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20<30

Special “thank you” to Jimmy Ogle and Dorchelle Spence of the Riverfront Development Corporation for allowing us to photograph the 2014 20<30 honorees at Beale Street Landing!

Justin Fox Burks

Bernice Butler

1. Bernice Butler

“It’s about finding what makes you great and honing that, so that you can be the best you possible.”

Bernice Butler has nomadic beginnings. She grew up in Warrenton, Georgia, attended school in Atlanta, and worked for Mayor Adrian Fenty of Washington D.C., before moving on to Saginaw, Michigan.

But, she says, “I’ve honest-to-God fallen in love with Memphis.”

It was while working in Michigan that a mentor pointed her in the direction of the White House’s Strong Cities/Strong Communities Fellowship.

Butler’s education and experience made her a natural fit for the position. Since moving here in August 2012, she has worked toward a fellowship with Leadership Memphis, found a church she calls home, and volunteered with the Women’s Foundation for a Greater Memphis.

She’s also looking out for the leaders of tomorrow. Calling on her past as a foster child, she’s begun a crowd-sourcing effort to raise scholarship funds for other foster children. Through Youth Villages, she’s hoping to recruit 100 people to donate $30 by her upcoming 30th birthday. The funds are in honor of her two foster mothers, one of whom passed away while Butler was in her care.

To donate, visit facebook.com and search for “Bernice’s 30 by 30 Birthday Campaign.”

Justin Fox Burks

Peter Colin

2. Peter Colin

“I’ve got tons of memories already just from working with students; it’s great.”

Peter Colin, like so many of us, had “rock star dreams” when he first became interested in music. His career path, though, has led him into education and back to his alma mater, Munford High School, where he is choir director and assistant band director.

This isn’t to say that Colin hasn’t spent some time in front of the footlights. He’s taken the choir to sing at Carnegie Hall, Live at the Garden, FedExForum, and across Europe. “Those are things that are going to make these kids’ lives; they’re things that make my life.”

The high school’s marching band won the 2011 United States Scholastic Band Association National Championship. In the summer of 2012, Colin was able to tour a country normally off limits — Cuba — with other educators.

He credits past teachers, those whom he now calls colleagues, with setting him on this path. Colin used his talents to gain access to further education, and he finds his reward in helping his students do the same. “So many kids need a means to get out of the situation that they were born to and into better things.”

Justin Fox Burks

Jeff Dreifus

3. Jeff Dreifus

“We realized that Memphis is a great place to be a young adult, to be a recent college grad.”

Jeff Dreifus left Memphis for Washington University in St. Louis to pursue an education in economics. He found his fellow classmates to be idealistic, wanting to change the world for the better. While their hearts were in the right place, he felt that their heads could use some real-world experience.

“My goal was to find a business where I felt like I was making a positive impact on the environment, but doing it in a way that made economic and business sense.”

Last October, Dreifus left a relatively comfortable job with Raymond James for a job with Evaporcool, one of the fastest-growing energy efficiency companies in the country.

“I thought the experience I would get working for Evaporcool would far outweigh the job security and the money that I’d be giving up at Raymond James.”

The environment isn’t the first beneficiary of Dreifus’s beneficient outlook. He’s worked with the nonprofit Camp Dream Street since high school and when Temple Israel approached him about the low number of Jewish college graduates returning to Memphis to pursue careers, Dreifus and some friends started a fellowship to facilitate internships with some of the largest companies and nonprofits in town. Last year, they garnered 10 fellowships with 15 planned for this year.

Justin Fox Burks

Gayla Burks

4. Gayla Burks

“Had I known Memphis was this cool, I would have come back sooner.”

After graduating from White Station High School, Gayla Burks, director of marketing and partnerships for the Crosstown redevelopment project, left town for Smith College in Massachusetts, where she majored in art history. After graduating, she worked in public programming at the Studio Museum in Harlem, for the congressional campaign of Clyde Williams, and for the financial investment advisory firm East End Advisors.

It was while visiting family in Memphis that she attended an art history lecture at the University of Memphis and met Crosstown co-leader Todd Richardson, who asked her a simple question: “What are you passionate about?”

Her answer would brush up against Crosstown’s roots, — art and economic development — and that meeting turned into a job that melds Burks’ passion and experience. It’s work that sees her as a liaison to the surrounding neighborhood while keying in on the best way to “conceptualize and actualize how we’re going to build this identity for the building.”

As a child, Burks’ only connection with Sears was through the company’s Wish Book, which she’d peruse before the holidays. These days, she’s helping Memphis realize one of its longed-for wishes by revitalizing the Crosstown building and renewing a neighborhood.

Justin Fox Burks

Graham Winchester

5. Graham Winchester

“I just keep drumming.”

Graham Winchester has Memphis and music in his blood. He’s a descendant of city co-founder and first mayor, James Winchester, and kin to singer-songwriter Jesse Winchester.

After studying jazz drumming for two years at the University of Tennessee-Knoxville, he returned home to finish a degree in communications from the University of Memphis and to broaden his hometown musical base.

He has done just that, playing the skins behind such local favorites as Jack Oblivian, The Sheiks, John Paul Keith, Beauregard, and The Maitre D’s, a Booker T. & the M.G.’s tribute band.

Winchester’s mission is not only to play the music of Memphis but to share it with the world. He’s traveled throughout the U.S. and Europe with Oblivian and The Sheiks. He also has a vision to teach Memphis’ music history at a local college and act as an ambassador for the Memphis Convention and Visitors Bureau.

Winchester is a fund-raiser as well, and he started Memphians in Support of the Mentally Ill, holding benefits that bring the city’s musicians together to raise money for institutions that treat the mentally ill.

“In a city where there are so many hospitals to treat the physically ill, I just wanted to help with the mental-health resources.”

Justin Fox Burks

Danielle Inez

6. Danielle Inez

“Be true to yourself.”

Danielle Inez has a talent for networking. The young entrepreneur majored in marketing management at Louisiana State University, returning to Memphis to create her own public relations company, first known as dipR Consulting Group, now rebranded as ding! Marketing Studio.

Among her clients are the Mid-South Gastroenterology Group, Salon 22, the National Association of Black Journalists, and several local entertainers. She works closely with the Memphis Urban League of Young Professionals, Common Ground, Leadership Memphis, New Memphis Institute, and the Junior League of Memphis. She is co-founder of Take 2 Mentors Group, a mentoring organization for preteen girls.

“I love, love, love Memphis,” she says, and it’s in part due to her extensive network and easy access to city leaders, many of whom are only a phone call away. “I appreciate the fact that we have a lot of support, and if you’re willing to put yourself out there and pursue something, it’s easy to find the contacts here who are going to help you make that happen.”

Justin Fox Burks

Kimberly Romanaw Guthrie

7. Kimberly Romanow Guthrie

“I love being on the line.”

When Kimberly Romanow Guthrie came back to Memphis after studying graphic design at the University of Alabama, it was with plans to become a chef. She channeled her creativity into further schooling at L’Ecole Culinaire.

“With art and computers, there’s no limit to it, and it’s the same thing with food,” she says. “You can use ingredients whatever which way and discover new ideas.”

Her parents had an interest in cooking, with nightly family dinners around the dining table. Now, she’s gone straight to the top, working in the kitchen at Restaurant Iris, one of the hottest eateries in the city. It’s a kitchen that “is always busy and there’s always something new with different events.”

Guthrie’s talents have created fireworks in the Memphis foodie community, and she is now in charge of the Lexus Lounge and Fly Lounge at FedEx Forum.

Guthrie has a number of other pots simmering on the stove. And in addition to her work at Iris and the Forum, she’ll soon be heading up the catering arm of the Kelly English empire. Have your bibs at the ready.

Justin Fox Burks

Claudine Nayan

8. Claudine Nayan

It’s like everybody’s drinking the Memphis juice; it’s great.”

To stand near to and talk with Claudine Nayan is to put yourself at risk of catching the infectious positive energy she has for her city and for the work she does as director of special events for the Boys & Girls Club of Greater Memphis.

“Teachers have the ability to touch lives when they’re in school; we have the ability to touch lives after school. … We give them a safe place to be.”

The Filipino native — she moved here at age 9 — began volunteering with Camp Good Times at age 15. The one-week residential camp for developmentally disabled children and adults was such an influence that she took her mother’s car without permission to get herself, her friends, and the necessary gear to the camp.

Volunteering comes naturally to Nayan. “Although I can’t give financially,” she says, “I have the time and the capacity to do it.” As a mentor with tnAchieves, she works with high school seniors to guide them through the college application process.

She coordinates the Boys & Girls Club’s annual “Party With a Purpose,” and works closely with board members and corporations to raise sponsorships and funding.

“When I first started this job, I was crying at all of the board meetings because the directors would tell me about the programming that was happening, and it’s so incredible what this organization does.”

Justin Fox Burks

Elle Perry

9. Elle Perry

“It makes me very optimistic about the city’s future to work here.”

Elle Perry is coordinator for the Teen Appeal, a publication facilitated by the University of Memphis Journalism Department, paid for by the Scripps Howard Foundation, and run by high school students. The group’s weeklong summer camp is a “crash course in journalism,” Perry says, and she works with them to come up with story ideas and to edit the eight issues published throughout the year.

The work makes for more well-rounded students, says Perry, who majored in journalism at the U of M.

“I always liked writing, and I liked to read everything,” she says. “I wanted to know everything that was going on, and I always liked that journalism helped me meet different people.”

She hopes to pass along that sense of curiosity and wonder, and, though she’d never worked with kids before, she enjoys seeing them come out of their shells.

She says the young people she’s worked with during her three years on the Appeal are the “best students in Memphis,” adding, “They inspire me. They’re surprisingly together.”

Justin Fox Burks

Rebecca Dailey

10. Rebecca Dailey

“They have complete control to do good, green, great things for themselves.”

When Rebecca Dailey began working with the Shelby Farms Park Conservancy in 2011 as an intern, she designed and ran the first summer camp curriculum for the park. The camp won the National Health and Fitness Award, and Dailey won a job in communications for the Conservancy.

It’s work, she says, “that I have absolutely fallen in love with. Being able to tell the park’s story is a really incredible job to have.”

Dailey grew up in Midtown Memphis but never visited Shelby Farms or even nearby Overton Park. She was introduced to the outdoors while a student at Maryville College in the mountains of East Tennessee.

“It was so special for me that I wanted to make sure that kids here could have a similar experience, because it really shaped what I wanted to do with the rest of my life.”

The majority of the children Dailey deals with are from underserved and at-risk neighborhoods, and this is their first experience going into the woods or gardening. The 4,500-acre park is in the midst of an overhauling master plan that excites Dailey, particularly the doubling in size of Patriot Lake. The outdoors has won her heart. She enjoys walking the grounds and practicing photography in her spare time.

Justin Fox Burks

Derrick Dent

11. Derrick Dent

“I’m really curious about the world around me.”

Illustrator Derrick Dent has been drawing since elementary school. His first models, he said, were the dinosaurs he saw in the movie Jurassic Park.

“I always had a habit of drawing,” he says. “It always was a running constant in my life.”

When it came to school, there really was only one choice for Dent. He attended the Memphis College of Art and got a degree in illustration. As a freelance illustrator, he’s worked locally, regionally, and nationally, and can be seen haunting the city’s coffee shops with sketchbook in hand.

His artwork has a graphic look to it, shades of gray and black, with deep shadows, reminiscent of certain comic books. But Dent was only a casual fan of comics, growing up. Instead, he says, while admitting it loses him “hipster points,” he absorbed the comic pages in the newspaper, Garfield being a particular favorite.

As the world becomes more digital, Dent takes comfort in pen and ink, and the sketchbook that’s always with him. But he’s not a dinosaur, like those that first captured his imagination, just a gifted and disciplined artist.

Justin Fox Burks

Raumesh Akbari

12. Raumesh Akbari

“I don’t think you can fully appreciate the process of a campaign until you’re in it.”

Early last week, Raumesh Akbari was sworn in as state representative for Tennessee House District 91, filling the seat left vacant by the late Lois DeBerry. Her interest in politics sprung from an interest in law, and that may have had its genesis when as a child she watched Clair Huxtable on television.

“I knew that that’s where I could make a difference. I don’t know if it was my exposure to The Cosby Show, honestly, but law was a field I knew I wanted to go into.”

Born and raised in Memphis, Akbari attended Washingont University in St. Louis for undergraduate and law school, and she returned to Memphis to work in her family’s hair product and salon company.

Akbari’s district is one she’s intimately familiar with. It’s where her grandmother lives and where much of her family grew up. “It’s a community I know and love very well, and it just seemed like an ideal fit. I just worked really hard and tried to connect with the community.”

On her agenda are issues ranging from education to workforce development. She hopes to tackle criminal recidivism by creating opportunities for employment and housing for ex-offenders.

Akbari has the regular election this August in the back of her mind, but until then, she says, there’s work to do.

Justin Fox Burks

Lauren Kennedy

13. Lauren Kennedy

“I really love dance. … It’s a pretty beautiful thing.”

Lauren Kennedy grew up in Little Rock, moved to Texas before high school, and then found herself in Memphis to study art history at Rhodes College. The plan after college was to work for a nonprofit arts organization. Specifically, she had a vision of herself “trying to help the arts be more accessible.”

She ended up moving back to Texas after school, but a funny thing had happened during her time in Memphis. “I fell for the city,” she says.

She’d interned at Ballet Memphis, and when funding was raised to create the position of partnership manager, Kennedy was able to return to the Bluff City. The focus now in her new role is on building relationships outside of the ballet and growing the audience.

Much of the company’s outreach is to children, so Kennedy heads up Spark, a free, monthly conversation series hosted by Crosstown Arts that engages adults and the young, creative community.

Though not a dancer, Kennedy has an acute appreciation for the art. “I love being around it … it’s a really special experience to get to be behind the scenes here.”

Justin Fox Burks

JT Malasri

14. JT Malasri

“My primary goal is getting younger people involved and engaged in the city.”

By day, Jittapong “JT” Malasri is a civil engineer who works with MLGW to design utilities for apartments and subdivisions. Engineering is a family business of sorts; his father is a professor of engineering at Christian Brothers University.

Away from work, Malasri helps recruit young professionals to work with the Urban Land Institute (ULI), an organization that helps real estate and development specialists share best practices for a more sustainable city. He created a mentor program with the ULI that gathered together captains in the industry to advise up-and-comers.

When Mark Luttrell was elected Shelby County mayor, a Young Professional Council was put together to facilitate the transition and get the input of a younger demographic. Malasri served as council chair.

He is adamant that younger people need to get involved with the city to ensure its future. He’s excited by the progressive initiatives underway, such as the Unified Development Code, and is eager for his peers to become versed on the problems of the city and engaged in ways to improve it.

“A lot of younger people are starting to become the decision makers and are being put in more prominent positions. … It’s good to see a change of mindset come up into some of these spots.”

Justin Fox Burks

Kal Rocket

15. Kal Rocket

“I wanted to give back.”

Kal Rocket co-founded GenQ through the Memphis Gay and Lesbian Community Center (MGLCC) as a safe and friendly place for 18-25 year olds to gather on Friday nights.

Rocket knows something about community and the necessity of a support group. When the transgender young man came out as a 15-year-old high school student, he said, his friends and teachers were there for him. When he came back from college in Los Angeles, the MGLCC was there for him. “I wanted to give back.”

Rocket is active with the Tennessee Equality Project and has taken a group to Nashville to lobby for the cause. A sought-after public speaker, he’s spoken to church groups, youth groups, and was recently invited back to his alma mater, White Station High School, to address the school’s Gay-Straight Alliance. He was also grand marshal of last year’s Pride Parade.

His sights are set on the future with plans to work in nonprofit and to engage in more trans-specific work with youth, with a vision of a seat on the Memphis City Council one day. Until then, he’ll work to make LGBT youths feel welcome and loved.

“There are a lot of homeless trans-youth, a disproportionate amount,” he says. “And we need to work for better shelters in Memphis.”

Justin Fox Burks

Jayme Stokes

16. Jayme Stokes

“We’re all the same in those moments.”

Jayme Stokes got her first taste of ballet at the age of 2, when her parents looked for a more constructive way to focus her high energy. She’s been a lover of the art ever since.

Born in Memphis, she grew up in Corning, New York, began her professional training at age 7 with a Russian master and continued for 10 years before moving to Beverly, Massachusetts, where she continued to dance. Now, she says, she’s more of a teaching artist than a performing artist.

Still passionately creative, she directs her energy toward her students at New Ballet Ensemble & School. At the studio on York Avenue in Midtown, Stokes says she sees “the whole spectrum of every type of student.”

Through community outreach, she takes her lessons into schools such as Dunbar Elementary, and to children who may never be exposed to ballet any other way. She imparts the message to students that, although they may come from different economic backgrounds, “we come together in this one building through this one art form, and we’re all the same in those moments.”

Justin Fox Burks

Brit Fitzpatrick

17. Brit Fitzpatrick

“There are 15 million kids who want and need mentors but aren’t matched with anyone.”

Brit Fitzpatrick left Kentucky, bound for the University of Memphis. She was immediately smitten: “Memphis has the nicest people in the country; everyone here is so friendly.” At the same time, she admits she was “attracted to the grittiness of the culture.”

It’s this combination — this grit and grind and the synergy that it creates — that has kept her here. She found work as communications coordinator for the Ronald McDonald House, where she developed an interest in technology as a way to advance social causes.

In 2013, she began MentorMe, an online platform that connects mentors with mentees via personality profiles to ensure a compatible fit — a sort of eHarmony for mentoring. The daughter of a single mother, Fitzpatrick was mentored while growing up. She’s now been on the giving end of that cycle for the past seven years for organizations such as Start Co., Girls Inc., and the YMCA.

Since MentorMe’s launch, about 30 mentors have signed up. Fitzpatrick plans to have a few hundred before the year is over.

“My overall, audacious dream is to be able to provide a mentor for every kid who needs one.”

Justin Fox Burks

Justin Merrick

18. Justin Merrick

“We’re building a family over at Stax, and we’re continuing a really powerful legacy.”

“Music has always been home for me,” says Justin Merrick, vocal director and director of operations for the Stax Music Academy. This from the son of a military father who kept the family moving from place to place.

Merrick started in gospel at the age of 10, and later toured the world with a boys’ choir while living in Hawaii. He majored in music education and sociology at Hampton University and received a master’s in nonprofit management in opera from Indiana University.

At Stax Music Academy, Merrick is giving kids chances they might not have otherwise known. More than learning the legacy music of Stax, they’re creating their own and taking that music around the world, including a visit to the White House last year.

For the first time ever in 2013, a GRAMMY award was given for music education, and Merrick was nominated. Though he didn’t win, he was humbled by the nomination and its process. “It was when the parents spoke about what the students are getting and how it’s helping to change their lives. … And it’s not just the students’ lives; we’re transforming families’ lives as well. Because it’s a giving thing, it brought me to tears.”

Justin Fox Burks

Jon Roser

19. Jon Roser

“The ultimate goal for the show is world domination.”

Jon Roser grew up loving sports, specifically basketball. But at 5’9″, he figured a life spent on the fringe of the court would be “the next best thing.”

He began his career in radio broadcasting as a journalism student, interning from 5 a.m. to noon for ESPN 730 AM. When he was hired by the station, he soon left the classroom behind. “I learned by getting an internship, and watching the person that was teaching me how to do everything.”

Since 2006, Roser has been the producer for the the Chris Vernon Show, now on 92.9 FM. Roser is responsible for booking guests, assembling audio clips, laying out the day’s broadcast itinerary, and lining up commercial logs.

Roser also wears the cap of assistant program director, producer, and post-game analyst for the Memphis Grizzlies broadcasts.

He’s found a job that is a slam dunk. “I love my job,” he says. “When I wake up in the morning, I can’t wait to go to work. I love it. I am one of the luckiest people in the world.”

Justin Fox Burks

Emmanuel Amido

20. Emmanuel Amido

“I would not have been able to do what I’m doing anywhere else.”

When Emmanuel Amido’s family escaped war-torn South Sudan in Central Africa, they moved first to Egypt, then finally settled in Memphis. Amido graduated from Central High School and then from the University of Alabama.

As the founder of Amido Productions, his view of the American dream can be seen one frame at a time in the flicker of the big screen. He works on corporate films and commercials, but it’s a documentary about one of the city’s most storied neighborhoods that is gaining him increasing attention.

The 67-minute, Orange Mound, Tennessee: America’s Community, has been shown around town on Malco screens and at the Indie Memphis Film Festival, where it received the Soul of Southern Film Award, and it will be included in an upcoming festival in Ohio.

Amido says he’s always enjoyed being behind the camera. He is motivated by his childhood and his family’s struggles, and is inspired by his new home.

“What really drives me, in a lot of ways, is an appreciation for this opportunity that I know so many people across the world would do anything for — to come to this country. There’s something here that everyone wants a piece of.”

Get to know the 2014 20<30 class a bit better via our video interview below - created by the talented Edward Valibus - and be sure to come out to the Hi-Tone tonight (Thursday, January 23rd) from 6-8pm to meet and celebrate with the honorees.

Details can be found here on our Facebook event page!

Categories
Music Music Features

Fried Here in Memphis

After recording, releasing, and touring for five albums in six years, it was time for the Hold Steady to take a break. Culminating with the tour for 2010’s Heaven is Whenever, the band was experiencing “some pretty heavy emotional and mental fatigue,” says Hold Steady lead singer Craig Finn.

That exhaustion might be familiar to some of the recurring characters in Finn’s songs, nomads strung out on the scene of too many years of too many killer parties. (Not that you should mistake Finn’s characters for his own narrative: “The stuff that happens to people in Hold Steady songs is more cinematic than my own life,” he says.)

“The big thing for me was to recharge: take a break and have some new experiences,” says frontman Finn. He made a solo record, 2012’s Clear Heart Full Eyes, he says, to do something quieter and to expand artistically.

While Finn was on tour with his album, the rest of the Hold Steady — including its newest member, Memphian guitarist Steve Selvidge along with originals, guitarist Tad Kubler, drummer Bobby Drake, and bassist Galen Polivka — came to the Bluff City to work on new material. The February and March 2012 sessions in Memphis marked the beginning of many of the songs on the next Hold Steady album, Teeth Dreams, due out on March 25, 2014. “We all camped out at my place and wrote and arranged songs,” says Selvidge.

The hiatus proved healthy, Finn says. “[The solo album] made me excited to go back into a loud rock band again.”

Last summer, the Hold Steady convened in the woods at Rock Falcon Studios in Franklin, Tennessee, and recorded the album proper. “One of the big things with the next record is that it’s the first one that Selvidge is involved in the writing and recording,” Finn says. “Steve is such a huge part of it.”

Asked if he felt a pull to try to write something that sounded like the band’s previous work, Selvidge says with a laugh, “I wasn’t going to write a straight country tune. But I was conscious about not trying to copy a Hold Steady song. I just went with my gut.”

Teeth Dreams, produced by Nick Raskulinecz, harkens back to the first three albums, Finn says. “It’s more of a story-based record than our last two. It’s a return to the storytelling and character-based stuff.” Among the fictional personalities who have shown up in past albums are Hallelujah, a drug addiction survivor, Charlemagne, a drug dealer and pimp, and a host of party vampires pithily defined by allusions to real, famous people (from Elizabeth Shue to John Cassavetes, from Phil Lynott to Rod Stewart).

“I like having the characters to return to,” Finn says. “They’re comforting in some way. I don’t know that I’d say I feel pressure [to include the characters], but I like songs that are stories. I’ve always been drawn to those songs, be it by Bruce Springsteen, Warren Zevon, or Bob Dylan, where they have these characters and you want to know more about them.”

The album is also less overtly religious than those in the past. “It’s not where my head was,” Finn says. “When the solo album was done and I started performing the songs, I was like, ‘Whoa, there’s a lot of Jesus here.’ There are a couple lines on Teeth Dreams, but it doesn’t play as major of a role.

Previous Hold Steady albums have featured non-members such as Lucero’s Ben Nichols, Soul Asylum’s Dave Pirner, and Dinosaur Jr.’s J Mascis. Teeth Dreams features just one guest musician, Memphis keyboardist Al Gamble. “We needed a real keyboard player,” Selvidge says. “I said, ‘My buddy Al Gamble is just down the road and he could do it.’ Gamble came in and kicked ass.”

When it came time to introduce the new album live, to “get everything greased up and to make sure it’s working well,” Selvidge says, the Hold Steady decided to run a 10-day, eight-city sprint starting in Memphis. Selvidge was the inspiration for the Hold Steady opening in Memphis, Finn says. The band will be in town rehearsing for four days leading up to the show. “We made the record in Nashville, and it was the first one we made that was outside of New York. Especially as [band members] get older, and a couple have kids, it’s nice to go somewhere else to work. Memphis was the obvious choice.”

The Hi-Tone show will include about 5 or 6 of the new songs, Finn says, adding, “We’ll play a pretty long set, so it will include plenty of old songs.”

Selvidge says, “It’s super cool for the guys to come down, and it’s great for me to start in Memphis. I’m enthusiastic about getting back on the road and touring a record that I was a part of.”

For more of these interviews, see the Flyer music blog “Sing All Kinds” at memphisflyer.com/blogs/SingAllKinds

The Hold Steady with Tim Berry

January 29th, 8 p.m.

Hi-Tone

Tickets $17

Categories
Film Features Film/TV

Secret Lovers

We are all secrets to each other,” The Invisible Woman hypothesizes before setting out to prove the theory. At least the film, about author Charles Dickens and his real-life, secret, long-lasting affair with a woman many years younger, is honest about the prime failing of many a biopic before it: an inability to give a sense of who these people really are or what makes them tick.

Ralph Fiennes directs and acts as the British literary heavyweight, but the main character is Nelly Ternan (Felicity Jones), a young actress who catches Dickens’ eye. “She has something,” he remarks to his collaborator, Wilkie Collins (Tom Hollander). Nelly is certainly hot, but what it is he finds so alluring is difficult to ascertain. It’s certainly not her acting talent, as anyone but him can see.

Not much is known about Ternan, though there’s little doubt she was his lover and silent muse during his period of greatest literary achievement. Fiennes literalizes the mystery of who Nelly was by frequently foregrounding the back of her head or over her shoulder in conversation with those who are known in historical record. Nelly is a cypher. But The Invisible Woman makes every effort to at least see the world as she would have. So, the film settles into a lovingly organic piece about the daily life of these Victorian characters, a tactile costume drama down to their wrinkled clothes. The Invisible Woman takes the time to observe the pre-photography paparazzi who hound Dickens as well as London’s impoverished angels with dirty faces who informed his novels.

As for what happened between Dickens and Ternan, The Invisible Woman shows a mostly chaste relationship. It’s more interested in the logistics of the affair, including the complicity of Dickens’ wife and Nelly’s mother (Kristin Scott Thomas) and sisters. How else was it that one of the most famous men in the world kept the many rumors of his mistress off the front page?

The Invisible Woman‘s framing device, taking place years after Dickens has died, might be the real best part of the movie. Given free rein to speculate, the quiet sequences feature a more fully relatable Nelly playing off an inquisitive, compassionate friend (John Kavanagh).

The Invisible Woman

Opens Friday, January 24th

Ridgway Cinema Grill

Categories
Film Features Film/TV

More patriot games played in Jack Ryan.

Jack Ryan: Shadow Recruit is an enjoyable modern spy film but doesn’t bear enough resemblance to the Tom Clancy novels from which it borrows its titular character to be worth the name. The best of all Clancy adaptations, 1990’s The Hunt for Red October, was successful in large part because it understood one of the primary pleasures of the author’s oeuvre: fetishism for military equipment, vehicles, weapons, and tactics. The boy-like appreciation of guns and planes and tanks is like a Jane’s reference edited by Wes Anderson and given a plot by Frederick Forsyth. You’re not going to get through one of those great Clancy novels without learning the differences between Los Angeles– and Ohio-class submarines.

The movie version of Patriot Games worked because it captured the peril of the CIA intellectual thrust unwillingly into physical combat. The Sum of All Fears worked because it translated the Clancy way of framing big international dramatic effects coming from humble, small-scale causes. Clear and Present Danger didn’t work at all.

Jack Ryan: Shadow Recruit head fakes toward some of these Clancy tropes. It’s certainly faithful to the origin story of the character. Ryan (Chris Pine, following in the footsteps of Alec Baldwin, Harrison Ford, and Ben Affleck) is a boy scout-type who becomes a man in the Marines before being severely injured in a helicopter crash in Afghanistan. In the film, Ryan quits the London School of Economics because of the profound influence of 9/11, making him a kind of Pat Tillman-style true believer who gets chewed up by the War on Terror.

Recuperating at Walter Reed, Ryan catches the eye of a tough but comely med student, Cathy Muller (Keira Knightley). He’s sidelined from grunt work, but his intelligence draws the attention of the CIA. His meet-cute handler, Navy Commander Thomas Harper (Kevin Costner) wants Ryan to finish his Ph.D., go undercover as a wolf in sheep’s clothing on Wall Street, and sniff out terrorists who fund their plots through the financial markets.

Notable in Jack Ryan are the contortions the filmmakers felt they had to go through to make digestible the premise that Ryan works for the CIA, going so far as to acknowledge the Realpolitik controversies of waterboarding and rendition, and making Harper have to say he wasn’t involved in any of that. It’s a far cry from the CIA of Clancy’s Cold War books.

The best of Jack Ryan is Pine’s lively presence and the relationship between Ryan and Cathy, which flirts with True Lies before settling into something more domestic and suspenseful. The worst is that Ryan is more Bond and Bourne than he should be — he complains, “I’m just an analyst” when things get dicey, but by the end he might as well be Ethan Hunt.

Jack Ryan: Shadow Recruit

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Letter From The Editor Opinion

Letter from the Editor: Malled in the ‘Burbs

There’s been a lot of talk — and a lot of buzz on social media hereabouts — about the big smash-and-grab robbery of Reeds Jewelers in Wolfchase Mall last Saturday.

In case you’ve been in a coma, let me briefly rehash: Five or six masked men with sledgehammers went into the mall during business hours, entered Reeds, smashed display cases, and got away with $700,000 worth of Rolex watches. The robbers did not interact with employees, so it’s being termed a “theft,” not a robbery. Nor were they carrying guns, though video evidence suggests that they were packing massive cojones, especially since they stopped at Sbarro’s on their way out. I kid.

But the story was one of the top items on CBS national news, Sunday. And the relentless Memphis-hating commenters at The Commercial Appeal website did their usual “only-in-Memphis-the-city-that’s-worse-than-Detroit-we’re-all-going-to-die-by-thug-murder” spiels, conveniently ignoring the fact that the theft happened in a suburban mall, and that nothing had been reported about the perpetrators’ appearance.

A day later, they were brought up short — for a millisecond, anyway — when the CA reported that remarkably similar crimes had occurred in Atlantic City, Washington, D.C., and Atlanta. Turns out that our smash-and-grab “Memphis thugs” were quite possibly part of a national ring of jewelry thieves, or at least very good copycats.

The mall employees who were interviewed were convinced the thieves were professionals, based on the speed and organization of the crime, which raises another possibility: If it’s the work of a brazen national crime syndicate, how long can it be before Hollywood comes calling?

The first step, of course, would be to rebrand the crime. It would no longer be a “theft;” it would be a “heist.” (A jewelry heist is boffo at the box office.) Next, you create a cast of eclectic and quirky characters: the nerd/genius who does the planning and worrying about all the things that could go wrong; the martial arts guy; the dumb, lovable muscle man (who probably dies); the cute, sassy chick who’s good with explosives and, uh, sledgehammers; and the irreverent cute guy with good hair.

They move from city to city, from mall to mall, always on the lam, always looking for the next big score. Never mind that stolen Rolexes without accompanying paperwork can only be sold for a fraction of their retail price, this caper has all the elements for a big-budget film. I have to think this movie is going to happen.

All Hollywood needs is a good name. One fellow on Twitter suggested The Wolf of Wolfchase, which isn’t bad, but it’s too regional. Time Bandits would be perfect, but it’s already been done. Same with Time After Time. How about this? Hammer Time!

You’re welcome, Mr. Scorsese.

Bruce VanWyngarden

brucev@memphisflyer.com

Categories
Politics Politics Feature

Wasting No time

Lots of activity on the news front: As the Tennessee General Assembly ended its first week of the newly convened 2014 session last Thursday, Governor Bill Haslam called a press conference to announce a proposal for strengthening controls on the sale of pseudoephedrine so as to control the spread of methamphetamine production in Tennessee.

The governor’s plan would restrict an individual’s purchase of the decongestant cold remedy, used as a key ingredient by illegal meth producers, to 2.4 grams each month, with pharmacists allowed to dispense another 2.4 grams. Beyond those amounts, totaling a 20-day supply for normal medicinal use, purchasers would require a doctor’s prescription.

Mark Gwyn, director of the Tennessee Bureau of Investigation, made a point of noting that the “scourge” of meth abuse, which began in East Tennessee, had mushroomed enormously in West Tennessee, particularly in Memphis. Who knew?

Later in the press conference, Haslam as much as conceded what many have suspected — that his “Tennessee Plan,” a private-sector-based plan that the governor has proposed as a means to gain a federal waiver for purposes of Medicaid-expansion funding — may not actually exist.

Acknowleding that an expected visit to Nashville this month by representatives of Health and Human Services Secretary Kathleen Sebelius has not yet been arranged, Haslam said, “Until CMS [Centers for Medicare and Medicaid Services, an HHS unit] comes back and says, here’s what we can do, there’s not a plan to debate. We don’t know what it will look like until they say, ‘Yes, we’ll let you do that; we won’t let you do that.'”

The bottom line: The likelihood, already dim, of Tennesse being able to receive an amount estimated as high as $7 billion, something the state’s increasingly cash-poor hospitals desperately want, diminishes further.

The governor did, however, take a stand against a bill by state Senator Brian Kelsey (R-Germantown) that would block any possible future expansion of Medicaid by the state (TennCare is Tennessee’s version). “We’re looking for a bill that provides a better plan concerning health care [in] Tennessee,” Haslam said. “To pass a bill that blocks that option, I think, is short-sighted for the state.”

On an educational issue likely to be acted on in the current legislative session, that of public vouchers for private schools, Haslam renewed his support for a modest pilot program, like his proposal last year to allot 5,000 vouchers to low-income students in schools designated as failing. That bill was yanked at the governor’s request when the aforementioned Kelsey indicated he was determined to amend it so as to expand its scope.

“We strongly favor an approach that addresses the needs of children in the highest-need circumstances, low-income kids in low-performing schools,” the governor said. “We don’t have to have an expansive plan that I don’t think Tennessee is ready for right now.”

Asked if he’d had any conversations with Kelsey, who has expressed a determination to renew his more ambitious voucher proposal, Haslam said, “We haven’t this year. No.” (In a separate session with reporters, Lieutenant Governor Ron Ramsey, who, like Kelsey, wants to see a larger voucher plan, said he favored expanding the quota in the governor’s plan to maybe 10,000 and making any vouchers not claimed by low-income students available “first come, first served” to whoever applied, “regardless of income.”)

The extent to which Kelsey is pushing the envelope in Nashville is further indicated by a controversy that has arisen regarding one of his proposed measures — Senate Bill 1484. The bill, which so far lacks a House co-sponsor, would, in the language of the bill, “abolish … Parts I and V of the Circuit Court of the 30th Judicial District effective September 1, 2014, and provides that no person will be elected at the August 2014 (Shelby County) general election to serve as judge of the abolished parts.”

The senator’s bill is based on the findings of a publication entitled, Tennessee Trial Courts Judicial Weighted Caseload Studies. The document, prepared for the state by the National Center for State Courts as the result of a legislative mandate, is thick with statistics and evaluations of trial frequencies, judges’ workloads, and extrapolated caseload data. The bottom line: The state’s 30th Judicial District (Shelby County), which has nine Circuit Court judges, and three Chancery Court judges, has an excess of presiding civil jurists — 2.76 too many, in fact.

Shelby County senior Circuit Court Judge W.A. “Butch” Childers led a group of other Shelby County judges and lawyers to Nashville last week to protest the bill.

As Childers noted at an appearance by the group at a luncheon of the Shelby County legislative delegation last Wednesday, the weighed caseload study ignored population figures indicating that Shelby County already possessed fewer civil judges per citizen than any other urban county. He and others noted such factors as the higher incidence of poverty line residents in Shelby County, a fact resulting in disproportionate number of “pro se” (self-filed) litigation and a huge backlog of untried cases, especially medical malpractice cases, even as the number of malpractice filings may have dropped following legislation imposing caps on damages.

“Why isn’t my docket getting shorter?” asked Circuit Judge Karen Williams regarding the study’s presumption of dimished caseloads in Shelby County. She said that since 2008 the number of cases to be tried in Shelby County rose in all but one year. A former legislator, she called for the Shelby delegation “to speak with one voice” against the proposed legislation.

Trial lawyer Tim Smith, in what he called “a statement against interest,” also attested to the fact of a large and growing case backlog, which would worsen if the county lost two judges. “If you take away two judges in Shelby County, you might as well call it the lawyer-enrichment act, with small businesses having to pay the tab,” Smith said. “This will cause your businesses in your district more money, and this will result in more money for lawyers.”

Asked about the reaction from the Shelby County legal community (one which has already caused a potential cosponsor of the bill to withdraw his name), Kelsey responded thusly: “As the Republican Party, we are the party of small government. If we’re not willing to start by following up on the studies that we’ve funded, where are we going to start? This is my responsibility as chairman of the committee, to make difficult decisions, and sometimes the best decisions for the entire state of Tennessee may be the most difficult to make as a committee chairman, but that’s what we’re sent here to do — to look out for what makes Tennessee a better state and what takes care of our taxpayers and insurors.”

• At the very end of what had otherwise been a remarkably well-attended, harmonious, and optimistic installment of the Shelby County Democratic Party’s annual Kennedy Day dinner at Bridges Saturday night — one keynoted by California Congresswoman Barbara Lee — former State Representative and City Council member Carol Chumney rose to make some jolting remarks.

Calling on Democrats to “stick together,” Chumney said there was something locally called “the Republi-Democratic” party, by which, as she elaborated, she meant Democrats capable of supporting Republicans for office or of looking the other way in contests between Republicans and Democrats.

“If you’re the Democratic nominee, then the Democrats should support the Democratic nominee,” she said. A few sentences later, referring to a race she lost two years ago, she made what can only be called an accusation. “Very few people would say I was not qualified to be district attorney, but somehow one of our congressmen seemed to think that. He said he ‘birthed’ me. … I’m going to talk about the elephant in the room.”

The reference was clearly to 9th District Congressman Steve Cohen, a major presence at the dinner, who, in endorsing several candidates in 2012, passed on endorsing in the district attorney general’s race, which pitted Chumney against the ultimately victorious Republican incumbent, Amy Weirich. Cohen did recall at the time that he had been a vigorous supporter of Chumney in her victorious maiden race for the legislature, quipping that she was someone who “I gave birth to in 1990.”

The congressman, who had been warmly praised by keynoter Lee, whom he introduced, understandably took umbrage at Chumney’s remarks, especially when supporters of his primary opponent, lawyer Ricky Wilkins, cited them in Internet posts later on.

Categories
Editorial Opinion

Federal, State, and Local

Mark Norris, the powerful majority leader of the Tennessee state Senate and the subject of last week’s Flyer cover story, has made no secret of his belief in shoring up the authority of state governments, in general, and of his own state government, in particular. Norris, a Republican who resides on a farm in Fisherville in suburban Shelby County, told the Flyer that he discerns in the state’s population at large — and has within his own governing philosophy — an aversion to the encroachment of centralized federal power.

Norris, the current chairman of the national Council of State Governments, is also an advocate for a “convention of the states” under Article 5 of the U.S. Constitution, to enhance the power of state governments vis-à-vis the federal government.

So far so good. Such beliefs stem from a rich and honorable ancestry in American political life, with Thomas Jefferson recognized as perhaps the foremost advocate of governmental decentralization.z  

The emphasis on state-government perogatives has a nether side to it, though, and that is a corollary belief that the enhancement of state power necessarily means the diminution of local authority.

This doctrine was freshly stated last week by Lieutenant Governor Ron Ramsey, who doubles as speaker of the state Senate and is a kingpin in state government. In a session with reporters, Ramsey expressed his support for a measure that would abrogate the local-option provisions of the guns-in-parks bill of 2009.

“Here is my reasoning on that,” Ramsey said: “I think something as important as Second Amendment rights needs to be statewide. Local governments are just the opposite of the federal government. The federal government exists because of us as states. We adopted a constitution. We established the federal government. Local government is just the opposite. Local government is a political subdivision of the state.”

Nor is this view confined to the issue of whether local jurisdictions could opt to continue bans of weapons in public parks. In recent years, especially during the new era of Republican control in state government, there have been numerous instances of aggrandizing state power at the expense of local self-government.

A law was enacted overriding the ability of cities and counties to pass anti-discrimination ordinances. The original Norris-Todd bill of 2011 and several sequels transformed the landscape of public schools in Shelby County. A “charter-authorizer” bill sure to be passed in the current legislative session would essentially render the state supreme and local school boards impotent in decisions about whether to establish new charter schools.

The Nashville-based official charged with administering the new statewide Achievement School District boasts openly that he is not responsible to any elected local board. Last week numerous judges and lawyers from Shelby County made a pilgrimage to the state capital to plead against a bill that would arbitrarily eliminate two civil judges from the county’s over-crowded judicial document.

Whatever happened to the idea that government is best when it is closest to the people? How is it that the party of “small governent” is more interested in keeping power at the state level than allowing its cities and counties the right to exercise it?

The fact is, government in Tennessee could stand a little decentralizing, too.

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We Recommend We Recommend

Wicked Dancing

”I remember his curly hair and his cowboy hats,” says Natalie Fotopoulos, an ensemble dancer in Wicked, who used to compete alongside Justin Timberlake in the Mid-South Fair’s talent competitions. “Neither one of us ever won,” she says with a laugh.

Even if Fotopoulos’ career hasn’t been quite as spectacular as her more famous contemporary, it’s still been pretty glamorous. She was a top-six finalist on Season 2 of So You Think You Can Dance, and that finish was strong enough to net the Cordova High graduate a job as choreographer for the Greek version of the show.

“When So You Think You Can Dance was cancelled, I came back to America and decided to put dancing and choreographing on the back burner,” Fotopoulos says. “I wanted to work on the other aspects of what I do, like singing and acting.” When the opportunity to join the second national touring company of Wicked came along, she leapt.

“As it turns out, they were looking for a very specific part. It was a dance part, and I just happened to fit it,” Fotopoulos says. “I had seen the show numerous times, and it was magical every time. I always saw myself doing the show. The dancing in Wicked is very contemporary, a fusion of ballet and jazz that reached out and touched me as a dancer.”

Wicked, a topsy-turvy prequel to The Wizard of Oz, has always been proprietary about its costumes and technology, so Fotopoulos can’t share a lot about what she does.

“I’ll tell you this, it’s like being stuffed into a child’s Halloween costume: spandex and muscles,” she says, describing one of the less-than-glamorous realities of one of Wicked‘s best surprises.

“Wicked” at the Orpheum Theatre, January 29th-February 6th. $43.50-$153.50. orpheum-memphis.com

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We Recommend We Recommend

Bank on It

While it seems that these days a lot of events like this one feature a whole hog, the Piggy Bank Dinner at Flight, a fund-raiser for the Southern Foodways Alliance (SFA), is not particularly porky, nor at first glance, does it appear overtly Southern.

But as Flight chef-partner Joshua Perkins points out, the menu for the five-course dinner reflects the fact that there are a lot of animals in the South, and the Southern flourishes are there in dishes such as the slow-smoked Newman Farm pork shoulder, which is served with a sweet garlic tamale tart and a barbecue demi-glace.

Other dishes include Hawaiian big-eye tuna carpaccio and Muscovy duck with pumpkin ravioli, brandy jus, and cranberry-orange sauce. For dessert, there’s pineapple upside-down cake topped with rum-basted pineapples and tres leches ice cream.

Perkins, who went to culinary school in Italy, says his cooking is influenced by his travels in Europe. His style leans more toward fine dining than pig roast. But, he says, “I’m a 13th generation Southerner. Everything I’m going to touch has the soul of the South.”

Perkins is a member of SFA and enjoys the organization’s writing and how it manages to capture all the diverse culinary offerings of the region while bringing everyone together over a shared love of food.

“In my family, there’s a table in almost every photograph,” he says. “Those deeper, political conversations are always easier over a table of food.”

Piggy Bank Dinner at Flight Restaurant and Wine Bar, Thursday, January 23rd, 6:30 p.m. Tickets are $75. For tickets, call 521-8005.

Categories
Music Music Features

Jack of Heart vs. Jack Oblivian

French garage rockers Jack Of Heart join Jack Oblivian’s Tearjerkers and The Sheiks for a rock-and-roll night to remember Thursday at the Hi-Tone.

Veterans of Goner Fest 9, France’s Jack Of Heart crank out psychedelic garage rock that at times sounds like Lee Hazelwood making a record with the Rob Jo Star Band. While Jack of Heart wear the influence of early psychedelic rock proudly on their sleeves, the group finds a way to make the sound their own without coming across like they reworked a handful of Syd Barrett riffs. These Frenchmen have toured alongside The Black Lips and The King Khan & BBQ Show, and are back in the states after a successful North American outing last year.

Also playing Thursday are local rock-and-roll favorites The Sheiks, who seem to be the frontrunner for hardest working band in Memphis over the past calendar year. In addition to landing the gig as Jack Oblivian’s backing band, The Sheiks pressed their Witches + Mystics record onto wax and self-released the LP late last year. After countless local shows, The Sheiks are set to spend most of 2014 on the road. They play first in Thursday’s lineup.

Headlining Thursday night’s show is Jack Oblivian. No stranger to the local music scene, Jack has been releasing records since the ’80s and shows no signs of slowing down as he’s rumored to be currently working on a new full-length album at High Low studio. Jack Oblivian has had some all-star lineups in the past, including local musicians Harlan T. Bobo and John Paul Keith, but The Sheiks bring an interesting intensity to Jack’s guitar-driven rock-and-roll. Jack Oblivian, Jack Of Heart, and The Sheiks play the Hi-Tone Thursday, January 23rd. Doors open at 8 p.m., and admission is $8.