Categories
Style Sessions We Recommend

Favorite Find – Body Decor Boutique

Among the participating mobile retail trucks at the last MEMFix in the Edge District was Body Decor Boutique, a women’s clothing and accessories boutique founded by designer and stylist Tara Seals. Bold colors and patterns beamed from inside the mobile truck along with Tara’s welcoming smile. Many of the clutches and jewelry were designed and hand-made by Tara. Earrings were crocheted for texture or took on spectacular lengths when cut from leather. The variety of designs were impressive.

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Though her boutique does much of its business online, Tara enjoys interacting with her clients and customers. Events like MEMFix allow her to take her art to the streets. With the truck, she’s able to travel to trunk shows, private parties, fashion shows, and various events around the country.

Tara offers one-on-one styling consultations, helping customers find the “body decor” that will help them “love the skin they are in.” With this service plus unique and affordable products, it’s not a surprise she was the winner of the Emerging Designer Buyer’s Choice Award at the Atlanta market where her business began.

Today, Tara is a member of the Memphis Arts Collective and Junior League, where she volunteers. Her custom pieces can be found in some local stores such as Social Memphis, Diane’s Gifts, and Maggie’s Pharm. As part of Memphis Arts Collective, Tara will also participate in their Holiday Market from November 28th to December 23rd at 1501 Union Avenue. Until then, you can book her mobile boutique for your own private party.

www.BodyDecorBoutique.com

www.twitter.com/BodyDecor

www.facebook.com/BodyDecorBoutique

www.pinterest.com/BodyDecor

https://www.etsy.com/shop/BodyDecorBoutique

Categories
Memphis Gaydar News

Visibility Project Comes to Memphis

From the Visibility Project

  • Photo by Mia Nakano
  • From the Visibility Project

Photographer Mia Nakano has spent the last eight years documenting still images and video of queer Asian-American and trans women from across the country for her Visibility Project.

In the video collection, the women discuss everything from how they deal with pronouns, the process of coming out in their own families, and general issues of gender and sexuality.

Nakano is on a Southern tour promoting the Visibility Project, and she’ll be speaking at Rhodes College on Friday, November 7th. The free event will take place from noon to 1 p.m. in Hyde Hall of the Catherine Burrow Refectory on campus.

Those with specific inquiries about the event can contact Dr. Evelyn Perry, assistant professor of anthropology and sociology.

Categories
Food & Drink Hungry Memphis

A Taste of the New Menu at Sweet Grass

Fried oysters

  • Fried oysters

Did you hear? Sweet Grass got a new menu, and chef Ryan Trimm says it’s all about fall:

“I always love the first burst of fall produce,” Trimm confesses. “Butternut squash, pumpkins, collards, mustard greens. Right now I got brown crowder peas coming out of my ears.”

Who could resist an invitation like that? So yesterday, I flung a warm scarf over my shoulder and headed down to Cooper Young for a taste. It all started with a cocktail.

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Old Orchard

  • Old Orchard

The Old Orchard ($8)—a concoction of apple-cinnamon whiskey, orange bitters, and lemon peel—is just the thing to warm up a chilly autumn afternoon. It’s sweet but not too sweet, with deliciously dark notes from the bitters and lemon peel.

Next, we tried the Fried Oysters ($12), which—besides looking good in photos, see above—also happen to be compulsively edible. They’re served with pickled squash slaw and a lemon crème fraiche that’s good enough to eat with a spoon.

But the real show stealer was the Dirty Pig Fries ($13), a recipe that Trimm brought over from the menu at Southward, which closed last month. Mixed into a haystack of thick-cut french fries, you’ll find braised pork shoulder, sautéed onions, pecorino romano, and sriracha—plus a spicy mix of collards and mustard greens.

Dirty Pig Fries

  • Dirty Pig Fries

Ladies and gentlemen, it’s duh-licious. Like fancy poutine or chili-cheese fries for grownups. And it’s got greens in it, so it counts as a vegetable, right?

“Oh, definitely.” Trimm confirms.

Of course, it wouldn’t be Sweet Grass without some tasty local produce. Sure enough, the butternut squash is from Hanna Farm in Luxora, AR. The collards and mustard greens are from Woodson Ridge Farms in Oxford, MS. And the braised pork shoulder is from Newman Farms in Myrtle, MO.

But wait—what’s that you say? Ryan Trimm is starting his own CSA in November? Who told you that? You certainly didn’t hear it from us *wink*.

Categories
Beyond the Arc Sports

Next Day Notes: Grizzlies 93, Pelicans 81

Larry Kuzniewski

Quincy Pondexter is one of the Grizzlies’ bench players who has had trouble getting going this season.

I’m still shocked either team made it out of the 70’s, but the Grizzlies somehow turned a second consecutive game of low-percentage shooting (36% in Charlotte on Saturday, and now 41% last night) into a grind-it-out win against a tough opponent.

The Pelicans, featuring shot blocking, high-scoring prodigy Anthony Davis, had the Grizzlies’ number last year (the Griz only beat them once, even though the Pelicans were never the better team), and they improved greatly this offseason with the addition of former Rockets big Omer Asik, whose defense at the rim was already formidable enough without having to deal with he and Davis at the same time. Throw 3-point shooting power forward Ryan Anderson into the mix, and you’ve got one of the toughest frontcourt combos in the league to deal with.

The Grizzlies, meanwhile, were still missing Courtney Lee to a concussion suffered in Indiana over the weekend, and started Tayshaun Prince in his place, which may have been done for defensive reasons (who else was going to guard Tyreke Evans?) but was not a good omen for the flow of the offense.

Both of those things turned out not to be issues—the Pelicans pose some issues on defense, but offensively, they’re still a train wreck, and Prince went 6–12 for 14 points in 33 minutes—and the Grizzlies were able to overcome their own continuing shooting drought to get the win.

Also, since the Grizzlies won, I’m free to post this and remark on how insane it was to see a real human being actually do this in person:

Anthony Davis is not one of us. Struggles last night or no, he remains one of the most fascinating NBA players to watch, especially live.

The Grizzlies are now 4–0 for the first time in franchise history, and they’ve mostly done it in games where they looked out of sync, struggling to find a rhythm. Assuming those early-season hitches are just that—getting up to speed—this team will be a force to be reckoned with come December and January. If the poor shooting (whether that’s from Mike Conley or from the bench duo of Quincy Pondexter and Jon Leuer) continues, though, they Grizzlies are going to be right back in the same boat they’ve always been on, with no floor spacing and no outside threats. It’s worth keeping an eye on, no matter the team’s record. Either way, it’s time for some notes:

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Three Good Things

➭ Anthony Davis simply couldn’t defend Zach Randolph last night. In the past, especially last year when Gasol was injured, Davis has been able to single-handedly blow up the Grizzlies’ interior passing game, which is pretty much the key to the whole offense. His shot blocking from off the ball is a big part of what makes him so dangerous. The Griz solved that problem last night by running Zach Randolph directly at him—Davis still isn’t strong enough to handle that sort of physical, footwork- and post-moves-based player, and ended up getting into foul trouble very quickly.

➭ Marc Gasol grabbed a lot of rebounds in the first half but only attempted one field goal. New Orleans was fronting him often, keeping him from getting the ball, and as a result he shifted his game from scoring to doing other things—exactly what Marc Gasol has always done. After the game, coach Dave Joerger said he pulled Gasol aside at halftime and asked him, “Would Larry Bird let himself be fronted like that?” and, as a result, Gasol went 3–9 from the field and 8–12 from the free throw line (!) in the second half for 14 points. Message received. The pressure seems to be on Gasol this year to keep his scoring output up and not sacrifice that aspect of his game to making “the right play” the way he always has. He’s still not as aggressive as he could be, but the “new look” Gasol of this season is a much more dangerous all-around player.

➭ With Jon Leuer continuing his disappearing act, and Courtney Lee injured, Tayshaun Prince played quite a bit last night, sometimes at the small forward spot, and sometimes at power forward with Vince Carter and Marc Gasol. He played well, especially at the 4 (gee, didn’t somebody write about that?), and hit just enough mid-range and long jumpers to keep the New Orleans D honest. If Leuer gets back on track, it’s likely that Prince’s minutes will again diminish, but don’t think for a second that Prince, proud veteran guy that he is, isn’t gunning for Leuer’s job. A Tayshaun Prince who has something to prove and actually plays well enough to prove it could end up being an asset to this team. We shall see.

Three Bad Things

➭ At some point, somebody has to start hitting some outside shots. Mike Conley was 2–10. Quincy Pondexter was 2–6, and his lone 3-point make came late in the game. (Both teams only made 4 3-pointers last night, which should tell you something about what it was like to watch this game.) Jon Leuer played 6 minutes, took 3 shots, didn’t make any of them, and was so clearly playing rattled that Joerger pulled the plug on him in the second half and played Tayshaun Prince in that spot (with additional small forward minutes from Vince Carter) instead. The Grizzlies, who supposedly improved at the perimeter with the addition of Carter, the return of Pondexter, and the drafting of Adams (who played 45 seconds—more on that later), have not actually improved. In fact, with Lee injured and Prince and Allen playing a lot of minutes at the wing spots, they’re right back where they were: with four guys from the other team standing in the paint daring Gasol and Randolph to do something. That they can still, in fact, do something is a testament to how well they’re playing.

➭ Pondexter and Leuer either need to get on track and start making shots—Pondexter made a 3 towards the end of the game, so hopefully that will get his confidence going—or they need to sit on the bench. Having them out there playing the way they’re playing isn’t doing anyone any good, and if the Griz need to explore their options at those positions, they should start doing that sooner rather than later. Pondexter plays better with the starting unit than he does with the bench, so maybe there’s just a chemistry thing there that will work itself out, but Leuer hasn’t played well with anybody all year yet. He’s got to get on track, or else this team has a gaping hole at backup 4, and even if that hole were shaped exactly like Jarnell Stokes—and it might be—I’m not confident that Joerger believes in Stokes enough to give him that shot.

➭ Speaking of giving rookies a shot, Jordan Adams entered the game for the final possession of the third quarter. It was his first time playing in a real NBA game. He was subbed in for defense, and ended up giving up a layup to end the quarter—and so, of course, he didn’t play again, and it’ll probably be weeks before he sees the court again. This is the problem with that: if you only play rookies in very limited minutes, of course they’re going to screw up. They’re (1) new to playing NBA basketball and (2) terrified that if they screw up, they’re not going to play for two weeks. This is exactly how Lionel Hollins ruined and/or failed to develop player after player with his too-short leash. It’s not even rocket science. If you want Jordan Adams, who is clearly very talented, to become a good NBA player, you have to play him. I feel like I’ve been saying this about every Grizzlies rookie for the last five years, and that’s maddening, because I’m right. Everyone knows I’m right. 45 seconds of basketball is not going to help Jordan Adams become better—it’s only going to make him play scared. Developing players is about letting them play through mistakes. No one else was doing anything well on the perimeter last night, so it would’ve been the perfect spot to give Adams five minutes just to see what happened. Instead, he got one possession, on defense, and then got to sit back down. Sometimes I don’t even know why the Grizzlies bother drafting players.

Tweet of the Night

Could’ve been this one from Chris Herrington:

But the winner is this one from Peter Edmiston:

Categories
Music Music Features

Wertheimer Photographed Young Elvis

Alfred Wertheimer, the New York photographer who took some of the earliest and most iconic professional photos of Elvis Presley, died on October 19th at the age of 84.

Wertheimer was a young photographer in 1956 when RCA hired him to take publicity shots of Elvis during a visit to New York. He photographed a rehearsal, a recording session, and a television appearances on the Steve Allen Show (complete with Elvis singing “Hound Dog” to a basset hound onstage) and the Dorsey Brothers Stage Show. Then — mostly on a hunch — he traveled on the train back to Memphis with Presley. Over the 10 days they spent together, Wertheimer took more than 2,000 pictures, including many famous ones like “The Kiss.” He said that he saw something in Elvis that was magnetic, that “he could make the girls cry” on or off the stage.

When they arrived in Memphis, Wertheimer and Presley got off the train at the White Station stop and walked back to Presley’s newly acquired home at 1034 Audubon Drive, which he had just purchased from the proceeds he made off of his first RCA hit, “Heartbreak Hotel.” While Elvis was in New York, his parents had been busy getting things in Memphis ready and everybody was excited that the pool had just been finished (although not yet filled). Elvis performed at Russwood Park that night but spent the afternoon cutting up with friends, riding his motorcycle (running out of gas at one point), greeting fans, and spending time with his family. And Wertheimer captured it all.

Justin Fox Burks

Alfred Wertheimer

The Audubon Drive house was purchased by Mike and Linda Curb in 2006 and is now part of the Mike Curb Institute for Music at Rhodes College (www.rhodes.edu/curb). It is used for various student-focused endeavors, from research projects and oral histories (including stories and reflections from Elvis’ former neighbors, which can be found on the institute’s YouTube channel) to a student-produced house concert series. One of the most striking things about visiting the house is that Wertheimer’s pictures are hung throughout in such a way that wherever you stand, you can look on the wall and see Elvis and his family in the same spot. In August of 2012, during Elvis Week, Wertheimer himself visited the house one more time for a special presentation for the college.

Upon arriving, Wertheimer chose not to speak directly to anybody while walking down the driveway, preferring to go inside his head and reimagine the same walk he took in 1956 alongside of Elvis — recalling the positions of the Cadillacs, Gladys and Vernon, and other family members and fans. Once inside the house, Wertheimer walked the halls recalling the scenes he witnessed and captured during his first visit. He talked about Vernon shaving in the bathroom, Elvis’ advances toward Barbara Hearn in the living room, and how Elvis and his friends jumped in the pool when it was only partially filled with water — Wertheimer jumped in himself with his camera.

As Wertheimer began his presentation, it was remarkable to see the images appear on the screen and then be able to look around to find the exact spots where they were taken. The pictures are intensely personal, and Wertheimer explained, as he has stated in other interviews, that this was because he was able to get unprecedented access and that “Elvis permitted closeness” at that early stage of his career.

Elvis and his family moved to Graceland in 1957 after only 13 months on Audubon Drive as Elvis’ fame soared and his presence loomed too large for the quaint neighborhood to handle. But for a couple of days in 1956, and again on a night in August 2012, the house on Audubon Drive gave people a unique window into the life of a figure who captured America and seems so familiar to so many.

Wertheimer was charming, gracious, and utterly approachable. He talked shop with photographer Justin Fox Burks, took pictures with Elvis cutouts, and interacted with everybody who was there in a very personal way. As Tracy Patterson, who was in attendance that night, said about her time with him, “The wallpaper on my phone is his picture of Elvis and ‘The Kiss.'” After showing it to him, Wertheimer told her, “Now, every time you look at your phone you’ll think of me.” For others who were there, every time they see Wertheimer’s pictures or visit Audubon Drive, they will think of him too.

Categories
Politics Politics Beat Blog

“Oh Happy Day!”: Two Signs That a Long Election Year Is Almost Over

As the last of a series of 2014 elections came to a close in Shelby County on Monday, some of the principals found ways to kick back a little, even as they kept on keepin’ on.

9th District congressman Steve Cohen held a press conference at his Midtown home, where, along with American Idol graduates Lil Rounds and Keia Johnson, he made the case, on privacy grounds, against Amendment 1, which would give the General Assembly a much freer hand to legislate on abortion. (The congressman would also later announce his opposition to Amendment 2, on judicial selection.

Spurred on by the company he was keeping, Cohen, who has been known to do some public dancing (chronicled on YouTube), added to his, er, laurels by doing some singing.

Ready or not, here that is:

“Oh Happy Day!”: Two Signs That a Long Election Year Is Almost Over

Simultaneously, Governor Bill Haslam, who has expressed support for all four constitutional amendments on the ballot and is (like Cohen) running for reelection as well, was on his way to Memphis, where he did a meet and greet at the Whimsey Cookie Company on Poplar.

There, as the TV people like to say, the Governor “caught up with” some members of the younger set, somewhat too young to vote. There were a fair number of eligible voters there, as well.

JB

Governor Haslam with fan base

Categories
News News Blog

Department of Justice to Monitor Election Day Voting

coverstory_vote-mag.jpg

Tomorrow, registered voters will have the chance to cast their ballots for the nation’s general election.
And to make sure everything goes smoothly, representatives of the Department of Justice (DOJ) will be monitoring polling locations in Shelby County.

According to the U.S. Attorney’s Office for the Western District of Tennessee, DOJ personnel will monitor polling place activities to ensure compliance with the Voting Rights Act and other federal voting rights statutes. And a Civil Rights Division attorney will coordinate federal activities and maintain contact with local election officials.

The Voting Rights Act prohibits racial discrimination during elections.

Voters can contact the Voting Section of the Civil Rights Division to file complaints about discriminatory voting practices, including harassment or intimidation. The Voting Section can be reached at 1-800-253-3931.

Categories
Food & Drink Hungry Memphis

Memphis Magazine’s Restaurant Poll Now Open

2014_RestaurantPoll_Header_1_.jpg

Memphis magazine’s annual Readers Restaurant Poll is now open and awaiting your votes.

The poll is open through November 30th.

Get to casting here.

Categories
Sing All Kinds We Recommend

Foxing at Carcosa Monday Night

Sam Leathers

When a band releases their first album, it usually becomes one of two things: a trial and error attempt at finding their place or one that defines them, a record that all of their future releases will be stacked against.

For St. Louis, Missouri natives Foxing, it’s the latter. Last November, the quintet released their 10 track, 30 minute debut The Albatross through Count Your Lucky Stars. After burning through copies of their first pressing and touring extensively through living rooms and venues across the country, the band caught the attention of Triple Crown Records, who remixed, remastered and rereleased the album.

The band is currently on their fifth pressing of The Albatross, an album that sounds more like a film score than a collection of songs. Each track weaves together into one cohesive piece, which is a difficult feat for any band, especially on their first full-length record.

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Foxing at Carcosa Monday Night

Foxing’s sound has been placed at the forefront of the emo revival, a claim that entirely undersells the band. While they pull influences from many different directions, they stand on their own feet. Foxing is band that is breathing life into a scene that features a great deal of rinse, wash and repeat – genrefication simply pigeonholes all that they are doing.

Nevertheless, it is the widespread components of Foxing’s music that sets them apart from other bands. Atmospheric post rock elements brush shoulders with orchestral arrangements, and the juxtaposition of the two are a defining trait throughout The Albatross. The rhythm section holds down the fort but is careful to leave breathing room for the intricacy of the guitars. Vocalist Conor Murphy pulls no stops with his melodies. His quiet, shaking falsetto often grows into a roaring croon before becoming a full-throated yell. When Murphy isn’t singing, he’s at times playing horns over the rest of the band.

Foxing spent the better part of October supporting Cymbals Eat Guitars and Brand New on a tour that placed them in front of a thousand or more people every night, a head count atypical of the smaller venues and house shows they have long been accustomed to playing.

The last time Foxing played in Memphis, it was to a moderately sized crowd at Crosstown Arts. This time, they play Carcosa, a living room turned venue, with local openers Gryscl, Wilted, and Kid on a Milk Carton. After the band’s undeniably crazy year, it will be interesting to see what the turn out looks like.

Categories
Film Features Film/TV

Indie Memphis Awards Cap Exciting Weekend Of Film

22-year-old, first-time director Phoebe Driscoll won the Indie Memphis Hometowner Feature award for her Memphis dance documentary Pharaohs Of Memphis at a gala awards ceremony on Saturday night of the 4-day festival that brought top film talent and big crowds to Overton Square. 

PHARAOHS OF MEMPHIS director Phoebe Driscoll.

Nathan Silver’s Uncertain Terms was the unanimous favorite of the jury, taking home both the Best Narrative Feature and Duncan Williams Best Screenplay awards. The Documentary Feature award winner was Debra Granik’s character study Stray Dog. Canadian director Fraser Mundon’s short film “The Chaperone 3D” won both the Best Documentary Short and Best Animated Film prizes. Best Experimental Film went to “Unity” by Tobias Stretch. 

The Hometowner Shorts Awards went to Will Bryson’s “Snack TIme” and Nan Hackman and Robert Allen Parker’s documentary “Jim Dickinson: The Man Behind The Console”. The jury awarded Best Narrative Short Film to Harris Doran’s “The Story Of Milo And Annie”. 

THOU WAST MILD AND LOVELY

The Soul Of Southern Film Award for the best film from the South went to Dan Ressier’s Bigfoot film Stomping Ground. The Craig Brewer Emerging Filmmaker Award went to Josephine Decker for her debut feature Thou Wast Mild And Lovely. The Ron Tibbits Excellence In FIlmmaking Award went to Alexis and Bodine Boling’s sci fi drama Movement + Location

Four Memphis filmmakers were given grants as part of the new Indiegrants program. Sarah Fleming, G.B Shannon, Joseph Carr, and Dindle Donelson will use their grants to produce new works which will screen at the 2015 festival.