Categories
Blurb Books

Reading Roundup

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The weather may not be the best this week, but Wednesday and Thursday are just fine in Memphis for writers and signings.

Native Memphian Alan Lightman (right), whose new memoir, Screening Room (subject of the Flyer’s book column that appears on Wednesday), will be at story booth (438 N. Cleveland) to read from, discuss, and sign his book on Thursday from 6 to 8 p.m.

And the same night, Tim Johnston, of the creative writing program at the University of Memphis, will be doing the same: reading from, discussing, and signing his critically acclaimed debut novel, Descent.

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Johnston will be at the U of M’s University Center Bluff Room, with a reception at 5:30 p.m. and the reading at 6 p.m. For more information and any questions about Johnston’s signing, presented by the Marcus W. Orr Center for the Humanities, contact Robert Marczynski at marczyns@memphis.edu. And for more on Descent, go to the writeup that accompanied Johnston’s own recent reading at story booth.

Descent is a suspense story set in motion when a high school track star goes missing in the Colorado Rockies, and it follows what becomes of not only her but of the anguished family left behind. Fifteen-year-old Lindy Simpson is another high school runner, but she doesn’t go missing in the pages of another debut novel: M.O. Walsh’s My Sunshine Away (Putnam). Lindy does meet with her own trauma, however, when she is raped one night on her quiet, upscale street in Baton Rouge. Among the suspects, back in 1989 when the incident occurred, is a 14-year-old boy who lived across from Lindy, and he suffered from more than a serious schoolboy crush. He unwittingly helped to ruin the next several years of Lindy Simpson’s life.

Like Descent, this is a suspense novel, and it may be aimed at adult readers. But it can easily be read by young adults too — should be read by young-adult male readers. What does it mean to be a man? What’s it take to grow into one? Those are core questions in My Sunshine Away, and it takes the narrator, now in his 30s, half a lifetime to puzzle over the tough questions and arrive at some not-so-easy answers in what amounts to a 300-page case study on the damage men — and some boys — do. A beautifully written and unsparing coming-of-age story, the novel can also descend, as Johnston’s harrowing novel does, to downright creepy.

M.O. Walsh grew up in Baton Rouge, graduated from the MFA program at the University of Mississippi, and now directs the Creative Writing Workshop at the University of New Orleans and the Yokshop Writers Conference in Oxford. He’ll be discussing and signing My Sunshine Away at The Booksellers at Laurelwood on Wednesday at 6:30 p.m., and it’s the latest event in the store’s “Literary Tastemakers” series.

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Another series continues Wednesday night when “Communities in Conversation” at Rhodes College welcomes Nell Irvin Painter, Edwards Professor of American History, Emerita, at Princeton, to discuss “The History of White People,” based on her book of that title published in 2010. The lecture, free and open to the public, will take place inside the McCallum Ballroom of the Bryan Campus Life Center at 6 p.m., with a book signing to follow.

What does Painter mean by a history of white people? What does “white” even mean, what has it meant across history and cultures? Jonathan Judaken of Rhodes asked those same questions in a recent 30-minute interview with Painter that aired on his radio show on WKNO FM, “Counterpoint.” The interview is well worth your attention if you can’t make it to Painter’s lecture. If you do make it, you’ll already know what an impressive communicator she is. To Judaken’s question about that phrase “post-racial era” when Obama was elected president, you can turn today’s headlines for an update. Or you can take Painter’s word for it — actually, two words: “Total poppycock.”

For more information on Nell Irvin Painter’s lecture and book signing and on the “Communities in Conversation” series, go to Facebook.com/Communities.in.Conversation or Twitter @Rhodes_CiC, or contact Jonathan Judaken, Spence L. Wilson Chair in Humanities at Rhodes, at judakenj@rhodes.edu. •

Categories
Opinion The BruceV Blog

Bill Dance Gives a Preview Tour of Bass Pro Pyramid

It’s well known that Memphis’ premier bass fisherman and outdoor TV personality, Bill Dance, is good friends with Bass Pro CEO Johnny Morris. Dance was around in November to tag along with Morris when the media were given a tour of the progress being made inside the big, pointy bait-shop.

Now, in what appears to be a video made more recently, Dance takes us on a tour from the soon-to-be swampy bottom to the spectacular view from the top. If all goes according to schedule, you’ll be able to take your own tour — and shop to your heart’s delight — beginning May 1.

Click here for the video.

Categories
Food & Drink Hungry Memphis

Guess Where I’m Eating Contest 58

I could go for one these about now … 

The first person to correctly ID the dish and where I’m eating wins 2 tickets to the Wild Game Dinner at the Clark Opera Memphis Center on Saturday, February 21st, 6:30 p.m. 

This is a really cool event, benefiting Opera Memphis. Local hunters donate game, which is then prepared by local chefs. Guests vote on their favorite dishes. There will also be an auction and wine pull. 

To enter, submit your answer to me via email at ellis@memphisflyer.com

The answer to GWIE 57 is the liver and onions at the Four Way, and the winner is … Brad Parrish! 

Categories
News News Blog

Treetop Adventure Course To Open March 21st

On the first day of spring, Memphians will have the opportunity to swing from the trees — literally.

Go Ape, the city’s first treetop adventure course, will open March 21st at Shelby Farms Park. The course has six zip lines, two Tarzan-style swings, ropes, ladders, bridges, and trapezes. The 42 obstacles included in the course are set up 40 feet up in the forest canopy. The course takes two to three hours to complete.

Go Ape’s Shelby Farms location will be its eighth in the country since it launched in 2010. It’s the first Go Ape location in Tennessee.

“Go Ape is an exciting addition to Shelby Farms Park and a perfect compliment to the current and planned recreational amenities in the park” said Shelby Farms Park Conservancy’s Executive Director, Laura Morris. “Our vision is to give rise to a celebrated 21st century park, and through this partnership with Go Ape we are taking fun to new heights.”

Scene from a Go Ape course

  • Scene from a Go Ape course
Categories
Fly On The Wall Blog Opinion

Mega-Fail: The New Memphis Welcome Sign is NSFW

S

ARRRGGH!

So, are we the only dirty minded people who read the Commercial Appeal story “Memphis’ New Signs Beckon I-40 Travelers” and thought, “Wait a minute, are those dildos up there?”

Because, you’ve got to admit, in addition to being an ugly sign generally, those alleged music notes up top, sure do look an awful lot like dildos

L to R: Dildos, Detail from the new Memphis welcome sign.

Mega-Fail: The New Memphis Welcome Sign is NSFW

UPDATE: What’s seen can not be unseen. Maybe this is our Mt. Rushmore. Those dildos need names. Maybe even faces. Suggestions? 

Categories
Film Features Film/TV

Jupiter Ascending

Andy and Lana Wachowski’s work represents the epitome of the contemporary blockbuster. In 1999, The Matrix seemed to announce that, in the new century, outer space had been replaced by cyberspace. The aesthetic, like the kids who flocked to see it, embraced anime and gaming influences. Audiences showed up for the two sequels, but many were disappointed. The Matrix was a lean, effective action movie wrapped inside a cyberpunk shell, but Reloaded and Revolutions burrowed into world-building and arcane symbolism. Other blockbusters reacted to the Wachowskis by becoming denser and longer, but no one else could quite match The Matrix‘s power. In a landscape increasingly dominated by remakes and adaptations of pre-existing intellectual properties, it was one of Hollywood’s last original ideas.

Since then, the Wachowskis have had a hand in the creation of one more bona fide classic: 2005’s V for Vendetta. Maybe they haven’t always succeeded, but they have always tried to do something different. Which brings us to 2015, and the Wachowskis’ first attempt at the hoary old genre of space opera.

Jupiter Ascending does not start by introducing us to Jupiter Jones (Mila Kunis), the housecleaner who will turn out to be the most important person on planet Earth. Instead, it begins with world-building. Or in this case, world-destroying. Titus (Douglas Booth) and Kalique (Tuppence Middleton) Abrasax are galactic royalty touring a dead alien world whose empty cities and disused technology are covered with a blue powder, which we learn is all that is left of the planet’s inhabitants, who have been “harvested.” They are interrupted by a holographic message from their older brother Balem (Eddie Redmayne), and from the conversation, it’s clear that potentially murderous sibling rivalry is not just a problem among Earth royals.

Family life is no more harmonious for Jupiter Jones, who, in flashbacks, we see was born to a Russian couple who fled the post-Soviet chaos for America. She’s currently living in a cramped apartment with her aunties and uncles, making a meager living and hating her life. But when her cousin convinces to her to make a quick buck by selling her eggs to a fertility clinic, her planet’s perilous condition is exposed. The Earth is essentially a giant human farm, seeded by the Abrasax clan millions of years ago to provide raw genetic material for the elixir of immortality that gives the royal family their power. Jupiter’s DNA sequence is a “recurrance” of the clan’s recently deceased matriarch, which means that, in the eyes of galactic law, she holds the deed to Earth. Once the powerful siblings Titus, Kalique, and Balem see their valuable livestock holdings are in peril, they send bounty hunters to Earth to find Jupiter. Titus sends Caine Wise (Channing Tatum), a genetically engineered super soldier, to bring her back alive and install her as family matriarch, dethroning his cruel brother Balem in the process.

Like all of the Wachowskis’ work, there are moments of great inventiveness and visual bravado, such as Balem’s spectacular base floating in Jupiter’s Great Red Spot. The film’s pastiche of influences range from Harry Potter to Neon Genesis Evangelion. The set pieces, such as a running dogfight through the towers of Chicago, are the equal of any contemporary blockbuster.

And yet, the whole thing fails to gel on some level. The screenplay is overstuffed with detail, but it holds together better than The Fifth Element, which was clearly an influence. The acting is not bad, with the glaring exception of Best Actor Oscar nominee Redmayne, whose hissing portrayal of Balem is downright laughable. It might sound strange to say, but Jupiter Ascending lacks Keanu Reeves. He might not be the best actor in the world, but he does “movie star” really well, and his chilly aspect was essential to creating the tone of The Matrix. Kunis can hold the screen, but her character is a space princess who serves mostly as a McGuffin. Tatum does yeoman’s work, but he lacks the charisma to carry the movie.

Comparing Jupiter Ascending with Guardians of the Galaxy exposes the Wachowskis’ fatal flaw: They’re just not funny. The Matrix inspired a wave of somber sci fi and fantasy that dominated the 2000s. Guardians‘ lighter tone was a response to a decade of grimdark overkill. There’s evidence that the Wachowskis are aware of the problem in a sequence where Jupiter and a robotic lawyer try to navigate the galactic bureaucracy, which nods to Terry Gilliam’s absurdist Brazil. But it falls flat, and so Jupiter Ascending putters along, spreading its handsome wings but never quite taking off.

Categories
Music Music Features

The Warehaüs: Hair Salon and Concert Hall.

From the window of The Warehaüs, a salon-music venue hybrid on the 11th floor of the Union Centre building on Union Avenue, the Memphis horizon stretches before Mat Brown.

“You see something new every time you look out,” Brown says.

A stage sits in the corner of the room, and stylists are working with customers as Brown steps onto it, absorbing the work that he and his business partner Chad Runken have put in since they opened six months ago. During the day, combs, scissors, and hair products line the counters while blow dryers and faucets sound like white noise in the background. But the salon was built according to a multi-faceted vision that Brown has for his business. Tall mirrors are staggered on casters throughout the room, ready to move at any moment. When the sun goes down, The Warehaüs transforms into a D.I.Y. space for local and touring bands to play shows. Brown pays all of them.

“I knew no matter what, if I was going to open a salon, I was going to include music,” Brown says. “I thought ‘What if we create a fusion between something from the music industry and something from the beauty industry? Maybe we could include some visual arts, like performing and fire spinning, and dancing and painting and maybe graduates from Memphis College of Art could do art shows here, and we could even cut hair on stage while bands play.’ It would be something that no one has ever seen before. It’s an oasis.”

Since opening, Brown has booked at least 10 shows, and The Warehaüs recently hired a booking agent to bring in more bands. Brown is hoping to have at least one show a month, charity events, and more depending on how much momentum they receive.

“Everything has an even flow,” Brown says. “I’d like to use the salon as a platform to show people that. I feel these two passions, hair and music, are a good way to bring people together.”

The 3,000-square-foot salon isn’t walk-in friendly, but Brown doesn’t care too much about that. Conceptualizing The Warehaüs, he knew it was an off-the-wall idea, and he wanted a space that captured the Memphis spirit. Turn your neck to the left and you’ll see the Memphis Bridge. Peer down, and 150 feet below, you’ll see cars weaving their way through Midtown. Directly across, the Sears Crosstown building stands like a beacon to the recent revitalization that many local businesses have felt in Memphis. Brown wanted to plug into that momentum.

“There’s millions and millions of dollars that are being put into small businesses just in this area, and that’s one thing that rang really true to me,” Brown says. “You’ve got Crosstown Arts, you’ve got that whole district. We’ve seen buildings start off as mounds of dirt and become bars, restraunts, and music venues.”

At 26 years old, Brown has spent the better part of his 20s bringing his dream to fruition. The Warehaüs is the end result, a combination of the creative outlets that drove him as a teenager: music and art.

As a child, Brown’s dad taught him the basics of playing guitar on an old acoustic that was lying around the house, and it stuck. He started a metal band in high school with a friend, and they eventually landed shows across the city. But one bad haircut before Brown had to go on, and he had unexpectedly discovered his purpose.

“I got a haircut that really wasn’t great, so I went home and fixed it,” Brown says. “I thought, ‘I can’t go on stage looking like that,’ so I fixed my haircut and thought, ‘Oh, I could do this. I could pay the bills with this and play music.’ A lot of my passion about anything in life originated with music.”

Brown graduated high school in 2007 and told his parents he wanted to become a hairdresser, but they weren’t supportive. They had preconceived notions that the field was full of “party animals” that “sometimes might not be very successful.”

With no direction and without his parents’ approval, he explored different avenues, which ended up being dead-end streets. He took classes at Memphis College of Art before enrolling at the University of Memphis and starting on a path to become a math teacher.

Focused more on writing music than attending class, Brown dropped out and got a job helping deaf people with identity theft prevention to make ends meet. He was eventually laid off and later evicted from his home. Once he got back on his feet, Brown became a bill collector, and after having to repossess the vehicle of a man who was in a coma, Brown decided to finally pursue his dream.

“I was really good at what I did, but I was making people miserable,” Brown says. “I went to my family and said ‘Look, I’m sick of making people miserable. I don’t want to be the guy people hate. I just want to do something that I’ll be proud of, a creative outlet where I can make money. Everyone will always need a haircut.'”

In 2009, Brown enrolled at Paul Mitchell the School Memphis. With the exception of his acoustic guitar, he sold all of his musical equipment to pay his way through school.

Brown worked his way up the chain. He got his license to cut hair, his instructor license, and his certification as a master educator. Tommy Callahan, the vice president of Paul Mitchell who Brown refers to as his mentor, made him a member of the Paul Mitchell team. The position took Brown to Las Vegas and all around the country, cutting hair and instructing crowds of 300 or more eager stylists-to-be.

Once Brown graduated from Paul Mitchell in 2010, he started seriously entertaining the idea of opening his own salon. He naturally went to Callahan, but, to Brown’s surprise, his mentor dissuaded him from doing it.

“I was taken aback,” Brown says. “I just heard ‘don’t.’ But then he said ‘yet’ [and to] ‘give it five years.’ So, I started business training with Paul Mitchell. I didn’t realize I was going to do exactly what he suggested.”

Looking around his salon, Brown laughs. “We have a lot of fun, but we’re professional up here,” he says.

Now, he’s a seasoned stylist with years of experience under his belt. He studies his customers and goes into every haircut like a painter approaches a canvas or a musician feels out a melody.

The salon’s mission statement is “cut with a purpose,” which hits home with Brown. Like many first-time business owners, he spent the latter part of 2014 trying to keep his head above water. But he and his team are calling 2015 “the year of The Warehaüs.”

Categories
Letters To The Editor Opinion

What They Said (February 12, 2015) …

Greg Cravens

About Jackson Baker’s post, “Haslam’s Medicaid Expansion Bill “Hanging by a Thread” …

Kelsey is a fool, a traitor, and a moron! The trifecta, as it were.

Tennessee Waltzer

The majority of people opposed to Insure Tennessee are the Tea Partiers in our legislature. Most Tennesseeans favor the program. And Brian Kelsey should hang his head in shame for being part of the taxpayer-funded state health insurance program while denying the same to the working poor of Tennessee.

Jenna Sais Quoi

It’s dangerous having someone with Kelsey’s mindset — more loyal to his narrow ideology than to the well-being of the people of Tennessee.

Concerned in Shelby County

We have someone as president who is 100 times more dangerous with his own narrow ideology and use of executive orders to bypass Congress.

Firefox

You couldn’t be talking about the current president, who has signed fewer executive orders than all presidents since Grover Cleveland and uses Republican ideas like the ACA.

Concerned in Shelby County

I’ll just put this here: “Six of seven senators who shot down Insure Tennessee have state health care.” Hint: three of them are in this article, and the fourth one is our local idiot.

Charley Eppes

About Chris Davis’ Viewpoint, “‘Night, Darlin'” …

Poetic touching tribute. You paint a picture of a moment that many of us shared in our own way. Thanks for a beautiful private look into the way a kind soul can make a difference in many lives. Larger than life. Thank God.

Peter Ceren

To be inside the P&H after last call and the doors were locked was a cross between a return to the womb and breakfast at Valhalla.

CL Mullins

About Wendi C. Thomas’ column, “Thanks, Obama!”

I’m a Democrat who pays the Halls tax and federal taxes. Insuring others keeps my own personal health care less expensive because I’m not paying for anyone else’s unpaid bills.

I also have a pre-existing medical condition that prevented me from ever getting health care outside of an employer. Without insurance, I would be spending upwards of $15,000 a year staying alive and healthy. Since the health-care exchange opened, I have had a peace of mind that I have never enjoyed before in my adult life, because I have choices that extend beyond finding a job with top-notch insurance and going broke trying to stay alive.

CSH

Rural hospitals are closing all over Tennessee. When good, God-fearing, country folk start dying on the two-hour trip to the nearest hospital, there’ll be hell to pay … for Democrats, of course. Republicans will blame Obamacare.

Jeff

I was a conservative Republican when I was laid-off from my job in 2000. The ever-increasing cost of maintaining insurance via COBRA convinced me that socialized medicine is the way to go. I don’t mind my tax dollars supporting such a system, even though Obamacare isn’t such a system and doesn’t go nearly far enough toward socialized medicine.

Republicans lose their jobs as frequently and as easily as anyone else. And I just want to laugh at retired Republicans with Medicare who oppose Obamacare.

Brunetto Latini

To those who can understand the plight of the uninsured and support medical insurance for the least of our brethren and don’t fear to speak up about it — my hat is off to you!

Truth Be Told

I hope others are joining all good Republicans like myself in leaving this country if Obamacare continues. We shall find a civilized country without socialized medicine, like … uh … uh. I’ll have to get back to you, brothers. Hold off on the packing.

tnRepublican

Categories
Fly On The Wall Blog Opinion

Winter Storm Survival Tips

Uncle L.D.

Just about here…

Winter Stormageddonpocalypse ’15 is bearing down on the Mid-South. As local meteorologists prepare for inordinate amounts of screen time, you should make ready for the coming storm. Here are some important tips to help you survive the storm of the century.

1. Stock up on jokes about milk and bread. There’s going to be a lot of opportunity to make jokes about people running to the store for necessities in the face of winter weather. You’re going to want cutting edge, fresh jokes so that yours can stand out on social media. Don’t be stuck with just one “Guess we’re going to need bread and milk!” quip for Facebook. Go get those jokes ready now so you can be at the forefront of obvious comedy.

2. Winterize your house. Cover the entire house with a Styrofoam teepee. If it’s good enough for your outdoor faucets, it’s good enough for your whole house.

3. Determine which family members you will eat. If trapped by ice for more than two days, you may need to decide which family member the rest will eat in order to survive. It’s best to make those plans now when you can do it rationally and without letting emotions get in the way during a crisis. The Donner party didn’t plan, and reports say they had a really hard time deciding who would be lunch. And don’t even get me started on that soccer team. Those guys had a really tough time due to lack of planning!

4. Purchase a salt truck and 50 tons of salt. This will be incredibly useful. And if the storm does not show up, you’ve got enough salt to last for your meals for at least a week!

5. Mock people. If you are from the North, now is your opportunity to make fun of and be condescending to your new neighbors. Make as many insulting, rude and annoying statements about how we just don’t understand snow down here and that it’s quaint that we react to winter weather the way we do. We love that.

6. Gather costumes. Prepare for the winter weather by stocking up on supplies to make costumes of local weather personalities. Treat weather reports like The Rocky Horror Picture Show. Throw bread or something at your TV anytime there’s a weather crawl! Shoot each other with water guns anytime Ron Childers says “occluded”! Make it fun!

7. Prepare entertainment. Remember, if the power goes out, you won’t be able to access programming on your TV, radios, Netflix, or even your old Magnum P.I. DVDs. So prepare for some non-electric based entertainment. Like puppets or something. I don’t know what people did for fun in the dark ages, but I assume puppets were involved.

8. Prepare a shrine to Ithaqua. Just in case the storm is caused by Old Ones, it won’t hurt to do what you can to appease Ithaqua lest he devour your soul or send you to the brink of gibbering madness.

9. Get a sled. Call it Rosebud and yearn for it as you lay dying, allowing it symbolize your lost youth and innocence. Spoiler alert. Sorry.

10. Say “Cold enough for you?” over and over again. This will help make the decision in number 3 easier for the rest of the family.

Mr. Hack is Fly on the Wall‘s senior Stormageddonpocalypse correspondent and a Wiseguy.  

Categories
Sports Tiger Blue

Tigers 75, USF 48

The Tigers secured a much-needed — and easy — win this afternoon in Tampa, handling the American Athletic Conference’s cellar-dwellers in their only meeting of the season.

Both teams shot woefully in the first half, the Bulls missing 18 of their first 22 attempts and Memphis shooting 33 percent for the period. But three-pointers by Markel Crawford, Trahson Burrell, and D’Marnier Cunningham helped the U of M to a 10-point lead (31-21) at the break.

USF scored the first seven points of the second half to close within three (31-28) and were down four (37-33) when the Tigers took off on a 24-4 tear. A pair of treys by Avery Woodson highlighted the run and helped make this the 14th blowout victory among the Tigers’ 15 wins. Woodson finished the game with 11 points.

Shaq Goodwin continues to fill what he can of the void left by Austin Nichols (out for a second game with an ankle injury). Goodwin scored a game-high 18 points a hauled in nine rebounds to lead the Tigers.

The Tiger bench combined for 32 points, Nick King leading the way with nine. Cunningham delivered the game’s top highlight with a breakaway dunk midway through the second half, well after the game had been decided.

The U of M controlled the ball well, coughing up only ten turnovers against 17 assists. Sophomore guard Jake McDowell got the first start of his college career.

Now 15-10 (7-5 in league play), the Tigers will play three of their next four games at FedExForum, each against an AAC title contender. Connecticut visits next Thursday for an 8 p.m. tip-off.