Kevin Lipe assesses the Grizzlies’ decision to keep the current roster intact and says sometimes the best move is no move.
Month: February 2014
- Larry Kuzniewski
- Tayshaun Prince made it through the trade deadline without being dealt, and so did everyone else.
At yesterday’s trade deadline, the Grizzlies did what most people who watch the team closely thought they might do: nothing at all. Everyone who was on the roster on Thursday is on the roster today as the Griz prepare for tonight’s rivalry grudge match against the Los Angeles Clippers.
Going into the deadline—really over the last week or so—it seemed like the Grizzlies were looking for two things: to upgrade at the small forward spot, and/or to move out from under Tayshaun Prince’s contract ($7.2 million this year and $7.7 million next year). The fact that the Grizzlies had moves they could make but not moves that they had to make was nice for a change. It was strange to sit back and watch the (mostly pretty inconsequential) trades start flying around noon yesterday knowing that if the Grizzlies did nothing at all, they’d still be fine.
The biggest thing Grizzlies fans were worried about going into the deadline was whether Tony Allen would still be in Beale Street Blue come tonight’s game. The answer (despite Minnesota’s attempts to pry him away in a deal involving Chase Budinger and JJ Barea) is yes—yes, and he’s going to be playing tonight, for what feels like the first time all season. It seems the Griz weren’t able to conjure up a deal that made it worth parting with their Lord of Basketball Chaos just yet, no matter how much the chaos generated this season has been of an unwanted kind.
Realistically, that’s probably for the best. There were teams interested in Allen—Minnesota, of course, looking to shore up their defense—but none had the right return package to entice the Griz into dealing the Grindfather/spirit animal/head cheerleader. On the court, Courtney Lee’s two-way abilities may make him a better fit at the shooting guard spot, but one wonders now whether Allen may work his way back into the starting lineup as a 3. (Which would sound crazy if you did watch him frustrate Kevin Durant for five games in the playoffs last year.)
Speaking of playoffs: the Grizzlies and Clippers have played 13 playoff games against each other in the last two years. The Grizzlies hold a 7-6 edge in playoff wins, but as every one of you already knows, these two teams don’t like each other all that much. Which makes it interesting that the first team in town after the trade deadline—the first game after the Grizzlies decided that who they’ve got is who they’ve got—are the Clippers.
DeAndre Jordan has said in interviews that last year’s Grizzlies series is what inspired him to work on his rebounding this year. Blake Griffin is having a pretty great season, continuing to expand his game and hone his skills. Chris Paul is back from injury and doing his usual Chris Paul thing.
They (the Clippers) still need a backup big man, and they didn’t trade for one yesterday. Instead, they traded Byron Mullens to the Sixers for nothing, and Antawn Jamison to the Hawks for nothing, both in an effort to reduce whatever luxury tax bill they were facing. Reports this morning is that the Clips are frontrunners to sign Glen “Big Baby” Davis, who was bought out by the Magic yesterday after they couldn’t trade him, and rumors were going around last night that they’ve also worked out former Hawk Ivan Johnson, who is currently playing in China.
I still feel like the Clippers are a good matchup for the Grizzlies—even with Jordan and Griffin playing the way they are, with Gasol back from injury, they can’t spend as much time guarding him with Jordan, meaning it’s back to the old Griffin-versus-Randolph WWF (or, I guess, WWE) match under the rim on both ends of the floor, a style of play that Randolph will almost always win.
One question is how well will Tony Allen be able to play in his first game action in a long time. Undoubtedly he’ll have quite a bit of rust to shake off. The other question is who’s going to guard Chris Paul? The last time the Clippers were in Memphis, I seem to remember Jerryd Bayless did it some, and somehow (miraculously?) wasn’t terrible. Coach Dave Joerger’s newfound trust in Nick Calathes’ defense—he subbed Calathes in for defense at the end of the Knicks game on Tuesday—means we may see Calathes get matched up on Paul some, but I’m not sure I like the sound of that. I’ll have to see it to believe it.
Whether or not the Grizzlies get the win over the Clippers tonight, I think the message the front office sent to the locker room yesterday is pretty clear: you’re our guys, and (maybe more importantly) we value this group enough that we didn’t feel like we had to break up what we’ve got to save money.
It’s going to be an interesting summer—Tayshaun Prince will become an expiring contract, Zach Randolph will either opt in to his $16 million player option or he’ll opt out and sign to a longer deal with the team (which, for the record, is the outcome I’m expecting at this point), Ed Davis becomes a restricted free agent, James Johnson will be a free agent, and all kinds of other things, and the Grizzlies will have every opportunity to overhaul the roster in whatever way they see fit.
For now, though, the Grizzlies are going to battle with the guys that they have. After the year they’ve had, it’s probably the right decision.
Tigers 64, Rutgers 59
The 22nd-ranked Tigers have seen their fill of Piscataway, New Jersey. Having played one of their finest games of the season last Saturday in an overtime loss at UConn, Memphis allowed one of the worst teams in the American Athletic Conference to compete until the final buzzer. A Scarlet Knight team that lost to the Tigers by 32 on February 4th and by 48 just last Sunday to Louisville pulled within three points — on a long-distance heave by Myles Mack — with four seconds to play. Tiger senior Geron Johnson hit a pair of free throws, though, to seal his team’s 20th win of the season.
The game had the elegance of a Jersey strip mall from the outset. Memphis shot 41 percent from the field in the first half, which was actually a high figure when you consider senior point guard Joe Jackson missed nine of his ten field goal attempts before the break. Rutgers was no better (31 percent), but enjoyed a 10-2 run over a six-minute stretch to close the Tiger lead to seven (28-21) after 20 minutes.
A Kadeem Jack drive brought the Scarlet Knights within four points (53-49) with 2:35 seconds to play, but the Tigers’ Michael Dixon buried a three pointer beyond the top of the key to extend the Memphis lead to 59-51 with 1:16 left. Dixon led the Tigers with 15 points (13 after halftime), while Jackson scored 11. Tiger big men Shaq Goodwin and Austin Nichols each tallied 10 points. Jack led Rutgers with 22 points and 10 rebounds.
The Scarlet Knights fell to 4-10 in their first and last season as members of the American Athletic Conference. Next season, they’ll host the likes of Michigan State, Ohio State, and Indiana as members of the Big 10.
The victory gives the Memphis program 14 consecutive 20-win seasons and ties coach Josh Pastner with former Memphis coach Dana Kirk at five such campaigns. Now 9-4 in the AAC, the Tigers return to FedExForum Saturday night for a tilt with Temple.
“Brooklyn Nine-Nine” and “Broad City”
Addison Engelking reviews two of the season’s hottest shows: Brooklyn Nine-Nine and Broad City.
It is hard to say what the work in “Inspired Resistance,” the group exhibition currently on display at Crosstown Arts, is resisting. The show features paintings by Nick Pena and Alex Paulus (among others), as well as ink drawings by Bobby and Melanie Spillman and mixed-media work by Joey Slaughter—all talented, if not particularly transgressive, local artists.
Following the success of this past summer’s Material Retrospective, “Resistance” continues Crosstown’s streak of hosting some of Memphis’ strongest group shows. The 55 works included take full advantage of the spacious Crosstown gallery. In the far right corner of the gallery, Paulus’ vertical grouping of his sparse acrylic paintings span from floor to ceiling. Nick Pena’s Through the Moulin, centered on a back wall, achieves a mirrored depth that does much to balance the surrounding works, many of which employ a flat and illustrative style.
A friendly, graphical note runs throughout the exhibition. Paulus’ paintings— each of which feature a line of colorful race flags at the top— constitute about half of the featured work. His flag detailing serves to inexpertly advertise the paintings’ central elements: a steak, a woman’s bottom, a psychedelic cube. Paulus’ useless objects have a zero-sum feeling that contributes to the work’s sense of science-fictional groundlessness. This sense is echoed, but treated more deeply, in Pena’s paintings, where objects and horizon lines are not abandoned but are endlessly refracted.
Carl E. Moore’s works also stand out as smooth but somehow corrupted adverts. In Latex Love, a condom with a broken wrapper sits smoothly beneath two unembellished figures who seem about to kiss each other, in profile. Of all the featured pieces, Moore’s work does the most to depart from “Resistance’s” somewhat airy headspace.
Ian Lemmonds, the exhibition’s curator, writes that the exhibition is about artists being good at being bad at things and that “if you are inspired enough by what you do, that inspiration turns into a kind of resistance.” This sounds a bit like a low-brow call to arms; a defense of funny and colorful “bad” work in a perceived fine art world that favors somber abstraction.
“Inspired Resistance” is largely a painting exhibition, so it is possible that the titular “resistance” refers to the particular existential quandaries of 21st century painters. Paulus’ sparkly paintings of Barbara Streisand wearing a smiley-face mask may not make you question your human residence in the maw of time, but they do ask you to consider the use of celebrity and pop iconography as interesting heirs to some of painting’s traditional concerns.
There will be a gallery talk at Crosstown Arts on Saturday, February 22 at 1:30 pm.
Goner, the world epicenter of garage-punk, turns 21 this year. You can celebrate yourself to pieces at the Hi-Tone on Sunday night. And you should. Goner gave an identity to a subset of Memphis music that previously went under-noticed by the world. While Chilton et al flirted with punk in it’s infancy, Goner established an international presence at the intersection of punk, rockabilly, garage-rock, and certifiable Memphis insanity. For this, we hail them. And it’s not just us. Sunday’s festivities will include a fine mess of bands: NOBUNNY, Ex-Cult, Manateees, NOTS, Moving Finger, and The Hussy. Video bomb after the jump. (photo of NOTS by Don Perry)
[jump]The Hussy (Video by Eric Allin – notable spelling!)
Goner’s 21’st Birthday Party: Sunday @ Hi-Tone (6)
NOBUNNY. All cowbells should be panned left and right. Write that down.
Goner’s 21’st Birthday Party: Sunday @ Hi-Tone
Ex-Cult (Video by Rocket Science Audio)
Goner’s 21’st Birthday Party: Sunday @ Hi-Tone (2)
Manateees (Video by April Novak Proveaux)
Goner’s 21’st Birthday Party: Sunday @ Hi-Tone (3)
NOTS (Video by April Novak Proveaux)
Goner’s 21’st Birthday Party: Sunday @ Hi-Tone (4)
Moving Finger (Video by April Novak Proveaux)
Goner’s 21’st Birthday Party: Sunday @ Hi-Tone (5)
Since the plan to downsize Memphis International Airport calls for consolidating all airline operations into concourse B, that area will be enhanced with a widened corridor for passengers, a moving walkway, raised ceilings, and more windows for natural lighting.
UrbanArch Architecture has created this virtual video tour of what the redesigned airport will look like.
All of the gates at Memphis International Airport will be consolidated into the existing B concourse, and parts of the A and C concourses will be torn down. Bianca Phillips has the story.
In about six years, all of the gates at Memphis International Airport will be consolidated into the existing B concourse as part of a “modernization” plan announced during the Memphis Airport Authority’s monthly board meeting Thursday morning.
The $114 million project is an effort to move all of the airline flight operations closer together. Currently, operations are spread over three concourses, and some areas are walled off since Delta removed its hub status and has been steadily reducing flights.
Although the airport as a whole will be downsized since the south ends of concourses A and C will be demolished, concourse B will see enhancements. Walkways will be nearly doubled in size to give passengers more room as they move to and from gates, and moving walkways will be installed. The ceilings will be raised, and more windows will be added to provide natural light. During construction, the airport will see seismic upgrades. About 60 airline gates will remain open for future growth.
Security screening will be moved to concourse B, but a checkpoint at concourse C will remain open for busier times. Ticketing and check-in will continue in concourses A, B, and C, but baggage claim for all airlines will be moved to concourse B. The A and C baggage claim areas will be open for passengers to enter and exit the airport.
Jack Sammons, chair of the Memphis Airport Authority board, told the board that all of the airlines that operate out of Memphis International have advocated for this change. Removal of the south ends of concourses A and C frees up more taxi space for airplanes, and it will create a livelier B concourse since all concessions would be relocated to that area. Over the past year, a number of airport concession businesses have closed due to the loss of the Delta hub.
Sammons said he recently paid a visit to Southwest Airlines headquarters in Dallas to ask them to bring more flights to Memphis, and he said Southwest expressed support for the airport’s construction plan.
“They want to prune the tree, and the areas on south A and C concourses are the way,” Sammons told the board.
The removal of the south end of the A concourse will begin this year, and the removal of the south end of the C concourse is scheduled for 2015. Relocation of the airlines to concourse B should also begin in 2015. The enhancements of B concourse are scheduled for 2016.
Memphis Airport Authority president Scott Brockman told the board that much of the $114 million price tag would be funded through federal and state grants that are made up of taxes paid on airline fuel and airline tickets. The Airport Authority does not anticipate that the project will require the issuance of any additional general airport revenue bond debt.
“Passengers have a choice. Hundreds go to Little Rock everyday on perhaps the most dangerous highway in America [to fly out of the airport there],” Sammons said. “We want them to know that the Memphis airport is the airport of choice. To do that, you have to have a modern facility.”
Below is a map of the current airport gate layout. The south wings of A and C concourses will be demolished.
Morrissey is coming to The Orpheum on May 27th, and we’ve got tickets.
For your chance to win a pair, just follow this link and fill out the form. You can enter as many times as you like. The ticket drawing will be held on Wednesday, March 5th, and winners will be notified via email.
Tickets go on sale Friday, February 21st. In the meantime, click this link and use offer code “suedehead” for a special pre-sale for Flyer readers.