, but averages barely 10 yards a catch (272 yards). Mose Frazier has shown the ability to catch the ball downfield (he averages 17.4 yards per catch), but has only caught 14 balls and scored a single touchdown. Depending on how you measure, the Tigers dropped between six and ten passes in their loss to Cincinnati, killing “plays” and leading to a miserable two-for-twelve conversion rate on third down. You know the best place to find playmakers? In the winning locker room.

I don’t like the Tigers’ new chrome helmets. I’ve tried to let them grow on me, but I liked them less in the Cincinnati game than I did in the opener against Duke. And I have three primary gripes:

1) The Tigers have a cool logo. That tiger leaping through a bold “M” is a brand instantly recognizable, here and abroad. (As nice as the Grizzlies’ logo is, it doesn’t incorporate the one letter that most says “Memphis.”) Unless you’re standing on the sidelines at the Liberty Bowl, a logo is impossible to see on those chrome domes. The sheer brightness of their reflection prevents your eye from absorbing a logo, much less blue tiger stripes as they wore against the Bearcats. (Try black for those stripes if the helmets are used again.)

chrome_dome.jpg

2) There’s a sameness to the chrome look. We can thank Phil Knight and Nike for this trend in college football, but silver and gold are not (and will never be) the primary colors for this sport. I know the team when I see a crimson helmet, have a pretty good guess when I see a bare white helmet, and can sure as hell see a certain orange T on a non-chrome helmet. Here’s hoping this love affair with a chrome sparkle is temporary.

3) Memphis just isn’t a chrome town. “Shiny” is not an adjective often used in describing the Bluff City or its people. It certainly doesn’t apply to its teams. There’s a reason “grit” and “grind” took hold of this community two years ago. The still-struggling Tiger football program may shine under Justin Fuente in the near future. Let’s not pretend it is now.

• For a team sporting a 1-6 record, every game is a big game. And when UT-Martin visits the Liberty Bowl this Saturday afternoon, it’s a must-win for the Tigers. The U of M has been “competitive” all season long . . . with a single win to show for it. With an FCS program across the field this weekend, there’s no room for the “competitive” angle. The Skyhawks (6-3 on the season) are literally undermanned as FCS programs are limited to 63 scholarship players (compared with 85 for FBS teams). Having won last season in the Liberty Bowl — 20-17 in Justin Fuente’s debut as head coach — UT-Martin will take the field believing it can win its biggest game of the season. This is a team that blew out its last two opponents (38-14 over Austin Peay and 45-17 over Murray State), averages 423.7 yards of offense per game and 26.6 points. Beat the Skyhawks and Memphis has something to build upon entering the final third of the season. Lose a second straight game to an FCS program and the balance of the season will feel like recovery mode at best. It’s a must-win for the home team.

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Sing All Kinds We Recommend

Fatal Shooting at Yo Gotti Concert in Minneapolis

According to the weekly City Pages of Minneapolis, one person is dead following a shooting in a night club where Memphis rapper Yo Gotti was performing.

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Sing All Kinds We Recommend

Sound Advice: Britten’s War Requiem at the Cannon Center on Sunday