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Style Sessions We Recommend

Curb Couture Trashion Show — Designer Spotlight on Bruce Bui

Last year, against a backdrop of loading docks in the industrial portion of Broad Avenue, the ordinary became extraordinary as plastic bags, old furniture, and even potato sacks were transformed into completely wearable garments and accessories. Winning Curb Couture Trashion Show‘s Best of Show prize was a dramatic gown weaved from dry cleaning bags and blue newspaper sleeves by Bruce Bui, costume designer for Ballet Memphis.

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“The work was outrageously creative,” says Eldra Tarpley White, executive director of Memphis City Beautiful, which puts on the Curb Couture Trashion Show. The show, being held Sunday at the Overton Square parking garage, is a fund-raiser to benefit beautification projects around the community and raise awareness about waste reduction.

Bruce has been invited back to participate in the “Green Finale,” along with Ballet Memphis, New Ballet Ensemble, Opera Memphis, and Theatre Memphis. The Green Finale — everything is green — is new this year and is sure to be a theatrical display.

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Now in its third year, the Curb Couture Trashion Show exposes beauty in the ordinary — coffee filters, plastic bottles, and various other ordinary materials you’d expect to see by the curb. Over 40 designers will be showing their wearable works of art this Sunday.

Projects like Curb Couture help designers like Bruce experiment. “I’m drawn to work where there is heightened meaning,” he says about creating one-of-a-kind pieces.

After months of gathering plastic milk and green soda bottles for this year’s show, Bruce has painstakingly hand cut the bottles into hundreds of circles. “Oversized sequins,” he says. His approach is to reinterpret the material as something unrecognizable from its original form.

“They’ll catch the light beautifully,” he says while his friend and acting colleague Savannah Bearden shows off the nearly completed gown during a fitting. After three weeks of work, the gown just needs a few more additions of leftover plastic to add volume and texture to the almost 3-foot train. For Savannah, this dress continues to confirm Bruce’s skill in creating what she describes as “timeless yet funky” designs.

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For contest judging, garments receive points on first impression/the “wow factor,” creativity/originality, quality of workmanship, and the use of materials. Both Bruce and Eldra agree that the true excitement in the show is just seeing how far the designers have stretched their imagination.

“I really have no idea what anyone else is working on, so I’m looking forward to finding out and seeing the creativity,” says Bruce.

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Curb Couture Trashion Show, Sunday, September 28th at Overton Square Garage, First level.
6-8 pm with a silent auction starting at 5:30pm
Food and drinks are included.

Event tickets are $50 each and are available by calling the Memphis City Beautiful office at 522-1135, online, or at the event.

Buy online tickets here. Available until the day of the event.

On Facebook Event Link https://www.facebook.com/events/837690489608596/?ref=22

Categories
Food & Wine Food & Drink

How to Drink a Beer

Memphis Made Brewing Company has been in operation about 10 months and has introduced 16 styles of beer to the Memphis market. Two new IPAs are being introduced this month, including Guitar Attack in bottles and a Golden Ale especially for Gonerfest aptly named GBR. Their popular Lucid Kolsch is slated to be their first year-round offering.

When it comes to advising one on how to drink a beer, Memphis Made co-owner Andy Ashby puts it plainly: Hold glass, tilt, don’t choke. Brewmaster Drew Barton takes the question a bit more seriously. His first bit of advice? Don’t smoke. “It distracts from the flavors,” he says, adding, “Also, it’s so bad for you.”

Ashby, who has now put out his one cigarette of the day, says that temperature is also important for serving different styles of beer. “Ales, and we just brew ales, generally speaking, can go warmer than lagers,” he says. “The English drink their beer cool not cold. The mass majority of Americans like to drink their lighter lagers really cold.” Ashby notes that while a PBR will not improve in taste 30 minutes after being opened, a stout or a porter may very well taste better and have more flavor after it warms.

Barton says there’s a reason to drink cheap beer cold — to mute the flavors. Ashby agrees saying that really, really cold beer stuns the taste buds, which are the gatekeepers.

Barton says 40 to 45 degrees is a good temperature depending on the beer. “Some brewers put suggestions on the bottle for temperatures and style of glass, but they aren’t hard and fast. You don’t have to drink Chimay out of a Chimay glass,” he says.

Both Ashby and Barton liken the temperature issue to wine. In general, red wine is better at room temperature and white is better chilled — although Barton reserves the right to put ice cubes in his red.

Ashby also advises using a clean glass. Barton agrees, “A dirty glass can cause an off flavor. Any film will cause nucleation sites. Bubbles form and while the head retention may be better, it will decarbonate quicker,” he says. Ashby, translating, says, “If bubbles stick to the side of your glass, it isn’t clean.”

Speaking of head, Ashby says a pinky’s worth is a good measure. “How much head depends on style. The Brits like no head, or less than one centimeter. Belgium styles may have two inches.”

Barton adds, “Belgians argue that you should pour straight and foam it up.” Ashby offers his advice on a proper pour: “Hold it at a 45 degree angle. Get the tap close to the lip of the far side of the glass and make sure it is fully open. Fill it two-thirds or three-fourths of the way and then level out the glass to finish filling.”

Ashby and Barton are in the process of finishing a taproom and patio and hope to have them open in the next month or so.

Justin Fox Burks

High Cotton

High Cotton Brewing Company’s taproom (598 Monroe) is open Thursdays (4-8ish), Fridays (4-10ish) and Saturdays (2-10ish) and features seven to eight beers, including the ESB, Biere de Garde, CT Czar IPA, Hefeweizen, Scottish Ale, Pilsner, and Milk Stout. They also have 160 taps around town.

Owner Brice Timmons is the go-to guy for anyone who wants to feel really good about drinking beer. “Drink beer with family and friends. Beer is about community and friendship,” he says. “It’s quite literally the origin of civilization.”

Beat that, wine!

Timmons says that monolithic hunters and gatherers had a more varied diet than farmers and had more time for leisure and socialization. “Anthropologists spent decades trying to figure out why anyone would choose farming. It was to grow grain to make beer,” he says. “The point being that humans have developed a civilization in which beer and community are inextricably linked. We do ourselves a service when we gather in clean, well-lit places to drink beer and spend time with friends and family.”

His second piece of advice on how to drink a beer is to drink without judgment. “There is no benefit to snobbery. If someone wants a Bud Light from a bottle, that is their business. Likewise, if someone wants a Belgium sour ale in a flared tulip glass at 55 degrees so they can take tasting notes, so be it.”

Personally, Timmons likes to drink beer from a Burgundy wine glass because it focuses the aroma but still has heft. “I like to spend time thinking about the aroma and how it goes from nose to palate to finish seamlessly. When it smells like fresh biscuits, tastes like malty bread, and finishes with the sweetness of toast, it’s a beautiful thing,” he says.

Timmons says that craft beer’s greatest advantage as a beverage is that it’s accessible to everyone. “Even the best beers are affordable, maybe not every day, but … making such an accessible beverage inaccessible through snobbery or pretense doesn’t do a service to anybody.”

On October 4th, High Cotton will be tapping a special release Oktoberfest lager as part of their block-wide Oktoberfest celebration from noon to 7 p.m. General admission is $40 (VIPs $100 per person or $150 per couple). There will be all the beer you can get to the front of the line for, a whole pig roast, a buffet including locally made bratwurst, traditional fermented delights like sauerkraut and dill pickles, folk music, traditional music, and family-friendly activities.

Justin Fox Burks

Wiseacre

Wiseacre Brewing Company offers two year-round beers in cans — Ananda IPA and Tiny Bomb American Pilsner — and features those as well as a host of other beers in its taproom (2783 Broad), which is open Thursdays (4-8 p.m.), Fridays, (4-10 p.m.) and Saturdays (1-8 p.m.).

Co-founder Kellan Bartosch believes drinking beer should be less scary to newcomers and more light-hearted for “connoisseurs.” He says, “Folks often come to the taproom and lay out their fears before ordering. ‘I don’t like dark beers’ or ‘My husband likes the mega hoppy stuff, but, yuck, I think it’s gross — do you have wine?'”

Bartosch says it would be easy to condescend to these new patrons with beer vernacular and BJCP-style (Beer Judge Certification Program) guidelines vs. modern American brewing techniques, but he and his brother, the brewmaster, Davin, would like everybody to know that there are relatable flavors and textures in beer from the rest of the gustatory world. “Like coffee? Stouts have roasted flavors. Enjoy bananas? Hefeweizen yeast produces banana-like ester compounds,” he notes. “Tiny Bomb is a clean, crisp lager that’s similar in style to many macro-produced beers but has a ton more flavor — so much so Southern Living said it was the best beer in the state!”

All this is to say that the Bartosch brothers think people should drink beer with an open mind and know that there is bound to be something recognizable in beer that he or she might enjoy. “Much like other subcultures with way too much seriousness, it shouldn’t be forgotten that this is beer and not rocket science. In our internet culture so many have taken it upon themselves to become critics of whatever the topic is, arguing on message boards or writing derogatory messages on social media. Simply pointing a finger and being a critic is easy; being an appreciator is more difficult and inclusive in the long run,” he says.

However, he does also believe there is a time for analysis, excessive sniffing, and such. “Aroma, appearance, flavor, mouthfeel, and history all play an important part in understanding what you’re drinking. Beer ingredients, what flavors/textures they create, and the role they play in different styles can teach us that it’s silly to complain about a Marzen not being hoppy because that’s like getting mad at a burger for not being Thai curry,” he says.

Bartosch continues, “Balance is a touch achievement on the brewery side and learning to appreciate that can be zen-like. Similarly, making something clean and delicate is more challenging than making something extreme. Understanding that every style of beer can be enjoyable the same way we peruse genres of music or food based on our moods is much wiser than only drinking IPAs.”

Categories
Intermission Impossible Theater

Will Call: Tips & Tidbits for the Theatrically Inclined

A Teutonic likeness of John Hemphill

We are entering into one of those awful/wonderful periods when the weather is perfect and there is so much nifty stuff to do that you can’t possibly do it all. Here’s a quick rundown of some of the more interesting theater and dance offerings available for consumption this weekend. 

I love Steve Martin’s very Martinized adaptation of Carl Sternheim’s German Expressionist comedy, The Underpants. It’s a profoundly silly meditation on the nature of fame telling the story of a middle class couple who have trouble renting a room until the wife experiences a terrible wardrobe malfunction. Don’t let the early 20th-Century trappings fool you, this story could have easily been devised as a response to the age of 4Chan and Instagram. A top-notch cast includes a pair of Johns (Hemphill and Maness), Rebecca Sherrod, Deborah Burda Nelson, and Jenny Kathman. It’s one weekend only, which means I’ll miss it. But I’d love to hear reports back from people who can make it out Bartlett to see this comic gem. 

I’ve Got Your Tea Party Right Here

Our Own Voice Theatre Company is unlike any other company in town. It began as a troupe dedicated to exploring experimental techniques, as well as issues and ideas related to mental health and “normalcy.” So, in some regard, Madhatted, a locally-adapted vision of the mad tea party from Alice in Wonderland is a perfect fit. And I can assure you, if you saw this show at the Memphis Children’s Theatre Festival a few years back, it will be a different experience. Info here. 

The classic farce Servant of Two Masters has been reimagined as a music-filled slapstick extravaganza called One Man Two Guvnors. Francis Henshall (an updated vision of the stock character Harlequino)  has just been fired from his folk jazz skiffle band and being desperate for work he takes employment from—yes— two masters. Hilarity ensues, as it often so does. Details here. 

Dance fans — both street and classical — have a special opportunity this week to explore both the origins and the future of Memphis-style bucking and jookin’. The “Old School vs. New School 3” dance competition at Minglewood Hall pits Memphis’ first generation Gangsta Walkers against younger dancers looking to see if their bucking and chopping measures up against the original masters.

“This is the first time in a long time that people will have an opportunity to see the original Gangsta Walkers,” says instructor, artist, and event organizer Jaquency Ford, who has hand-picked the dance partners who’ll be squaring off against one another at Minglewood. Gangsta Walking is the direct antecedent of jookin’, the Memphis-born dance style that New York Times dance writer Alastair Macaulay recently described as, “the single most exciting young dance genre of our day, featuring, in particular, the most sensationally diverse use of footwork.”

Will Call: Tips & Tidbits for the Theatrically Inclined

Pretty Tony will be in the house to perform his seminal club hit “Get Buck.” Original Gangsta Walkers include Wolf and Romeo, two-thirds of the G-Style, the ’80s-era rap and dance team that first began to mix breakdancing moves with “buck jumps.”

A stone’s throw to the east, at the new Hattiloo Theatre in Overton Square, FreeFall finds New Ballet Ensemble (NBE) presenting a concert showcasing the company’s critically acclaimed hybrid of ballet, Memphis jookin’, and world dance styles. NBE’s program includes a revival of Noelia Garcia Carmona’s Dos, a vibrant mashup of jookin’ and flamenco set to original music by Roy Brewer and showcasing the talents of Shamar Rooks. The New Ballet Youth Company presents Doin’ It Right choreographed by NBE alum and Spider-Man Turn Off the Dark dancer Maxx Reed.

NBE is also premiering “Three Dream Portraits” based on poetry by Langston Hughes with music by Margaret Bonds and choreography by General McArthur Hambrick.

If that’s not enough on the Memphis dance front U-Dig Dance Academy is hosting an evening of wine, international cuisine and (like you couldn’t guess) jookin. That also goes down  Friday, September 26, 2014 at the Jack Robinson Gallery, 400 South Main Street. Tickets for the event are $25; $50 (includes dinner); and $250 for a reserved table and will benefit the U-Dig Dance Club.

Categories
Sports Sports Feature

Memphis Preps: Local Coaches Talk Domestic Violence

The video of former Baltimore Ravens running back Ray Rice knocking out his soon-to-be wife in an elevator has forever changed the rules in the NFL as it relates to domestic violence. Rice was suspended indefinitely by the league. His was just one of several incidents in the NFL recently.

The prevailing thought is that the NFL was not prepared to deal with these recent crises and, as a result, NFL Commissioner Roger Goodell’s reputation and the league’s image have suffered severely.

Duron Sutton

Other major sports leagues have taken notice of what is going on with the NFL and are trying to be proactive in dealing with domestic violence. NBA Commissioner Adam Silver said he is looking at changing his league’s policy on domestic violence. Ditto for Commissioner Bud Selig and Major League Baseball.

College programs are wrestling with their own issues as it relates to DV. For example, Georgia football coach Mark Richt dismissed defensive tackle Jonathan Taylor over the summer after Taylor was arrested for allegedly choking his girlfriend. Tennessee Vols’ freshman running back Treyvon Paulk was kicked off the team after being accused of hitting his girlfriend, although she did not press charges.

High Schools coaches in the Shelby-Metro area are also now on high alert and for good reason.

A 2011 nationwide survey conducted by the Center for Disease Control and Prevention found 9.4 percent of high school students reported being hit or harmed by their boyfriend or girlfriend within a year of the survey. Their research found that 1 in 5 women, who had experienced sexual or physical violence by a partner, first experienced some form of violence from a dating partner between the age of 11 and 17.

According to the Tennessee Bureau of Investigations, 247,069 incidents were reported across the state between 2011-2013. The City of Memphis reported 59,000 cases in 2012 alone. Juveniles accounted for 10 percent of the domestic violence victims in the state. Boyfriend/girlfriend relationships were noted in 43 percent of all reports, regardless of age.

Several area high school coaches are aware of these disheartening numbers which is why some coaches have used the Ray Rice incident as an opportunity to teach beyond the x’s and o’s in their respective sport. Although situations they deal with may not always be technically considered domestic violence by definition, they feel it is close enough.

Ridgeway football coach Duron Sutton addressed his team after watching the Rice video and reiterated a message he had shared with them in the past. “You’re an athlete,” he told them. “If you’re in a situation like that, run. They can’t outrun you. Your little push or shove could be worse than you think.”

Sutton, who also coached at Kingsbury as a head coach, and Craigmont as an assistant, recalled having to talk to a former player about being too aggressive with a girl. “I dealt with a situation with a guy holding a girl’s arm, holding her against a wall. Fortunately it did not escalate into anything more but I got on him hard because you can not put yourself in a situation where you are using physical force.”

“I have two daughters,” Sutton continued, “It’s not right for anyone to put their hands on my child or any child.”

Chris Michael

Yet domestic violence is a reality for many according to Millington Central football Coach Chris Michael. He believes several teens witness it in their households while growing up. Some have seen it while others have been victims of it. He says it is important for people in his position to understand they are more than just coaches. They are role models who can help counter those past volatile experiences.

“You hope you are a model of good behavior, a father figure, a good representative of what a man should be. Someone that helps combat (abusive) pasts.” said Michael.

Mitchell basketball coach Faragi Phillips can relate. Domestic violence is very personal for him. His parents are best friends and happily married now, but that was not always the case for Phillips while growing up. “I grew up in a home where my mom and dad were violent to one another,” he said. “And it motivated me to not do the same. Plus I didn’t ever want my kids to see me behave that way.”

Phillips said he not only broke the cycle of violence in his own life, but has tried to help others do the same. So when the Rice video was shown repeatedly on television and the internet, he knew he had an opening to drive home his message. He brought his team together to begin dialogue on the topic.

“I talked to them and told them it’s never ever okay to put your hands on a female,” said Phillips. “Never, even if you are pushed. It’s just never the right thing. Remove yourself from the situation. Remember Rice had a chance to leave. He didn’t have to go into the elevator with (his then fiancé).”

The message resonated with his players. Kylan Phillips, the coach’s son and Mitchell’s senior guard summarized the discussion. “As a man putting your hands on a woman is never okay. The strength of a woman doesn’t compare at all to a man’s. And there are so many consequences and trouble that could come from it.”

Sutton echoed Phillips’ thoughts. “Guys have girlfriends and they don’t always get along. I’ve been with my wife for 14 years and it’s never gotten physical despite our disagreements. You just have to agree to disagree.”

The Rice situation also offered other teaching opportunities for coaches with their players. “With so much geared toward social media, everything is magnified especially when you start to get a bit of celebrity,” noted Phillips. “And with (Mitchell) winning the state championship, my guys are more recognized in the community now. I told them people will record more video of you, take more photos, and tweet things about you.”

Michael agreed. “It’s probably something to consider in the future when it comes to off the field stuff. Awareness is always important. And it gives young people an avenue to talk a lot about how things should be handled going forward.”

As for the present, Sutton has advice for how young athletes should deal with situations to alleviate any physical confrontations. “Build your vocabulary. Let your words help make your point. Use your brains not your hands.”

Categories
News The Fly-By

Tour de Coop Rides Again Through Memphis Chicken Coops, Urban Gardens

Joni Laney admits her chickens “do have a lot of doo-doos,” but that’s really why she got them.

Laney’s coop is a chain-link fence with an elevated wooden box in the middle, all of it about the size of two office cubicles. Last Saturday morning, it was filled with children offering up handfuls of feed to her chickens. 

The chickens cackled, clucked, and strutted wide-eyed the way chickens do. But they seemed altogether unafraid of the tiny visitors. Meanwhile, Laney talked up chicken cooping to a group gathered in her backyard.

Children feed Joni Laney’s chickens during Saturday’s Tour De Coop bicycle tour.

If I squinted just right and applied the right dose of imagination, I could imagine I was back home in Middle Tennessee, set in a landscape of my rural upbringing.  

Then, the fog of my imagination was broken, Laney’s voice was overpowered, and I was squarely back in Midtown Memphis. A FedEx jet wooshed and whistled overhead on its way to Memphis International Airport.

Laney’s Binghampton home on McAdoo Avenue was one stop of several on Saturday’s Tour de Coop, a bicycle tour of Memphis chicken coops, backyard beehives, and urban gardens. The tour, now in its second year, was a fund-raiser for GrowMemphis, a nonprofit that helps locals grow or raise their own food. 

The tour was intended to get people out in the community and get them talking, according to GrowMemphis Executive Director Carol Colter.  

 “The more we do these kinds of outreach activities and the more we talk about them as a normal activity in our urban environment, it’s more accepting for other people to consider doing it,” Colter said. “A lot of people assume there are a lot of barriers and things they’re not able to do because they live in an urban environment. But when they come into contact with [those who already do it] and shake this person’s hand and talk to them they realize, ‘Oh, this isn’t so hard, and I can do this.'”

Urban gardening, beekeeping, and keeping chickens are not new ideas here. The city’s Unified Development Code made rules allowing and regulating the construction of chicken coops and beehives two years ago. 

But it has taken root here, enough for Colter to call it “mainstream.” It’s a description that may be generous depending on who is asked. It is also hard to quantify. But consider that there are 27 urban gardens in the GrowMemphis network alone. Also, consider a closed Facebook group called Midtown Chicken People has 270 members.

Colter thinks that maybe the availability of vacant land makes Binghampton an urban gardening hot spot. Laney says being a diverse neighborhood helps, too, noting one neighbor keeps a rooster and another had peacocks.

She’s had her chickens for two-and-a-half years, she says, and she loves all the fresh eggs (“The yolks are so yellow!”). But the decision to get chickens in the first place was really about their, ahem, by-product. Her husband uses the chickens’ manure in a huge community garden filled with bright red tomatoes, strawberries, and tons of other edibles.

“My job is to take care of the chickens, and he gets the doo-doo and takes it to the garden,” Laney says. “He just wheelbarrows it up the street and right into the garden. It’s really good for the soil.”

Categories
Opinion The Last Word

The Rant (September 25, 2014)

I could just kick myself for not buying a pup tent, getting some freeze-dried foodstuffs, putting my cats in carriers, making sure I had enough prescription medication to last a couple of days, having a catheter installed, having plenty of Psssst dry shampoo on hand, and camping out in line at an Apple store so I could be one of the first people to buy a new iPhone 6.

What in the hell was I thinking — that I could carry on anything resembling a happy life without this new phone? This bigger-screen, thinner version of the one I have now that I barely know how to operate? I must be completely nuts.

Now there are people out there with the new Apple iPhone 6, and I don’t have one. I might as well jump out of the window of the top floor of a 12-story building onto burning asphalt. What are my friends going to think of me? Wait, worse, will they still even be my friends, now that the iPhone 6 is out and I don’t have one? Will they speak to me again or will they avoid me like a sexually transmitted disease drip? If I’m walking down the sidewalk and see them and start to approach them will they recoil in horror and act like they’ve never met me? Well, some of them do that anyway, but now that I am totally impotent since I didn’t camp out for a few days to get the new phone, will they try to forget that I exist?

This is the kind of thing that makes me wonder why people believe in God. What God up there would create people who would actually camp out in line for days to buy a telephone, when they already have a telephone that works just fine? And this time it’s not just Americans. No, these lemmings are headed for the cliffs all over the world. So far, I haven’t read of any crowds that got out of hand and crushed people to death trying to get to the new phone, which actually makes me kind of sad. If people are going to act this stupid, you’d think there would at least be some violence to spice it up a little — because they deserve it.

This business about getting up before dawn to go stand in line to get a new phone … When I get up before dawn it’s usually because I’m having a nightmare about being stalked by giant animals or murderers in my own backyard or because there’s a cat sitting on my chest staring at me for no apparent reason. I can barely get out of the bed (well, off the futon) to go to the bathroom or get a drink of water. I just stay there and moan with back pain. And my eyes are so filled with allergens that I feel like there’s a beehive between each one of them. I am bleary-eyed and kind of in shock at being awake, and my mind is racing 4,000 miles an hour about every single stressful detail of my life, and I am all but paralyzed. Get up and get dressed and get in the car and drive in the dark to a store to stand in line for hours on end to buy a product of any kind? I wouldn’t do that if they were giving them away.

One woman somewhere — I think it was Detroit, where you’d think waiting in line for a new phone would be a priority way low on the totem poll — was quoted as saying, “I’ve done this for two years straight. It’s so worth it. It’s not just a phone. Our whole lives are on the phone.” The article went on to explain that she had talked her fiancé into joining her and they waited in line for six hours. “It was fun to get stuck with a bunch of other people you don’t know,” said the fiancé. “You make some friends.”

There is so much so horribly wrong with that, I don’t even know where to begin. Their whole lives are on the phone? I did lose my phone to a drowning not too long ago and lost all of the contacts, notes, and photos in it and, yes, it was kind of a pain. But my whole life? I certainly hope not. How could a person have his or her life on a telephone? She is probably the type who takes four or five million photographs while on vacation and then brutally tortures her friends by making them look at them all while she regales them with a story for each photo. Or worse, she probably has kids and she has hundreds of photos of them and does the same. Maybe she is one of those parents who likes to scare her kids or do something intentional to make them angry and then records their tantrums on the phone in order to upload it to YouTube in hopes of everyone thinking it’s really funny or, worse, cute, and thinks she’ll get several million hits and end up on television. Or at least on all the phones of the new iPhone 6 owners, so they can watch it while they wait in line for the iPhone 7 a year from now.

Categories
Music Record Reviews

Record Reviews: Three Memphis songwriters wrestle with mortality.

Rob Jungklas

Nothing to Fade

Self-release

There is a striking contrast between Rob Jungklas’ last two albums. Where 2013’s The Spirit & the Spine was a tortuous exploration of religious dread, his latest, Nothing To Fade, opens with the expansive acoustic universe of “Mary Sees Angels.” Anchored in tuned-down guitars and a five-string bass, a tone of redemption emerges from the depths. This tone continues in “Cop For You,” which has a hint of Cat Stevens amid the whooshy, compressed drums. Jungklas produced with Chad Cromwell and Jack Holder. Cromwell is a Nashville-based Memphian who has drummed for Neil Young and Mark Knopfler. Holder is known for his work with Black Oak Arkansas and Cobra. Jungklas has an affinity for religious language. But he never gets far from the edge. The black hounds gather for “Crawl the Moonlight Mile,” but the dark mood doesn’t dominate this record like it did his last one. The notions of faith and doubt permeate Jungklas’ work, but what sets him apart from “Contemporary Christian” music is his willingness to descend into Hell and the fact that he knows what good acoustic guitars sound like. It’s good to hear his voice emerge from the darkness.

Jesse Winchester

A Reasonable Amount of Trouble

Appleseed

Recordings

Jesse Winchester recorded A Reasonable Amount of Trouble shortly before his death in April. The album sounds much larger and more rambunctious than one might expect from a last effort. But producer and guitarist Mac McAnally lets Winchester’s voice hover in its own space among instruments that do more than support the song. Recorded at the Blue Rock Artist Ranch in Wimberley, Texas, this record is an acoustic marvel. McAnally has written for Jimmy Buffett, Alabama, and Kenny Chesney, among others. His acoustic palette is marvelous and does justice to Winchester’s melodies. Winchester’s voice is a grey line between himself and the air. The instruments don’t sit behind the voice as much as they mix with it. It’s refreshing and no small feat given Winchester’s leaf-on-the-wind vocal approach to delivering a lyric. Winchester had dramatic sense of melody and knew when to whisper and when to start a fire. The liner notes address Winchester’s aversion to writing from a dark place, even though the songs were written during his treatment for cancer. The album closes with “Just So Much.” “There is just so much that the Lord can do.” The last verse is an unflinching final testament to a writer, thinker, and musician.

John Kilzer

Hide Away

Archer Records

The Reverend John Kilzer’s Hide Away comes out on October 14th. It’s his first offering from Archer Records. Like Jungklas, Kilzer wrestled with the music industry in the 1980s, signing and releasing two albums on David Geffen’s DGC in the late 1980s and early 1990s. Kilzer was an All-American forward for the Memphis State Tigers in the late 1970s. That level of Memphianity gets you a backing band composed of Rick Steff, Greg Morrow, Sam Shoup, Steve Selvidge, Alvin Youngblood Hart, and Luther Dickinson. Kilzer delivers contemplative songs, which one would expect from an ordained minister. The struggle between the divine calling and our earthly vessels is evident througout the record. But Kilzer took musical bona fides into the pulpit rather than taking the pulpit to the stage. That’s an important distinction and is aurally obvious from how much Kilzer’s voice gets wonderfully seduced by temptation.

“Lay Down” is a call to peace that transcends the stupid platitudes of hippies and casts the dialog for peace in biblical dogma. This record amounts to a nuanced and honest approach to a civic Christianity that sadly goes unnoticed in the culture wars. “Uranium won’t feed the hungry.”

“Until We’re All Free” marches a foot or two behind the Staple Singers, but is on the same path. The band Kilzer has assembled allows him to craft each song into its own sound. Throughout, the record benefits from the assembly of talented guitarists. Steff’s organ parts stand out in particular. “The White Rose and the Dove” is a sonic blend of “Stairway to Heaven” and “Blind Willie McTell” and therefore a bit of divine inspiration. On “Babylon,” Kilzer pulls out his judging finger, but he points it the right way. “You think God can hear your prayers/ You ignore their hungry stares.” The album might be a little long in places. I could live without “Love Is War.” But for the most part, Christianity as practiced in this country and this state in particular could use more leadership like Kilzer. He offers a soulful, compassionate alternative to the louder sort of God squadder. And he did so by making a great sounding record. Here’s to that.

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Film Features Film/TV

The Maze Runner: Another weekend, another failed YA adaptation.

Young-Adult (YA) fiction is intended to appeal to the all-important demographic of teenagers. That’s why the big budget motion picture adaptations of YA books, which satisfy the MPAA ratings board, are popular in Hollywood. James Dashner’s novel The Maze Runner has all of these qualities, and that is why it is appearing now in your multiplex.

The plot concerns beautiful, young male amnesiacs who wake up in a green valley in the center of an artificial maze patrolled by digital monsters. They must work together to find out why they have been put there. Our hero Thomas (Dylan O’Brien) wakes up and remembers nothing except being vaguely medically experimented on. He finds himself in a Lord of the Flies/Lost/Cube pastiche beneath giant walls that move every night, shifted by clockwork gears. The first 30 minutes of the movie involve characters with nice cheekbones and form-fitting monochromatic Polo shirts lightly layered with a patina of dirt explaining the world to Thomas in short, declarative sentences. There are numerous terms such as Gladers/Grievers/Greenies to learn, but the exposition never coalesces into characters beyond a standard hero and hero enablers. The parade of young men either adds to the continual exposition (“No one’s ever survived a night in the maze.” “No one’s ever killed a Griever before.”) or assist Thomas’ ascension to group leader. The bully Gally (Will Poulter), with only a few extras at his back, presents a very weak argument for conformity to the rules set up by the camp.

The monsters are spiders with mechanical legs and green Rancor faces. The action setpieces mostly consist of digital walls or creatures moving and a loud score telegraphing foreboding or fright. Since most of the PG-13-friendly violence is just a character being pulled off into the dark while screaming, this works.

A good thing about one of this film’s science fiction forebears, the 2000 adaptation of Battle Royale, was the sense of a random assortment of teenagers being killed off in a variety of ways, which mimicked the randomness of violence and group behavior. I thought The Hunger Games was too bland and PG-13 for a movie about the young dying horribly, but The Maze Runner is much more so.

My memory of teenagers is that they can be rude, cliquish, and severe. But this group’s nicknames for everything are portentous and vague (i.e., the Changing, the Glade) where they should be rudely scatological so as to better rob frightening things of their power. It rings true when they ostracize sick members, but otherwise the screen version of the novel, which I have not read, never does more than move itself forward. Exposition about the Glade gives way to exposition about the Maze, which gives way to unsatisfying exposition delivered by Patricia Clarkson in a lab coat in what passes for an ending. Then the short declarative sentences switch to being about the sequel, which I must admit looks somewhat intriguing. But you don’t go on a rollercoaster to learn why the rollercoaster was made.

If the film is about anything, it is about how tough it is for Thomas to exhibit intellectual curiosity about the group’s environment, and overcome socialized stagnation to lead it out of the maze. But Thomas is a Mary Sue, an audience (or at least a writer) surrogate instead of a character. Most everything comes easy for him, so that the audience identifies with and cheers him on as he overcomes each obstacle. But this works to undermine the film’s theme. When I fail to be curious about my immediate surroundings, it’s not because I’m a bully obsessed with rules. When I am curious and learn about the world, it’s not because I’m the chosen one. The pressures of appealing to millions of people remove the detail from this work, which may have been present in the book; all that remains is a dutiful labyrinth. What would be surprising and honest would be for the hero to never remove himself from it.

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Calling the Bluff Music

Throwback Thursday: 8ball & MJG’s “Comin’ Up”

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Revered Memphis duo 8ball & MJG introduced the world to a new style of rap when they emerged on the scene in the early ‘90s. Straight out of Orange Mound, a historical Memphis community, the group became synonymous for spewing pimpish, street content that mirrored the environment they came up in.

However, they took a different approach with the track “Comin’ Up” off their Gold-selling album On Top of the World. The song showcases the two Dirty South lyricists reflecting on the trials and tribulations they experienced after deciding to pursue a music career. Stream the track below.

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News News Blog

Mayor Wharton, Common Table Health Alliance Challenge Locals to Burn One Million Calories

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Memphians are being challenged by Mayor A C Wharton and Common Table Health Alliance to collectively burn one million calories this Saturday (September 27th).

The challenge comes in the form of the 2nd annual “Commitment to Fitness Million Calorie Burn 5K.” Registration for the 5K will begin at 7:30 a.m. at Highpoint Church (6000 Briarcrest). The race starts at 9 a.m.

Participants will hit the ground running at Highpoint Church and travel through the East Memphis Ridgeway Loop and Shady Grove community.

In addition to the race, the event will feature a one-mile “Family Fun Run,” live music, food, yoga and Zumba demonstrations, blood pressure screenings, and a post-race awards ceremony.

“Memphis and Shelby County continue to be challenged by social and economic factors that drive many regional health indicators to the bottom third of most national and state health rankings, and 
our childhood obesity rates are some of the highest in the country, a key indicator of early diagnosis of juvenile diabetes,” said Renée Frazier, CEO of Common Table Health Alliance, in a statement. “While these statistics are startling, adopting a healthy, active lifestyle is a simple solution to this growing problem.”

According to the Tennessee County Health Rankings, adult obesity in Shelby County is 35 percent — the highest it’s been in the last four years.

Obesity rates in Shelby County Schools, however, appear to be declining. According to data from the Tennessee Department of Education, 35.7 percent of Shelby County public school students were considered overweight or obese, during the 2012-13 school year. The average for all Tennessee public school students that year was 38.5 percent.

Obesity isn’t an issue that only impacts Memphis but Tennessee as a whole. In 2013, the state was ranked as the 10th most obese place — tying with Michigan — in the nation, according to the health report “F as in Fat: How Obesity Threatens America’s Future.” Furthermore, Tennessee is one of 13 states that have an adult obesity rate above 30 percent.

Wharton and the Common Table Health Alliance hope the Million Calorie Burn 5K helps bring more awareness to the city and state’s obesity epidemic, and also encourages people to live healthier by eating better and being more active.

The first 200 participants who register for the race will receive a free Nike goody bag. All participants will receive a Million Calorie Burn 5K t-shirt.

To register or learn more about the Million Calorie Burn 5K, contact Common Table Health Alliance at (901) 684-6011 or click here.