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Fly On The Wall Blog Opinion

The Howling Monkey Reads The Comics: 6/29/14

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A kid does some chores! Vikings vex their foes! The Michelin Man creates confusion!

All that and more in this week’s The Howling Monkey Reads The Comics, a vaguely weekly feature in which we explain why the Sunday comics are funny.

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The Howling Monkey Reads the Comics is a feature of The Howling Monkey blog. Joey Hack is a regular contributor to The Fly On The Wall blog, and is a member of The Wiseguys improv troupe.

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News

A Summer Movie Journal

Flyer reviewer Addison Engelking is keeping a movie journal of the films he’s seeing this summer. This week, he’s catching up on some real classics.

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News

Hell on Wheels at Time-Warp Drive-In

The popular Time-Warp Drive-In film series continues Saturday night. This week’s theme is “Hell on Wheels.” Greg Akers has details.

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News

Uber and Lyft Not Available at Memphis Airport

Peer-to-peer ride-sharing services are not yet allowed at Memphis International Airport. Bianca Phillips has the details.

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News News Blog

Uber and Lyft Services Not Allowed at Memphis Airport

Lyft cars have pink moustaches.

  • Lyft cars have pink moustaches.

Memphis International Airport passengers hoping to catch a cheap ride from new-to-Memphis, peer-to-peer ride-sharing networks Uber or Lyft might be in for a surprise.

For now at least, both Uber and Lyft are not allowed to pick up passengers from Memphis International Airport. According to Memphis-Shelby Airport Authority general counsel Brian Kuhn, the companies, which offer cheaper fares than traditional cabs and operate through smart phone apps, would first have to get a special permit from the city of Memphis before they could operate at the airport.

“Once a carrier or business has one of those type of permits, they come to us and have an agreement with us to come on our property on our commercial drive. This is for all taxis, limosines, buses, and MATA buses, all the shuttles for hotels and motels, all the people who pick people up and take them somewhere for hire,” Kuhn said.

That agreement with the airport also includes a fee that Lyft or Uber would have to pay to use the facility’s lower commercial drive to pick up passengers. There is no agreement or fees for Uber or Lyft to drop off passengers, however.

Since the companies are so new here — both began operating in Memphis this year — Kuhn said he isn’t sure if they would be required to get the same kind of city permit that regular taxes get or if the city would have to come up with a new permit.

“In the case of Uber and Lyft, they’re a brand new concept from the traditional taxi cab concept. We’re trying to look for how we should treat those type of companies in a dependable and safe fashion,” Kuhn said. “Memphis may have to come up with a new permit since this a new concept. They’re still struggling with that, so we’re waiting to see what type of permit they’ll come up with, whether it’s the old or new type, to get this business going.”

In the meantime, Kuhn said he has been asked to look into how other airports in cities with Uber and Lyft are dealing with the ride-sharing services.

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News

Tour of Beale Street Landing

Beale Street Landing opened to the public last weekend. Here’s a photo essay tour of the park’s features.

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News News Blog

Beale Street Landing Is Open

After a decade of design, planning, construction, and an ever-evolving budget, the Riverfront Development Corporation’s $43 million Beale Street Landing project officially opens to the public this weekend. The Flyer was granted a media tour today following a ribbon-cutting ceremony for the landing’s playground.

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We’ll be featuring more in-depth coverage of the project’s history and budget in next Thursday’s Memphis Flyer. But for now, here’s a photo tour of Beale Street Landing.

A handful of children in bathing suits and their parents waited outside the playground this morning, as the staff and board of the RDC, Memphis city councilmembers, and others cut the park’s ribbon.

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The small playground, positioned inside a man-made island, features a giant catfish tunnel named Big John (after RDC board member John Stokes), a slide, and an interactive water park.

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Kids can turn the water on by pushing a button with their foot, causing water to shoot from the tops of large metal cylinders designed to look like reeds. The water can be turned on between 8 a.m. and 8 p.m. daily.

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Next to the park is another small island with gardens and seating areas. RDC vice-president Dorchelle Spence said that area is designed as a “place of respite” where people can sit and watch riverboats and barges. That area will have free wifi.

Beale Street Landing’s dock, where passengers load onto the American Queen and other riverboats, is made from barges so it can rise and fall with the river. Passengers access the boat by walking or riding in golf carts (available for the disabled or elderly) down the landing’s helical ramp.

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According to Spence, the American Queen docks here 13 times a year. The Mississippi Queen docks 15 times a year, and two other boats — the Grande Mariner and the Grande Caribe — dock here four times annually. The Island Queen, a sight-seeing cruise boat, takes passengers on cruises at 2:30 p.m. daily and on dinner cruises at night.

The colors for Beale Street Landing’s elevator shaft were chosen when its designers blew up a picture of the sun setting over the Mississippi River until only pixels were visible. They tried to replicate the colors of the Memphis sunset in the shaft. Visitors can enter the building from street level or from the deck atop the grassy roof.

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The grass roof of Beale Street Landing helps retain rainwater runoff, and it connects to the rest of Tom Lee Park.

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Inside the landing’s building is a gift shop with snow globes, Elvis souvenirs, Memphis tees, and other Bluff City memorabilia for riverboat passengers. Spence said, when the building is rented out for private events, the gift shop shelving will be hidden.

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The Riverfront Bar & Grill, managed by the RDC, will have a soft opening this weekend with an official opening set for the weekend of July 4th. There’s a full bar, Southern-style menu, and outdoor and indoor seating.

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Beale Street Landing’s grand opening is set for Saturday, June 28th from noon to 7 p.m. There’s a concert finale at 6 p.m.

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Style Sessions We Recommend

Style Session with Chantele Aldridge of Peridot Boutique

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Among the mix of new dining spots and art galleries in the Cooper-Young district is the new clothing boutique Peridot by businesswoman and Midtowner Chantele Aldridge. Conscious of the eclectic character of the neighborhood, Chantele not only felt a boutique would help balance the retail mix but made sure it was a boutique with the right variety of style and price points. She traveled to all the major markets including New York City, Las Vegas, and Atlanta but did not overlook Memphis-made clothing and jewelry. Every piece in Peridot is a quality piece she’s selected.

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On grand opening night, the colorful collection of apparel along the storefront, along with the generous display of paintings and the live acoustic music, contributed a welcoming energy to that once empty corner. In a bit of unplanned synergy, the event coincided with the opening of Strano restaurant next door.

“There’s only one un-leased retail space in Cooper-Young left to fill,” pointed out Chantele, who has felt a strong connection to the neighborhood since her childhood and the days after grad school working at former Cooper-Young restaurants Maxwell’s and In Limbo. She’s witnessed the evolution of this ever growing area.

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Once she gets more settled in, Chantele plans to host local art showings at the store as well. Overall, she hopes it will provide a fun shopping experience.

“My number-one rule is don’t sell something to a customer that they don’t look good in,” said Chantele, who along with the Peridot staff helps customers find the outfit they wouldn’t have normally chosen but have them leave excited about wearing it.

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The boutique is filled with the season’s best women’s wear – summer dresses, maxi skirts, summer sweaters, capris, and crop tops. A few non-traditional items and accessories that Chantele mentioned with excitement and hope will spur some interest are the fashion emergency kits, RFID blocking metal wallets for men, belts made from recycled tires, Makowsky hats, and Toyko Bay watches.

See the slideshow to see more items that caught my eye at Peridot.

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Other things to look forward to – Peridot will carry Thigh High Jeans, the recycled jean company in Memphis. Bring in your old pair of jeans and get $10 off your purchase of Thigh High products. This Saturday night, they will host the opening reception of artist Tom Foster.

Outfit Details – Chantele
Dress, YA of LA. Watch, Toyko Bay. Ring, Moda. Bracelet, The Good Bead. Shoes, Guess.
All items, excluding the shoes, can be found at Peridot.

Art Show by Tom Foster – Details

“47 Years of Memphis Underground Art” by Tom “Midtown is Memphis” Foster.
Opening reception – Saturday, June 28th from 6:00 p.m. to 9:00 p.m. at the new Peridot boutique in Cooper Young Historic District.

peridotmemphis.com

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Sing All Kinds We Recommend

Roland Janes Memorial Tribute Jam

On Monday, June 30th, friends and colleagues of the late Roland Janes will jam in his honor at the Levitt Shell. The free event is the work of Janes’ friend and collaborator J.M. Van Eaton. Both men were session musicians at Sun who became rock royalty when another day’s work resulted in “Whole Lotta Shakin’ Going On” and unleashed the Killer on polite society. Friends from Roland’s life and career will honor him as a guitarist, an engineer, a businessman, and as friend. He was that and much more to so many. The list of invitees tells the tale.

Sun-era stalwarts George Klein, Travis Wammack, Sonny Burgess & the Legendary Pacers, and Hayden Thompson. Smoochy Smith, who moved to Stax after working at Sun, went on to write “Last Night,” the song that broke Stax nationally. Smoochy’ll be there.

Van Eaton and Janes were old friends and participants in the birth of rock and roll.

“Roland and I started at the same time in the music business,” Van Eaton says. “I was still in high school. Tech High School. Billy Riley had just got a record deal with Sun and I met Roland at the studio one day when I had my little school band in there. They heard me play and Riley didn’t have a band. So he started putting his band together and he asked me if I wanted to be a part of his band. Roland was the guitar player. The bass player in that band was Marvin Pepper. Billy hired him and that was the original Little Green Men for ‘Flying Saucer Rock n Roll.’ So I met Roland back in 1956, probably.”

Billy Lee Riley’s Little Green Men: Riley, Roland Janes, Marvin Pepper, and J.M. Van Eaton

Soon after, the backing band made history.

“We’d probably been together about two or three months and Jerry Lee Lewis walked in. He didn’t have a band. So they called us to the studio to back up Jerry. We thought this was an audition to see if he had any talent. Man, we cut this song called “Crazy Arms,” which was his very first record, and that took off enough that they wanted to do the second one. The second one was Whole Lotta Shakin’ Going On. So we both played on that. To fast forward to when that kind of played out, Roland and I played in band together in Millington at Fleet Reserve. This was a club band. We got a picture. He had already started Sonic Studio by then. But we played three nights a week for five years at this one place out there. We were packing them in every night.There were four of us in that band, and three of us are still living. We’re gonna bring those guys in.”

Also on the bill are several artists who Roland produced. John Paul Keith was one of Roland’s last real sessions before his death last year. Jon Hornyak was one of many Missourians who found their way to Memphis to work with Janes. His band Interstate 55 will also play.

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News

On the Grizzlies and the Draft

The players selected during last night’s draft could potentially tell a story about how the Grizzlies are going to spend the rest of the summer tweaking their roster. More at Beyond the Arc.