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Style Sessions We Recommend

Style Session with Charlisha Renata

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After moving from the North Chicago suburbs 8 years ago, Charlisha Renata has quietly made her mark in the Memphis fashion world. Beginning as a model, Charlisha soon found a fascination with the other side of the lens shooting fashion and portrait photography. Her keen eye and innate sense of style then led her to pursue a fashion merchandizing degree from the University of Memphis. She then began Memphis Fashion Group, her PR firm focused on promoting local emerging designers and retailers in the fashion industry locally and globally.

“Memphis fashion isn’t different from other cities. Our talent can be and is as good as New York City designers,” she says. Her list of Memphis talent and designers to watch include Prep Curry, Terial Lee, and Derrick Gooden of Urbandel.

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Our conversation continued to reveal her seemingly unending treasure chest of talents — designer of leather-made bracelets, necklaces, and earrings; a collector of vintage fashion because of its impeccable construction; graphic and web designer; and not surprisingly a fashion stylist, particularly of her own shoots. Conveniently, she can pull clothes from her consignment studio to style any shoot. The best news – you can buy her finds through her online shop Couture Pieces Resurrected. [ http://cprfashion.com ]

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Dressed in a brushed velvet blazer by a 2013 Memphis Fashion Weekend designer Yoana Baraschi , Charlisha styled this statement piece with vintage items including the distressed denim skirt, multi-colored earrings, and baby blue handbag. Charlisha’s head-to-toe vintage style couldn’t have blended in more naturally to the ’50s-style décor of the Arcade Restaurant, bringing it all full circle as she stood in front of the camera, a model of Memphis’ fashion spirit in every way possible.

Outfit Details
Blazer, Yoana Baraschi. Shirt, Pink. Shoes, Betsey Johnson. Skirt, bag, and jewelry; vintage finds.

Shoot Locations – Thanks to Arcade Restaurant and Hoot & Louise.

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Categories
Memphis Gaydar News

Cherry’s Burlesque Bingo Show

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This month’s installment of Cherry, a party for LGBT folks and their allies, combines the usual burlesque show with a few rousing rounds of bingo.

The text from host Julie Wheeler’s promotional email is pretty swell with its references to bingo-loving old lady names. So we’ll let her explain (below) how the night will go down. The party starts at 9 p.m. on Saturday, January 25th at Side Street Grill’s RedBar. Also, this month’s event will feature a newly built stage for the burlesque performers.

“Get ready to kick off your fuzzy slippers and put on your party clothes, Pearl! It’s time to come down to CHERRY’s Burlesque Bingo Show in the RedBar at Side Street!

Now don’t get us wrong, Hazel, this isn’t serious Bingo. But you will have a chance to win fun prizes — all while you watch a burlesque show! I’m sure you’re saying, ”Deloris, this is right up my alley!” Well, Betty, in honor of the new year, we’ve decided to do things a little differently. We’re going to start off with a smaller show of burlesque mixed with bingo and then we have an intermission. This will give you time, Ernestine, to mingle with the other players and performers while partaking in an adult beverage or two.

And just when you start to lose interest in the person flirting with you, Petunia, it’s time for the final small bingo burlesque show with different prizes and some of the same stars doing a completely different act!

And don’t worry about being able to see all the action, Gertrude, we’re building a little stage to put it up high for all to see! All this plus, in between shows (and afterwards!), we’ll have some of the hottest dance music & drink specials to get you off of your feet and dancing! So, whatever your name is, just make sure you get down to the RedBar at Side Street (35 S Florence) on Saturday, January 25th for CHERRY’s Bingo Burlesque Show & Party! Doors@8pm Shows@9&10:30 21+ $10 (cash only at the door). See You There!”

Categories
Art Exhibit M

“Tributaries: Andrew Hayes” at the Metal Museum

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As a part of its ongoing “Tributaries” series, the Metal Museum is currently showing the work of Andrew Hayes, an emerging sculptor and metalworker with a distinct eye for form.

Hayes uses steel and “altered books” to form his works. The steel is exactingly cut to form parameters for old book pages. The pages are arrayed so that attention is drawn to the mass of their edges— gilded, watermarked or tiered, drawn from antique reference books. The steel pieces that support the pages could be seen as parabolic book covers, but the visual analogy is not a heavy-handed one.

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The works are titled associatively. One piece, Spectrum, has a form that loosely resembles the curve of light when refracted through a crystal. It is one of the more traditionally sculptural works in the exhibition, perhaps because it calls to mind the open-ended geometries of many 20th century modernist sculptors. Ballistae, on the other hand, looks almost instrumental: thick-hewn metal pieces are folded in a harp-like shape around marbled pages. The name is a reference to a medieval weapon.

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Hayes work is slightly uncanny. His pieces have the feel of well-executed tools— they are clean, simple, unpretentious. They could almost be a lot of things; almost call to mind many forms. But they don’t. Hayes’ artistry happens in the quiet space around his works’ uselessness.

The viewer is left face-to-face with simple materials that have transcended themselves. Hayes’ books lose their bookishness but gain a kind of ineffable material presence. The weighty steel appears defiantly light. Looking at Hayes sculptures is like trying to make out shapes in a dark room— the tired character of objects is replaced by a searching form. There is a particular psychic sensation that goes along with this sort ‘unearthed’ formal work, one that is difficult to achieve and that Hayes plainly understands.

Joel Parsons, the Metal Museum’s exhibitions designer, says, “[the artist] is something of a formalist. He sets up parameters and works within them.”

Hayes works read like deceptively simple proofs for complex ideas. The young artist, who just completed a core fellowship at the prestigious Penland School of Crafts, may not be doing anything particularly new, but his work is something more special than new: it is rare.

Through March 2nd

Categories
Food & Drink Hungry Memphis

BBQ Pork Poutine? Central BBQ Downtown Gets Experimental

The featured brewery for tonight’s Thirsty Thursday event (starting at 4 p.m. and ending whenever it ends) at the downtown Central BBQ is Yazoo. Pints of the brewery’s Gerst (made using one of Tennessee’s oldest beer recipe) are $3. Twenty-two-ounce bombers of the limited edition 10-Year IPA will also be available.

And, maybe just maybe, Central BBQ will be offering up its BBQ Pork Poutine as one of its complimentary “bar bites.”

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Most certainly, there will be Pork Butt Sloppy Joes (using pork that has been breaded, fried, and braised). Count on there being Fried Chicken Skins as well.

According to Central’s JC Youngblood, the downtown location’s larger kitchen allows them to get “experimental.” They’ve been using the weekly Thirsty Thursdays as sort of a testing ground for dishes they hope to eventually offer as specials on Fridays.

Indeed, Youngblood, says they were this close to having their Pork Chop Debris sandwich as a special recently, but power went out at the bakery supplying the baguettes, and so it never came to fruition.

Categories
Intermission Impossible Theater

Wicked Good: The Orpheum announces a $25 ticket lottery for “Wicked” fans

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The Orpheum has announced a day-of-performance lottery for a limited number of orchestra seats for each performance of WICKED, which runs January 29-February 16. There are, of course, some rules:

Two and one-half hours prior to each performance, people who present themselves at the Orpheum Theatre box office will have their names placed in a lottery drum; thirty minutes later, names will be drawn for a limited number of orchestra seats at $25 each, cash only. This lottery is available only in-person at the box office, with a limit of two tickets per person. Lottery participants must have a valid photo ID when submitting their entry form and, if chosen, when purchasing tickets.

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News

At the Halfway Point

Kevin Lipe takes stock of the Grizzlies season so far.

Categories
Beyond the Arc Sports

40 Games In: Answering the ten questions about the Grizzlies

Courtney Lee is a difference-maker I didnt see coming at the beginning of the year.

  • Larry Kuzniewski
  • Courtney Lee is a difference-maker I didn’t see coming at the beginning of the year.

When the Grizzlies finish playing the Rockets in Houston on Friday night, and get on a plane to head back to Memphis and play the Rockets again Saturday night, they’ll be at the halfway point of the season: 41 games played, 41 games to go.

Of course, they’re on one of the longer breaks of the season right now, having last played Monday evening against the Pelicans, so this is a better time to stop and take stock of what a crazy season this has been so far.

If you’d told me in September that the Grizzlies would be 20-20 right now, with Tony Allen having played in 27 games, Marc Gasol in 17—Kosta Koufos and Mike Miller are the only guys who have played in all 40 games—with Jerryd Bayless replaced with Courtney Lee and James Johnson as a major piece of the rotation, I would’ve asked you what you were on, and maybe where I could get some. When we started talking about what the Grizzlies were going to look like this year, I think Memphis fans and media were a little blinded by what happened last year when trying to formulate what this year would look like—especially given the coaching change and the time that would be (and was) needed to adjust to that transition.

When I previewed the season all the way back in November, I asked ten questions about how the Grizzlies’ season would go. So. Why not go through them and see if we have answers yet? I’ll do the first five today, and the other five tomorrow, and it’ll give us a good framework for taking stock of this season at its halfway mark.

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1. Was hiring Dave Joerger instead of bringing back Lionel Hollins the right move?

Halfway through the season, my answer now is the same as it was in November: probably. It seemed pretty questionable the way the Grizzlies opened the season, getting demolished by everybody and their brother (except the Celtics, for which games Jerryd Bayless showed up). Joerger said he hadn’t changed anything about the offense, but the players (Tony Allen especially) kept talking about adjusting and “adding in plays from last year” when the new things weren’t working. Then the Grizzlies went on an undefeated 4-game West Coast trip and played basketball that looked like last year’s Grizzlies, with last year’s starting five, and everyone stopped panicking.

And then Marc Gasol sprained his MCL.

Which changed everything about this season. The new m.o. became “try to stick around .500 until he gets back.” And then Quincy Pondexter got hurt. And then Ed Davis and Tony Allen missed time. There were several games where the Grizzlies had nine players available to play, and it wasn’t always the same nine players. A rotational/matchup nightmare.

Mike Conleys incredible play has kept the Grizzlies afloat through this seasons rough patches.

  • Larry Kuzniewski
  • Mike Conley’s incredible play has kept the Grizzlies afloat through this season’s rough patches.

Slowly things got going, though. Allen is out again, James Johnson was added to the team, Bayless was dealt for Lee, and the Grizzlies turned into an offensive juggernaut, playing fast-paced, athletic basketball with Johnson and Davis and riding back-to-back 30 point games from Mike Conley. Now Gasol has returned and the pace has fallen through the floor while he tries to adjust to playing with a team that is in many ways completely different from the one he left.

All of that is to say this: Joerger’s real test begins now. He has to reintegrate Marc Gasol into the offense, adjust the rotations to work with his presence, figure out a game plan that plays to the strengths of this roster, all of which while chasing the Phoenix Suns and Dallas Mavericks for the 8th playoff seed. Which isn’t easy. My guess is that it would’ve been just as challeging for Lionel Hollins. But the second half of the season will show us a lot about what Dave Joerger is made of. I, for one, am not particularly worried that he won’t do a good job.

2. Will Zach Randolph be in Memphis at the end of the season?

This one is still unsettled, but my answer right now is “probably.” With the team floundering in Gasol’s absence, it seemed for a while like the smart thing to do would be to move Randolph for a starting-quality small forward and reload for next year, but now that the playoff race is on (for now, anyway) and since Randolph’s camp has already made noise about being willing to take less money per year on a longer-term deal to stay in Memphis, I think it’s possible (and maybe even probable) that Randolph and the Grizzlies will work out a deal where he can do just that. If they can re-sign Ed Davis, it’d make a transition from the Randolph Era to the Davis Era that much smoother. (That’s a pretty big if at the moment, but more on that later.)

3. Is Nick Calathes the backup point guard the Grizzlies have been missing?

Well, he’s better than Josh Selby. After Joerger rode Bayless as the primary backup ball-handler until the front office took away his toys (and in the process managed to move a guy they didn’t really want back in the first place) the Calathes Experiment is underway, and boy, do some of you guys really not like him.

Calathes doesn’t really have to be that good to be an adequate backup for what this team needs right now. I think he can play much better than he has—and so does he, and so does Dave Joerger and the entire Griz organization. Hence the minutes he’s getting right now: it’s his time to prove he can handle it or else the Grizzlies are going to bring in somebody else who can. I think we’ll know by the end of the month whether he’s going to be able to handle the backup PG minutes from here to the end of the season.

4. How much will the Grizzlies miss Rudy Gay’s offensive efficiency?

In the preview piece I answered this question with “Next question.” But I think there’s something worth saying here: the Grizzlies’ small forward play was an absolute train wreck before James Johnson was signed. Between Tayshaun Prince’s injury and conditioning issues, and Mike Miller’s age-and-too-many-minutes issues, it would’ve been nice to have Ole Foot-Dribbler back out there on a few nights. But. The situation has improved. Prince has gotten healthier and improved his play. James Johnson has been face-meltingly awesome for stretches when he can stay out of foul trouble. Miller sometimes hits threes, but still probably plays too many minutes. It’s better than it was, but it’s still not resolved.

5. Who is going to be the backup power forward?

I said it was between Ed Davis and Jon Leuer. It’s clear now that the answer is both of them. Davis struggled early but has greatly picked up his game lately, seemingly improving from game to game. Leuer has been hot and cold—especially hot against the Phoenix Suns, though—but overall has played very well, too. Depending on matchups and lineups, it’s either Davis or Leuer or sometimes both of them together. And that versatility, something I didn’t really expect coming into the year, has been nice to have.

Part two of this post will appear tomorrow, with the other five questions and answers.

Categories
Sing All Kinds We Recommend

Happy Birthday to Box Top Bill Cunningham!

Read Andria Lisle’s 2009 conversation with the original Box Tops bassist.

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News

Ghost Stories

On Friday night, there’s a free workshop performance of Ghosts of Crosstown, operas inspired by the Sears Crosstown building. Chris Davis has the details at Intermission Impossible.

Categories
Politics Politics Beat Blog

Is State Government the New Bully Boy?

This week’s Flyer editorial views with alarm the continuing enfeeblement of local governments as power is centralized more and more in Nashville.