Categories
Politics Politics Feature

A Mayoral Battle Royale in Memphis?

Now, this is getting interesting!

Within the past couple of weeks, the roster of candidates for Memphis mayor in 2015 has gotten more complete, more complicated, and maybe more competitive. And there’s obviously room for more in all the above categories.

First, there was the announcement, the week before last, of Jim Strickland, the District 5 city councilman whose support along the Poplar Corridor is generally understood to be deep enough to give incumbent Mayor A C Wharton a run for his money.

Then there was the almost simultaneous announcement from Shelby County Commission Chairman Justin Ford that he, too, is considering a run for mayor. Dropping hints of running such-and-such a race is a standard means of raising one’s name recognition for all kinds of future-tense political possibilities, but there are several reasons why such a declaration from the 20-something Ford, a second-termer on the commission, has to be regarded as more than fanciful ego-tripping.

First of all, he is a Ford, and that political clan still counts for something. Secondly, he demonstrated with his surprise election this year as commission chairman — an outcome that depended on Democrat Ford’s building a bridge to the commission’s Republican minority for support — that he possesses an ability to politick.

Then, too, Ford has nothing to lose by running. As he demonstrated by his strong — if ultimately unsuccessful — lobbying two years ago for the commission to redistrict itself according to the old formula of large, multi-member districts, he is interested in obtaining the maximum possible arena for expanding his name recognition.

To say the least, a mayoral campaign would give him that. Meanwhile, a loss would leave him still in possession of his current bully pulpit on the commission. And who knows? If the mayoral field proliferates as it might, the campaign might take on battle-royale proportions with fair chances for several candidates to win.

Councilman Harold Collins, who appointed an exploratory committee last fall, is likely to throw his hat in, and he will have a fair degree of clout, especially in Whitehaven and South Memphis, where Ford also has strength.

Another who is likely to enter the race is the Rev. Kenneth Whalum, former Memphis School Board member and pastor of New Olivet Baptist Church, whose strong showing in last year’s Democratic primary for Shelby County mayor surprised even him.

And still another is Mike Williams, whose lengthy tenure as president of the Memphis Police Association over the past several stormy years of confrontation with City Hall have made him a figure to reckon with.

Williams addressed a standing-room-only crowd Monday night at a “Campaign for Liberty” event at Jason’s Deli on Poplar. The audience was oriented toward Tea Party concerns about govermental interventions and corporate rip-offs, and seemed receptive to Williams’ free-wheeling populist remarks on themes of chicanery in city government, loss of citizen influence, and predatory actions by moneyed interests.

Throw in former county commission Chairman James Harvey, already declared, and you have the makings of a field that could split unpredictably in numerous ways.

Understand: Incumbent Mayor Wharton may be increasingly under fire, but he has serious financial support. He has dedicated followers and a seasoned political organization. And, most importantly, he has the office, with all its potential for commanding public attention. But he isn’t taking anything for granted. Nor should we.

Categories
Cover Feature News

Healthcare Showdown In Nashville!

Forget the elephant in the room. Where Tennessee state government is concerned, the elephant is the room. Republican sentiment in virtually every county in Tennessee, and in each of the state’s three grand divisions, is so overwhelming that all meaningful debates now take place within the GOP super-majority itself.  

As was the case during the multiple historic decades of Democratic domination, one-party government invites fragmentation, a process during which what appears monolithic and unified right now could well split into a right, a left, and a moderate center (all things being relative) as the political spectrum inevitably reasserts itself.

Something of the sort may get underway, in fact, as soon as next Tuesday, February 3rd, with the convening of the special session called by Governor Bill Haslam to deal with Insure Tennessee, the Republican governor’s home-grown version of a Medicaid expansion plan.

Justin Fox Burks

Mark Norris

Given the tensions and current disagreement on the subject within the GOP caucus, the session could easily last longer than the week allocated for it in the resolution authored (dutifully but reluctantly) by state Senate Majority Leader Mark Norris of Collierville. But not if Norris, an all-but-formally declared opponent of the plan, and the rabidly anti-Obamacare members of the Republican caucus have their way.

Although much of the declared and potential opposition to Insure Tennessee is clearly political, much of it, too, is either based on (or rationalized from) financial claims — one of them, certain to be heard early and often in the special session, being an allegation that the federal government could renege on its promise to provide 90 percent of funding for a state’s Medicaid program after fully funding the first two years.

Brian Kelsey

This is a favorite argument of state Senator Brian Kelsey (R-Germantown), a sworn foe of Insure Tennessee and of Medicaid expansion by any other name. “I question whether the federal government is a reliable negotiator,” said Kelsey last week, repeating an assertion he and other opponents make frequently — though not (so far, anyhow) with appropriate chapter-and-verse citations of prior derelictions by the feds.

Kelsey goes further, also questioning the validity of a commitment to foot the bill for the remaining 10 percent by the Tennessee Hospital Association, whose financially distressed and overburdened member institutions are desperate for the $1 to $2 billion that could be funneled annually via Insure Tennessee to TennCare (the state’s version of Medicaid).

The senator does not question the hospitals’ bona fides (though he has called the Hospital Association a “special interest”). Rather, he refers to a proposal periodically made in the past by U.S. Senator Bob Corker that would abolish the kind of fees on health-care providers that, as amplified in accordance with the Hospital Association’s pledge, could provide the association’s annual funding share.

A problem with that: Corker’s office responded to the claim with a statement that the senator had “no current plans” to proceed with any such legislation. Corker added, “I assume governors will continue to take advantage of federal laws as they exist today.”

In an indirect and gingerly fashion Corker made it necessary for critics of Insure Tennessee to challenge his own good faith on the matter.

Nevertheless, and despite the governor’s attempts to dissociate Insure Tennessee from Obamacare in information sessions (read: lobbying visits) held in Jackson and Memphis last week, it is a root fact that, in Tennessee as in Republican states elsewhere, the use of the president’s name in describing the Affordable Care Act (ACA) can by itself be a deal-killer.

It is that fact that prompted Haslam, earlier this month, to make a special appeal to the legislature’s Democrats for support of Insure Tennessee. With rare exceptions, if any, he should get his wish. But Democrats are a marginal factor in the General Assembly of 2105, owning only five seats in the 33-member state Senate and 26 of the 99 seats in the House.

The showdown over Insure Tennessee will be decided within the ranks of the legislature’s Republicans. In an interview with the Flyer two weeks ago, Norris contended that the GOP caucus was possessed of an “open mind” on the governor’s Medicaid proposal —and that he had not ruled out either opposing it or, as is the case with most administration bills, sponsoring it.

Yet it seemed obvious, in the thicket of reservations he expressed about the bill (most technical or procedural or fiscal, some philosophical) that Norris is disinclined to support Insure Tennessee. And, whether it was prepared with his cooperation or not, an online ad bearing Norris’ likeness and stating vigorous opposition to Insure Tennessee has been appearing with some regularity of late on various websites.

In his Flyer interview, Norris summed up several possible objections to Insure Tennessee: its effect upon ongoing litigation concerning TennCare in federal court; the specter of swelling TennCare’s rolls to the point of fiscal untenability; and uncertainty regarding what the U.S. Supreme Court will do in King v. Burwell, a case challenging the legality of federally administered health-care exchanges under the ACA.  

(Significantly, Norris is one of 18 members of the state Senate — a majority — who has signed on to an amicus brief on the plaintiff’s side in the latter case.)

All of this, Norris said, speaking of himself in his institutional role, constituted “the situation the majority leader has to deal with so as to instruct and inform my caucus,” adding meaningfully, “That’s the pool from which the governor has to draw for his votes. … My job is to maintain credibility with my caucus and to provide them with factual and legal information to make their best judgment.” 

The obligation to “maintain credibility” with his caucus had, up until that point, anyhow, kept Norris, in the case of Insure Tennessee, from assuming his normal role as sponsor of legislation desired by the governor.

Indeed, with less than a week to go before the onset of the special session, there is widespread doubt as to the form that action on Insure Tennessee should take.

“Is it legislation or a joint House-Senate resolution?” Norris wondered. “It could be a concurrent resolution, with two tracks [in the House and Senate separately and simultaneously].” In that case, Norris said, pointedly, “Any member can file amendments, including ‘poison pill’ amendments.” 

As Norris’ indicated, there has been a great deal of Alphonse-and-Gaston shuffling within the leadership ranks of the two chambers regarding who should bear the onus of formally presenting Insure Tennessee for consideration.

Jackson Baker

Speakers Ron Ramsey and Beth Harwell will play important roles in the Senate and House, respectively, during the special session.

Lieutenant Governor Ron Ramsey, the speaker of the state Senate, has indicated he is open to the idea of supporting Governor Haslam’s proposal, but he, like Norris, has professed uncertainty on the matter of procedure, suggesting that the House and Senate should act separately on the matter, with the House going first.

That hasn’t sat well with Norris’ opposite number in the House, Majority Leader Gerald McCormick (R-Chattanooga), who has braved the possible discontent of his fellow Republicans by endorsing Insure Tennessee and promising to do what he can to get it passed.

Calling the idea of a go-it-alone process in the House “preposterous,” McCormick said, “If they [Senate leaders] don’t want to do it, then they just need to tell us and we’ll go about our business and go into regular session. But we’re not going to go through an exercise in futility if they’re not serious about considering this legislation.”  

McCormick has been frank in declaring that House votes for Insure Tennessee may be hard to come by.

As quoted in the Tennessean two weeks ago,  McCormick put the issue succinctly, “It’s a government program and we’re expanding it. And as Republicans, we don’t like to expand government programs, period. But then you go back to the common-sense part of this … really the only practical way to provide these services … is to expand the Medicaid program.”

The debate in GOP ranks calls to mind the situation that another Republican governor in recent times found himself. The proactive way in which a term-limited Haslam has begun his second and final four-term term is reminiscent of the situation that former Governor Don Sundquist found himself in, circa 1997.

As is the case with Haslam, Sundquist confronted a gap between perceived policy needs and the revenues necessary for the state to act upon them. The ever-burgeoning rolls of TennCare, a program Sundquist resolved to support, were a part of the problem, but there was, at least in the then-governor’s mind, a structural weakness in the state’s revenue base that retarded other policy initiatives, as well.

The problem, as Sundquist saw it, lay in the inherent limitations of the state’s reliance on sales tax revenues, which, by definition, were subject to economic cycles. There was another problem, too: the inherently regressive nature of a sales tax. 

As Sundquist put it in 2011 in an interview with this writer for an article in Memphis Magazine: “Nobody disagrees that we ought to be a low-tax state, but we have to have a fair-tax system that is not regressive, and when you’ve got the people who make the least amount of money paying sales tax on food and clothing, it’s not fair. Then you’ve got all these professionals who are paying virtually nothing. Oh, they’ll tell you, ‘We pay a tax, a fee for our licenses.’ Just bull!”

Sundquist’s first solution back then was a proposal for a business tax, but, as opposition to that proposal grew, most of it from his own Republican ranks, he bit the bullet and proposed what he called a “flat tax” on income — one that would be offset by corresponding decreases in one’s federal income tax and could not be raised except by two-thirds majorities of both the state House and the state Senate.

Sundquist had Republican loyalists willing to back his proposal but not nearly enough to stem the tide of discontent, not only in GOP legislative ranks, but at the grass-roots level. The “I.T.,” as opponents of a state income tax derisively called it, was finally dropped from legislative consideration, on the very brink of passage, in the wake of a July 2001 riot on the state capitol grounds by what numerous observers called a “mob.”

(It is perhaps no accident that Norris, in his recent Flyer interview, used the expression “it,” which he spelled out with the initials “I-T,” to describe Haslam’s Insure Tennessee proposal.)

The long and the short of it was that the concept of a state income tax became untouchable by members of either party, and the sales tax was forever enshrined as the basic source of state revenue. The aforesaid Senator Kelsey attended to the “I.T.’s” formal burial recently by spearheading the constitutional amendment prohibiting it that was passed by a statewide vote in November.

And, as a consequence of his tax proposal, Sundquist became anathema in state GOP circles, though he had been backed by such traditional Republicans as Memphis’ Lewis Donelson and by a variety of business-minded groups.

Jackson Baker

for a unanimous endorsement of Insure Tennessee.

Significantly, Haslam, too, has support from such sources. The state Chamber of Commerce has backed his Insure Tennessee proposals, and Phil Trenary of the Greater Memphis Chamber is an especially strong advocate. Equally telling was a 12-0 vote of endorsement of the governor’s plan by the Shelby County Commission two weeks ago. The sponsor of that vote was Terry Roland of Millington, one of the most vocal and consistently conservative of the commission’s six Republican members.

For Roland and the other supporters of Insure Tennessee on the commission and elsewhere locally, the matter is a no-brainer: Memphis’ Regional One Health facility, which is responsible for the lion’s share of indigent medical care in Shelby County and in adjoining West Tennessee, Arkansas, and Mississippi, is in sore need of the funds Insure Tennessee would provide.

Spokespersons for other major health-care facilities as well, including the Baptist and Methodist hospital systems, have lobbied persistently for Haslam’s plan.

Even so, passage of the measure will be touch-and-go. Speaking before a local Republican women’s group earlier this month, several local Republican legislators appeared to vie with each other in citing reasons not to pursue Insure Tennessee. State Representative Curry Todd forecast that the coming special session would become a “bloodbath,” and relatively moderate House member Steve McManus expressed a fear that Medicaid expansion under Insure Tennessee would become a costly “Hotel California” that the state could enter into but never leave.

Ironically, the governor’s plan has what Haslam has advertised as a fail-safe against such a prospect. As proposed, Insure Tennessee, which would provide health-care coverage for at least 200,000 currently uncovered Tennesseans, would involve no increase in state funding whatsoever. The funding for the first two years — again, estimated to be between $1 and $2 billion — would be borne by the federal government.

Should there be a default, intentional or otherwise, by either the federal government or the Tennessee Hospital Association, which are pledged to assume 90 percent and 10 percent of the subsequent funding burden, respectively, Insure Tennessee would sunset automatically, the governor insists.

That fact, a funding formula free of new state obligations, allows for one of the two most important distinctions between his current predicament and that which faced Sundquist, whose tax-reform plan called for raising additional state revenue, even if offset by federal income-tax reductions for individual taxpayers.    

The other distinction between Haslam’s situation and Sundquist’s is that the latter was dealing with substantial Democratic majorities in both legislative chambers, a fact tilting both bodies toward at least the concept of governmental intervention as a remedy for social problems. Haslam confronts a Republican super-majority in both chambers, including Tea Party members and other arch-conservatives opposed to the very idea of governmental expansion, regardless of the paying formula.

The fact of that anti-government bias will be the chief obstacle for Haslam to overcome in the special session, which Norris and other Republicans want to hold to a single week. 

But it will also be a factor in the regular session to come, when there will be mounting opposition to the administration’s support for Common Core educational standards (decried as creeping federalism by Tea Party members and opposed also by state teacher’s organizations for other reasons) and its defense of the endangered Hall Income Tax on annuities (which Haslam regards as important to maintain, given the state’s existing revenue needs).

There will be legislative pressure, too, to move further on imposing new restrictions on abortion than Haslam might prefer, though the governor gave at least formal assent to the passage of Constitutional Amendment 1 on last November’s ballot, which gives license to renewed anti-abortion measures.

Does this last feature seem to contradict the stated bias of so many members of the GOP super-majority against stepped-up governmental activity? Maybe so, but it won’t affect the realities of what happens in Nashville in 2015, any more than logical inconsistencies on approaches to Insure Tennessee will.

Categories
Film Features Film/TV

A Most Violent Year

During a screening of A Most Violent Year, I had a revelation: I’m sick of movies about New York gangsters. I like The Godfather and The Godfather 2 as much as the next guy. Francis Ford Coppola’s twin masterpieces are rightly held up as some of the best American films ever made. I understand that a generation of filmmakers was inspired by them. But come on, people! That was 40 years ago! Can we maybe find some other group of people besides the Mob to represent the economic, social, and moral struggles of Americans reaching for the dream?

If you asked Abel Morales (Oscar Isaac) if he was a gangster, he would say no. He’s in the heating oil business, and he’s got a plan to expand. When the film opens, he’s in a real estate deal with a Hasidic Jewish family who may or may not also be gangsters. It’s 1981 in New York City, so apparently everyone is a gangster: Abel’s wife Anna (Jessica Chastain) comes from a mob family and keeps a close eye on the heating oil businesses’ second set of books. As you might expect from people who may or may not be gangsters, the terms of the real estate deal are not particularly good for Abel. But the plot of land is on the Hudson River, and it’s got some disused oil storage tanks on it that Abel plans to use as a basis for a new oil terminal that he can use to build his completely legitimate heating oil business into an empire.

Oscar Isaac and Jessica Chastain

Excited yet? Maybe you will be as Abel winds through meeting after meeting with the bank and potential investors in his attempt to scrounge up enough financing to pay off his creditors and avoid losing his down payment on the vital plot of land. Because as anyone who has ever seen Star Wars Episode 1: The Phantom Menace will tell you, a string of endless boardroom meetings where people talk about arcane trade and finance issues always makes for riveting cinema.

Abel and Anna, accompanied by their trusty lawyer Andrew Walsh (Albert Brooks), are beset on all sides by mysterious opponents trying to sabotage them. The district attorney Lawrence (David Oyelowo) is investigating their company for … well it’s never quite clear, but it has something to do with the second set of books Anna is hiding in their fancy new house that looks like somewhere Al Pacino’s Scarface would have flopped. Anna looks great in the New Wave nightmare of a home, styled as she is after Michelle Pfeiffer’s cocaine-crazed Elvira. But at least Tony Montana and Elvira were doing something more interesting than late-night accounting.

There’s also a shadowy bunch of gangsters hijacking the company’s oil trucks before they can get to market, which provides the movie’s sole interesting sequence, a running gun battle across the Queensboro Bridge. So you see, A Most Violent Year is not a very violent movie. It would probably be better if it were. Instead, it’s mostly a bunch of men trying to look intimidating while eating Italian food.

And yet, as The Godfather proves, it is actually possible to make a good movie about intimidating people eating Italian food. That gets to the heart of the problem with A Most Violent Year: It’s a cargo-cult movie. It has all of the trappings of a gangster epic without actually understanding how to use those trappings or why they work. Take The Sopranos, for example. James Gandolfini was a guy who could really eat intimidatingly. Isaac, on the other hand, just looks lost. And the writing isn’t strong enough to keep those mealtime conversations interesting. The dialog is flat, the story flabby and incoherent right up to the part where writer/director J.C. Chandor throws up his hands and craps out a deus ex machina ending. I’ll leave you with the final note I took during the movie: “The sideways gun is just icing on the shit cake.”

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Music Music Features

More Reviews

Taylor Loftin

Welcome Young Champions

Pizza Tape Records

Recorded late last year, Welcome Young Champions is the first solo album by Taylor Loftin, a member of the local punk band Gimp Teeth. Whereas Gimp Teeth crank out songs that barely reach the two-minute mark, seething with aggression and immediacy, Loftin croons, plays acoustic guitar, and even plays piano on Welcome Young Champions, techniques you will not find on a modern hardcore punk record. The 17 songs on Welcome Young Champions were written and recorded by Loftin when he was visiting family in Slovenia, and it’s a safe bet that Loftin was the only Memphian who made a record near the Adriatic Sea last year. Welcome Young Champions is definitely an album engineered for the summer, but Loftin released it through Pizza Tape Records in November of 2014. Pizza Tape Records is also the home to locals like Loser Vision, the Leave Me Be’s, and Ugly Girls. Welcome Young Champions might be the first solo effort from Loftin, but he sure sounds like someone who’s been crafting acoustic pop songs for years. The uniqueness of tracks like “Kafka on the Shore” and “Burn it Up” show a songwriter who’s already developed his own style, and the lo-fi recording makes this collection of songs more intriguing to listen to. A great debut from a local musician to watch in 2015.

Dawn Patrol

Police State EP

Kunaki Distribution

Dawn Patrol is a local metal band made up of brothers Tommy and Kyle Gonzales, along with bassist Stephen Bean. Championed by the local metal scene and media outlets like

Rock 103, Dawn Patrol seems to have hit the ground running since forming in 2012. Police State features artwork by Andrei Bouzikov, a twisted individual responsible for the gruesome cover art on the albums of high-profile crossover metal acts like Municipal Waste, Skeleton Which, and Toxic Holocaust. But Police State just doesn’t just look like a premier metal album; it rocks like one, too. Recorded last summer by Alan Burcham at Ardent Studios, Police State rides the line between hardcore and speed metal, with enough blast beats, double bass, and squealing guitar solos to make any metal purist satisfied.

Guitarist Tommy has been on the go since finishing school, joining New Jersey metal band Condition Critical on an extensive European tour last summer when he was only 18 years old. Perhaps the most interesting thing about Dawn Patrol is how experienced they sound despite their young age. Kyle already has drum endorsements even though he’s still in high school, and Tommy is Berklee College of Music-trained. Does Berklee offer a metal program? If so, Dawn Patrol would be at the top of the class.

John Wesley Coleman and the Gaylords

“Radio” b/w “Aliens” 7″

(Spacecase Records)

John Wesley Coleman might be from Austin, but his ties to the Memphis music scene run deep. As a member of the Golden Boys, Coleman played Murphy’s and the Buccaneer regularly, and the band also earned a spot at Goner Fest Nine. Not one to be tied to a single project, Coleman has released solo albums for numerous indie labels, including the Greg Ashley-produced Last Donkey Show for Goner Records in 2012. The self-proclaimed “Trash Poet” has numerous side projects, and Coleman has even released poetry and movie scripts in addition to offering a dirt cheap songwriting service in which he will write any paying customer a song about whatever they want for less than what an album costs these days.

It’s important to have all of that understood before listening to Coleman’s latest single “Radio,” the first with the Gaylords backing him. Both songs on the Spacecase single are stripped down and to the point, with Coleman repeating phrases like “I gotta radio” and “messin’ with my brain” over and over. While “Radio” builds to a climatic ending with swirling synthesizers and blown out guitars, “Aliens” is over in less than two minutes, leaving the listener to wonder if Coleman and company got abducted at the end of this recording session. If this brand of weird, fried psych punk is what the Gaylords are capable of getting out of Coleman, an LP would definitely be worth checking out. For now, this great single will have to do. Recorded by Dean Beadles, “Radio” b/w “Aliens” is available at Goner Records and Shangri-La or direct from www.spacecaserecords.com.

Categories
Theater Theater Feature

Hoodoo Love at Hattiloo

She keeps a ra’t’s foot in her hand at night when she goes to sleep,

She keeps a ra’t’s foot in her hand at night when she goes to sleep,

to keep [me with] her, so I won’t make no midnight creep.

— “Bad Luck Woman Blues,” Papa Charlie Jackson

I’d like to see a Texas cage match where Katori Hall’s Hoodoo Love takes on Memphis: The Musical. Not because I think it would be much of a fight, but because it would be deeply satisfying to see Hall’s scruffy fairy tale school that wannabe rock-and-roll origin story by a couple of good-intentioned Jersey boys.

Hall’s a Memphis writer who writes Memphis and writes it well. Hoodoo Love, currently onstage at the Hattiloo Theatre, is an intensely poetic love story from the Great Migration, about a little bitty woman with a great big voice, who escapes her hellish preacher’s daughter’s life in rural Mississippi, hoping to make it as a blues singer on Beale Street and to cut a record for the white man on down the road in Chicago. She spends most of her time washing clothes for other people and thinking up songs.

Toulou, sweetly embodied by Keia Johnson, falls hard for Ace, a masterful bluesman with a girl in every town. Desperate to make him her one and only, she turns to Candy Lady, a conjure woman, whose root work is “powerful shit.” The charms work, but there’s a price.

To spice up this voodoo stew, Toulou’s violent, hard-drinking brother follows her to town with the intention of founding his own congregation. Jib, a character reminiscent of Jacob Engstrand from Ibsen’s Ghosts, brings everything Toulou was running away from with him.

Hall has a gift for writing colorful, idiom-laden dialogue that tumbles from her characters’ mouths like Shakespeare’s prose. Hurt Village sounds like Shakespeare. It also sounds like North Memphis at the turn of the last century. She also has a gift for style-hopping, and Hoodoo Love’s mix of earthy music and magical realism is like an Alice Walker story arriving by train in one of Sam Shepard’s early rock-and-blues fantasias. It studies the violence and deprivation underpinning the thing we call the blues, riffing on myths, and the memories of people who claim to have seen guitar legend Robert Johnson on the day he died, crawling on the floor on his hands and knees and barking like a dog.

There are many satisfying things about the Hattiloo’s run through Hoodoo. Johnson’s vulnerable, unforced performance tops the list, although every actor brings something good to the table. Arthur Ford’s Ace is a smooth operator, whether he’s blowing harp or blowing smoke. His scenes in Toulou’s arms, and under her spell, make steam. As brother Jib, Rickey Thomas is an awkward mess of a manchild and a loose cannon. Candy Lady is brought vividly to life by Hurt Village veteran Angela Wynn. But on opening weekend, not all of the actors seemed comfortable with the lines and blocking, and nothing upsets the flow of a performance like actors having to think about what they are doing and saying. Here’s hoping that gets better once the cast has a few shows under its belt.

It’s frustrating, in Memphis especially, to watch actors pretending to play blues out of sync with music from the wings. Even if you commit to actors who can’t play, Hoodoo Love‘s Memphis setting and magical elements create opportunities to present music in a theatrical way, without turning the show into an actual musical.

Director Brooke Sarden may not have found perfect solutions for Hoodoo Love‘s musical challenges, but she seems especially attuned to the meaning and natural musicality of Hall’s language.

Although it’s set in the 1930s, Hoodoo Love‘s modern Memphisness shines through in a way that should make it especially satisfying for regional audiences.

Categories
Opinion Viewpoint

Let it Be

Sometimes the do-nothing option isn’t bad. And that’s so with the Fairgrounds.

Ten or 15 years ago, doing nothing was not a good option. The Fairgrounds was blighted. It was basically an entertainment junkyard that included the abandoned remains of Liberty Land amusement park, Tim McCarver baseball stadium, and the stables and agricultural buildings that were part of the Mid-South Fair. The main entrances to Liberty Bowl Stadium were ugly and congested.

Today, the Fairgrounds looks a lot better from end to end, especially from the west side along East Parkway. The city greened and cleaned it. The stadium is beautifully lit, the faux entrance looks great, and Tiger Lane is an inviting, landscaped tailgating area for the Tigers, the Southern Heritage Classic, and the AutoZone Liberty Bowl. The blight is gone, except for the Mid-South Coliseum, a big space-eater that doesn’t look so bad.

The Children’s Museum is expanding, the Kroc Center is open, and there are two soccer fields, a high-school football stadium, and a track. Fairview school is renovated. The old Liberty Land is a disc golf course; there are worse things. There are lighted baseball and softball fields, a rugby field, and a skate park just north of the Fairgrounds at Tobey Park. A lot of this is free, if not first class.

A Tourism Development Zone (TDZ) for a youth sportsplex is proposed now by the city and was previously proposed (and approved in Nashville and Memphis) by developers Henry Turley and Robert Loeb. The financing is complicated, but the big part isn’t. The “T” in TDZ stands for tourism. Mayor A C Wharton says a Fairgrounds TDZ would be nice for local youth. Maybe so, but that’s not tourism. Tourism is getting somebody else to come to Memphis and stay here and spend some money.

A youth sportsplex was a great idea — in 1995. After that, lots of cities, big and small, figured it out. Let’s look at the competition within 250 miles.

Bowling is supposedly the “fastest growing high school sport.” The state meet is held in Smyrna, outside of Nashville. The venue has 52 lanes, so let’s say the ante is 50 lanes.

The state swim meet is held in Knoxville or in Nashville at the Tracy Caulkins Aquatics Center. If you want to compete, you don’t build a pool, you build an aquatics center. The pool must be 50 meters long and eight lanes wide, with a second rec pool and a diving area. That’s the ante.

Soccer’s premier venue in the Mid-South is the Mike Rose Fields in Shelby County, with 16 fields, a stadium, and 15 hotels within 10 miles. Oxford’s FNC Park has five lit-and-sprinkled soccer fields plus eight baseball fields and a BMX course. Who’s going to drive past those to get to Memphis?

Tennis? The state meet is played in Murfreesboro at a facility that is adding eight new courts in February. Nashville’s Centennial Park has 13 resurfaced outdoor courts and four indoor courts. Little Rock’s Burns Park has 24 terraced outdoor courts and six indoor courts. Memphis has multiple courts at Rhodes College, Leftwich Tennis Center, the Racquet Club, and Memphis University School. Trust me on this — I’ve been a hacker for 55 years — tennis players are picky.

Baseball and softball complexes virtually surround Memphis. Snowden Grove in DeSoto County has 17 fields. Joe Mack Park in Jonesboro, Arkansas, has 12 fields, all sponsored by local businesses. Jackson, Tennessee, has 17 fields you have probably seen at mile 86 on Interstate 40. The Game Day First Tennessee complex in Shelby County has 10 lighted fields. Let’s call the ante 10 lighted fields.

So it goes. Hockey? Nashville and DeSoto County have pro teams that help support rinks. Volleyball? The state meet is in Murfreesboro. Same for football and track. A central location beats Memphis, if you live east of Jackson.

Basketball Town USA? Maybe. Memphis often has the best high school and national AAU teams year after year. We’ve also got the Grizzlies. But our teams have to go to Murfreesboro to claim their state trophies every year because we’re stuck in the corner.

Location matters. Ordinary doesn’t cut it. Great beats good. Want to play? Ante up.

Categories
We Recommend We Recommend

“Delicate Tension” at Crosstown Arts

Brittney Bullock has a story to tell.

“It’s a story about laughter, fellowship, and love,” she says. It’s also about “generational change” and how a traditional craft has evolved into modern street art.

Bullock describes “Delicate Tension,” the show she’s woven together for Crosstown Arts, as “a collection of multigenerational needlework.” The three-day exhibition brings together a unique mix of knitted and crocheted works by artists, hobbyists, and enthusiasts. Some of the collected needle-slingers meet up at local senior centers, while others are members of the Memphis Knit Mafia.

Knitted objects often mark events in a family’s history and are passed down, but that’s not always the case. “Delicate Tension” features a well-loved baby blanket and an afghan crocheted in sorority colors, alongside new pieces of work that range from the pretty and practical to the purely ornamental.

“I wanted to tell the story about this change from people doing this very intricate needlework to what’s called knit-bombing — people getting together and knitting around objects,” Bullock says, comparing abstract needlework artist Morgan Montalvo to Margaret Cook, who meets with her group twice weekly at the Pine Hill Community Center, to create the slippers and elaborate baby clothes that have earned her top honors at area fairs.

“Morgan is making pieces to display in the windows,” Bullock says. “She’s all about color composition and works on an unusually large scale using really huge needles.” The exhibit also includes pieces by multimedia artist Nikkila Carrol who incorporates ceramic figurines into her knitted work.

Categories
Sports Tiger Blue

Tigers 70, East Carolina 58

The Memphis Tigers withstood a second-half barrage of three-pointers by the overmatched East Carolina Pirates to win their second straight game and finish the first half of their American Athletic Conference schedule with a record of 6-3 (13-7 overall). Down 15 at halftime, ECU hit eight of its first 12 attempts from beyond the arc in the second half to close the deficit to merely five (61-56) with 4:30 to play. But the U of M scored nine of the game’s final 11 points to secure its 12th double-digit win of the season.

Austin Nichols

“They were on fire in the second half,” acknowledged Tiger forward Austin Nichols, who scored a game-high 21 points. “We just gotta finish games better. Markel [Crawford] and Avery [Woodson] were hand-in-their-face, up under the shooter. But they were just knocking them down. They’re one of the best three-point shooting teams in our conference.” Terry Whisnant led the way for East Carolina with five treys (on seven attempts) and 17 points. Five other Pirates connected from long range, with Caleb White adding 10 points. ECU’s 13 three-pointers are the most Memphis has given up this season. Add six treys by the Tigers and the game featured more total long-range field goals of any Memphis game this season.

A furious end to the first half seemed to secure the game for the Tigers after 20 minutes. Trahson Burrell slammed home a lob from Avery Woodson, then dunked on a breakaway feed from Woodson before Nick King drained a three-pointer for a 39-24 lead. (King scored 11 points and grabbed seven rebounds in 19 minutes after not playing in the Tigers’ win last Saturday at Tulane.) But four Pirate three pointers in the first six minutes of the second half closed the margin to seven points. A steady, efficient Tiger offense (19 assists, six turnovers) prevented what would have been an ugly loss in front of 13,335 fans at FedExForum.

“We were smart with the basketball, took care of the basketball,” said junior guard Kedren Johnson (seven points, two assists). “They hit a lot of tough shots, with hands in their faces. I don’t think our energy was as good as it’s been recently, but taking care of the ball kept us in the game, and ultimately got us the win.”

Johnson insists a conference championship remains a goal, though he knows his team will have to perform better than 6-3 over the second half of the AAC season. “It’s just giving ourselves a chance. We need to keep ourselves within striking distance.” The Tigers remain three games behind first-place Tulsa in the AAC loss column.

Burrell scored 11 points for the U of M and six different Tigers had at least two assists (Woodson led the way with five). Memphis dominated the Pirates in the paint, 34-12.

The Tigers next take the floor Saturday night in Spokane Washington, against the third-ranked Gonzaga Bulldogs. The game is scheduled to tip off at 9 p.m. locally and will be televised on ESPN2.

NOTE: Junior forward Shaq Goodwin started the game for Memphis, (his first start since January 8th), but went to the bench after turning an ankle with just 19 seconds expired. He expects to play against Gonzaga.

Categories
Calling the Bluff Music

Talib Kweli Talks Voting, White Supremacy, and Macklemore

Talib Kweli

It’s no mystery: Talib Kweli is as passionate about activism as he is rapping.

The Brooklyn-bred wordsmith has participated in various community protests over the years — one of the most recent being in Ferguson, Missouri, following unarmed teen Michael Brown’s death.

Kweli’s also publicly condemned racism, police brutality, white supremacy, voting and the prison industrial complex.

Back in November, he traveled to Little Rock, Arkansas, to speak at Philander Smith College’s “Bless the Mic” lecture series. Following his lecture, Kweli spoke with Arkansas Times contributor James Murray about why he’s critical of voting, his views on white supremacy, and the criticism Macklemore has received from hip-hop enthusiasts. 

Check out the interview below.

Talib Kweli Talks Voting, White Supremacy, and Macklemore

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Categories
News News Blog

MBQ Relaunches as Inside Memphis Business

Contemporary Media Inc., publisher of Memphis, The Memphis Flyer, and Memphis Parent, has announced that, beginning with the February/March 2015 issue, MBQ: Inside Memphis Business will carry a new, streamlined name — Inside Memphis Business.

The regional business-to-business publication, originally launched in 2006, has gone through an evolution over the past decade, beginning life as Memphis Business Quarterly before going to its current publication schedule of six times a year in 2012. “The new name evokes a new outlook,” says Richard Alley, editor of Inside Memphis Business. “We’re looking to be more engaged with the business community of Memphis and to bring its leaders and experts in on the discussion. Conversely, we’ll be taking a closer look at those industries and their leaders, getting inside to tell their stories, spotlight best practices, and learn what it is that makes them tick.”

The magazine will also work more closely with area nonprofits and the world of philanthropy. Along with the name change and redesign of the layout in the February/March issue, the magazine has unveiled its “Dig Deep for Memphis” campaign, working with local nonprofits and the companies that support them to raise awareness for both.

The newest issue of Inside Memphis Business features its annual CEO of the Year Awards, highlighting leadership in four categories based on employee numbers, as well as an in-depth story on the current state of Memphis International Airport and the Memphis-Shelby County Airport Authority. New departments include snapshot views of various industries including sports, law, tourism, dining, and higher education. Columnists featured are David S. Waddell of Waddell & Associates, John Malmo of archer>malmo, and Douglas Scarboro with the Office of Talent and Human Capital for the city of Memphis.